1495:
669:"shocked, mostly in a bad way" but also accepted "undeniably how great they were". Colbourn liked the new mixes on first hearing them, and though Slade and Kolderie were shocked to be sidelined, Kolderie accepted that Saint Germain had "solved some of the problems we had trying to mix it in Connecticut". Slade and Kolderie's mix was kept for the song "Frozen Lake".
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at greater expense than the original cost of recording, in which "the drive of the electric guitars was more important than the high-frequency excitement of the acoustic". Janovitz, who had originally pushed back against the remix and against Saint
Germain's bullish personality, was initially
663:
had become a hit, with drummer Tom
Maginnis leaving the studio to see Nirvana perform at a Boston club the night before the album's release. With the increased commercial potential of "alt rock" led by loud guitars, label Beggars Banquet encouraged the band to agree to a remix by
696:
that "I never thought of it as a stand-out single. It was pretty dark and depressing. It’s basically about being resigned, giving up, feeling older than your years, feeling apart and alienated." Nevertheless it has become a fan favorite, described by
647:
in
Cambridge where their previous albums had been recorded, and of which Slade and Kolderie were co-founders. Initial mixes were done by Slade and Kolderie at the Carriage House in Stamford, Connecticut, with the band encouraging them to emphasize
689:. The band received some criticism as "white guys exploiting the black experience" but liked, "in a twisted way", the "off-kilter" feeling created by a cover that did not represent the music on the album.
615:
and Stones" as influences; Janovitz would go on to write two books about the
Rolling Stones. The band's songwriting was also changed by Colbourn's increasing influence and Janovitz's use of a
692:"Taillights Fade", "Velvet Roof" and "Mineral" were released as singles from the album. The choice of the relatively downbeat "Taillights Fade" was a surprise to Janovitz, who told
1163:
1532:
708:
For the album's 25th anniversary in 2017, Beggars
Banquet released an expanded edition with an extra 10 tracks on vinyl, or 17 on digital versions, recorded live at
643:, a converted church described by Janovitz as " a really romantic setting and it lived up to its romanticism". The band then returned to Boston to do overdubs at
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1184:"It's 1992 and Buffalo Tom are mixing Hüsker Dü and Van Morrison to make one of the decade's greatest albums"
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as "the anthem for disaffected teens that no
Buffalo Tom show would be complete without" and by
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sounds over electric. The results were "pretty good" and the band "happy-ish" at the time.
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1160:"MAGNET Classics: The Making Of Buffalo Tom's "Let Me Come Over" - Magnet Magazine"
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1295:(pdf ed.). Mt. Martha, VIC, Australia: Moonlight Publishing. p. 45.
600:
935:
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814:
576:
278:
808:
795:
612:
720:
All songs written by Chris
Colbourn, Bill Janovitz, and Tom Maginnis.
804:
608:
549:
36:
631:, returned to produce the album with his long-term collaborator
1332:
1107:
Griffiths, Nick (April 1992). "Buffalo Tom: Let Me Come Over".
1328:
1013:
709:
419:
994:
Cameron, Keith (July 2017). "Buffalo Tom: Let Me Come Over".
583:
scene they emerged from, the band was ready to show off its
1080:"Let Me Come Over – 25th Anniversary Edition | Buffalo Tom"
705:
as "probably the song
Buffalo Tom are most renowned for.".
635:
and the band. Basic tracks were recorded in three days at
1266:"Buffalo Tom – Let Me Come Over 25th Anniversary edition"
1061:
King, Sam (April 1992). "Buffalo Tom: Let Me Come Over".
1506:
1501:
This 1990s alternative rock album–related article is a
1011:
Cameron, Keith (February 29, 1992). "Hangin' Buff".
1465:
1391:
1241:"FRED BROWN, STOCKMAN, BROKEN HILL, AUSTRALIA 1988"
207:
158:
132:
104:
88:
70:
56:
48:
35:
21:
1215:"Let Me Come Over Turns 25: DiS Meets Buffalo Tom"
940:"Buffalo Tom: Let Me Come Over (Beggars Banquet)"
1127:(July 2017). "Buffalo Tom: Let Me Come Over".
283:
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8:
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676:is taken from the February 1988 issue of
607:" and bassist Chris Colbourn crediting "
560:. It was released on March 10, 1992, by
1166:from the original on December 28, 2019.
901:
765:
1208:
1206:
1204:
968:"Buffalo Tom, 'Let Me Come Over,' RCA"
264:
7:
1491:
1489:
1562:Albums produced by Paul Q. Kolderie
285:
1582:1990s alternative rock album stubs
1505:. You can help Knowledge (XXG) by
1293:Australia's Music Charts 1988–2010
587:influences, with singer-guitarist
14:
1307:"LET ME COME OVER by BUFFALO TOM"
1182:Wilding, Philip (10 March 2022).
1078:Pearlman, Mischa (October 2017).
489:
451:
389:
356:
323:
1493:
1313:. The Official UK Charts Company
911:"Let Me Come Over – Buffalo Tom"
772:Not included on vinyl pressings.
575:After two albums co-produced by
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16:1992 studio album by Buffalo Tom
1030:"Buffalo Tom: Let Me Come Over"
839:– production, additional mixing
730:"Mountains of Your Head" – 3:22
1572:Beggars Banquet Records albums
966:Tinkham, Chris (May 2, 1992).
655:While recording was underway,
1:
1567:Albums produced by Sean Slade
1000:. No. 284. p. 102.
1133:. No. 242. p. 47.
637:Dreamland Recording Studios
579:and largely reflecting the
1598:
1488:
1113:. No. 22. p. 65.
1067:. No. 67. p. 70.
625:, Mascis's co-producer on
1366:
881:
869:
862:
859:
682:and shows Fred Brown, an
272:
269:
253:
218:
203:
166:
26:
842:Buffalo Tom – production
727:"Taillights Fade" – 3:44
884:Official Charts Company
570:Beggars Banquet Records
745:"I'm Not There" – 4:06
1162:. December 28, 2019.
757:"Saving Grace" – 3:14
684:Aboriginal Australian
1577:Situation Two albums
1291:Ryan, Gavin (2011).
1042:on November 19, 2001
754:"Frozen Lake" – 3:45
742:"Velvet Roof" – 3:55
260:Professional ratings
870:Australian Albums (
833:, additional mixing
751:"Porchlight" – 4:09
679:National Geographic
672:The cover photo by
645:Fort Apache Studios
261:
65:Fort Apache Studios
1552:Buffalo Tom albums
1421:Big Red Letter Day
1239:O'Brien, Michael.
259:
191:Big Red Letter Day
1514:
1513:
1483:
1482:
1474:Going Underground
1442:Three Easy Pieces
1028:Josephes, Jason.
973:Los Angeles Times
893:
892:
846:Ron Saint Germain
790:Chris Colbourn –
666:Ron Saint Germain
541:
540:
349:Los Angeles Times
257:
256:
224:"Taillights Fade"
213:Let Me Come Over
199:
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1414:Let Me Come Over
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1125:Deusner, Stephen
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1095:
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1085:Record Collector
1075:
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1051:
1049:
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1038:. Archived from
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837:Paul Q. Kolderie
773:
770:
748:"Stymied" – 4:18
733:"Mineral" – 4:32
724:"Staples" – 3:35
703:Drowned in Sound
641:Hurley, New York
633:Paul Q. Kolderie
554:alternative rock
545:Let Me Come Over
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80:Alternative rock
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1456:Quiet and Peace
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1311:Official Charts
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1272:. Beggars Group
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945:Chicago Tribune
938:(May 7, 1992).
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813:Tom Maginnis –
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760:"Crutch" – 4:03
718:
674:Michael O'Brien
650:acoustic guitar
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1378:Chris Colbourn
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1213:Gourlay, Dom.
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1088:. No. 471
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909:Deming, Mark.
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739:"Larry" – 5:32
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245:Released: 1992
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236:Released: 1992
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52:March 10, 1992
50:
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40:
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15:
13:
10:
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3:
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1397:
1396:
1394:
1392:Studio albums
1390:
1384:
1381:
1379:
1376:
1374:
1373:
1372:Bill Janovitz
1369:
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1017:. p. 32.
1016:
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868:
860:Chart (1992)
858:
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832:
828:
825:
824:
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819:
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812:
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806:
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801:Bill Janovitz
799:
797:
793:
789:
788:
784:
783:
779:
769:
766:
759:
756:
753:
750:
747:
744:
741:
738:
736:"Darl" – 2:50
735:
732:
729:
726:
723:
722:
721:
716:Track listing
715:
713:
711:
706:
704:
700:
695:
690:
688:
685:
681:
680:
675:
670:
667:
662:
658:
653:
651:
646:
642:
638:
634:
630:
629:
624:
620:
618:
614:
610:
606:
602:
598:
594:
590:
589:Bill Janovitz
586:
582:
581:hardcore punk
578:
573:
571:
567:
566:Situation Two
563:
559:
555:
551:
548:is the third
547:
546:
536:
534:
533:
529:
528:
524:
522:
521:
517:
516:
486:
484:
483:
479:
478:
448:
446:
445:
441:
440:
436:
434:
433:
429:
428:
424:
422:
421:
417:
416:
386:
384:
383:
379:
378:
353:
351:
350:
346:
345:
320:
318:
317:
313:
312:
282:
280:
277:
276:
268:
265:Review scores
263:
252:
239:
233:"Velvet Roof"
230:
221:
220:
217:
214:
210:
206:
202:
193:
192:
188:
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183:
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161:
157:
150:
148:
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143:
140:
139:
137:
135:
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125:
122:
120:
119:Situation Two
117:
115:
112:
111:
109:
107:
103:
91:
87:
81:
78:
77:
75:
73:
69:
66:
62:
59:
55:
51:
47:
43:
38:
34:
30:
25:
20:
1507:expanding it
1500:
1485:
1454:
1447:
1440:
1433:
1426:
1419:
1413:
1412:
1405:
1398:
1383:Tom Maginnis
1382:
1377:
1370:
1315:. Retrieved
1310:
1301:
1292:
1286:
1274:. Retrieved
1269:
1260:
1248:. Retrieved
1244:
1234:
1222:. Retrieved
1218:
1191:. Retrieved
1187:
1128:
1119:
1108:
1102:
1090:. Retrieved
1083:
1073:
1062:
1056:
1046:February 24,
1044:. Retrieved
1040:the original
1033:
1023:
1012:
1006:
995:
989:
977:. Retrieved
971:
961:
949:. Retrieved
943:
930:
918:. Retrieved
904:
768:
719:
707:
702:
698:
693:
691:
677:
671:
660:
654:
626:
621:
597:Van Morrison
585:classic rock
574:
552:by American
544:
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480:
442:
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418:
380:
347:
314:
212:
189:
181:
180:
171:
37:Studio album
1557:1992 albums
1428:Sleepy Eyed
1400:Buffalo Tom
1360:Buffalo Tom
882:UK Albums (
872:ARIA Charts
785:Buffalo Tom
562:RCA Records
558:Buffalo Tom
160:Buffalo Tom
151:Buffalo Tom
42:Buffalo Tom
1546:Categories
1270:The Arkive
896:References
831:production
827:Sean Slade
821:Production
623:Sean Slade
593:Neil Young
162:chronology
147:Sean Slade
1407:Birdbrain
1245:Instagram
1035:Pitchfork
936:Kot, Greg
865:position
780:Personnel
712:in 1992.
661:Nevermind
628:Birdbrain
601:Bob Dylan
432:Pitchfork
242:"Mineral"
173:Birdbrain
61:Dreamland
1164:Archived
915:AllMusic
848:– mixing
687:stockman
591:citing "
577:J Mascis
279:AllMusic
134:Producer
49:Released
39: by
1466:Singles
1435:Smitten
1317:13 June
1276:13 June
1250:14 June
1224:13 June
1193:13 June
1092:June 1,
979:June 1,
951:June 1,
920:May 26,
657:Nirvana
613:Beatles
209:Singles
195:(1993)
186:(1992)
177:(1990)
1188:Louder
1110:Select
853:Charts
809:vocals
805:guitar
796:vocals
699:Louder
694:Louder
605:Stones
603:, the
520:Select
437:7.9/10
273:Rating
270:Source
89:Length
57:Studio
1449:Skins
1130:Uncut
815:drums
609:Kinks
556:band
550:album
532:Uncut
211:from
106:Label
72:Genre
1503:stub
1319:2024
1278:2024
1252:2024
1226:2024
1195:2024
1094:2024
1048:2019
997:Mojo
981:2024
953:2024
922:2017
863:Peak
792:bass
617:capo
568:and
537:8/10
425:8/10
382:Mojo
63:and
1014:NME
889:49
877:81
710:ULU
659:'s
639:in
525:4/5
420:NME
114:RCA
1548::
1309:.
1268:.
1243:.
1217:.
1203:^
1186:.
1172:^
1139:^
1082:.
1032:.
970:.
942:.
913:.
886:)
874:)
829:–
807:,
803:–
794:,
619:.
611:,
599:,
595:,
572:.
564:,
98:12
94:51
1534:e
1527:t
1520:v
1509:.
1476:"
1472:"
1352:e
1345:t
1338:v
1321:.
1280:.
1254:.
1228:.
1197:.
1096:.
1064:Q
1050:.
983:.
955:.
924:.
444:Q
96::
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