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Life's Too Good

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394:. The figures depicted in the artwork are derivations of a signature he had which consisted of a character "made up of just a face, legs and a ." White stuck to using flat-color backgrounds; this discipline was born out of the need to keep printing costs as low as possible, and had previously been followed for the sleeve designs of the "Birthday" and "Coldsweat" singles. The album was issued in various color schemes, including green, yellow, blue and pink. 2459: 323: 632: 627: 594: 544: 622: 617: 612: 589: 584: 579: 574: 539: 534: 529: 524: 494: 489: 484: 479: 449: 444: 439: 434: 429: 2445: 721:, who wrote that the band's "sense of mischief isn't just playful—it's experimental and a little wicked. It's also so imperfectly realized that you have to infer it out from underneath their breathy swoops, willful shifts and starts, and translated lyrics—so imperfectly realized that most of their fans, critics included, barely notice it." 348:, unexpectedly got the attention of the British music press. Across the following months, the band reluctantly appeared on the covers of the United Kingdom's most prominent pop magazines and experienced "massive hype" which generated a wave of interest from the press and the public. Despite offers by major labels like 732:
is credited as the first Icelandic album "of its breed" to have a worldwide impact. In 2014, Treble wrote that the album " a larger interest towards the country’s popular and alternative music scenes alike." The album is considered a definite influence on all subsequent Icelandic popular music, and
31: 314:'s optimism, which is reflected in the album's title. Despite never having intended to be taken seriously, and because of the success of their debut and their contractual obligations, the Sugarcubes went on to release two further studio albums. 2696: 387:. To the band's frustration, the American media also focused on Björk. At the end of 1988, the Sugarcubes undertook an American tour, which evolved into an international tour catapulted by the album's growing sales. 704:
albums—that not only influence the creative underground but stretch the overall boundaries of rock." John Dougan praised Björk's vocals and the album's "strong" songs in a retrospective review for
356:, none of these labels were willing to give the Sugarcubes complete creative control, so the band decided to record the album themselves and release it on One Little Indian. 676:
gave the album an unconventional score of fifty out of ten, awarding ten points each for "cheekiness", "naughtiness", "sexiness", "silliness" and "scariness". Nancy Culp of
2742: 759: 364:'s remix of "Birthday" (subtitled the "Christmas Mix") was released as a single in August 1988. "Motorcrash" followed as the album's final single in November 1988. 2737: 360:
was finally released in April 1988. "Coldsweat" and "Deus" were issued as singles prior to the album's release in January and April 1988 respectively, while
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division; he orchestrated a licensing deal and the album was released in the United States. "Birthday" proved to be very successful on American
2174: 2117: 2262: 2064: 1997: 2201: 749:. The album helped in regarding the Sugarcubes as "the biggest rock band to emerge from Iceland." "Coldsweat" was covered by the 2732: 2605: 682:
said that while the Sugarcubes' music is not particularly innovative, "their approach is fresh and their energy indisputable."
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in the US. The album was an unexpected success and brought international attention for the band, especially to lead singer
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was released to largely positive reviews, receiving acclaim from the British and American press. In his review for
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Blyweiss, Adam; Bossenger, Alex; Grotepas, Nicole; Speranza, Greg; Terich, Jeff (5 June 2014).
1778: 2669: 2563: 2485: 2450: 2258: 2092: 2060: 1993: 1989: 1873: 1782: 1655: 1395: 1029: 964: 717: 697: 684: 653: 470: 2125: 2014: 1806: 2417: 2083: 1924: 712: 515: 384: 280: 2503: 2305:"Chartifacts – Week Ending 1 March 1992 Issue No.109 (from The ARIA Report Issue No. 109)" 2019: 1975: 1971: 1967: 1919: 1503: 754: 750: 603: 372: 292: 133: 123: 2329: 2151: 2539: 1864: 1771: 1593: 830: 746: 734: 689: 284: 198: 156: 43: 2716: 2121: 2056: 2046: 1952: 1524: 1441: 701: 678: 553: 380: 146: 322: 2464: 2358: 2087: 1898: 1201: 949: 916: 673: 110: 303: 2701: 2686: 2458: 1621: 1493: 1445: 141: 82: 2440: 2227: 1659: 2042: 311: 307: 87: 745:
has generated a dedicated following, and is nowadays cited as an important
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sound that characterised the scene, intending to create a humorous take on
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has the feel of an impact album: one of those rare debuts—like the first
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declared it "Single of the Week", the Sugarcubes, especially lead singer
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1001 Albums You Must Hear Before You Die: Revised and Updated Edition
1835:"The strange genius of The Sugarcubes' Life's Too Good, 27 years on" 708:, and considered that the album "lived up to all the advance hype." 321: 38: 2508: 2304: 1950:
Culp, Nancy (30 April 1988). "The Sugarcubes: Life's Too Good".
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All Access: The Making of Thirty Extraordinary Graphic Designers
996: 2512: 371:, the Sugarcubes had befriended Howard Thompson, who worked in 1903: 934: 882: 503: 340: 2175:"From Fugazi to Madvillain: the Best Cult Albums of All Time" 306:'s early 1980s rock culture, the band took elements of the 1654:. London, England, U.K.: Spotlight Publications, Ltd.: 3. 2697:
Björk Guðmundsdóttir & tríó Guðmundar Ingólfssonar
299:, who would launch a successful solo career in 1993. 2679: 2647: 2622: 2590: 1348: 1340: 1244: 1236: 1077: 1069: 197: 155: 132: 109: 93: 81: 58: 50: 37: 23: 1770: 390:Paul White of Me Company designed the artwork for 2253:Robert Dimery; Michael Lydon (7 February 2006). 1617:"25 Years On: Life's Too Good By The Sugarcubes" 760:Shut Up Kitty: A Cyber-Based Covers Compilation 426: 2524: 2145: 2143: 1429:Engineering – Brian Pugsley, Gail Lambourne, 8: 2279:"Treble's Best Albums of the '80s: Part Two" 609: 571: 521: 476: 2208:. No. December 24/31. 1988. p. 56 1800: 1798: 338:in August 1987. After influential magazine 2531: 2517: 2509: 2088:"Christgau's Consumer Guide: Turkey Shoot" 1764: 1762: 1760: 1758: 1739: 1737: 1735: 1725: 1723: 1721: 1719: 1691: 1689: 1687: 1542: 1473: 770: 401: 29: 20: 1046:(*) designates lists that are unordered. 2403: 2401: 2112: 2110: 1901:(30 April 1988). "Life's Sweet Riches". 1382:Credits adapted from the liner notes of 1328: 1224: 1060: 1058:All tracks are written by the Sugarcubes 983:1001 Albums You Must Hear Before You Die 835:300+ Best Albums in the History of Rock 291:in the UK and Europe and in May 1988 by 1582: 1363: 1314: 1210: 18:1988 studio album by the Sugarcubes 2743:Albums recorded at Berry Street Studio 2228:"NME's best albums and tracks of 1988" 2023:. Vol. 23, no. 6. p. 74 1893: 1891: 1869:"Sugarcubes' Demons, Doubts and Humor" 1859: 1857: 2738:One Little Independent Records albums 2078: 2076: 1945: 1943: 1364: 1315: 1211: 407: 7: 2491:statistics, tagging and previews at 2357:. Cherry Red Records. Archived from 1643:Dalton, David, ed. (23 April 1988). 1588: 1586: 1437:, Kjartan Kjartansson, Mel Jefferson 1017:The Best Albums of the 80s, by Year 287:. It was released April 25, 1988 by 428: 2410:"Marketing The Music - Sugarcubes" 2124:. Wenner Media LLC. Archived from 1920:"Life's Too Good | The Sugarcubes" 1807:"Life's Too Good – The Sugarcubes" 1769:Bucher, Stefan (1 February 2006). 334:" was released on Derek Birkett's 14: 2408:Tilli, Robert (8 February 1992). 2330:"Official Charts > Sugarcubes" 2173:Butler, Will (9 September 2015). 1981:The New Rolling Stone Album Guide 1615:Mackay, Emily (29 October 2013). 611: 573: 523: 478: 2457: 2443: 2381:"The Sugarcubes - Chart history" 1833:Scott, Hayley (17 August 2015). 1777:. Rockport Publishers. pp.  1189:"F***ing in Rhythm & Sorrow" 819:Top 20 Albums by Year 1964–2004 630: 625: 620: 615: 610: 592: 587: 582: 577: 572: 542: 537: 532: 527: 522: 492: 487: 482: 477: 447: 442: 437: 432: 427: 2606:Here Today, Tomorrow Next Week! 181:Here Today, Tomorrow Next Week! 2334:The Official UK Charts Company 1918:Atkins, Jamie (October 2015). 1341: 1237: 1070: 733:on international acts such as 245:"Birthday (The Christmas Mix)" 1: 2638:The Great Crossover Potential 2152:"10 Essential Iceland albums" 2052:Spin Alternative Record Guide 1970:(2004). "The Sugarcubes". In 1001:Top 100 Records from the 80s 642:Spin Alternative Record Guide 566:The Rolling Stone Album Guide 276:is the debut studio album by 2013:Reilly, Phoebe (June 2007). 1531: 1517: 1507: 1497: 1200:"Take Some Petrol Darling" ( 2759: 383:, before crossing over to 302:Consisting of veterans of 2546: 2045:(1995). "Sugarcubes". In 1602:One Little Indian Records 1567: 1559: 1554: 1551: 1522: 1512: 1502: 1492: 1465:Distribution – The Cartel 1455:One Little Indian Records 1353: 1345: 1304: 1293: 1282: 1271: 1260: 1249: 1241: 1196: 1185: 1174: 1163: 1152: 1141: 1130: 1119: 1104: 1093: 1082: 1074: 1045: 1027: 1011: 995: 977: 974: 962: 954: 947: 932: 921: 914: 901: 893: 890: 880: 864: 850: 845: 829: 815: 801: 796: 415: 412: 336:One Little Indian Records 265: 208: 193: 163: 65:Studio Sýrland, Reykjavík 28: 1459:Publishing – Second Wind 870:Most Recommended Albums 739:Florence and the Machine 362:the Jesus and Mary Chain 2049:; Marks, Craig (eds.). 1494:Australian Albums Chart 257:Released: November 1988 74:Orinoco Studios, London 2733:Elektra Records albums 2556:Einar Örn Benediktsson 2154:. Treble. Treble Media 1475:Chart performance for 1417:Einar Örn Benediktsson 1335:– Japanese bonus track 327: 326:The Sugarcubes in 1988 230:Released: January 1988 2723:The Sugarcubes albums 2572:Sigtryggur Baldursson 2568:Margrét Örnólfsdóttir 1514:UK Indie Albums Chart 1402:Sigtryggur Baldursson 1357:"Traitor" (Icelandic) 741:. Since its release, 325: 248:Released: August 1988 221:Released: August 1987 2692:Bad Taste/Smekkleysa 2613:Stick Around for Joy 2582:Einar Arnaldur Melax 2551:Björk Guðmundsdóttir 2202:"Albums of the Year" 2086:(29 November 1988). 2059:. pp. 381–382. 2015:"Discography: Björk" 1986:Simon & Schuster 1840:The Line of Best Fit 1424:Additional personnel 1411:Björk Guðmundsdóttir 1275:"Dragon" (Icelandic) 1231:– US CD bonus tracks 847:Musik Express/Sounds 459:The Line of Best Fit 403:Professional ratings 239:Released: April 1988 2285:. 11 September 2006 1679:Released 25th April 1548: 1479: 1462:Design – Me Company 1450:Sleeve – Paul White 1337: 1297:"Coldsweat" (Remix) 1233: 1066: 1035:Albums of the Year 955:Albums of the Year 940:Albums of the Year 925:Albums of the Year 891:Albums of the Year 866:RoRoRo Rock-Lexicon 854:Albums of the Year 805:Albums of the Year 776: 711:Less impressed was 404: 69:Berry Street Studio 2578:Friðrik Erlingsson 2481:(list of releases) 1752:Pytlik, 2003. p.44 1743:Pytlik, 2003. p.42 1729:Pytlik, 2003. p.41 1713:Pytlik, 2003. p.40 1704:Pytlik, 2003. p.39 1695:Pytlik, 2003. p.38 1543: 1474: 1413:– vocals, keyboard 1407:Þór Eldon – guitar 1329: 1225: 1061: 816:Christophe Brault 771: 757:on the 1993 album 402: 398:Critical reception 328: 2728:1988 debut albums 2710: 2709: 2670:Leash Called Love 2560:Þór Eldon Jónsson 2451:Rock music portal 2418:Music & Media 2234:. 10 October 2016 2118:"Björk Biography" 2093:The Village Voice 2084:Christgau, Robert 1874:Los Angeles Times 1575: 1574: 1536: 1535: 1419:– vocals, trumpet 1374: 1373: 1325: 1324: 1286:"Cat" (Icelandic) 1221: 1220: 1123:"Delicious Demon" 1050: 1049: 1030:The Village Voice 718:The Village Voice 685:Los Angeles Times 663: 662: 654:The Village Voice 471:Los Angeles Times 330:The lead single " 289:One Little Indian 269: 268: 189: 188: 119:One Little Indian 2750: 2533: 2526: 2519: 2510: 2490: 2467: 2462: 2461: 2453: 2448: 2447: 2446: 2431: 2430: 2428: 2426: 2414: 2405: 2396: 2395: 2393: 2391: 2377: 2371: 2370: 2368: 2366: 2355:"Indie Hits "S"" 2351: 2345: 2344: 2342: 2340: 2326: 2320: 2319: 2317: 2315: 2301: 2295: 2294: 2292: 2290: 2275: 2269: 2268: 2250: 2244: 2243: 2241: 2239: 2224: 2218: 2217: 2215: 2213: 2198: 2192: 2191: 2189: 2187: 2170: 2164: 2163: 2161: 2159: 2147: 2138: 2137: 2135: 2133: 2114: 2105: 2104: 2102: 2100: 2080: 2071: 2070: 2039: 2033: 2032: 2030: 2028: 2010: 2004: 2003: 1984:(4th ed.). 1976:Hoard, Christian 1972:Brackett, Nathan 1968:Considine, J. D. 1964: 1958: 1957: 1947: 1938: 1937: 1935: 1933: 1925:Record Collector 1915: 1909: 1908: 1895: 1886: 1885: 1883: 1881: 1867:(12 June 1988). 1861: 1852: 1851: 1849: 1847: 1830: 1824: 1823: 1821: 1819: 1802: 1793: 1792: 1776: 1766: 1753: 1750: 1744: 1741: 1730: 1727: 1714: 1711: 1705: 1702: 1696: 1693: 1682: 1681: 1676: 1674: 1668: 1662:. Archived from 1649: 1640: 1634: 1633: 1631: 1629: 1612: 1606: 1605: 1590: 1549: 1480: 1367: 1343: 1338: 1336: 1318: 1239: 1234: 1232: 1214: 1072: 1067: 777: 713:Robert Christgau 692:commented that " 635: 634: 633: 629: 628: 624: 623: 619: 618: 614: 613: 597: 596: 595: 591: 590: 586: 585: 581: 580: 576: 575: 547: 546: 545: 541: 540: 536: 535: 531: 530: 526: 525: 516:Record Collector 497: 496: 495: 491: 490: 486: 485: 481: 480: 452: 451: 450: 446: 445: 441: 440: 436: 435: 431: 430: 405: 385:mainstream radio 367:While recording 281:alternative rock 258: 255: 249: 246: 240: 237: 231: 228: 222: 219: 203:Life's Too Good 165: 164: 105: 104: 100: 33: 21: 2758: 2757: 2753: 2752: 2751: 2749: 2748: 2747: 2713: 2712: 2711: 2706: 2675: 2643: 2618: 2599:Life's Too Good 2586: 2542: 2537: 2504:Rate Your Music 2499:Life's Too Good 2487:Life's Too Good 2484: 2474:Life's Too Good 2463: 2456: 2449: 2444: 2442: 2439: 2434: 2424: 2422: 2412: 2407: 2406: 2399: 2389: 2387: 2379: 2378: 2374: 2364: 2362: 2361:on 20 July 2009 2353: 2352: 2348: 2338: 2336: 2328: 2327: 2323: 2313: 2311: 2303: 2302: 2298: 2288: 2286: 2277: 2276: 2272: 2265: 2252: 2251: 2247: 2237: 2235: 2226: 2225: 2221: 2211: 2209: 2200: 2199: 2195: 2185: 2183: 2172: 2171: 2167: 2157: 2155: 2149: 2148: 2141: 2131: 2129: 2116: 2115: 2108: 2098: 2096: 2082: 2081: 2074: 2067: 2041: 2040: 2036: 2026: 2024: 2012: 2011: 2007: 2000: 1966: 1965: 1961: 1949: 1948: 1941: 1931: 1929: 1917: 1916: 1912: 1897: 1896: 1889: 1879: 1877: 1865:Hilburn, Robert 1863: 1862: 1855: 1845: 1843: 1832: 1831: 1827: 1817: 1815: 1804: 1803: 1796: 1789: 1768: 1767: 1756: 1751: 1747: 1742: 1733: 1728: 1717: 1712: 1708: 1703: 1699: 1694: 1685: 1672: 1670: 1669:on 9 March 2021 1666: 1647: 1645:"Advertisement" 1642: 1641: 1637: 1627: 1625: 1614: 1613: 1609: 1600:(Media notes). 1598:Life's Too Good 1592: 1591: 1584: 1580: 1546:Life's Too Good 1541: 1504:UK Albums Chart 1487: 1477:Life's Too Good 1472: 1384:Life's Too Good 1380: 1375: 1365: 1334: 1331:Life's Too Good 1326: 1316: 1230: 1227:Life's Too Good 1222: 1212: 1178:"Sick for Toys" 1156:"Blue Eyed Pop" 1063:Life's Too Good 1055: 922:United Kingdom 774:Life's Too Good 769: 751:industrial rock 743:Life's Too Good 730:Life's Too Good 727: 694:Life's Too Good 666:Life's Too Good 631: 626: 621: 616: 593: 588: 583: 578: 543: 538: 533: 528: 493: 488: 483: 448: 443: 438: 433: 400: 392:Life's Too Good 373:Elektra Records 369:Life's Too Good 358:Life's Too Good 320: 293:Elektra Records 273:Life's Too Good 261: 256: 253: 252: 247: 244: 243: 238: 235: 234: 229: 226: 225: 220: 213: 212: 184: 175: 172:Life's Too Good 151: 128: 102: 98: 97: 77: 46: 24:Life's Too Good 19: 12: 11: 5: 2756: 2754: 2746: 2745: 2740: 2735: 2730: 2725: 2715: 2714: 2708: 2707: 2705: 2704: 2699: 2694: 2689: 2683: 2681: 2677: 2676: 2674: 2673: 2666: 2659: 2651: 2649: 2645: 2644: 2642: 2641: 2634: 2626: 2624: 2620: 2619: 2617: 2616: 2609: 2602: 2594: 2592: 2588: 2587: 2585: 2584: 2579: 2575: 2574: 2569: 2566: 2564:Bragi Ólafsson 2561: 2558: 2553: 2547: 2544: 2543: 2540:The Sugarcubes 2538: 2536: 2535: 2528: 2521: 2513: 2507: 2506: 2495: 2482: 2469: 2468: 2454: 2438: 2437:External links 2435: 2433: 2432: 2397: 2372: 2346: 2321: 2296: 2270: 2263: 2245: 2219: 2193: 2165: 2139: 2128:on 7 July 2011 2106: 2072: 2065: 2047:Weisbard, Eric 2034: 2005: 1998: 1959: 1939: 1928:. No. 445 1910: 1887: 1853: 1825: 1805:Dougan, John. 1794: 1787: 1754: 1745: 1731: 1715: 1706: 1697: 1683: 1635: 1607: 1594:The Sugarcubes 1581: 1579: 1576: 1573: 1572: 1569: 1565: 1564: 1561: 1560:United States 1557: 1556: 1553: 1540: 1537: 1534: 1533: 1530: 1520: 1519: 1516: 1510: 1509: 1506: 1500: 1499: 1496: 1490: 1489: 1484: 1471: 1468: 1467: 1466: 1463: 1460: 1457: 1451: 1448: 1438: 1431:Gerard Johnson 1421: 1420: 1414: 1408: 1405: 1399: 1396:Bragi Ólafsson 1390:The Sugarcubes 1379: 1376: 1372: 1371: 1368: 1362: 1361: 1358: 1355: 1351: 1350: 1347: 1344: 1327: 1323: 1322: 1319: 1313: 1312: 1309: 1308:"Deus" (Remix) 1306: 1302: 1301: 1298: 1295: 1291: 1290: 1287: 1284: 1280: 1279: 1276: 1273: 1269: 1268: 1265: 1262: 1258: 1257: 1254: 1251: 1247: 1246: 1243: 1240: 1223: 1219: 1218: 1215: 1209: 1208: 1205: 1198: 1194: 1193: 1190: 1187: 1183: 1182: 1179: 1176: 1172: 1171: 1168: 1165: 1161: 1160: 1157: 1154: 1150: 1149: 1146: 1143: 1139: 1138: 1135: 1132: 1128: 1127: 1124: 1121: 1117: 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Index


Studio album
the Sugarcubes
Berry Street Studio
Genre
Post-punk
Label
One Little Indian
Elektra
Producer
Ray Shulman
Derek Birkett
The Sugarcubes
Here Today, Tomorrow Next Week!
Singles
Birthday
Icelandic
alternative rock
the Sugarcubes
One Little Indian
Elektra Records
Björk
Reykjavík
post-punk
pop music

Birthday
One Little Indian Records
NME
Björk

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