33:
61:, "an extraordinary capacity ... for seizing on and assimilating whatever in a newly encountered style (was) most useful to him". In a letter to his father, dated 7 February 1778, Mozart wrote, "As you know, I can more or less adopt or imitate any kind and style of composition". He used this gift to break new ground, becoming simultaneously "assimilator, perfector and innovator". Thus, his early works follow the traditional forms of the Italian
4102:
162:
4140:
4128:
4152:
53:
comprise 22 musical dramas in a variety of genres. They range from the small-scale, derivative works of his youth to the full-fledged operas of his maturity. Three of the works were abandoned before completion and were not performed until many years after the composer's death. His mature works are
177:
The list includes all the theatrical works generally accepted as composed by
Wolfgang Amadeus Mozart. In this context "theatrical" means performed on a stage, by vocalists singing in character, in accordance with stage directions. Some sources have adopted more specific criteria, leading them to
112:
Ideas and characterisations introduced in the early works were subsequently developed and refined. For example, Mozart's later operas feature a series of memorable, strongly drawn female characters, in particular the so-called "Viennese soubrettes" who, in opera writer
152:
writes, "it is possible that Da Ponte understood the dramatic necessities of Mozart's style without prompting; but before his association with da Ponte, Mozart had already bullied several librettists into giving him the dramatically shaped ensembles he loved."
188:. However, as Osborne makes clear, the libretto contains stage directions which suggest that the work was acted, not merely sung, and it is formally described as a "geistliches Singspiel" (sacred play with music), not as an oratorio. The Singspiel
2368:
One mezzo-soprano role, depicting the male character Annio, was originally a castrato and is now done by mezzos. The role of Sesto (Sextus) was originally written by Mozart for a tenor before he found out it had been assigned to a mezzo
117:'s phrase, "contrive to combine charm with managerial instinct". Music writer and analyst Gottfried Kraus has remarked that all these women were present, as prototypes, in the earlier operas; Bastienne (1768), and Sandrina (
3829:
2328:
For the Vienna premiere, six months later, certain changes were introduced, mainly to accommodate the ranges of a different group of singers. Modern performances generally conflate the Prague and Vienna
148:
of 1783/84 has now been generally rejected. Mozart felt that, as the composer, he should have considerable input into the content of the libretto, so that it would best serve the music. Musicologist
3859:
4174:
3689:
2032:
and first published in 1862. The catalogue has been revised several times, most recently in 1964. The first number refers to K, the original numbering; the second to K from 1964.
3258:
3801:
3723:
488:
1338:
1274:
4036:
3821:
3869:
2284:
The role of
Idamante, originally written for castrato, was rewritten by Mozart as a tenor role in 1786. Also, the role of Arbace is sometimes sung by a tenor.
3635:
4179:
4072:
3864:
3854:
3844:
123:, 1774) are precedents for the later Constanze and Pamina, while Sandrina's foil Serpetta is the forerunner of Blonde, Susanna, Zerlina and Despina.
4077:
3251:
3766:
3716:
3517:
2935:
4184:
3535:
3244:
3796:
3662:
3286:
322:
180:
3184:
3158:
3136:
3114:
3088:
3055:
3025:
2999:
2961:
2913:
2886:
2867:
3571:
194:
was written in collaboration with four other composers, so it is only partially credited to Mozart who only contributed one aria.
4105:
3879:
3874:
3811:
3709:
3598:
3416:
1888:
1164:
2987:
114:
2975:
1682:
3626:
1599:
1471:
1450:
1152:
892:
828:
560:
4118:
1800:
1740:
1535:
1403:
1346:
1282:
1220:
1083:
1024:
961:
776:
701:
642:
500:
442:
374:
3589:
3035:
1193:
126:
Mozart's texts came from a variety of sources, and the early operas were often adaptations of existing works. The first
3966:
3653:
3039:
2971:
240:
commission, which was completed and performed first and is usually listed as the earlier work despite having a higher
2029:
1863:
According to some recent scholarship, the unknown
Italian poet responsible for the text is more likely to have been
3791:
166:
1905:"Gebotes" or "Gebottes" are archaic spelling variants of the modern "Gebots" which is regularly used in the title.
4067:
1065:
1016:
597:
2302:
Two soprano soloists from the chorus sing the duet of the servant girls, "Amanti, costanti" in the act 3 finale.
3960:
3756:
3644:
1634:
994:
602:
202:
In general, the list follows the sequence in which the operas were written. There is uncertainty about whether
2223:
220:
was written in two segments, the earlier in 1774, but is listed in accordance with its completion in 1779–80.
882:
348:
4087:
3839:
3732:
3526:
3268:
2058:
46:
999:
4132:
4041:
3751:
3562:
3456:
3446:
3326:
1792:
1675:
1415:
1358:
572:
435:
3746:
3386:
3306:
3124:
2874:
2231:
2097:
1864:
1326:
1199:
973:
866:
454:
215:
210:
58:
353:
32:
2319:, p. 326) states: "It is fruitless to argue against the habits of opera houses around the world".
1804:
1744:
1603:
1539:
1475:
1224:
378:
4031:
3806:
3776:
3366:
3346:
3296:
3146:
1916:
1893:
1615:
1514:
1395:
1263:
1144:
1120:
930:
877:
840:
713:
390:
190:
142:, his "true phoenix". The once widely held theory that Da Ponte was the librettist for the discarded
131:
119:
95:
character in Donna Elvira. Unique among composers, Mozart ended all his mature operas, starting with
3978:
3913:
3906:
3900:
3781:
3486:
3210:
2102:
2025:
1985:
1781:
1721:
1695:
1664:
1646:
1444:
817:
805:
690:
631:
618:
241:
228:
2848:
3972:
3884:
3230:
3072:
3047:
1925:
1384:
1189:
3426:
1236:
38:
3948:
3942:
3771:
3580:
3476:
3316:
3180:
3154:
3132:
3110:
3084:
3051:
3021:
2995:
2957:
2931:
2909:
2882:
2863:
1868:
1551:
1110:
795:
753:
743:
512:
204:
54:
all considered classics and have never been out of the repertory of the world's opera houses.
4046:
3996:
3954:
3834:
3761:
3226:
2339:
2227:
1638:
1580:
1508:
1504:
1440:
1322:
537:
492:
139:
2896:
Dell'Antonio, Andrew (1996). "Il
Compositore Deluso: The Fragments of Mozart's Comic Opera
4051:
3786:
3682:
3607:
3496:
3436:
3336:
2945:
1873:
1756:
1732:
1642:
1527:
1294:
1124:
728:
679:
654:
608:
222:
144:
74:
3233:, source evaluation (German only), links to online DME recordings; Digital Mozart Edition
3222:
2083:
Premiered with an all-male cast, the soprano and alto parts being sung by boy choristers.
1886:
For two instances in which Mozart coaxed his librettists into reshaping their work, see
17:
3936:
3215:
3173:
3168:
2950:
2923:
2136:
The soprano roles of Sifare and Arbate, and the alto role of
Farnace, were written for
1570:
1494:
1251:
1130:
934:
855:
669:
2853:
4168:
4082:
4008:
4002:
3928:
3553:
3376:
3098:
3077:
3014:
3009:
2901:
2054:
904:
541:
421:
149:
3236:
3103:
1989:. In instances where the English meaning is unclear, an English equivalent is given.
4156:
4144:
4014:
3990:
3984:
3466:
3201:
2120:
2116:
1487:
411:
161:
79:
1983:
Unless indicated otherwise, these descriptions are taken from the title pages of
3356:
1957:
may have been performed in
October 1768. It is entirely possible, however, that
1710:
1591:
1463:
1430:
1309:
1212:
788:
612:
587:
527:
102:
77:, he "enhanced all of these forms with the richness of his innovation", and, in
66:
62:
1844:
3544:
2124:
1771:
1652:
1630:
1374:
1179:
1076:
1055:
469:
338:
70:
2293:
One speaking role, that of a sailor, is absent from most modern productions
2183:, p. 296) says: "There is no record it was actually performed in 1772"
3701:
138:
in 1781. Five years later, he began his most enduring collaboration, with
3406:
2206:
2137:
1095:
1036:
954:
919:
769:
732:
553:
367:
185:
127:
106:
97:
1786:
6 soprano, 2 mezzo-soprano, 1 alto, 4 tenor, 1 baritone, 4 bass, chorus
2070:
Weiser is the most likely of several possible authors of the text; see
4139:
2011:
Unless noted otherwise, details of first performances are as given by
1070:
1 soprano, 2 tenor, 2 bass, mini-chorus of 4 tenors, 1 speaking role
940:
747:
2928:
The Man Who Wrote Mozart: The extraordinary life of
Lorenzo Da Ponte
3396:
3050:
Library of Essays in Opera
Studies (reprint ed.). Routledge.
1048:
821:
694:
635:
160:
50:
31:
2355:, p. 177) gives: "That is what all women do". The subtitle,
2166:
The soprano roles of
Ascanio and Fauno were written for castrati.
83:, he achieved a synthesis of the two Italian styles, including a
1137:
3 soprano, 1 mezzo-soprano, 4 tenor, 1 baritone, 2 bass, chorus
415:
3705:
3240:
2002:. Additional notes indicate roles originally sung by castrati.
57:
From a very young age, Mozart had, according to opera analyst
2389:
2387:
2385:
2041:
Unless noted otherwise, librettist details are as given by
1851:
had been written in 1751 and had been set to music before.
2359:, is more easily translatable as "The School for lovers".
1892:(which quotes Mozart's correspondence on this point) and
1200:
Belmont und
Constanze, oder Die EntfĂĽhrung aus dem Serail
2119:). Dr Franz Anton Mesmer was the founder of the form of
1669:
3 soprano, 2 tenor, 2 baritone, 1 bass, 1 speaking role
2479:
2477:
2192:
The soprano role of Cecilio was written for a castrato.
2404:
2402:
2243:
The soprano role of Ramiro was written for a castrato.
1681:
K.592a (duet "Nun, liebes Weibchen, ziehst mit mir") (
4116:
2351:
This is an approximate translation from the Italian.
332:
The obligation of the first and foremost commandment)
214:, and in some listings the former is given priority.
2252:
The soprano role of Aminta was written for castrato.
1949:
Both were written in 1768. The first performance of
1726:
2 soprano, 2 mezzo-soprano, 1 tenor, 1 bass, chorus
4060:
4024:
3927:
3893:
3820:
3739:
3674:
3618:
3508:
3275:
2115:possibly Vienna, October 1768, in the garden of Dr
3172:
3102:
3076:
3013:
2949:
2906:Wolfgang Amadé Mozart: Essays on His Life and Work
1268:(Provisional) 4 soprano, 2 tenor, 2 bass, chorus
91:characters in Leporello and Zerlina, and a mixed
4175:Lists of compositions by Wolfgang Amadeus Mozart
2772:
2520:
2209:on 1 May 1780. The German version, now known as
1859:
1857:
1585:3 soprano, 1 tenor, 1 baritone, 1 bass, chorus
1521:3 soprano, 1 tenor, 1 baritone, 3 bass, chorus
1457:5 soprano, 2 tenor, 1 baritone, 3 bass, chorus
2976:"Musing on Mozart and Studying with Boulanger"
428:2 treble, 2 boy alto, 1 tenor, 2 bass, chorus
130:chosen by Mozart himself appears to have been
3717:
3252:
3016:The Classical Style: Haydn, Mozart, Beethoven
2262:
2260:
2258:
1693:
1549:
1512:
1485:
1413:
1389:2 soprano, 1 tenor, 1 bass, 6 speaking roles
1292:
1234:
1206:2 soprano, 2 tenor, 1 bass, 2 speaking roles
1093:
938:
902:
838:
786:
711:
652:
570:
510:
73:. In his maturity, according to music writer
8:
3109:. Berkeley: University of California Press.
1754:
1613:
1448:
1356:
1197:
1162:
1128:
1046:
971:
616:
452:
320:
2092:The text was derived from a French parody,
1914:Kenyon begins his guide to the operas with
988:Choruses and entr'actes for a heroic drama
751:
419:
388:
3890:
3724:
3710:
3702:
3259:
3245:
3237:
2313:Il dissoluto punito, ossia Il Don Giovanni
2157:, p. 63) calls it a "pastoral opera".
268:
236:was started earlier and put aside for the
2175:Details of first performance are obscure.
1974:Period during which the opera was written
1451:La folle journée, ou le Mariage de Figaro
1332:(Provisional) 3 soprano, 2 tenor, 2 bass
165:Mozart circa 1780, detail of portrait by
1021:
36:Playbill for the opening performance of
4123:
2832:
2808:
2796:
2784:
2760:
2748:
2736:
2712:
2688:
2676:
2652:
2616:
2592:
2580:
2568:
2507:Letter to his father, c. 1774, in
2456:
2432:
2381:
2266:Not performed during Mozart's lifetime.
2176:
2154:
2071:
2042:
2012:
1999:
1962:
1929:
1834:, for which Mozart wrote only one aria.
1823:
3527:Der Hölle Rache kocht in meinem Herzen
2820:
2724:
2700:
2664:
2628:
2604:
2556:
2544:
2508:
2495:
2483:
2468:
2420:
2408:
2393:
2352:
2316:
2222:The libretto was formerly credited to
2180:
2640:
2532:
2444:
2201:Mozart prepared a Singspiel version,
1998:Voice part summaries are as given by
178:exclude the early "Sacred Singspiel"
7:
1953:was delayed until May 1779, whereas
2908:. London: Oxford University Press.
2860:Opera: Composers, Works, Performers
871:4 soprano, 2 tenor, 1 bass, chorus
3287:Die Schuldigkeit des ersten Gebots
2952:The Pegasus Pocket Guide to Mozart
2862:(English ed.). Cologne: Könemann.
2094:Les amours de Bastien et Bastienne
1924:, seemingly following the view of
1339:Théâtre des Fantaisies-Parisiennes
1275:Théâtre des Fantaisies-Parisiennes
323:Die Schuldigkeit des ersten Gebots
270:Operas by Wolfgang Amadeus Mozart
181:Die Schuldigkeit des ersten Gebots
25:
4180:Operas by Wolfgang Amadeus Mozart
3536:Dies Bildnis ist bezaubernd schön
3079:Mozart's Operas: A Critical Study
2179:gives dates "29 April or 1 May",
27:Operas by Wolfgang Amadeus Mozart
4150:
4138:
4126:
4101:
4100:
3961:Maria Anna Thekla Mozart (Bäsle)
3599:O zittre nicht, mein lieber Sohn
2980:The Boston Musical Intelligencer
2275:The exact location is unrecorded
1920:; Cairns more or less dismisses
1867:, who initially prepared it for
479:F. W. Weiskern and J. H. Muller
301:
4078:Beethoven–Haydn–Mozart Memorial
1173:The Abduction from the Seraglio
3572:Madamina, il catalogo è questo
2311:The full name of the opera is
2149:In Italian this translates to
2028:of Mozart's work, prepared by
294:
1:
3637:Die EntfĂĽhrung aus dem Serail
3417:Die EntfĂĽhrung aus dem Serail
2992:The Complete Operas of Mozart
1889:Die EntfĂĽhrung aus dem Serail
1165:Die EntfĂĽhrung aus dem Serail
3987:(paternal great-grandfather)
3830:Concert arias, songs, canons
3590:O, wie will ich triumphieren
2024:Köchel numbers refer to the
1321:Unknown. Once attributed to
208:was written before or after
184:, which they classify as an
4185:Lists of operas by composer
3967:Franz Xaver Wolfgang Mozart
3949:Maria Anna Mozart (Nannerl)
3179:. Oxford University Press.
3083:. Oxford University Press.
2994:. London: Victor Gollancz.
2956:. New York: Pegasus Books.
811:4 soprano, 2 tenor, chorus
684:4 soprano, 1 tenor, chorus
625:4 soprano, 1 alto, 2 tenor
581:Mithridates, King of Pontus
546:3 soprano, 2 tenor, 2 bass
482:1 soprano, 1 tenor, 1 bass
232:were written concurrently.
4201:
3175:The Mozart–Da Ponte Operas
3044:Essays on Opera, 1750–1800
1006:Soprano, alto, tenor, bass
167:Johann Nepomuk della Croce
4096:
4073:Mozart in popular culture
3885:Relationship with G minor
2881:. London: Penguin Books.
2230:, but is now credited to
1066:Johann Andreas Schachtner
1005:
995:Tobias Philipp von Gebler
993:
990:
987:
970:
967:
292:
289:
286:
283:
280:
277:
274:
87:character in Donna Anna,
3802:Appearance and character
3151:1791: Mozart's Last Year
2523:, pp. 404–405, 415.
2342:-Theater and Tyl theatre
2203:Die verstellte Gärtnerin
1104:Idomeneus, King of Crete
974:Thamos, König in Ägypten
808:, revised by Metastasio
405:Music for a Latin drama
18:List of operas by Mozart
4088:Mozart Monument, Vienna
3733:Wolfgang Amadeus Mozart
3269:Wolfgang Amadeus Mozart
2213:, has remained popular.
2211:Die Gärtnerin aus Liebe
2059:Anton Cajetan Adlgasser
1961:was written first. See
1720:Metastasio, revised by
1624:The Philosopher's Stone
929:Metastasio, amended by
849:The pretend garden-maid
47:Wolfgang Amadeus Mozart
3981:(paternal grandfather)
3664:The Marriage of Figaro
3457:The Marriage of Figaro
3447:Der Schauspieldirektor
3327:Mitridate, re di Ponto
1936:, also, does not list
1793:Theater auf der Wieden
1755:
1694:
1676:Theater auf der Wieden
1614:
1550:
1513:
1486:
1449:
1424:The Marriage of Figaro
1414:
1359:Der Schauspieldirektor
1357:
1303:The Deluded Bridegroom
1293:
1235:
1198:
1163:
1129:
1094:
1047:
1008:(chorus and soloists)
972:
939:
903:
839:
787:
765:1 May 1772 (probably)
752:
712:
653:
617:
573:Mitridate, re di Ponto
571:
511:
453:
436:University of Salzburg
420:
389:
321:
169:
69:as well as the German
43:
3387:Thamos, King of Egypt
3307:Bastien und Bastienne
3147:Landon, H. C. Robbins
2879:Mozart and his Operas
2357:La scola degli amanti
2224:Ranieri de' Calzabigi
2098:Jean-Jacques Rousseau
1965:, pp. 37–38, 45)
1955:Bastien und Bastienne
1865:Giuseppe Petrosellini
1704:The clemency of Titus
1327:Giuseppe Petrosellini
1325:but may have been by
1096:Idomeneo, re di Creta
982:Thamos, King of Egypt
953:Archbishop's Palace,
867:Giuseppe Petrosellini
768:Archbishop's Palace,
552:Archbishop's Palace,
521:The feigned simpleton
463:Bastien and Bastienne
455:Bastien und Bastienne
366:Archbishop's Palace,
211:Bastien und Bastienne
164:
35:
3880:Compositional method
3860:Works for solo piano
3518:Canzonetta sull'aria
3367:La finta giardiniera
3347:Il sogno di Scipione
3297:Apollo et Hyacinthus
3129:The Operas of Mozart
3020:. New York: Norton.
2974:(27 November 2008).
1917:Apollo et Hyacinthus
1832:Der Stein der Weisen
1813:Notes and references
1616:Der Stein der Weisen
1515:Don Giovanni Tenorio
841:La finta giardiniera
714:Il sogno di Scipione
391:Apollo et Hyacinthus
191:Der Stein der Weisen
132:Giambattista Varesco
120:La finta giardiniera
3979:Johann Georg Mozart
3914:Neue Mozart-Ausgabe
3907:Alte Mozart-Ausgabe
3563:LĂ ci darem la mano
3487:La clemenza di Tito
3231:diplomatic editions
3204:Neue Mozart-Ausgabe
3153:. London: Fontana.
3131:. London: Cassell.
2930:. London: Phoenix.
2763:, pp. 208–209.
2703:, pp. 300–301.
2459:, pp. 191–192.
2396:, pp. 283–285.
2103:Le devin du village
1986:Neue Mozart-Ausgabe
1782:Emanuel Schikaneder
1696:La clemenza di Tito
1665:Emanuel Schikaneder
1560:Women are like that
1143:Court Theatre (now
1017:Kärntnertor Theatre
947:3 soprano, 2 tenor
818:Teatro Regio Ducale
806:Giovanni de Gamerra
760:3 soprano, 3 tenor,
691:Teatro Regio Ducale
632:Teatro Regio Ducale
399:Apollo and Hyacinth
360:3 soprano, 2 tenor
271:
266:Collaborative work
229:La clemenza di Tito
173:Basis for inclusion
42:, 30 September 1791
3973:Karl Thomas Mozart
3211:New Mozart Edition
2074:, pp. 24–25).
1789:30 September 1791
1672:11 September 1790
1416:Le nozze di Figaro
1385:Gottlieb Stephanie
1245:The goose of Cairo
1190:Gottlieb Stephanie
611:'s translation of
269:
170:
157:Compiling the list
44:
4114:
4113:
3943:Anna Maria Mozart
3923:
3922:
3699:
3698:
3317:La finta semplice
3227:critical editions
2937:978-0-7538-2180-0
2900:(K424a/430)". In
2858:(editor) (2000).
2773:Dell'Antonio 1996
2521:Dell'Antonio 1996
2030:Ludwig von Köchel
1959:La finta semplice
1951:La finta semplice
1869:Domenico Cimarosa
1810:
1809:
1768:
1729:6 September 1791
1707:
1627:
1567:
1564:All women do that
1427:
1396:Schönbrunn Palace
1370:
1306:
1248:
1176:
1145:Cuvilliés Theatre
1111:Dramma per musica
1107:
985:
916:
913:The Shepherd King
852:
814:26 December 1772
796:Dramma per musica
754:Somnium Scipionis
725:
666:
628:26 December 1770
598:V. A. Cigna-Santi
584:
524:
513:La finta semplice
466:
402:
334:
259:Incomplete opera
205:La finta semplice
16:(Redirected from
4192:
4155:
4154:
4153:
4143:
4142:
4131:
4130:
4129:
4122:
4104:
4103:
3993:(brother-in-law)
3955:Constanze Mozart
3901:Köchel catalogue
3891:
3875:Violin concertos
3726:
3719:
3712:
3703:
3692:
3685:
3667:
3658:
3649:
3640:
3631:
3611:
3602:
3593:
3584:
3575:
3566:
3557:
3548:
3539:
3530:
3521:
3501:
3491:
3481:
3471:
3461:
3451:
3441:
3431:
3421:
3411:
3401:
3391:
3381:
3371:
3361:
3351:
3341:
3331:
3321:
3311:
3301:
3291:
3261:
3254:
3247:
3238:
3219:
3190:
3178:
3164:
3142:
3120:
3108:
3094:
3082:
3061:
3031:
3019:
3005:
2988:Osborne, Charles
2983:
2967:
2955:
2946:Kenyon, Nicholas
2941:
2919:
2892:
2870:
2857:
2836:
2830:
2824:
2818:
2812:
2806:
2800:
2794:
2788:
2782:
2776:
2770:
2764:
2758:
2752:
2746:
2740:
2734:
2728:
2722:
2716:
2710:
2704:
2698:
2692:
2686:
2680:
2674:
2668:
2662:
2656:
2650:
2644:
2638:
2632:
2626:
2620:
2614:
2608:
2602:
2596:
2590:
2584:
2578:
2572:
2566:
2560:
2554:
2548:
2542:
2536:
2530:
2524:
2518:
2512:
2505:
2499:
2493:
2487:
2481:
2472:
2466:
2460:
2454:
2448:
2442:
2436:
2430:
2424:
2418:
2412:
2406:
2397:
2391:
2370:
2366:
2360:
2349:
2343:
2336:
2330:
2326:
2320:
2309:
2303:
2300:
2294:
2291:
2285:
2282:
2276:
2273:
2267:
2264:
2253:
2250:
2244:
2241:
2235:
2228:Marco Coltellini
2220:
2214:
2199:
2193:
2190:
2184:
2173:
2167:
2164:
2158:
2147:
2141:
2134:
2128:
2113:
2107:
2090:
2084:
2081:
2075:
2068:
2062:
2051:
2045:
2039:
2033:
2026:Köchel Catalogue
2022:
2016:
2009:
2003:
1996:
1990:
1981:
1975:
1972:
1966:
1947:
1941:
1938:Die Schuldigkeit
1922:Die Schuldigkeit
1912:
1906:
1903:
1897:
1884:
1878:
1861:
1852:
1841:
1835:
1828:
1762:
1760:
1722:Caterino MazzolĂ
1701:
1699:
1621:
1619:
1588:26 January 1790
1557:
1555:
1524:29 October 1787
1518:
1509:Giovanni Bertati
1491:
1454:
1421:
1419:
1392:7 February 1786
1364:
1362:
1300:
1298:
1242:
1240:
1203:
1170:
1168:
1140:29 January 1781
1134:
1101:
1099:
1073:27 January 1866
1052:
1003:
979:
977:
944:
910:
908:
886:
874:13 January 1775
846:
844:
792:
757:
719:
717:
687:17 October 1771
663:Ascanius in Alba
660:
658:
622:
606:
578:
576:
538:Marco Coltellini
518:
516:
485:2 October 1890.
460:
458:
425:
396:
394:
357:
349:Ignaz von Weiser
342:(collaboration)
329:
326:
303:
296:
272:
265:
263:
258:
256:
242:Köchel catalogue
140:Lorenzo Da Ponte
21:
4200:
4199:
4195:
4194:
4193:
4191:
4190:
4189:
4165:
4164:
4161:
4151:
4149:
4137:
4133:Classical music
4127:
4125:
4117:
4115:
4110:
4092:
4056:
4037:Catholic Church
4020:
4017:(sister-in-law)
4011:(sister-in-law)
4005:(sister-in-law)
3999:(mother-in-law)
3919:
3889:
3855:Piano concertos
3816:
3735:
3730:
3700:
3695:
3688:
3683:Da Ponte operas
3681:
3670:
3661:
3655:The Magic Flute
3652:
3643:
3634:
3625:
3614:
3608:Se vuol ballare
3605:
3596:
3587:
3578:
3569:
3560:
3551:
3542:
3533:
3524:
3515:
3504:
3497:The Magic Flute
3494:
3484:
3474:
3464:
3454:
3444:
3437:Lo sposo deluso
3434:
3427:L'oca del Cairo
3424:
3414:
3404:
3394:
3384:
3374:
3364:
3354:
3344:
3337:Ascanio in Alba
3334:
3324:
3314:
3304:
3294:
3284:
3271:
3265:
3200:
3197:
3187:
3169:Steptoe, Andrew
3167:
3161:
3145:
3139:
3123:
3117:
3105:Mozart's Operas
3097:
3091:
3073:Dent, Edward J.
3071:
3068:
3066:Further reading
3058:
3034:
3028:
3008:
3002:
2986:
2970:
2964:
2944:
2938:
2924:Holden, Anthony
2922:
2916:
2898:Lo Sposo Deluso
2895:
2889:
2873:
2851:
2847:
2844:
2839:
2831:
2827:
2819:
2815:
2807:
2803:
2795:
2791:
2783:
2779:
2771:
2767:
2759:
2755:
2747:
2743:
2735:
2731:
2723:
2719:
2711:
2707:
2699:
2695:
2687:
2683:
2675:
2671:
2663:
2659:
2651:
2647:
2639:
2635:
2627:
2623:
2615:
2611:
2603:
2599:
2591:
2587:
2579:
2575:
2567:
2563:
2555:
2551:
2543:
2539:
2531:
2527:
2519:
2515:
2506:
2502:
2494:
2490:
2482:
2475:
2471:, pp. 302.
2467:
2463:
2455:
2451:
2443:
2439:
2431:
2427:
2419:
2415:
2407:
2400:
2392:
2383:
2379:
2374:
2373:
2367:
2363:
2350:
2346:
2337:
2333:
2327:
2323:
2310:
2306:
2301:
2297:
2292:
2288:
2283:
2279:
2274:
2270:
2265:
2256:
2251:
2247:
2242:
2238:
2221:
2217:
2200:
2196:
2191:
2187:
2174:
2170:
2165:
2161:
2148:
2144:
2135:
2131:
2114:
2110:
2091:
2087:
2082:
2078:
2069:
2065:
2052:
2048:
2040:
2036:
2023:
2019:
2010:
2006:
1997:
1993:
1982:
1978:
1973:
1969:
1948:
1944:
1932:, p. 27).
1913:
1909:
1904:
1900:
1885:
1881:
1874:Le donne rivali
1862:
1855:
1842:
1838:
1829:
1825:
1820:
1815:
1803:
1799:
1774:
1765:The Magic Flute
1761:
1757:Die Zauberflöte
1743:
1739:
1733:Estates Theatre
1713:
1700:
1657:
1656:(collaboration)
1655:
1635:J. B. Henneberg
1628:
1620:
1602:
1598:
1573:
1556:
1538:
1534:
1528:Estates Theatre
1497:
1474:
1470:
1433:
1420:
1402:
1377:
1363:
1345:
1314:
1312:
1299:
1295:Lo sposo deluso
1281:
1256:
1254:
1241:
1237:L'oca del Cairo
1223:
1219:
1182:
1169:
1151:
1125:Antoine Danchet
1113:
1100:
1082:
1058:
1032:
1023:
1013:(two choruses)
1012:
1007:
997:
978:
960:
922:
909:
891:
880:
878:Salvatortheater
858:
845:
827:
798:
775:
761:
736:
729:Azione teatrale
718:
700:
680:Giuseppe Parini
672:
659:
655:Ascanio in Alba
641:
600:
590:
577:
559:
530:
517:
499:
489:Architektenhaus
472:
459:
441:
395:
377:
373:
351:
341:
328:
281:Genre and acts
261:
260:
254:
253:
250:
234:Die Zauberflote
223:Die Zauberflöte
200:
175:
159:
145:Lo sposo deluso
115:Charles Osborne
75:Nicholas Kenyon
39:Die Zauberflöte
28:
23:
22:
15:
12:
11:
5:
4198:
4196:
4188:
4187:
4182:
4177:
4167:
4166:
4160:
4159:
4147:
4135:
4112:
4111:
4109:
4108:
4097:
4094:
4093:
4091:
4090:
4085:
4080:
4075:
4070:
4064:
4062:
4058:
4057:
4055:
4054:
4049:
4044:
4039:
4034:
4028:
4026:
4022:
4021:
4019:
4018:
4012:
4006:
4000:
3994:
3988:
3982:
3976:
3970:
3964:
3963:(first cousin)
3958:
3952:
3946:
3940:
3937:Leopold Mozart
3933:
3931:
3925:
3924:
3921:
3920:
3918:
3917:
3910:
3903:
3897:
3895:
3888:
3887:
3882:
3877:
3872:
3867:
3862:
3857:
3852:
3847:
3842:
3840:Horn concertos
3837:
3832:
3826:
3824:
3818:
3817:
3815:
3814:
3809:
3804:
3799:
3794:
3789:
3784:
3779:
3774:
3769:
3764:
3759:
3754:
3749:
3743:
3741:
3737:
3736:
3731:
3729:
3728:
3721:
3714:
3706:
3697:
3696:
3694:
3693:
3686:
3678:
3676:
3672:
3671:
3669:
3668:
3659:
3650:
3641:
3632:
3628:Così fan tutte
3622:
3620:
3616:
3615:
3613:
3612:
3603:
3594:
3585:
3581:Non piĂą andrai
3576:
3567:
3558:
3549:
3540:
3531:
3522:
3512:
3510:
3506:
3505:
3503:
3502:
3492:
3482:
3477:Così fan tutte
3472:
3462:
3452:
3442:
3432:
3422:
3412:
3402:
3392:
3382:
3372:
3362:
3352:
3342:
3332:
3322:
3312:
3302:
3292:
3281:
3279:
3273:
3272:
3266:
3264:
3263:
3256:
3249:
3241:
3235:
3234:
3223:Opera libretti
3220:
3196:
3195:External links
3193:
3192:
3191:
3185:
3165:
3159:
3143:
3137:
3121:
3115:
3101:, ed. (1990).
3099:Heartz, Daniel
3095:
3089:
3067:
3064:
3063:
3062:
3056:
3036:Webster, James
3032:
3026:
3010:Rosen, Charles
3006:
3000:
2984:
2968:
2962:
2942:
2936:
2920:
2914:
2893:
2887:
2871:
2843:
2840:
2838:
2837:
2835:, p. 281.
2825:
2823:, p. 176.
2813:
2811:, p. 268.
2801:
2799:, p. 251.
2789:
2787:, p. 207.
2777:
2775:, p. 415.
2765:
2753:
2751:, p. 155.
2741:
2739:, p. 105.
2729:
2727:, p. 300.
2717:
2705:
2693:
2681:
2669:
2667:, p. 294.
2657:
2645:
2643:, p. 343.
2633:
2631:, p. 291.
2621:
2609:
2607:, p. 288.
2597:
2585:
2583:, p. 300.
2573:
2561:
2549:
2547:, p. 287.
2537:
2535:, p. 155.
2525:
2513:
2500:
2498:, p. 308.
2488:
2486:, p. 303.
2473:
2461:
2449:
2437:
2435:, p. 216.
2425:
2413:
2398:
2380:
2378:
2375:
2372:
2371:
2361:
2344:
2338:also known as
2331:
2321:
2304:
2295:
2286:
2277:
2268:
2254:
2245:
2236:
2215:
2205:, produced in
2194:
2185:
2177:Osborne (1992)
2168:
2159:
2151:festa teatrale
2142:
2129:
2108:
2085:
2076:
2063:
2046:
2043:Osborne (1992)
2034:
2017:
2013:Osborne (1992)
2004:
2000:Osborne (1992)
1991:
1976:
1967:
1942:
1926:Edward J. Dent
1907:
1898:
1879:
1853:
1836:
1822:
1821:
1819:
1816:
1814:
1811:
1808:
1807:
1796:
1790:
1787:
1784:
1779:
1776:
1769:
1752:
1748:
1747:
1736:
1730:
1727:
1724:
1718:
1715:
1708:
1691:
1687:
1686:
1679:
1673:
1670:
1667:
1662:
1659:
1650:
1647:E. Schikaneder
1633:composed with
1611:
1607:
1606:
1595:
1589:
1586:
1583:
1578:
1575:
1571:Dramma giocoso
1568:
1552:Così fan tutte
1547:
1543:
1542:
1531:
1525:
1522:
1519:
1502:
1499:
1495:Dramma giocoso
1492:
1483:
1479:
1478:
1467:
1461:
1458:
1455:
1438:
1435:
1428:
1411:
1407:
1406:
1399:
1393:
1390:
1387:
1382:
1379:
1371:
1367:The Impresario
1354:
1350:
1349:
1342:
1336:
1333:
1330:
1319:
1316:
1307:
1290:
1286:
1285:
1278:
1272:
1269:
1266:
1261:
1258:
1252:Dramma giocoso
1249:
1232:
1228:
1227:
1216:
1210:
1207:
1204:
1187:
1184:
1177:
1160:
1156:
1155:
1148:
1141:
1138:
1135:
1118:
1115:
1108:
1091:
1087:
1086:
1079:
1074:
1071:
1068:
1063:
1060:
1053:
1044:
1040:
1039:
1034:
1028:
1027:
1020:
1014:
1009:
1004:
992:
989:
986:
969:
965:
964:
957:
951:
950:23 April 1775
948:
945:
927:
924:
917:
900:
896:
895:
888:
875:
872:
869:
863:
860:
856:Dramma giocoso
853:
836:
832:
831:
824:
815:
812:
809:
803:
800:
793:
784:
780:
779:
772:
766:
763:
758:
741:
738:
726:
722:Scipio's Dream
709:
705:
704:
697:
688:
685:
682:
677:
674:
667:
650:
646:
645:
638:
629:
626:
623:
595:
592:
585:
568:
564:
563:
556:
550:
547:
544:
535:
532:
525:
508:
504:
503:
496:
486:
483:
480:
477:
474:
467:
450:
446:
445:
438:
432:
429:
426:
409:
406:
403:
386:
382:
381:
370:
364:
363:12 March 1767
361:
358:
346:
343:
335:
318:
314:
313:
310:
307:
304:
298:
297:
291:
288:
285:
282:
279:
276:
249:
248:List of operas
246:
199:
196:
174:
171:
158:
155:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
4197:
4186:
4183:
4181:
4178:
4176:
4173:
4172:
4170:
4163:
4158:
4148:
4146:
4141:
4136:
4134:
4124:
4120:
4107:
4099:
4098:
4095:
4089:
4086:
4084:
4083:Mozart effect
4081:
4079:
4076:
4074:
4071:
4069:
4066:
4065:
4063:
4059:
4053:
4050:
4048:
4045:
4043:
4040:
4038:
4035:
4033:
4030:
4029:
4027:
4023:
4016:
4013:
4010:
4009:Aloysia Weber
4007:
4004:
4003:Josepha Weber
4001:
3998:
3997:Cäcilia Weber
3995:
3992:
3989:
3986:
3983:
3980:
3977:
3974:
3971:
3968:
3965:
3962:
3959:
3956:
3953:
3950:
3947:
3944:
3941:
3938:
3935:
3934:
3932:
3930:
3926:
3916:
3915:
3911:
3909:
3908:
3904:
3902:
3899:
3898:
3896:
3892:
3886:
3883:
3881:
3878:
3876:
3873:
3871:
3868:
3866:
3863:
3861:
3858:
3856:
3853:
3851:
3848:
3846:
3843:
3841:
3838:
3836:
3833:
3831:
3828:
3827:
3825:
3823:
3819:
3813:
3810:
3808:
3805:
3803:
3800:
3798:
3795:
3793:
3790:
3788:
3785:
3783:
3780:
3778:
3775:
3773:
3770:
3768:
3765:
3763:
3760:
3758:
3755:
3753:
3750:
3748:
3745:
3744:
3742:
3738:
3734:
3727:
3722:
3720:
3715:
3713:
3708:
3707:
3704:
3691:
3690:Derived works
3687:
3684:
3680:
3679:
3677:
3673:
3666:
3665:
3660:
3657:
3656:
3651:
3648:
3647:
3642:
3639:
3638:
3633:
3630:
3629:
3624:
3623:
3621:
3619:Discographies
3617:
3609:
3604:
3600:
3595:
3591:
3586:
3582:
3577:
3573:
3568:
3564:
3559:
3555:
3554:Il mio tesoro
3550:
3546:
3541:
3537:
3532:
3528:
3523:
3519:
3514:
3513:
3511:
3507:
3499:
3498:
3493:
3489:
3488:
3483:
3479:
3478:
3473:
3469:
3468:
3463:
3459:
3458:
3453:
3449:
3448:
3443:
3439:
3438:
3433:
3429:
3428:
3423:
3419:
3418:
3413:
3409:
3408:
3403:
3399:
3398:
3393:
3389:
3388:
3383:
3379:
3378:
3377:Il re pastore
3373:
3369:
3368:
3363:
3359:
3358:
3353:
3349:
3348:
3343:
3339:
3338:
3333:
3329:
3328:
3323:
3319:
3318:
3313:
3309:
3308:
3303:
3299:
3298:
3293:
3289:
3288:
3283:
3282:
3280:
3278:
3274:
3270:
3262:
3257:
3255:
3250:
3248:
3243:
3242:
3239:
3232:
3228:
3224:
3221:
3217:
3213:
3212:
3207:
3205:
3199:
3198:
3194:
3188:
3186:0-19-816221-9
3182:
3177:
3176:
3170:
3166:
3162:
3160:0-00-654324-3
3156:
3152:
3148:
3144:
3140:
3138:0-304-31135-9
3134:
3130:
3126:
3125:Mann, William
3122:
3118:
3116:0-520-07872-1
3112:
3107:
3106:
3100:
3096:
3092:
3090:0-19-284001-0
3086:
3081:
3080:
3074:
3070:
3069:
3065:
3059:
3057:9781351567886
3053:
3049:
3045:
3041:
3037:
3033:
3029:
3027:0-393-00653-0
3023:
3018:
3017:
3011:
3007:
3003:
3001:0-575-03823-3
2997:
2993:
2989:
2985:
2981:
2977:
2973:
2972:Levin, Robert
2969:
2965:
2963:1-933648-23-6
2959:
2954:
2953:
2947:
2943:
2939:
2933:
2929:
2925:
2921:
2917:
2915:0-19-816443-2
2911:
2907:
2903:
2902:Stanley Sadie
2899:
2894:
2890:
2888:0-14-029674-3
2884:
2880:
2876:
2875:Cairns, David
2872:
2869:
2868:3-8290-3571-3
2865:
2861:
2855:
2850:
2846:
2845:
2841:
2834:
2829:
2826:
2822:
2817:
2814:
2810:
2805:
2802:
2798:
2793:
2790:
2786:
2781:
2778:
2774:
2769:
2766:
2762:
2757:
2754:
2750:
2745:
2742:
2738:
2733:
2730:
2726:
2721:
2718:
2715:, p. 97.
2714:
2709:
2706:
2702:
2697:
2694:
2691:, p. 86.
2690:
2685:
2682:
2679:, p. 69.
2678:
2673:
2670:
2666:
2661:
2658:
2655:, p. 59.
2654:
2649:
2646:
2642:
2637:
2634:
2630:
2625:
2622:
2619:, p. 32.
2618:
2613:
2610:
2606:
2601:
2598:
2595:, p. 16.
2594:
2589:
2586:
2582:
2577:
2574:
2571:, p. 26.
2570:
2565:
2562:
2559:, p. 24.
2558:
2553:
2550:
2546:
2541:
2538:
2534:
2529:
2526:
2522:
2517:
2514:
2511:, p. xv)
2510:
2504:
2501:
2497:
2492:
2489:
2485:
2480:
2478:
2474:
2470:
2465:
2462:
2458:
2453:
2450:
2446:
2441:
2438:
2434:
2429:
2426:
2423:, p. 17.
2422:
2417:
2414:
2411:, p. 11.
2410:
2405:
2403:
2399:
2395:
2390:
2388:
2386:
2382:
2376:
2365:
2362:
2358:
2354:
2348:
2345:
2341:
2335:
2332:
2325:
2322:
2318:
2314:
2308:
2305:
2299:
2296:
2290:
2287:
2281:
2278:
2272:
2269:
2263:
2261:
2259:
2255:
2249:
2246:
2240:
2237:
2233:
2229:
2226:, revised by
2225:
2219:
2216:
2212:
2208:
2204:
2198:
2195:
2189:
2186:
2182:
2178:
2172:
2169:
2163:
2160:
2156:
2155:Osborne (1992
2152:
2146:
2143:
2139:
2133:
2130:
2126:
2122:
2118:
2112:
2109:
2105:
2104:
2099:
2095:
2089:
2086:
2080:
2077:
2073:
2072:Osborne (1992
2067:
2064:
2060:
2056:
2055:Michael Haydn
2053:Part 2 is by
2050:
2047:
2044:
2038:
2035:
2031:
2027:
2021:
2018:
2014:
2008:
2005:
2001:
1995:
1992:
1988:
1987:
1980:
1977:
1971:
1968:
1964:
1963:Osborne (1992
1960:
1956:
1952:
1946:
1943:
1939:
1935:
1931:
1930:Osborne (1992
1927:
1923:
1919:
1918:
1911:
1908:
1902:
1899:
1895:
1891:
1890:
1883:
1880:
1876:
1875:
1870:
1866:
1860:
1858:
1854:
1850:
1849:Il re pastore
1846:
1843:For example,
1840:
1837:
1833:
1827:
1824:
1817:
1812:
1806:
1802:
1797:
1794:
1791:
1788:
1785:
1783:
1780:
1777:
1773:
1770:
1766:
1759:
1758:
1753:
1750:
1749:
1746:
1742:
1737:
1734:
1731:
1728:
1725:
1723:
1719:
1716:
1712:
1709:
1705:
1698:
1697:
1692:
1689:
1688:
1684:
1680:
1677:
1674:
1671:
1668:
1666:
1663:
1660:
1654:
1651:
1648:
1644:
1640:
1636:
1632:
1625:
1618:
1617:
1612:
1609:
1608:
1605:
1601:
1596:
1593:
1590:
1587:
1584:
1582:
1579:
1576:
1572:
1569:
1565:
1561:
1554:
1553:
1548:
1545:
1544:
1541:
1537:
1532:
1529:
1526:
1523:
1520:
1517:
1516:
1510:
1506:
1503:
1500:
1496:
1493:
1490:
1489:
1484:
1481:
1480:
1477:
1473:
1468:
1465:
1462:
1459:
1456:
1453:
1452:
1446:
1442:
1439:
1436:
1432:
1429:
1425:
1418:
1417:
1412:
1409:
1408:
1405:
1400:
1397:
1394:
1391:
1388:
1386:
1383:
1380:
1376:
1372:
1368:
1361:
1360:
1355:
1352:
1351:
1348:
1343:
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1337:
1334:
1331:
1328:
1324:
1320:
1317:
1311:
1308:
1304:
1297:
1296:
1291:
1288:
1287:
1284:
1279:
1276:
1273:
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1267:
1265:
1262:
1259:
1253:
1250:
1246:
1239:
1238:
1233:
1230:
1229:
1226:
1222:
1217:
1214:
1211:
1209:16 July 1782
1208:
1205:
1202:
1201:
1195:
1191:
1188:
1185:
1181:
1178:
1174:
1167:
1166:
1161:
1158:
1157:
1154:
1149:
1146:
1142:
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1136:
1133:
1132:
1126:
1122:
1119:
1116:
1112:
1109:
1105:
1098:
1097:
1092:
1089:
1088:
1085:
1080:
1078:
1075:
1072:
1069:
1067:
1064:
1061:
1059:(incomplete)
1057:
1054:
1051:
1050:
1045:
1042:
1041:
1038:
1035:
1030:
1029:
1026:
1018:
1015:
1010:
1001:
996:
983:
976:
975:
966:
963:
958:
956:
952:
949:
946:
943:
942:
936:
932:
928:
925:
921:
918:
914:
907:
906:
905:Il re pastore
901:
898:
897:
894:
889:
884:
879:
876:
873:
870:
868:
864:
861:
857:
854:
850:
843:
842:
837:
834:
833:
830:
825:
823:
819:
816:
813:
810:
807:
804:
801:
797:
794:
791:
790:
785:
782:
781:
778:
773:
771:
767:
764:
759:
756:
755:
749:
745:
742:
739:
734:
730:
727:
723:
716:
715:
710:
707:
706:
703:
698:
696:
692:
689:
686:
683:
681:
678:
675:
671:
668:
664:
657:
656:
651:
648:
647:
644:
639:
637:
633:
630:
627:
624:
621:
620:
614:
610:
604:
599:
596:
593:
589:
586:
582:
575:
574:
569:
566:
565:
562:
557:
555:
551:
548:
545:
543:
542:Carlo Goldoni
539:
536:
533:
529:
526:
522:
515:
514:
509:
506:
505:
502:
497:
494:
493:WilhelmstraĂźe
490:
487:
484:
481:
478:
475:
471:
468:
464:
457:
456:
451:
448:
447:
444:
439:
437:
433:
430:
427:
424:
423:
422:Metamorphoses
417:
413:
410:
407:
404:
400:
393:
392:
387:
384:
383:
380:
376:
371:
369:
365:
362:
359:
355:
350:
347:
344:
340:
336:
333:
325:
324:
319:
316:
315:
311:
308:
305:
300:
299:
273:
267:
247:
245:
243:
239:
235:
231:
230:
225:
224:
219:
218:
213:
212:
207:
206:
197:
195:
193:
192:
187:
183:
182:
172:
168:
163:
156:
154:
151:
150:Charles Rosen
147:
146:
141:
137:
133:
129:
124:
122:
121:
116:
110:
108:
104:
100:
99:
94:
90:
86:
82:
81:
76:
72:
68:
64:
60:
55:
52:
48:
41:
40:
34:
30:
19:
4162:
4068:Georg Nissen
4015:Sophie Weber
3991:Joseph Lange
3985:Franz Mozart
3912:
3905:
3849:
3807:Pet starling
3663:
3654:
3646:Don Giovanni
3645:
3636:
3627:
3495:
3485:
3475:
3467:Don Giovanni
3465:
3455:
3445:
3435:
3425:
3415:
3405:
3395:
3385:
3375:
3365:
3355:
3345:
3335:
3325:
3315:
3305:
3295:
3285:
3276:
3209:
3203:
3174:
3150:
3128:
3104:
3078:
3043:
3040:John A. Rice
3015:
2991:
2979:
2951:
2927:
2905:
2897:
2878:
2859:
2849:András Batta
2833:Osborne 1992
2828:
2816:
2809:Osborne 1992
2804:
2797:Osborne 1992
2792:
2785:Osborne 1992
2780:
2768:
2761:Osborne 1992
2756:
2749:Osborne 1992
2744:
2737:Osborne 1992
2732:
2720:
2713:Osborne 1992
2708:
2696:
2689:Osborne 1992
2684:
2677:Osborne 1992
2672:
2660:
2653:Osborne 1992
2648:
2636:
2624:
2617:Osborne 1992
2612:
2600:
2593:Osborne 1992
2588:
2581:Osborne 1992
2576:
2569:Osborne 1992
2564:
2552:
2540:
2528:
2516:
2509:Holden (2007
2503:
2491:
2464:
2457:Osborne 1992
2452:
2440:
2433:Webster 2017
2428:
2416:
2364:
2356:
2353:Cairns (2006
2347:
2334:
2329:productions.
2324:
2317:Kenyon (2006
2312:
2307:
2298:
2289:
2280:
2271:
2248:
2239:
2232:Petrosellini
2218:
2210:
2202:
2197:
2188:
2181:Kenyon (2006
2171:
2162:
2150:
2145:
2132:
2121:hypnotherapy
2117:Franz Mesmer
2111:
2101:
2096:, a work by
2093:
2088:
2079:
2066:
2057:, Part 3 by
2049:
2037:
2020:
2007:
1994:
1984:
1979:
1970:
1958:
1954:
1950:
1945:
1940:as an opera.
1937:
1933:
1928:, quoted by
1921:
1915:
1910:
1901:
1887:
1882:
1872:
1848:
1847:'s text for
1839:
1831:
1826:
1764:
1703:
1623:
1563:
1559:
1488:Don Giovanni
1445:Beaumarchais
1423:
1366:
1335:6 June 1867
1313:(incomplete)
1302:
1271:6 June 1867
1255:(incomplete)
1244:
1172:
1103:
1011:4 April 1774
981:
912:
848:
721:
662:
580:
520:
462:
434:Great Hall,
431:13 May 1767
412:Rufinus Widl
398:
331:
287:Voice parts
251:
237:
233:
227:
221:
216:
209:
203:
201:
189:
179:
176:
143:
135:
125:
118:
111:
96:
92:
88:
84:
80:Don Giovanni
78:
59:David Cairns
56:
45:
37:
29:
4042:Freemasonry
3767:Nationality
3747:Biographies
3357:Lucio Silla
3216:Bärenreiter
2852: [
2821:Cairns 2006
2725:Kenyon 2006
2701:Kenyon 2006
2665:Kenyon 2006
2629:Kenyon 2006
2605:Kenyon 2006
2557:Cairns 2006
2545:Kenyon 2006
2496:Kenyon 2006
2484:Kenyon 2006
2469:Kenyon 2006
2421:Cairns 2006
2409:Cairns 2006
2394:Kenyon 2006
1711:Opera seria
1592:Burgtheater
1507:, based on
1464:Burgtheater
1460:1 May 1786
1443:, based on
1431:Opera buffa
1310:Opera buffa
1213:Burgtheater
1194:C. Bretzner
1192:, based on
1033:(complete)
998: [
968:1773, 1779
933:, based on
881: [
789:Lucio Silla
746:, based on
607:, based on
601: [
588:Opera seria
549:1 May 1769
528:Opera buffa
495:92, Berlin
352: [
306:Librettist
93:seria-buffa
67:opera buffa
63:opera seria
4169:Categories
4025:Influences
3870:Symphonies
3757:Grand tour
3752:Birthplace
3267:Operas by
2641:Batta 2000
2533:Rosen 1997
2445:Levin 2008
2377:References
2123:known as "
1845:Metastasio
1830:Excluding
1344:K.430/424a
1147:), Munich
1081:K.344/336b
1022:K.345/336a
744:Metastasio
735:drammatica
619:Mithridate
128:librettist
4032:Beethoven
3777:Scatology
3772:Residence
3740:Biography
3545:Dove sono
2369:castrato.
2315:, but as
2125:mesmerism
1871:'s opera
1795:, Vienna
1772:Singspiel
1735:, Prague
1678:, Vienna
1653:Singspiel
1643:B. Schack
1631:Pasticcio
1594:, Vienna
1530:, Prague
1466:, Vienna
1398:, Vienna
1375:singspiel
1215:, Vienna
1180:Singspiel
1077:Frankfurt
1056:Singspiel
1019:, Vienna
887:, Munich
865:Probably
670:Festspiel
609:G. Parini
470:Singspiel
339:Singspiel
290:Premiere
284:Libretto
101:, in the
71:Singspiel
4106:Category
3951:(sister)
3945:(mother)
3939:(father)
3894:Editions
3782:Smallpox
3407:Idomeneo
3171:(1988).
3149:(1990).
3127:(1986).
3075:(1973).
3038:(2017).
3012:(1997).
2990:(1992).
2948:(2006).
2926:(2007).
2877:(2006).
2207:Augsburg
2138:castrati
1805:Libretto
1745:Libretto
1717:Italian
1604:Libretto
1581:Da Ponte
1577:Italian
1546:1789–90
1540:Libretto
1505:Da Ponte
1501:Italian
1476:Libretto
1441:Da Ponte
1437:Italian
1410:1785–86
1341:, Paris
1323:Da Ponte
1318:Italian
1289:1783–84
1277:, Paris
1260:Italian
1225:Libretto
1159:1781–82
1131:Idoménée
1123:, after
1117:Italian
1090:1780–81
1043:1779–80
1037:Salzburg
955:Salzburg
926:Italian
920:Serenata
862:Italian
835:1774–75
802:Italian
770:Salzburg
740:Italian
733:Serenata
676:Italian
640:K.87/74a
594:Italian
558:K.51/46a
554:Salzburg
540:, after
534:Italian
498:K.50/46b
414:, after
379:Libretto
368:Salzburg
327:, Part 1
317:1766–67
244:number.
198:Sequence
186:oratorio
136:Idomeneo
107:overture
98:Idomeneo
4119:Portals
4061:Related
4052:Salieri
3865:Sonatas
3675:Related
3214:].
3048:Ashgate
3042:(ed.).
2904:(ed.).
2842:Sources
2340:Nostitz
2106:, 1752.
1894:Varesco
1877:, 1780.
1778:German
1775:2 acts
1714:2 acts
1661:German
1658:2 acts
1639:F. Gerl
1574:2 acts
1498:2 acts
1434:4 acts
1381:German
1315:2 acts
1264:Varesco
1257:3 acts
1186:German
1183:3 acts
1121:Varesco
1114:3 acts
1062:German
1031:1779–80
991:German
931:Varesco
923:2 acts
859:3 acts
799:3 acts
762:chorus
673:2 acts
591:3 acts
531:3 acts
476:German
345:German
337:Sacred
293:Köchel
275:Period
105:of the
3957:(wife)
3929:Family
3850:Operas
3845:Masses
3835:Dances
3797:Prague
3792:Berlin
3500:(1791)
3490:(1791)
3480:(1790)
3470:(1787)
3460:(1786)
3450:(1786)
3440:(1784)
3430:(1783)
3420:(1782)
3410:(1781)
3400:(1780)
3390:(1779)
3380:(1775)
3370:(1775)
3360:(1772)
3350:(1772)
3340:(1771)
3330:(1770)
3320:(1769)
3310:(1768)
3300:(1767)
3290:(1767)
3277:Operas
3183:
3157:
3135:
3113:
3087:
3054:
3024:
2998:
2960:
2934:
2912:
2885:
2866:
1378:1 act
1373:Comic
941:Aminta
748:Cicero
737:1 act
613:Racine
473:1 act
408:Latin
312:Venue
278:Title
264:
262:
257:
255:
217:Thamos
134:, for
51:operas
4157:Music
4145:Opera
4047:Haydn
3975:(son)
3969:(son)
3822:Music
3812:Death
3787:Italy
3509:Arias
3397:Zaide
3208:[
2856:]
1934:Grove
1818:Notes
1801:Score
1798:K.620
1751:1791
1741:Score
1738:K.621
1690:1791
1683:Score
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309:Date
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