297:, in which he asserted that the public performance of the liturgy was a profanation. "We cannot begin to say how the combination of the words 'Liturgy' and 'Tchaikovsky' offend the ear of the Orthodox Christian", he wrote, and asked what would happen if a Jewish composer should create a setting of the liturgy: "our most sacred words would be mocked at and hissed". Ambrose also refused the performance of Tchaikovsky's
2108:
2118:
250:, which ruled that the church censor could approve the publication of sacred music without the chapel's involvement. This decision had ground-breaking implications, since for the first time in many years it became possible for Russian composers to create sacred music, without being subjected to bureaucratic review.
174:
For me still possesses much poetical charm. I very often attend the services. I consider the liturgy of St. John
Chrysostom one of the greatest productions of art. If we follow the service very carefully, and enter into the meaning of every ceremony, it is impossible not to be profoundly moved by
245:
were confiscated. The Chief
Administration for Printed Matter authorised publication, but Bakhmetiev continued his campaign against Jurgenson, who counter-sued Bakhmetiev. Jurgenson won his case in June 1879, and the Interior Minister passed judgement in December 1879 in favour of Jurgenson. The
323:
and his nine sacred songs, were of seminal importance in the later interest in
Orthodox music. Other composers, encouraged by the freedom created by the new lack of restriction on sacred music, soon followed Tchaikovsky's example. The structure that Tchaikovsky used, as well as his use of free
175:
the liturgy of our own
Orthodox Church... to be startled from one's trance by a burst from the choir; to be carried away by the poetry of this music; to be thrilled when... the words ring out, 'Praise the name of the Lord!' – all this is infinitely precious to me! One of my deepest joys!
269:
A public performance given by the
Russian Musical Society took place in Moscow in December 1880. The controversy surrounding the work led to an "unusually crowded" audience, which received the work positively and recalled Tchaikovsky numerous times at the end of the concert.
360:
settings, Tchaikovsky composed new music and free settings for six of the movements. These include movements 6, 8, 10, 11, 13 and 14. Movements 10 and 11 have some polyphony and imitation, providing a contrast from the block-chordal arrangement of the majority of the work.
207:
in July; this is confirmed by a letter to von Meck in the same month, where
Tchaikovsky wrote that he was "happy in the consciousness of having finished a work... Now I can indulge in full my secret delight in doing nothing." It appeared in print early in 1879.
241:, on the grounds that it had been published without his approval. Tchaikovsky had only submitted his setting to the Moscow Office of Sacred Censorship. Legal proceedings were initiated against Jurgenson, and 143 of his plates of the
234:, all approval had to be granted by the director of the chapel. Tchaikovsky wrote "they guard this monopoly very jealously, and will not permit new settings of the liturgy under any circumstances whatsoever".
289:
an experienced, practised hand and a sense of decorum, rather than powerful inspiration... wholly satisfactory and estimable though it be in itself, holds only secondary place among his other works.
2091:
2142:
2121:
285:
predominates... gives an impression of festive brilliance and magnificence at first, but then lose their fascination as a result of too frequent repetition... has brought to his
191:
and others; but how little their music is in keeping with... the whole spirit of
Orthodox liturgy! ... It is not improbable that I shall decide to set the entire liturgy of St.
159:
Tchaikovsky, known primarily for his symphonies, concertos and ballets, was deeply interested in the music and liturgy of the
Russian Orthodox Church. In 1875, he compiled
1357:
1321:
700:
1399:
1377:
1816:
1788:
1882:
690:
259:
1972:
695:
2152:
1325:
324:
settings for the components of the liturgy, were emulated by a whole generation of
Russian composers in their own settings of the liturgy, including
266:
in
November 1880; in a letter to Nadezhda von Meck, Tchaikovsky wrote that it was "altogether one of the happiest moments of my musical career".
1699:
1387:
1350:
2086:
1967:
1394:
140:
1811:
1806:
1801:
1947:
1864:
1903:
1898:
1893:
1826:
1641:
1636:
1625:
2111:
2056:
1744:
1404:
1382:
1343:
1305:
1281:
1257:
1236:
1215:
1194:
1162:
1116:
1095:
325:
277:
acknowledged the importance of the work and its "almost political significance", but was less complimentary about the work itself:
1600:
1767:
2076:
2061:
1716:
1652:
1667:
2066:
1850:
1680:
319:
200:
1686:
1590:
1585:
1570:
1560:
1550:
1540:
1516:
1673:
1484:
1456:
2147:
1915:
1079:
2021:
1961:
1795:
1723:
1267:
306:
2157:
1921:
1366:
337:
136:
32:
1751:
1477:
1330:
808:
353:
148:
333:
179:
An April 1878 letter to von Meck signified his interest in producing a composition based on the liturgy.
1449:
448:
238:
231:
2081:
1926:
1857:
1730:
1428:
1421:
237:
Jurgenson's publication of Tchaikovsky's setting was promptly banned by the director of the chapel,
2071:
1758:
341:
263:
183:
A vast and untrodden field of activity lies open to composers here. I appreciate certain merits in
161:
A Concise Textbook of Harmony Intended to Facilitate the Reading of Sacred Musical Works in Russia
2033:
1995:
1954:
1660:
1180:
302:
293:
Ambrose, the vicar of Moscow, was particularly opposed to the work; he published a letter in the
184:
2039:
1737:
1693:
1301:
1291:
1277:
1253:
1232:
1211:
1190:
1158:
1112:
1091:
188:
167:
2027:
2003:
1575:
1442:
1148:
637:
111:
901:
746:
220:
held the monopoly on the composition and performance of sacred music; according to an 1816
1463:
373:
329:
247:
217:
192:
69:
1138:
364:
The work consists of 15 major divisions. Performances require approximately 48 minutes.
281:...choral sonority is exploited with skill and effectiveness; unfortunately, the higher
1523:
1176:
1172:
513:
282:
144:
59:
151:. Tchaikovsky's setting constitutes the first "unified musical cycle" of the liturgy.
2136:
1774:
1435:
508:
139:, his Op. 41, composed in 1878. It consists of settings of texts taken from the
1781:
546:
425:
216:
At the time, the prospect of setting any church music was fraught with issues. The
204:
274:
1295:
1271:
1247:
1226:
1205:
1184:
1152:
1127:
1106:
1470:
1084:
843:
841:
464:
262:
Church in June 1879. The Moscow Musical Society gave a private concert at the
127:
309:
wrote that his brother was "deeply hurt" by the vicar's opinion of the work.
1509:
656:
357:
1335:
2117:
199:
The composition took place between 4/16 May and 27 May/8 June 1878 (see
1491:
673:
470:
809:"Liturgy of Saint John Chrysostom (Литургия святого Иоанна Златоуста)"
246:
confiscated plates were released in November and December 1880 by the
1186:
The Cambridge History of Russia: Volume 2, Imperial Russia, 1689–1917
491:
781:
779:
1151:(2013). "Russian Choral Repertoire". In Di Grazia, Donna M (ed.).
406:
224:
132:
948:
946:
402:
95:
1339:
847:
718:
317:
Tchaikovsky's setting of the Divine Liturgy, along with his
2092:
International Tchaikovsky Competition for Young Musicians
273:
Critical opinion was divided. In his review of the work,
860:
858:
856:
619:
After the exclamation "And Grant That With Our Mouths"
1035:
1033:
802:
800:
798:
796:
794:
2049:
2014:
1987:
1939:
1875:
1835:
1708:
1618:
1533:
1501:
1413:
91:
83:
75:
65:
54:
38:
23:
1083:
701:Divine Liturgy of St. John Chrysostom (Mokranjac)
1273:The Life and Letters of Peter Illich Tchaikovsky
2143:Choral compositions by Pyotr Ilyich Tchaikovsky
1789:Festival Overture on the Danish National Anthem
741:
739:
674:Blessed is He Who Comes in the Name of the Lord
602:After the words "Especially For Our Most Holy"
585:After the exclamation "Thine Own of Thine Own"
411:After the exclamation "Blessed is the Kingdom"
1012:
988:
952:
937:
925:
888:
832:
785:
770:
547:I Believe in One God, The Father, The Almighty
166:In an 1877 letter to his friend and patroness
1351:
691:Liturgy of St. John Chrysostom (Rachmaninoff)
222:
125:
119:
44:
42:
8:
1322:Liturgy of St. John Chrysostom (Tchaikovsky)
203:). The manuscript was sent to his publisher
16:1878 choral work by Pyotr Ilyich Tchaikovsky
696:Liturgy of St. John Chrysostom (Leontovych)
678:After the Exclamation "In the Fear of God"
616:Amen. And With Your Spirit, Lord Have Mercy
1358:
1344:
1336:
613:Amin. I so dukhom tvoyim, Gospodi, pomilui
20:
1326:International Music Score Library Project
876:
610:Аминь. И со Духом Твоим, Господи, помилуй
1024:
976:
964:
366:
258:The first performance took place in the
1140:The triumph of Tchaikovsky: a biography
1039:
711:
864:
730:
670:Blagoslovyen gryadiy vo imya Gospodnye
2087:International Tchaikovsky Competition
2072:Moscow State Tchaikovsky Conservatory
1063:
1051:
1000:
141:Divine Liturgy of St. John Chrysostom
7:
1108:Russians on Russian Music, 1880–1917
848:The Cambridge History of Russia 2006
719:The Cambridge History of Russia 2006
195:. I shall arrange all this by July.
121:Liturgiya svyatogo Ioanna Zlatousta
1086:Tchaikovsky: The Man and his Music
667:Благословен грядый во имя Господне
426:Glory to the Father and to the Son
305:'s funeral. Tchaikovsky's brother
14:
2153:Eastern Orthodox liturgical music
1817:Orchestral Suite No. 4 in G major
1812:Orchestral Suite No. 3 in G major
1807:Orchestral Suite No. 2 in C major
1802:Orchestral Suite No. 1 in D minor
1137:Gee, John; Selby, Elliot (1960).
116:Литургия святого Иоанна Златоуста
46:Литургия святого Иоанна Златоуста
2116:
2107:
2106:
1207:Tchaikovsky Through Others' Eyes
653:Praise the Lord from the Heavens
1899:String Quartet No. 2 in F major
1894:String Quartet No. 1 in D major
1637:Piano Concerto No. 2 in G major
1154:Nineteenth-Century Choral Music
902:"Peter Tchaikovsky (1840–1893)"
747:"Peter Tchaikovsky (1840–1893)"
2077:Tchaikovsky Symphony Orchestra
2062:Tchaikovsky State House-Museum
1129:Tchaikovsky: His Life and Work
107:Liturgy of St. John Chrysostom
25:Liturgy of St. John Chrysostom
1:
2067:Tchaikovsky Museum (Votkinsk)
1968:Grand Piano Sonata in G major
1844:Liturgy of St John Chrysostom
1204:Poznansky, Alexander (1999).
201:Old Style and New Style dates
143:, the most celebrated of the
1687:Variations on a Rococo Theme
551:The Symbol of Faith (Creed)
543:Veruyu vo Yedinago Boga Otsa
352:While most of the work uses
514:The Liturgy of the Faithful
354:traditional Slavonic chants
260:Imperial University of Kiev
212:Censorship and legal issues
120:
2174:
1927:String Sextet in D minor (
1681:Violin Concerto in D major
1249:The A to Z of Sacred Music
650:Khvalitye Gospoda s nebyes
540:Верую во Единаго Бога Отца
430:After the Second Antiphon
2102:
2022:Modest Ilyich Tchaikovsky
1904:String Quartet No. 3 in E
1796:Festival Coronation March
1642:Piano Concerto No. 3 in E
1626:Piano Concerto No. 1 in B
1373:
1246:Swain, Joseph P. (2006).
1105:Campbell, Stuart (2003).
378:(Russian transliteration)
115:
45:
43:
30:
1367:Pyotr Ilyich Tchaikovsky
532:After the Cherubic Hymn
137:Pyotr Ilyich Tchaikovsky
33:Pyotr Ilyich Tchaikovsky
1973:Piano Sonata No. 2 in C
1916:Souvenir d'un lieu cher
1225:Shrock, Dennis (2009).
647:Хвалите Господа с небес
422:Slava: Edinorodniy Syne
419:Слава: Единородный Сыне
382:English transliteration
149:Eastern Orthodox Church
396:Аминь. Господи помилуй
291:
223:
197:
177:
126:
1922:Piano Trio in A minor
1883:Quartet Movement in B
1668:Sérénade mélancolique
1126:Evans, Edwin (1900).
487:Glory to Thee, O Lord
441:Priidite, poklonimsya
399:Amin. Gospodi pomilui
279:
181:
172:
2082:Chaikovskij (crater)
1929:Souvenir de Florence
1827:Serenade for Strings
1378:List of compositions
1331:Tchaikovsky Research
1082:(20 February 2007).
1025:Gee & Selby 1960
813:Tchaikovsky Research
444:Come, let us worship
438:Приидите, поклонимся
388:Part of the liturgy
145:eucharistic services
1745:Francesca da Rimini
1576:Symphony in B minor
1517:The Sleeping Beauty
1485:The Queen of Spades
1464:Mazepa (or Mazeppa)
1457:The Maid of Orleans
1268:Tchaikovsky, Modest
1013:M. Tchaikovsky 1904
989:M. Tchaikovsky 1904
953:M. Tchaikovsky 1904
938:M. Tchaikovsky 1904
926:M. Tchaikovsky 1904
889:M. Tchaikovsky 1904
833:M. Tchaikovsky 1904
786:M. Tchaikovsky 1904
771:M. Tchaikovsky 1904
599:It is Truly Fitting
505:Kheruvimskaya pyesn
484:Slava tyebe gospodi
385:English translation
348:Music and structure
264:Moscow Conservatory
2034:Antonina Miliukova
1955:Souvenir de Hapsal
1948:Scherzo à la russe
1661:Andante and Finale
1292:Wiley, Roland John
991:, p. 394-395.
788:, p. 298-299.
773:, p. 237-238.
481:Слава Тебе Господи
303:Nikolai Rubinstein
239:Nikolai Bakhmetiev
2148:1878 compositions
2130:
2129:
2040:Nadezhda von Meck
1738:Capriccio Italien
1694:Pezzo capriccioso
1611:
1228:Choral Repertoire
1149:Morozan, Vladimir
1143:. Vanguard Press.
807:Langston, Brett.
682:
681:
502:Херувимская песнь
379:
168:Nadezhda von Meck
102:
101:
2165:
2120:
2110:
2109:
2057:In popular media
2028:Vladimir Davydov
2004:The Music Lovers
1978:
1977:
1909:
1908:
1888:
1887:
1717:Romeo and Juliet
1709:Orchestral works
1654:Concert Fantasia
1647:
1646:
1631:
1630:
1609:
1606:
1605:
1591:No. 6 in B minor
1586:No. 5 in E minor
1571:No. 4 in F minor
1561:No. 3 in D major
1551:No. 2 in C minor
1545:Winter Daydreams
1541:No. 1 in G minor
1443:Vakula the Smith
1360:
1353:
1346:
1337:
1324:: Scores at the
1311:
1287:
1263:
1242:
1221:
1200:
1168:
1144:
1133:
1122:
1101:
1089:
1067:
1061:
1055:
1049:
1043:
1037:
1028:
1022:
1016:
1010:
1004:
998:
992:
986:
980:
974:
968:
962:
956:
950:
941:
935:
929:
923:
917:
916:
914:
912:
898:
892:
886:
880:
874:
868:
862:
851:
845:
836:
830:
824:
823:
821:
819:
804:
789:
783:
774:
768:
762:
761:
759:
757:
743:
734:
728:
722:
716:
568:After the Creed
565:A Mercy of Peace
377:
367:
338:Ippolitov-Ivanov
228:
131:
123:
117:
50:
49:
48:
47:
21:
2173:
2172:
2168:
2167:
2166:
2164:
2163:
2162:
2158:John Chrysostom
2133:
2132:
2131:
2126:
2098:
2045:
2010:
1983:
1975:
1974:
1935:
1906:
1905:
1885:
1884:
1871:
1851:All-Night Vigil
1831:
1704:
1644:
1643:
1628:
1627:
1614:
1603:
1602:
1529:
1497:
1478:The Enchantress
1409:
1400:Belyayev circle
1369:
1364:
1318:
1308:
1290:
1284:
1266:
1260:
1245:
1239:
1224:
1218:
1203:
1197:
1183:, eds. (2006).
1181:Suny, Ronald G.
1177:Lieven, Dominic
1173:Perrie, Maureen
1171:
1165:
1147:
1136:
1125:
1119:
1104:
1098:
1078:
1075:
1070:
1062:
1058:
1050:
1046:
1038:
1031:
1023:
1019:
1011:
1007:
999:
995:
987:
983:
975:
971:
963:
959:
951:
944:
936:
932:
924:
920:
910:
908:
906:Mussica Russica
900:
899:
895:
887:
883:
875:
871:
863:
854:
846:
839:
831:
827:
817:
815:
806:
805:
792:
784:
777:
769:
765:
755:
753:
745:
744:
737:
729:
725:
717:
713:
709:
687:
529:Lord have mercy
526:Gospodi pomilui
523:Господи помилуй
449:Little Entrance
407:Lord have mercy
376:
374:Church Slavonic
350:
320:All-Night Vigil
315:
256:
218:Imperial Chapel
214:
205:Pyotr Jurgenson
193:John Chrysostom
157:
135:composition by
70:Church Slavonic
58:Setting of the
17:
12:
11:
5:
2171:
2169:
2161:
2160:
2155:
2150:
2145:
2135:
2134:
2128:
2127:
2125:
2124:
2114:
2103:
2100:
2099:
2097:
2096:
2095:
2094:
2084:
2079:
2074:
2069:
2064:
2059:
2053:
2051:
2047:
2046:
2044:
2043:
2037:
2031:
2025:
2018:
2016:
2012:
2011:
2009:
2008:
2000:
1991:
1989:
1985:
1984:
1982:
1981:
1970:
1965:
1958:
1951:
1943:
1941:
1937:
1936:
1934:
1933:
1924:
1919:
1912:
1901:
1896:
1891:
1879:
1877:
1873:
1872:
1870:
1869:
1861:
1854:
1847:
1839:
1837:
1833:
1832:
1830:
1829:
1824:
1814:
1809:
1804:
1799:
1792:
1785:
1778:
1771:
1764:
1755:
1748:
1741:
1734:
1727:
1720:
1712:
1710:
1706:
1705:
1703:
1702:
1700:Cello Concerto
1697:
1690:
1683:
1678:
1671:
1664:
1657:
1650:
1639:
1634:
1622:
1620:
1616:
1615:
1613:
1612:
1598:
1588:
1583:
1573:
1568:
1558:
1555:Little Russian
1548:
1537:
1535:
1531:
1530:
1528:
1527:
1524:The Nutcracker
1520:
1513:
1505:
1503:
1499:
1498:
1496:
1495:
1488:
1481:
1474:
1467:
1460:
1453:
1446:
1439:
1432:
1425:
1417:
1415:
1411:
1410:
1408:
1407:
1402:
1397:
1392:
1391:
1390:
1380:
1374:
1371:
1370:
1365:
1363:
1362:
1355:
1348:
1340:
1334:
1333:
1328:
1317:
1316:External links
1314:
1313:
1312:
1306:
1288:
1282:
1264:
1258:
1243:
1237:
1222:
1216:
1201:
1195:
1169:
1163:
1145:
1134:
1123:
1117:
1102:
1096:
1074:
1071:
1069:
1068:
1066:, p. 184.
1056:
1054:, p. 212.
1044:
1029:
1027:, p. 138.
1017:
1015:, p. 395.
1005:
1003:, p. 202.
993:
981:
969:
957:
955:, p. 394.
942:
940:, p. 392.
930:
928:, p. 348.
918:
893:
891:, p. 347.
881:
879:, p. 289.
877:Poznansky 1999
869:
867:, p. 509.
852:
850:, p. 115.
837:
835:, p. 313.
825:
790:
775:
763:
751:Musica Russica
735:
733:, p. 508.
723:
721:, p. 106.
710:
708:
705:
704:
703:
698:
693:
686:
683:
680:
679:
676:
671:
668:
665:
661:
660:
654:
651:
648:
645:
641:
640:
634:
631:
628:
625:
621:
620:
617:
614:
611:
608:
604:
603:
600:
597:
594:
591:
587:
586:
583:
580:
577:
574:
570:
569:
566:
563:
560:
557:
553:
552:
549:
544:
541:
538:
534:
533:
530:
527:
524:
521:
517:
516:
511:
506:
503:
500:
496:
495:
488:
485:
482:
479:
475:
474:
467:
462:
459:
456:
452:
451:
445:
442:
439:
436:
432:
431:
428:
423:
420:
417:
413:
412:
409:
400:
397:
394:
390:
389:
386:
383:
380:
371:
349:
346:
314:
311:
301:at his friend
255:
252:
213:
210:
156:
153:
100:
99:
93:
89:
88:
85:
81:
80:
77:
73:
72:
67:
63:
62:
60:Divine Liturgy
56:
52:
51:
40:
36:
35:
28:
27:
15:
13:
10:
9:
6:
4:
3:
2:
2170:
2159:
2156:
2154:
2151:
2149:
2146:
2144:
2141:
2140:
2138:
2123:
2119:
2115:
2113:
2105:
2104:
2101:
2093:
2090:
2089:
2088:
2085:
2083:
2080:
2078:
2075:
2073:
2070:
2068:
2065:
2063:
2060:
2058:
2055:
2054:
2052:
2048:
2041:
2038:
2035:
2032:
2029:
2026:
2023:
2020:
2019:
2017:
2013:
2006:
2005:
2001:
1998:
1997:
1993:
1992:
1990:
1986:
1980:
1971:
1969:
1966:
1964:
1963:
1959:
1957:
1956:
1952:
1950:
1949:
1945:
1944:
1942:
1938:
1932:
1930:
1925:
1923:
1920:
1918:
1917:
1913:
1911:
1902:
1900:
1897:
1895:
1892:
1890:
1881:
1880:
1878:
1876:Chamber music
1874:
1867:
1866:
1862:
1860:
1859:
1855:
1853:
1852:
1848:
1846:
1845:
1841:
1840:
1838:
1834:
1828:
1825:
1822:
1818:
1815:
1813:
1810:
1808:
1805:
1803:
1800:
1798:
1797:
1793:
1791:
1790:
1786:
1784:
1783:
1779:
1777:
1776:
1775:1812 Overture
1772:
1770:
1769:
1765:
1763:
1762:
1761:
1756:
1754:
1753:
1749:
1747:
1746:
1742:
1740:
1739:
1735:
1733:
1732:
1728:
1726:
1725:
1721:
1719:
1718:
1714:
1713:
1711:
1707:
1701:
1698:
1696:
1695:
1691:
1689:
1688:
1684:
1682:
1679:
1677:
1676:
1675:Valse-Scherzo
1672:
1670:
1669:
1665:
1663:
1662:
1658:
1656:
1655:
1651:
1649:
1640:
1638:
1635:
1633:
1624:
1623:
1621:
1617:
1608:
1601:Symphony in E
1599:
1596:
1592:
1589:
1587:
1584:
1581:
1577:
1574:
1572:
1569:
1566:
1562:
1559:
1556:
1552:
1549:
1546:
1542:
1539:
1538:
1536:
1532:
1526:
1525:
1521:
1519:
1518:
1514:
1512:
1511:
1507:
1506:
1504:
1500:
1494:
1493:
1489:
1487:
1486:
1482:
1480:
1479:
1475:
1473:
1472:
1468:
1466:
1465:
1461:
1459:
1458:
1454:
1452:
1451:
1450:Eugene Onegin
1447:
1445:
1444:
1440:
1438:
1437:
1436:The Oprichnik
1433:
1431:
1430:
1426:
1424:
1423:
1419:
1418:
1416:
1412:
1406:
1403:
1401:
1398:
1396:
1393:
1389:
1386:
1385:
1384:
1383:Musical style
1381:
1379:
1376:
1375:
1372:
1368:
1361:
1356:
1354:
1349:
1347:
1342:
1341:
1338:
1332:
1329:
1327:
1323:
1320:
1319:
1315:
1309:
1307:9780195368925
1303:
1299:
1298:
1293:
1289:
1285:
1283:9781410216120
1279:
1275:
1274:
1269:
1265:
1261:
1259:9780810876217
1255:
1251:
1250:
1244:
1240:
1238:9780199886876
1234:
1230:
1229:
1223:
1219:
1217:9780253335456
1213:
1209:
1208:
1202:
1198:
1196:9780521815291
1192:
1188:
1187:
1182:
1178:
1174:
1170:
1166:
1164:9781136294099
1160:
1156:
1155:
1150:
1146:
1142:
1141:
1135:
1131:
1130:
1124:
1120:
1118:9781139441193
1114:
1110:
1109:
1103:
1099:
1097:9781933648309
1093:
1088:
1087:
1081:
1077:
1076:
1072:
1065:
1060:
1057:
1053:
1048:
1045:
1041:
1036:
1034:
1030:
1026:
1021:
1018:
1014:
1009:
1006:
1002:
997:
994:
990:
985:
982:
978:
977:Campbell 2003
973:
970:
966:
965:Campbell 2003
961:
958:
954:
949:
947:
943:
939:
934:
931:
927:
922:
919:
907:
903:
897:
894:
890:
885:
882:
878:
873:
870:
866:
861:
859:
857:
853:
849:
844:
842:
838:
834:
829:
826:
814:
810:
803:
801:
799:
797:
795:
791:
787:
782:
780:
776:
772:
767:
764:
752:
748:
742:
740:
736:
732:
727:
724:
720:
715:
712:
706:
702:
699:
697:
694:
692:
689:
688:
684:
677:
675:
672:
669:
666:
663:
662:
658:
655:
652:
649:
646:
643:
642:
639:
638:Lord's Prayer
635:
632:
629:
626:
623:
622:
618:
615:
612:
609:
606:
605:
601:
598:
596:Dostoino yest
595:
593:Достойно есть
592:
589:
588:
584:
581:
578:
575:
572:
571:
567:
564:
561:
558:
555:
554:
550:
548:
545:
542:
539:
536:
535:
531:
528:
525:
522:
519:
518:
515:
512:
510:
509:Cherubic Hymn
507:
504:
501:
498:
497:
493:
489:
486:
483:
480:
477:
476:
472:
468:
466:
463:
460:
457:
454:
453:
450:
446:
443:
440:
437:
434:
433:
429:
427:
424:
421:
418:
415:
414:
410:
408:
404:
401:
398:
395:
392:
391:
387:
384:
381:
375:
372:
369:
368:
365:
362:
359:
355:
347:
345:
343:
339:
335:
331:
327:
322:
321:
312:
310:
308:
304:
300:
296:
290:
288:
284:
278:
276:
271:
267:
265:
261:
253:
251:
249:
244:
240:
235:
233:
229:
227:
226:
219:
211:
209:
206:
202:
196:
194:
190:
186:
180:
176:
171:
169:
164:
162:
154:
152:
150:
146:
142:
138:
134:
130:
129:
122:
113:
109:
108:
97:
94:
90:
86:
82:
78:
74:
71:
68:
64:
61:
57:
53:
41:
37:
34:
29:
26:
22:
19:
2002:
1994:
1960:
1953:
1946:
1928:
1914:
1865:Six Romances
1863:
1856:
1849:
1843:
1842:
1820:
1794:
1787:
1782:Marche slave
1780:
1773:
1768:The Voyevoda
1766:
1759:
1757:
1750:
1743:
1736:
1729:
1722:
1715:
1692:
1685:
1674:
1666:
1659:
1653:
1610:(unfinished)
1594:
1579:
1564:
1554:
1544:
1522:
1515:
1508:
1490:
1483:
1476:
1469:
1462:
1455:
1448:
1441:
1434:
1427:
1422:The Voyevoda
1420:
1296:
1272:
1248:
1227:
1206:
1185:
1153:
1139:
1128:
1107:
1085:
1080:Brown, David
1059:
1047:
1040:Morozan 2013
1020:
1008:
996:
984:
979:, p. 9.
972:
967:, p. 3.
960:
933:
921:
909:. Retrieved
905:
896:
884:
872:
828:
816:. Retrieved
812:
766:
754:. Retrieved
750:
726:
714:
582:We hymn Thee
559:Милость мира
363:
356:with simple
351:
342:Rachmaninoff
334:Gretchaninov
326:Arkhangelsky
318:
316:
298:
294:
292:
286:
280:
272:
268:
257:
254:Performances
242:
236:
221:
215:
198:
182:
178:
173:
170:, he wrote:
165:
160:
158:
106:
105:
103:
24:
18:
2007:(1971 film)
1999:(1970 film)
1996:Tchaikovsky
1962:The Seasons
1940:Piano music
1836:Vocal music
1724:The Tempest
1619:Concertante
1471:Cherevichki
1297:Tchaikovsky
865:Shrock 2009
731:Shrock 2009
579:Tebye poyem
562:Milost mira
232:Alexander I
185:Bortniansky
39:Native name
2137:Categories
1988:Portrayals
1821:Mozartiana
1595:Pathétique
1534:Symphonies
1388:Symphonies
1073:References
1064:Brown 2007
1052:Swain 2006
1001:Wiley 2009
633:Our Father
630:Otche nash
490:After the
469:After the
465:alleliujah
447:After the
358:homophonic
189:Berezovsky
155:Background
128:a cappella
2024:(brother)
1752:The Storm
1510:Swan Lake
657:Communion
576:Тебе поем
461:Alliluiya
330:Chesnokov
275:César Cui
84:Movements
2112:Category
2042:(patron)
2030:(nephew)
1976:♯
1907:♭
1886:♭
1868:(Op. 38)
1645:♭
1629:♭
1604:♭
1395:The Five
1294:(2009).
1270:(1904).
911:22 March
756:22 March
685:See also
627:Отче наш
494:Reading
473:Reading
458:Аллилуйя
283:register
230:of Tsar
124:) is an
76:Composed
66:Language
2050:Related
1580:Manfred
1502:Ballets
1492:Iolanta
818:21 June
471:Epistle
299:Liturgy
287:Liturgy
243:Liturgy
147:of the
112:Russian
2036:(wife)
2015:People
1858:Moscow
1731:Hamlet
1565:Polish
1429:Undina
1414:Operas
1304:
1280:
1256:
1235:
1214:
1193:
1161:
1115:
1094:
492:Gospel
340:, and
313:Legacy
307:Modest
133:choral
2122:Audio
1979:minor
1910:minor
1889:major
1760:Fatum
1648:major
1632:minor
1607:major
1405:Death
707:Notes
659:Hymn
295:Rouss
248:Synod
225:ukase
98:choir
92:Vocal
1302:ISBN
1278:ISBN
1254:ISBN
1233:ISBN
1212:ISBN
1191:ISBN
1159:ISBN
1113:ISBN
1092:ISBN
913:2013
820:2015
758:2013
636:The
403:Amen
370:Seq.
104:The
96:SATB
79:1878
55:Form
31:by
2139::
1300:.
1276:.
1252:.
1231:.
1210:.
1189:.
1179:;
1175:;
1157:.
1111:.
1090:.
1032:^
945:^
904:.
855:^
840:^
811:.
793:^
778:^
749:.
738:^
664:15
644:14
624:13
607:12
590:11
573:10
405:.
344:.
336:,
332:,
328:,
187:,
163:.
118:,
114::
87:15
1931:)
1823:)
1819:(
1597:)
1593:(
1582:)
1578:(
1567:)
1563:(
1557:)
1553:(
1547:)
1543:(
1359:e
1352:t
1345:v
1310:.
1286:.
1262:.
1241:.
1220:.
1199:.
1167:.
1132:.
1121:.
1100:.
1042:.
915:.
822:.
760:.
556:9
537:8
520:7
499:6
478:5
455:4
435:3
416:2
393:1
110:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.