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Live Design

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have been the creative consultants for the BLMC and BSMC, respectively, since their inception. In February 2015, Live Design announced it was rebranding the Broadway Master Classes as the New York Master Classes (NYMC). This training series expands the curriculum to include all aspects of lighting,
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Envision Symposium was held in Monterey, California in September 2013. The conference sought to explore the idea of storytelling and how it is presented and transformed in today’s world of technology and design. It considered the future of various areas, such as, concerts, theme parks, gaming, and
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Since then, LDI has continued to grow, receiving over 9,700 attendees, working in theatre, concerts, houses of worship, corporate presentations, clubs, theme parks, and any other live venue, from 88 countries. Over 350 companies exhibit and provide live demos and gear showcases. The trade show is
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LDI is an annual trade show for live event professionals, which debuted in Dallas, Texas in 1988 with over a hundred exhibitors and 3,000 attendees. It has been to various locations from Nashville, Tennessee to Orlando and Miami, FL, to Reno, Lake Tahoe, and Las Vegas, Nevada.
540:’s master classes feature top designers from their respective disciplines. The Broadway Master Classes (BMC) originated as Broadway Lighting Master Classes (BLMC), run by Sonny Sonnenfeld, who started it with nine-time Tony Award-winning lighting designer, Jules Fisher. 560:
The Electronic Dance Music Master Classes (EDMMC): Lighting + Projection focus on the aesthetic and technical components of designing and programming for EDM. EDMMC Sound focuses on the technical and practical considerations in designing sound for festivals and clubs.
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digital environments. The conference was geared towards an expansive creative audience, including designers, writers, artists, technicians, engineers, programmers, manufacturers, distributors, and inventors. Bran Ferren and Bob Bonniol were the creative consultants.
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purchased the BLMC from Sonnenfeld and expanded into Broadway Projection Master Classes (BPMC) and Broadway Sound Master Classes (BSMC). Hosted in New York, BMC is geared towards both students and professionals. Fisher and sound designer,
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began with a free circulation to high school and college drama instructors. Geared towards the offstage performers, the magazine featured “how-to” articles from theatre designers of costumes, lighting, sets, and more.
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The Projection Master Classes (PMC) focus on the technical and creative obstacles in programming and projection mapping. It is concerned with gear such as playback software, surfaces, projectors, and networking.
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also presents awards and scholarships to younger designers, including the Pat MacKay Diversity In Design Scholarships for undergraduates and the Rising Star Award to early career professional designers.
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MacKay organized a trade show for the entertainment industry called LDI. It made its debut in Dallas, Texas in 1988 with over a hundred exhibitors and 3,000 attendees. It has run each year ever since.
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closed its print publication and converted to a digital, interactive app and magazine for Apple products in December 2013, and implemented an Android version in October 2014.
352:'s Theatre Department cites it for providing "comprehensive coverage for professionals in the fields of lighting, sound, staging, and projection." It originated as 368:
is geared towards aspiring and established designers in the disciplines of lighting, audio, projection, and scenery. The magazine also manages its own website.
461: 376:, Lawrence Stern recommends subscribing to the magazine and attending LDI as way for professional stage managers to keep current on theater technology. 1147: 155:
of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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is affiliated with the LDI trade show, and hosts the Live Design Master Classes and Envision Symposium. In his undergraduate textbook on
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and shaped it into a more professional magazine for the theatre industry. In January 1970, Patricia MacKay joined the editors.
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grew from strictly theatre, to covering film, concerts, theme parks, retail shops, television, opera, and architecture.
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released its first issue. The magazine focused on lighting and design in concerts, theatre, film, and architecture.
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was published by Emmaus, PA-based Rodale Press, which was owned by J. I. Rodale. Marshall Ackerman was
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Cashill, Robert (October 1997). "Our 20th Anniversary". Vol. 21, no. 9. Lighting Dimensions.
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Ackerman, Marshall (September 1997). "Special Report: 30 Years of TCI". Vol. 31, no. 7. TCI.
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Lampert-Greaux, Ellen (October 1997). "LDI at 10". Vol. 21, no. 9. Lighting Dimensions.
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projection, and sound design in not only theater, but also concerts, dance, and opera.
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concerned with lighting, sound, projection, staging and truss, and special effects.
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In January 1996, Intertec Publishing of Overland Park, KS, which eventually became
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The Concert Master Classes (CMC) focus on lighting and projection for concerts.
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Stern, Lawrence; Gold, Jill (2016). "Chapter 19. Organizing Information".
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Please help to demonstrate the notability of the topic by citing
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Donahue, Tim (2013). "Chapter 8. Find Current Facts".
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Animation Magazine 734:"Key Journals about Theatre Topics" 689:Theatre Department: The Green Room 626:University of South Carolina Press 621:Theater Careers: A Realistic Guide 389:In March 1967, the first issue of 14: 1050:. CAST Group, Ltd. Archived from 445:On its 25th anniversary in 1992, 33:This article has multiple issues. 431:from Rodale Publishing in 1982. 362:Entertainment Design (1999-2005) 254:may rely excessively on sources 243: 129: 63: 22: 746:from the original on 2020-12-20 695:from the original on 2020-03-12 683:Williams, Albert (2016-06-05). 140:may not meet Knowledge (XXG)'s 41:or discuss these issues on the 1: 1148:Entertainment trade magazines 895:Theatre Communications Group 866:Lighting & Sound America 455:Theatre Crafts International 142:general notability guideline 1164: 533:Live Design Master Classes 149:reliable secondary sources 138:The topic of this article 998:. Timeless Communications 590:Dool, Greg (2020-12-05). 1022:www.livedesignonline.com 992:"The Godfather of Sound" 350:Columbia College Chicago 427:Patricia MacKay bought 420:’ sister publication, 356:, which combined with 332: 330: 95:neutral point of view 827:Taylor & Francis 485:Entertainment Design 481:Entertainment Design 634:10.2307/j.ctv6wgjdx 489:Lighting Dimensions 470:Lighting Dimensions 437:Lighting Dimensions 422:Lighting Dimensions 354:Lighting Dimensions 87:promotional content 1104:Animation Magazine 1054:on 8 December 2014 897:. 28 February 2020 798:Live Design Online 772:Live Design Online 565:Envision Symposium 495:in December 2005. 439:in February 1986. 333: 144: 89:and inappropriate 825:(11th ed.). 491:were merged into 325: 324: 317: 307: 306: 299: 237: 236: 229: 211: 139: 123: 122: 115: 56: 1155: 1134: 1133: 1131:Official website 1116: 1115: 1113: 1111: 1095: 1089: 1088: 1086: 1084: 1070: 1064: 1063: 1061: 1059: 1040: 1034: 1033: 1031: 1029: 1014: 1008: 1007: 1005: 1003: 996:Stage Directions 988: 982: 981: 979: 977: 962: 956: 948: 942: 941: 937: 928: 927: 923: 917: 916: 912: 906: 905: 903: 902: 891:American Theatre 883: 877: 876: 874: 873: 857: 851: 850: 844: 843: 822:Stage Management 816: 810: 809: 807: 805: 790: 784: 783: 781: 779: 764: 755: 754: 752: 751: 730: 724: 723: 719: 704: 703: 701: 700: 680: 674: 673: 667: 666: 615: 606: 605: 603: 602: 587: 374:stage management 320: 313: 302: 295: 291: 288: 282: 247: 239: 232: 225: 221: 218: 212: 210: 169: 133: 132: 125: 118: 111: 107: 104: 98: 76:an advertisement 67: 66: 59: 48: 26: 25: 18: 1163: 1162: 1158: 1157: 1156: 1154: 1153: 1152: 1138: 1137: 1129: 1128: 1125: 1120: 1119: 1109: 1107: 1097: 1096: 1092: 1082: 1080: 1072: 1071: 1067: 1057: 1055: 1042: 1041: 1037: 1027: 1025: 1016: 1015: 1011: 1001: 999: 990: 989: 985: 975: 973: 964: 963: 959: 949: 945: 939: 938: 931: 925: 924: 920: 914: 913: 909: 900: 898: 885: 884: 880: 871: 869: 859: 858: 854: 841: 839: 837: 829:. p. 272. 818: 817: 813: 803: 801: 792: 791: 787: 777: 775: 766: 765: 758: 749: 747: 732: 731: 727: 721: 720: 707: 698: 696: 682: 681: 677: 664: 662: 644: 628:. p. 135. 617: 616: 609: 600: 598: 589: 588: 581: 576: 567: 535: 522: 387: 321: 310: 309: 308: 303: 292: 286: 283: 268: 248: 233: 222: 216: 213: 170: 168: 146: 134: 130: 119: 108: 102: 99: 80: 68: 64: 27: 23: 12: 11: 5: 1161: 1159: 1151: 1150: 1140: 1139: 1136: 1135: 1124: 1123:External links 1121: 1118: 1117: 1098:Zahed, Ramin. 1090: 1065: 1035: 1009: 983: 957: 943: 929: 918: 907: 878: 852: 835: 811: 785: 756: 725: 705: 675: 642: 607: 578: 577: 575: 572: 566: 563: 534: 531: 521: 518: 504:In late 2019, 447:Theatre Crafts 435:then acquired 433:Theatre Crafts 429:Theatre Crafts 418:Theatre Crafts 416:In June 1977, 411:Theatre Crafts 407:Theatre Crafts 399:Theatre Crafts 395:Theatre Crafts 391:Theatre Crafts 386: 383: 358:Theatre Crafts 323: 322: 305: 304: 251: 249: 242: 235: 234: 137: 135: 128: 121: 120: 91:external links 71: 69: 62: 57: 31: 30: 28: 21: 13: 10: 9: 6: 4: 3: 2: 1160: 1149: 1146: 1145: 1143: 1132: 1127: 1126: 1122: 1105: 1101: 1094: 1091: 1079: 1075: 1069: 1066: 1053: 1049: 1048:Cast Software 1045: 1039: 1036: 1024:. Live Design 1023: 1019: 1013: 1010: 997: 993: 987: 984: 971: 967: 961: 958: 955: 954: 947: 944: 936: 934: 930: 922: 919: 911: 908: 896: 892: 888: 882: 879: 868: 867: 862: 856: 853: 848: 838: 836:9781317300137 832: 828: 824: 823: 815: 812: 799: 795: 789: 786: 773: 769: 763: 761: 757: 745: 741: 740: 739:UCF Libraries 735: 729: 726: 718: 716: 714: 712: 710: 706: 694: 690: 686: 679: 676: 671: 661: 657: 653: 649: 645: 643:9781611171976 639: 635: 631: 627: 623: 622: 614: 612: 608: 597: 593: 586: 584: 580: 573: 571: 564: 562: 558: 554: 551: 548: 543: 539: 532: 530: 526: 519: 517: 515: 511: 507: 502: 500: 496: 494: 490: 486: 482: 478: 473: 471: 467: 463: 458: 456: 452: 448: 443: 440: 438: 434: 430: 425: 423: 419: 414: 412: 408: 403: 400: 396: 392: 384: 382: 379: 375: 371: 367: 363: 359: 355: 351: 347: 346:architainment 343: 339: 338: 329: 319: 316: 301: 298: 290: 280: 276: 272: 266: 262: 258: 257: 252:This article 250: 246: 241: 240: 231: 228: 220: 209: 206: 202: 199: 195: 192: 188: 185: 181: 178: –  177: 176:"Live Design" 173: 172:Find sources: 166: 162: 158: 154: 150: 143: 136: 127: 126: 117: 114: 106: 96: 92: 88: 84: 78: 77: 72:This article 70: 61: 60: 55: 53: 46: 45: 40: 39: 34: 29: 20: 19: 16: 1108:. 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Penton 970:LDI Show 800:. Penton 774:. Penton 744:Archived 693:Archived 1078:Dubspot 966:"About" 506:Questex 479:became 449:became 385:History 342:Questex 265:neutral 201:scholar 165:deleted 833:  658:  650:  640:  462:Penton 203:  196:  189:  182:  174:  157:merged 648:JSTOR 596:Folio 512:from 208:JSTOR 194:books 163:, or 1112:2014 1085:2014 1060:2014 1030:2015 1004:2014 978:2014 831:ISBN 806:2014 780:2014 656:OCLC 638:ISBN 487:and 360:and 331:Logo 263:and 180:news 630:doi 520:LDI 477:TCI 466:TCI 451:TCI 277:to 1144:: 1102:. 1076:. 1046:. 1020:. 994:. 968:. 932:^ 893:. 889:. 863:. 796:. 770:. 759:^ 742:. 736:. 708:^ 691:. 687:. 654:. 646:. 636:. 624:. 610:^ 594:. 582:^ 516:. 483:. 468:, 159:, 47:. 1114:. 1087:. 1062:. 1032:. 1006:. 980:. 953:. 904:. 875:. 849:. 808:. 782:. 753:. 702:. 672:. 632:: 604:. 453:( 318:) 312:( 300:) 294:( 289:) 285:( 281:. 267:. 230:) 224:( 219:) 215:( 205:· 198:· 191:· 184:· 167:. 145:. 116:) 110:( 105:) 101:( 97:. 79:. 54:) 50:(

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