168:, an experimental international interdisciplinary group related to visual arts, music, and literature. Rosenfeld and CADA's work dealt with transforming and intervening in public urban space with the use of symbolism in order to question society's political and authority status. During this period Rosenfeld's work involved performances and video installations. One of her more recent works is titled Mocion de Orden (Motion of Order). This work is a large multimedia installation that was exhibited at the
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therefore she used the streets to perform her work, ultimately interrogating political and cultural spaces. With her art, she hoped that she could change the mentality of people by altering history of her country. The initial medium in which she worked was video recording. She then associated herself with Neo-vanguardism and the Escena de
Avanzada, a movement of artists and writers that appeared on the Chilean art scene after the
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often-used markings, she transgresses this subsystem of control and confronts the public with an unexpected subversion of meaning. She converts a minus sign into a plus, to create the + sign, challenging the idea that signs are fixed, static markings of meaning. The work itself was a performance piece that disrupted every day traffic under the
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Rosenfeld's involvement in art happened during the
Chilean military coup d'état period. Under this regime, she utilized her artwork to demonstrate how official power and conflict zones submit bodies to the margins and borders. She wanted to be separate from the guarded spaces of art and its market
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With the help of anonymous people on the street, they transformed the painted lines that divide streets into crosses with a perpendicular axis made of white tape. Rosenfeld used straight lines on the pavement as a metaphor for the tightly held control of the
Pinochet regime. By altering these
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in urban areas, often manipulating traffic signs in order to challenge viewers to rethink notions of public space and political agency. Her work has been exhibited in several countries throughout Latin
America, and Internationally in places such as Europe, Japan, and Australia.
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903:. Fajardo-Hill, Cecilia,, Giunta, Andrea,, Alonso, Rodrigo., Hammer Museum,, Brooklyn Museum,, Pacific Standard Time: LA/LA (Project). Los Angeles. 2017.
132:. She was born in Santiago, Chile, and was active during the late 1970s during the time of the Chilean military coup d'état. She carried out public
180:. Influences of the social reality that frame societies' routines became the physical foundations of her creative interventions. It was begun in
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150:. In 1979, along with poet Raúl Zurita, sociologist Fernando Balcells, writer/artist Diamela Eltit, and artist Juan Castillo, she formed,
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in 1979. it is one of
Rosenfeld's most famous art action pieces. She altered the lines on the pavement, ultimately creating crosses.
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1985 Art Action: Revolution Square in Havana, Cuba. Civic Center of
Santiago, Valparaíso Highway. Santiago, Chile
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Entre mujeres : colaboraciones, infuencias e intertextualidades en la literatura y el arte latinoamericanos
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805:. Richard, Nelly, Cordero, Kristina, 1971-, Biennale di Venezia (56th: 2015: Venice, Italy). Santiago, Chile.
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H., Butler, Cornelia; Gabrielle, Mark, Lisa; Calif.), Museum of
Contemporary Art (Los Angeles (2007).
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Lotty
Rosenfeld: Por una poética de la rebeldía, Centro Andaluz de Arte Contemporáneo, Seville, Spain
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Poéticas de la disidencia | Poetics of
Dissent, Chilean Pavilion, Biennale Arte 2015, Venice, Italy
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is a collective activist and artist group that used interventions and performance to challenge the
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Dislocación: Cultural
Location and Identity in Times of Globalization, Kunstmuseum Bern (traveled)
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Represented Chile in the 56th Venice Biennale along with fellow Chilean artist, Paz Errázuriz
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1988 Art Action: Diego Portales. Headquarters of the Military Government. Santiago, Chile
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Poéticas de la disidencia = Poetics of dissent : Paz Errázuriz - Lotty Rosenfeld
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537:"A los 77 años muere Lotty Rosenfeld, la artista que dibujó cruces contra el poder"
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1982 Art Action: White House. Washington D.D., USA. Santiago Stock Exchange, Chile
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Una Milla de Cruces Sobre el Pavimento, A Mile of Crosses on the Pavement (1979)
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1981 Art Action: Route 68. Santiago-Valparaíso. Atacama Desert. Copiapó, Chile
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1979/80 Art Action. Una Milla de Cruces Sobre El Pavimiento. Santiago, Chile
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Una milla de cruces sobre el pavimento (A Mile of Crosses on the Pavement)
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Una Milla de Cruces Sobre el Pavimento, A Mile of Crosses on the Pavement
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in Chile throughout the 1970s and 1980s. She has also been involved with
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1984 Art Action: Astronomical Observatory, El Tololo. La Serena, Chile
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Diamond, Sara. "Art after the Coup: Interventions by Chilean Women."
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Special Jury Prize at the 1st International Video Biennial in Tokyo
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1983 Art Action: Borders Chile- Argentina. RDA-RFA. Berlin, Germany
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1987 Sound Intervention: Courts of Justice of Vancouver, Canada
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Altazor of Engraving and Drawing Prize at las Artes Nacionales
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642:"Proyecto IDIS (Investigación en Diseño de Imagen y Sonido)"
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Paoa Prize, 13th International Film Festival in Viña del Mar
522:"Lotty Rosenfeld - Artistas Visuales Chilenos, AVCh, MNBA"
695:"Lotty Rosenfeld - 28 Artworks, Bio & Shows on Artsy"
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Poéticas de la disidencia: Paz Errázuriz—Lotty Rosenfeld
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and included work by Lotty Rosenfeld and Paz Errázuriz.
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Documenta 12, Kunsthalle Fridericianum, Kassel, Germany
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Pottlitzer, Joanne. "Lotty Rosenfeld: Visual Artist."
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Rosenfeld is best known for her 'art action' entitled
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Chilean Critics Circle National Prize in Visual Arts
49:. Unsourced material may be challenged and removed.
901:Radical women : Latin American art, 1960-1985
354:, Museo de Arte Contemporáneo, Santiago (traveled)
434:Museo Nacional Centro de Arte Reina Sofía, Madrid
852:. Museum of Contemporary Art. pp. 414–427.
265:deo Projection and Multimedia Installation, 1999
226:Proposición para (entre) Cruzar Espacios Límites
590:Corpus delecti performance art of the Americas
479:36, no. 66 (2003): 62–73. Richard, Nelly, ed.
660:Radical Women digital archive - Hammer Museum
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109:Learn how and when to remove this message
592:. Fusco, Coco. London: Routledge. 2000.
124:(20 June 1943 – 24 July 2020), known as
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719:"ANINAT GALERÍA- Lotty Rosenfeld"
304:Lotty Rosenfeld: moción de orden.
563:. RIL Editores. pp. 62–73.
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535:Valles, Paula (July 24, 2020).
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559:André, María Claudia (2005).
503:. Barcelona: Polígrafa, 2015.
496:. Barcelona: Polígrafa, 2015.
263:El Empeño Latinoamericano, Vi
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454:. Santiago: F. Zegers, 1986.
397:Andes Foundation Scholarship
306:Ocho Libros Editores, 2002.
241:Paz para Sebastián Acevedo,
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232:Valparaiso- Chile,
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