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Pierre
Schaeffer wrote: "Claude Arrieu is part of her time by virtue of a presence, an instinct of efficiency, a bold fidelity. Whatever the means, concertos or songs, music for official events, concerts for the elite or for a crowd of spectators, she delivered emotion through an impeccable technique
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From this point on, she developed her personal style. She was particularly interested in the evolution of musical language and various technical means available. In 1935, she joined the French Radio
Broadcasting Program Service (« Service des programmes de la Radiodiffusion française »),
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The humorous first movement has slightly grotesque leaps in the main theme. An intermezzo quality characterizes the outer sections of the second movement, around a brief scherzando. Next, a pastoral 6/8 precedes a bustling second scherzando. The singing wind writing is taken up again in the
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451:, op 161, 1937) Ibert (1935), and Auric (1938) had also composed for them. However, her Trio shows the care she took with the part writing, sharing the material equally between the three instruments. The opening
157:. She wrote hundreds of works in varying formats, including stage works, concert works, and movie scores. She was also a teacher, and worked as a producer and assistant head of sound effects at French Radio.
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compositions are her Trio for
Woodwinds (1936), Sonatina for two violins (1937), and Clarinet Quartet (1964). Her Sonatine for flute and piano made a big impression at its first radio performance in 1944 by
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Cantabile, and the whole is rounded off with an energetic finale, which ends in a characteristically French gesture - with surprising gentleness. This piece was premiered at RTF by the
Birbaum Ensemble.
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Although Arrieu's instrumental works strongly contributed to her legacy, it is vocal music that most markedly distinguish her career. Voice inspired her to set many poems to music, including those by
463:, emulates the military manner, even in 3-time; then comes a âproperâ, 4-time, steadier parade. Her wittiness is mischievous, producing teasingly foiled expectations in a mildly anarchic manner.
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1. Allegretto moderato. 2. Moderato - Allegro scherzando - Andante - Tempo primo. 3. Andante - Allegro scherzando. 2 fl, ob, 2 cl, 2 bn, hn, tpt, tbn
943:
Sadie, Stanley (Ed.) (1994). The New Grove
Dictionary of Opera, vol. 1, A-D, chpt: "Arrieu, Claude" by Richard Langham Smith, New York: MacMillan.
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where she was employed to 1947. She participated in the development of a wide range of programming, including Pierre
Schaeffer's experimental
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388:, an opéra bouffe after the work of Voltaire adapted by Pierre Dominica, was praised for its lyrical originality and spectacle.
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589:, 1964 (clarinet quartet: E-flat, two B-flat, and bass), premiered by the Belgian Clarinet Quartet in Aix-la-Chapelle, Germany
57:
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641:, 1980 (flute, oboe, clarinet, and bassoon), premiered by the Soni Ventorum Ensemble in Washington, U.S., 19 January 1980
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is tender and swaying; the 3-time continues, faster and cheekily, and includes its own âmiddle sectionâ. The Final,
508:, 1938â1939 (opĂ©ra bouffe, 5 acts, AndrĂ© de la Tourasse after Jean Limozin), f.p. Marseilles, OpĂ©ra, 2 October 1953
46:
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by André de la
Tourasse after Jean Limozin, was presented at the Opéra de Marseille on 2 October 1953. In 1960,
86:
601:, 1966 (string quintet, harp, horn, and percussion), premiered at ORTF under the direction of Freddy Alberti
346:
470:. It can be bought on Ambache Recordings Liberté, Egalité, Sororitéhttp://womenofnote.co.uk/recordings/: .
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536:, 1953â1955 (opĂ©ra bouffe, 3 acts, P. Dominique, after Voltaire), Rheims, OpĂ©ra, 3 March 1960
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576:(imaginaire lyrique, 4 tableaux, after F. Garcia Lorca), Tours, Grand Théùtre, 1 March 1980
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629:, 1952 (wind quintet), premiered by the French Wind Quintet in SarrebrĂŒck, Germany, 1952
502:, 1931â1934 (imagerie musicale, 3 acts, A. Obey), f.p. Strasbourg OpĂ©ra, 29 January 1950
165:
Born in Paris, Arrieu was a classically trained musician from an early age. Her mother,
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She wrote music in all styles, composing works of "pure music" as well as music for
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Volume 1: I. Nonchalance, II. L'hiver est fini, III. Bavardes, IV. Carnet de bal
455:
is a swaggering mock march, with contrasting, nostalgic episodes. Initially the
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and imagery. Her musical gift is typified by its ease of flow and elegance of
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548:, 1958â1963 (2 acts, J. Tournier and M. Jacquemont, after Shakespeare),
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Volume 2: V. Ingénue, VI. Capricieuse, VII. Malicieuse, VIII. Péronelle
524:, 1948 (opéra comique, P. Bertin after G. de Nerval), RTF, 22 June 1951
443:
Arrieu was 33 when she wrote the Reed Trio; it was commissioned by the
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684:, 1957 (unison choir, flute, oboe, clarinet, percussion, and strings)
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1. Allegro. 2. Pastorale et
Scherzo. 3. Final. 9 mins. Ob, cl, bn
369:, cantata of seven poems on love in war, on poems by Paul Ăluard.
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564:(opéra bouffe, 1 act, J. Tardieu), Avignon, Opéra, 3 April 1971
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Published by
Amphion Editions. The Ambache CD recording is on
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530:(opéra enfantine, 2 acts, Tourasse and P. Dumaine), RTF, 1953
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and a spiritual vigilance, finding the path to the heart."
275:. Vivacity, clarity of expression, and a natural feel for
635:, 1955 (bamboo pipes: soprano, alto in A or G, and bass)
306:(1945), "Concerto for wind quintet and strings" (1962),
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for voice and piano based on poems by
Mallarmé (1937);
542:(opéra bouffe, 1 act, M. Vaucaire), RTF, 15 March 1959
678:, 1947 (soprano and/or baritone and piano, Max Jacob)
739:, scherzo et choral, 1986 (tenor trombone and piano)
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and piano), contest piece for the Paris Conservatory
558:, 1966 (opéra bouffe, 1 act, Dominique), Unperformed
574:
Les amours de Don Perlimpin et Belise en son jardin
60:. Unsourced material may be challenged and removed.
795:, 1965 (B-flat or C trumpet or cornet and piano)
361:, radio music on texts by Jean Tardieu based on
570:, 1972 (3 acts, after A. de Musset), incomplete
514:(opéra radiophonique, Pierre Schaeffer), RTF (
290:(1932), two pianos (1934), two concertos for
8:
666:, 1946 (choir: three equal parts, Samivel)
120:Learn how and when to remove this message
224:. In 1932, she received first prize for
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204:in 1924. She became a piano student of
855:, 1979 (B-flat or C trumpet and piano)
849:, 1986 (B-flat or C trumpet and piano)
789:, 1979 (B-flat or C trumpet and piano)
783:, 1979 (B-flat or C trumpet and piano)
733:, 1966 (B-flat or C trumpet and piano)
709:, 1976 (B-flat or C trumpet and piano)
7:
696:, 1953 (music for radio, Claude Roy)
58:adding citations to reliable sources
1054:20th-century French women composers
516:Radiodiffusion-Télévision Française
302:and strings (1965). She also wrote
193:provided her the most inspiration.
143:(30 November 1903 â 7 March 1990),
861:, 1965 (Bb or C trumpet and piano)
240:(1943â1944). In 1949, she won the
25:
1044:French women film score composers
965:Editions Billaudot: Claude Arrieu
960:Fr.Knowledge (XXG): Claude Arrieu
955:IMDb: Claude Arrieu - Filmography
690:, 1950 (choir: three equal parts)
1024:20th-century classical composers
721:, 1976 (bass trombone and piano)
682:Dix Chansons: Folklore de France
34:
595:, 1938 (2 pianos and orchestra)
436:Trio d'anches / Reed Trio, 1936
45:needs additional citations for
477:Wind Dixtuor, 1967 (rev. 1989)
1:
1029:20th-century French composers
916:"CĂ©cile P. Simon (1881-1970)"
449:Suite dâaprĂšs Michel Corrette
1034:French women opera composers
556:Balthazar, ou Le mortâvivant
304:Petite suite en cinq parties
1039:French film score composers
885:, 1976 (clarinet and piano)
819:, 1980 (clarinet and piano)
745:, 1976 (clarinet and piano)
447:; Poulenc (1926), Milhaud (
27:French composer (1903â1990)
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873:, 1977 (flute and bassoon)
468:Liberté, Egalité, Sororité
331:Louise LevĂȘque de Vilmorin
196:Dreaming of a career as a
986:Nearly Complete Catalogue
688:Rondeaux de Clément Marot
897:, 1976 (flute and piano)
813:, 1976 (flute and piano)
807:, 1980 (flute and piano)
664:Ah! Si j'Ă©tais un oiseau
623:, 1966 (cello and piano)
562:Un clavier pour un autre
534:La princesse de Babylone
386:La Princesse de Babylone
801:, 1976 (oboe and piano)
757:, 1976 (horn and piano)
658:A traduire en esthionen
617:, 1985 (oboe and piano)
1049:French opera composers
835:Promenade mélancolique
647:1946 (flute and piano)
540:La cabine téléphonique
512:La Coquille Ă planĂštes
445:Trio DâAnches de Paris
238:La Coquille Ă planĂštes
208:and took classes from
202:Conservatoire de Paris
137:
998:oxfordmusiconline.com
672:, 1947 (René Chalupt)
660:, 1947 (René Chalupt)
294:(1938 and 1949), for
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528:Le chapeau Ă musique
457:Pastorale et Scherzo
431:Notable Compositions
397:Les Gueux au paradis
313:Among her important
54:improve this article
867:, 1977 (two flutes)
761:Lectures pour piano
676:Chanson de Marianne
522:Le deux rendez-vous
353:. Examples include
308:Suite funambulesque
279:are her hallmarks.
879:, 1977 (two oboes)
877:Trois duos faciles
871:Trois duos faciles
865:Trois duos faciles
472:Wind Dixtuor. 1967
453:Allegretto ritmico
320:Jean-Pierre Rampal
218:Jean Roger-Ducasse
200:, she entered the
141:Louise-Marie Simon
138:
18:Louise Marie Simon
847:Retour au village
605:Fantaisie lyrique
409:Marchands de rien
347:Stéphane Mallarmé
327:Joachim du Bellay
167:Cecile Paul Simon
150:, was a prolific
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16:(Redirected from
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282:Arrieu composed
250:Frédéric Général
210:Georges Caussade
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763:, 1968 (piano)
749:La poupée casée
701:Teaching Pieces
694:Rue des Ormeaux
639:Suite en quatre
627:Quintette en ut
587:Cinq mouvements
552:, 31 March 1974
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405:Niok l'éléphant
367:à la Libération
322:and H. Moyens.
206:Marguerite Long
179:Igor Stravinsky
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43:This article
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977:Radio France
924:. Retrieved
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737:Introduction
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343:Jean Tardieu
339:Jean Cocteau
335:Louis Aragon
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52:Please help
47:verification
44:
1019:1990 deaths
1014:1903 births
922:(in French)
920:data.bnf.fr
823:Petit récit
713:Cerf-volant
652:Vocal Music
599:Deux pieces
461:AllĂšgrement
393:film scores
391:Noteworthy
351:Paul Ăluard
242:Prix Italia
226:composition
214:Noël Gallon
181:. However,
1059:Pseudonyms
1008:Categories
926:2022-04-02
902:References
621:Passe-pied
489:Works List
421:television
413:Le Tombeur
401:CrĂšvecoeur
372:Her first
265:music hall
222:Paul Dukas
110:March 2009
80:newspapers
805:Nostalgie
793:Ménétrier
781:L'Ă©tourdi
731:IntermĂšde
670:Attributs
645:Sonatine,
568:Barbarine
546:Cymbeline
423:, 1974).
395:include:
284:concertos
273:structure
161:Biography
859:Six-huit
799:Nocturne
725:Escapade
607:, 1959 (
411:(1958),
407:(1957),
403:(1955),
399:(1946),
382:libretto
363:Voltaire
298:(1946),
236:series,
198:virtuoso
155:composer
145:pen name
938:Sources
853:RĂȘverie
743:La fĂȘte
707:Caprice
518:), 1944
380:with a
359:Candide
300:trumpet
257:theatre
244:of the
94:scholar
947:
365:; and
349:, and
292:violin
277:melody
269:rhythm
189:, and
175:Mozart
152:French
96:
89:
82:
75:
67:
889:Valse
494:Opera
419:(for
296:flute
288:piano
234:radio
101:JSTOR
87:books
945:ISBN
550:ORTF
286:for
261:film
220:and
173:and
171:Bach
73:news
500:Noé
246:RAI
56:by
1010::
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