224:, on the opposite end of town. Working as a newsboy during childhood, he learned the basics of drawing and painting via correspondence classes. He enrolled at the Belgrano School of Fine Arts in 1954, and first exhibited at age 17, at Galería La Fantasma. Following his entry into the professional arts world, he began using his name in a reversed form. At the start of his career he has been influenced by
383:. Throughout a series of conversations with Celis, Montes-Bradley manages to capture rare moments showing the artist at work. The creative process, the brushes on canvas, the mixing of colors, and the drawing of sketches share time on the screen with the anecdotical, and traces of a political road map followed by Celis from the mid-1940s to the present.
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was more influential. He was featured in more than 120 solo shows during his career, notably the
Gallerie Bellechasse, Anita Shapolsky Gallery New York, Arteconsult, Boston & Panama, Witcomb, etc. and his art was purchased for many private collections and first-rate museums, including the
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in New York City, and at numerous universities. Among his numerous recognitions in later years was the Alba Award at the 61st Salón
Nacional de Artes Plásticas Argentino, and he was proclaimed a Distinguished Citizen of the City of Buenos Aires in 2001.
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in subsequent years. He shared his time between Buenos Aires and New York in 1994, a retrospective of his work was hosted at
Biblioteca Nacional visited by more than 300000 persons. He continued exhibiting in Latin America, in the Sanyo Gallery in
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Tragedy struck Pérez Celis' life in 1975, when an automobile accident killed his wife, and resulted in months of physical therapy for his injuries. He remarried, to
Margarita Laconich, in 1977, and lived in
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in Buenos Aires: "Idolos" (Idols) and "Mito y
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Alba Award at the 61st Salón
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in New York. He received commissions from the
Argentine government, which placed his works in the
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379:. The documentary, a portrait of Pérez Celis, captures the artist at work in his atelier in
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His daughter, actress María José Gabín, published a biography of her father in 2007.
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He also created several literary illustrations, notably those for
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football team, he created two murals in 1997 for the team's
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He returned to Buenos Aires in 1960, and opened a downtown
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during a 1957 retrospective of the latter's works at the
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with the support of Guido Di Tella, his first mecena.
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