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31:. Since it was established in 2006, Public Movement has worked on a variety of performative actions such as events, rituals, ceremonies, and political actions. The group performs focused-actions that explore the issues, ideas and dynamics of public spaces. Many of their works are created in collaboration with scholars and experts in fields outside of the arts. In many cases, these collaborations have furthered debate and discussion about contemporary issues surrounding Public Movement's actions. Public Movement was co-founded in 2006 by Omer Kreiger and Dana Yahalomi. In 2011, Yahalomi assumed sole leadership of the group.
142:"Branding is doomed to fail, since there is always an unbearable and unbridgeable gap between the image and the reality, between a signifier and a signified". The three branding agencies that participated were, Demner, Merlicek & Bergmann; Love Tensta; and Metahaven. Each proposal was presented in front of a live audience and the winner was voted on by these audience members. The winning brand agency of the campaign was Demner, Merlicek & Bergmann. The winner was then granted billboard space throughout Graz to showcase their branding campaign.
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moments of violence.” These specific actions were used to shed light on the complicated reciprocal relationship of the museum spaces and political spaces. It was researched and developed by Public
Movement during a mini-residency exploring the collections and archives of the Solomon R. Guggenheim Museum, and in a studio residency at Outset Contemporary Art Fund, Tel Aviv.
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for a period of six weeks. The main focus of this exhibition was to re-align the viewer's ideas of what a museum is and what the museum space can mean. Public
Movement used choreography to understand the museum as a place of re-evaluating a person's cultural and national identities. By making use of
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in Taipei, Taiwan. This performance was shown to the public throughout the Asian Art
Biennial. The audience members were encouraged to use this performance as a means of connecting to and exploring the history and future of Taiwan - a nation free of international recognition, that can thus dance its
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Debriefing
Session shares the “transitional moment between research and action,” inviting the listeners to understand themselves as stakeholders in the greater action and “turning members of the public into future agents.” The project was created by Alhena Katsof and Dana Yahalomi. This performative
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main building and
University Square. In collaboration with 16 special unit policemen from the Heidelberg Police, and 40 firefighters from the Heidelberg Fire brigades and volunteers, Public Movement organized a public behavior drill, an examination of citizenship. Screening process at the university
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Solution 263: Double Agent is a book authored by Alhena Katsof, Director of
Strategy and Protocol, and Dana Yahalomi, director of Public Movement. The book is a collection of information and instructions needed to perform Debriefing Sessions. It explores the relationship between “the state and its
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Spring in Warsaw was an urban walk along a route in a rare site of civil pilgrimage. Public
Movement members, together with Polish collaborators, led a walk in the Warsaw Ghetto, in the footsteps of Israeli and Jewish youth delegations which visit the city every spring. The Public was gathered in
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This 30-minute procession through the
Guggenheim's collection galleries incorporated elements from the Guggenheim's history to explore different aspects of the collection's hidden political tools. As part of the procession, performers “enacted ceremonies, physical encounters, short speeches, and
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was a performative event that consisted of five different sessions, or “SALONS.” Each SALON was modeled after a different type of public debate setting and was hosted in multiple different venues. The public debates were modeled after “congressional sessions, summit meetings, visioning sessions,
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and was continued at a Gala event in Graz. The mission behind this action was to question and investigate conflict surrounding Islam in Europe. To perform this investigation, Public
Movement assigned three branding agencies the task of ‘re-branding’ European Muslims, alongside the notion that
91:. In preparation for the action, Public Movement Agents gather extensive research, much of which ended up in the cutting room in moments where the information is "volatile, sensitive or the quantity is too unwieldy to translate into physical movements, the material remains in the background."
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entrance including physical checks and a seating plan, a procedure in a lecture hall, police questioning in the hallway, police arrests, a demonstration and an emergency evacuation drill led by the fire brigades, which led to a street party on
University Square.
195:. Public Movement invited visitors to meet with an agent who delivers an account of its research about modern art made in Palestine before 1948. The private session draws out the performative relationship between nation-states and their cultural institutions.
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at 18:00, marched and participated in rituals along a route which included the Ghetto Uprising command bunker on 18 Mila Street, The house in which Ludwik Zamenhof who invented Esperanto had lived, and the Memorial of German Chancellor
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action was also the subject of a book, “Solution 263: Double Agent,” which was published by Sternberg Press in 2015. Debriefing Session was altered and performed many subsequent times, including at the
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Debriefing Session II was a second showcasing of Public Movement's one-on-one performative methodology, that was also created by Alhena Katsof and Dana Yahalomi. This rendering was performed at the
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the museum's own works, histories, and assumed behavioral codes, Public Movement pushed viewers to think twice about a museum's allegedly-neutral relationship with political regimes.
166:, or ceremonial guard, is a ceremonial unit, usually military in nature. Public Movement, with the Veterans Honor Guard of R.O.C. held a weekly ceremonial performance at the
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Debriefing Session is a series of private, one-on-one meetings that reveal information about negotiation that occurred during the planning and executing of the project,
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was Public Movement's first museum exhibition and the first of its kind in Israel. The exhibition was of a series of performances that were shown in the
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and pushed viewers to question the ideas of diaspora, nationhood, and the right to return. These events were performed as a part of the
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diplomatic consultations, secret gatherings, and demonstrations.” The five different SALONS all focused on the phenomenon of
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Public Movement in the opening day of the group's solo exhibition, National Collection (Tel Aviv Museum of Art, 2015)
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Choreographies of Power was an action commissioned as a public program for the Solomon R. Guggenheim Foundation's
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unspoken trauma, myth and heritage, examine the notion of independence, and acknowledge its violence and unity.
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cultural institutions,” which is a core driving force behind many of Public Movement's actions.
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But a Storm Is Blowing from Paradise: Contemporary Art of the Middle East and North Africa.
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Bogner, Dieter (2017-01-11), "Museum in Motion? Movement as Category of Museum Analysis",
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But a Storm Is Blowing from Paradise: Contemporary Art of the Middle East and North Africa
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University Exercise was an organized occupied led by Public Movement of
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708:"Public Movement: National Collection - Tel Aviv Museum of Art"
551:"BOMB Magazine — Dana Yahalomi/Public Movement by Chen Tamir"
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https://www.guggenheim.org/event/choreographies-of-power
625:"Artists at Work: Public Movement • Online • Afterall"
598:"Artists at Work: Public Movement • Online • Afterall"
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was Public Movement’s debut work in the United States
54:'s 1970 kneeling. The closing ceremony took place at
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175:was Public Movement's first action in East Asia.
758:"Sternberg Press - Alhena Katsof, Dana Yahalomi"
284:Dana Yahalomi speaking about Public Movement in
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154:The Honor Guard of R.O.C Veterans performing
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485:: CS1 maint: numeric names: authors list (
675:"Debriefing Session II by Public Movement"
526:"Exhibitions - New Museum Digital Archive"
501:"Exhibitions - New Museum Digital Archive"
27:is a performative research group based in
130:Rebranding European Muslims ― Gala (2012)
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573:"REBRANDING EUROPEAN MUSLIMS – GALA -"
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137:was a campaign that began at the 2012
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463:"Public Record | Debriefing Session"
224:in the Tel Aviv Museum of Art, 2015
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789:Organizations established in 2006
250:Solution 263: Double Agent (2016)
185:Solomon R. Guggenheim Foundation
733:"Solution 263: Double Agent -"
307:Museum and Archive on the Move
199:Choreographies of Power (2016)
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168:Chiang Kai-Shek Memorial Hall
124:SALONS: Birthright Palestine?
111:SALONS: Birthright Palestine?
104:SALONS: Birthright Palestine?
89:SALONS: Birthright Palestine?
85:SALONS: Birthright Palestine?
60:Monument to the Ghetto Heroes
467:www.publicmovementrecord.org
179:Debriefing Session II (2016)
97:Solomon R. Guggenheim Museum
281:in Sternberg Press website
220:Public Movement performing
135:Rebranding European Muslims
99:for Debriefing Session II.
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530:New Museum Digital Archive
505:New Museum Digital Archive
278:Solution 263: Double Agent
229:National Collection (2015)
66:University Exercise (2010)
386:"UNIVERSITY EXERCISE |xx"
315:10.1515/9783110529630-004
265:Public Movement's Website
79:Debriefing Session (2012)
410:"DEBRIEFING SESSION |xx"
762:www.sternberg-press.com
40:Spring in Warsaw (2009)
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437:"DEBRIEFING SESSION -"
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362:"SPRING IN WARSAW |xx"
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338:"About |xx"
212:Exhibitions
173:Honor Guard
164:honor guard
156:Honor Guard
607:2018-08-25
472:2018-08-25
419:2018-08-25
395:2018-08-25
371:2018-08-25
347:2018-08-25
292:References
120:New Museum
275:The book
783:Category
481:cite web
29:Tel Aviv
288:(2012)
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106:(2012)
245:Press
769:2017
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319:ISBN
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