22:
220:
255:
250:
245:
240:
169:
43:
168:
The first movement is meant to portray the "satanic spirit of the great violinist", and uses four main themes, taken from
Paganini's
113:
94:
172:
Nos.5, 12 and fragments from Nos.16, 19. The second, more melancholy, movement is derived from the final movement of
Paganini's
66:
47:
73:
260:
80:
235:
62:
32:
51:
36:
147:, which gave its premiere in Vienna, Großer Musikvereinsaal, 14 April 1942, under the direction of
144:
140:
189:
87:
136:
229:
132:
148:
21:
199:
143:. The piece was commissioned in January 1941, to honor the centenary of the
207:, MS 76 (1819-26c), borrowing also from the final movement of Paganini's
177:
185:
181:
192:(1815c). The third movement takes its subject from the section
15:
198:"La primavera" Sonata with Variations for violin and
221:List of variations on a theme by another composer
205:"Tarantella in A minor", for violin and orchestra
203:, MS 73 (1838c). The finale is taken from the
8:
151:. It is scored in four separate movements:
50:. Unsourced material may be challenged and
114:Learn how and when to remove this message
256:Arrangements of classical compositions
209:Guitar Quartet No.4 in D minor, Op.5/1
174:Guitar Quartet No.6 in D minor, Op.5/3
161:Romanza (Larghetto cantabile, amoroso)
135:for orchestra composed in 1941/42 by
7:
48:adding citations to reliable sources
251:Composer tributes (classical music)
246:Compositions for symphony orchestra
14:
158:Polacchetta (Allegretto moderato)
20:
241:Compositions by Alfredo Casella
1:
194:Larghetto cantabile amoroso
277:
63:"Paganiniana" Casella
164:Tarantella (Presto molto)
139:and based on themes by
44:improve this article
145:Vienna Philharmonic
236:1942 compositions
211:, MS 31 (1815c).
124:
123:
116:
98:
268:
261:Niccolò Paganini
141:Niccolò Paganini
119:
112:
108:
105:
99:
97:
56:
24:
16:
276:
275:
271:
270:
269:
267:
266:
265:
226:
225:
217:
155:Allegro agitato
137:Alfredo Casella
120:
109:
103:
100:
57:
55:
41:
25:
12:
11:
5:
274:
272:
264:
263:
258:
253:
248:
243:
238:
228:
227:
224:
223:
216:
213:
166:
165:
162:
159:
156:
122:
121:
28:
26:
19:
13:
10:
9:
6:
4:
3:
2:
273:
262:
259:
257:
254:
252:
249:
247:
244:
242:
239:
237:
234:
233:
231:
222:
219:
218:
214:
212:
210:
206:
202:
201:
195:
191:
187:
183:
179:
175:
171:
163:
160:
157:
154:
153:
152:
150:
146:
142:
138:
134:
130:
129:
118:
115:
107:
96:
93:
89:
86:
82:
79:
75:
72:
68:
65: –
64:
60:
59:Find sources:
53:
49:
45:
39:
38:
34:
29:This article
27:
23:
18:
17:
208:
204:
197:
193:
190:guitar MS 33
173:
167:
133:Divertimento
131:Op.65, is a
127:
126:
125:
110:
101:
91:
84:
77:
70:
58:
42:Please help
30:
128:Paganiniana
230:Categories
74:newspapers
200:orchestra
149:Karl Böhm
31:does not
215:See also
170:Caprices
104:May 2019
176:, for
88:scholar
52:removed
37:sources
188:, and
178:violin
90:
83:
76:
69:
61:
186:cello
182:viola
95:JSTOR
81:books
67:news
35:any
33:cite
196:of
46:by
232::
184:,
180:,
117:)
111:(
106:)
102:(
92:·
85:·
78:·
71:·
54:.
40:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
