921:. On the project’s website, visitors are invited to share, flag, and ban these patents in relation to the regulation of the information technology for monitoring and manipulating social behaviors. Furthermore, as a form of protest, Cirio posted printed patent titles and images at the main universities in U.S. such as at Harvard, MIT, Stanford, Berkley, and Columbia. This project responded to the scandals of
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exhibitions in NYC and Berlin art galleries featuring artists engaged in investigative, forensic, and documentary art. He articulated a particular form of realism in art that portrays and reveals evidence through investigation and research-based work. The exhibitions included historical artists such
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was put in place to allow and incentivize people to access information on economic matters. Using this system, readers were able to earn money for every quiz about featured news they correctly completed, and journalists were able to claim compensation for their work. Everyone could donate any amount
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documents signed with his name. This information was published on the website
Loophole4All.com, engaging international participation through selling the real identities of anonymous Cayman companies for 99 cents. This provocation elicited reactions from Cayman authorities and global banks as well as
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from a legal and economic standpoint. Cirio gathered data, graphs, and images as evidence to hold major oil, gas, and coal companies responsible for their greenhouse gas emissions. The historical scientific, legal, and economic evidence is presented by Cirio through fine artworks, online platforms,
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contract for the sale of his derivative works. By betting against future prices of derivative works, with Cirio’s concept everyone can ironically participate in the financialization of art. In addition, the project campaigns for enacting more transparency and fairness in the art market. In order to
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with over 20000 patents of algorithms, devices, and interfaces of social media, online advertising, and other
Internet technologies, that he collected from Google Patents. He then rated the patents for finding the most potentially socially harmful ones. A selection of patents ordered by categories
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that anonymous internet companies exploit in order to shame and blackmail people who have been arrested in the U.S. regardless of their charges and trial verdicts. Cirio targeted six mugshot websites and blurred millions of mugshots and shuffled names listed. In response he received support from
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Cirio aggregated data on 40,000 vulnerable species and the public can claim financial compensation from major fossil fuel companies on behalf of endangered species through an algorithm that Cirio made to calculate funding for the preservation of endangered species whose natural environments are
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suspended the account, claiming the sales activity was in violation of PayPal's
Acceptable Use Policy. The project offered a creative approach to democratizing and making-known the financial privileges afforded to moneyed individuals and multinational corporations. In 2014 the project won the
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Between 2008 and 2010, Cirio worked on experimental storytelling, involving actors and audiences to present real facts and issues through fictional stories across multiple media platforms. He called this technique of documentary fiction "Recombinant
Fiction." This socially engaged genre of
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influencers. Cirio collected hundreds of photos by online influencers promoting controversial products without disclaimers and in partnership with the
University of Maastricht he investigated the legal implications of moderating and regulating such subtle advertising.
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policy, Cirio suggested types of sensitive personal data that should be removed from online search results to protect specific categories of vulnerable individuals. The campaign formed a community of activists for the removal of online criminal records and a form of
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invented by the artist for the street art campaign that took place in NYC, London, Berlin and Paris between April and May 2015. The intervention generated media coverage and public interest internationally and particularly in
Germany in connection to the
602:, and published 250,000 of them onto Lovely-Faces.com, a mock dating website designed by Cirio, with the profiles sorted according to facial expressions. This resulted in eleven lawsuit threats, five death threats, and four legal letters from Facebook
279:, such as open access, privacy policies, and the critique of economic, legal, and political models. He received a number of legal threats for his Internet art performances, including practices such as hacking, piracy, leaking sensitive information,
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focusing on the economic and legal aspects of images circulating online. Rather than addressing privacy, with these projects Cirio looked at the relations between cultural and economic values of online photos. In particular with the artwork
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service. He scraped complete texts of books, reassembled them into PDF files, and redistributed them for free. The company refused to comment on the action. In collaboration with
Alessandro Ludovico and Ubermorgen, Cirio created the project
763:, the education and publisher company and owner of the Financial Times and The Economist. Additionally The Wall Street Journal proceeded to terminate the artist’s subscription due to a violation of their Terms of Service. In 2016,
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and
Youtube algorithms that broke in 2018 and broadly it documents the history of the Internet with the advent of targeted advertising, corporate surveillance, and information feed filtered by artificial intelligence.
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by the
Climate Accountability Institute, the first to establish precise responsibilities for each international fossil fuel firm, and deduced that the major 100 oil, gas and coal producers have generated over 70% of
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legal threats by multinational companies, international law firms, and local Cayman businesses. After three weeks of selling conceptual and subversive artworks in the form of limited editions of firms’ identities,
650:. Cirio appropriated the data and algorithmically determined users’ political affiliations to raise awareness on voter profiling and polarization in social bubbles that can be targeted for political manipulation.
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Cirio has exhibited in international museums and institutions, he regularly gives public lectures and workshops at leading universities, and his artworks have been covered by hundreds of media outlets worldwide.
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law, which has been opposed by major search engine companies in the U.S. Ultimately, to point out the accountability of search engines in exposing personal sensitive information, Cirio designed the campaign
605:. The legal repercussions were integrated into the artwork as a component part of a creative project within an expanded field. Within a few days, the project was covered by over a thousand media outlets
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Since 2011, Cirio has been addressing the cultural shift and mainstream media attention toward popular perceptions of privacy and ownership of public and personal information, with the projects
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in order to buy Google's shares with its own money. In an attempt to stop the project, Google sent a cease and desist letter to the artists mentioning legal consequences for the project.
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on the walls of public buildings without authorization. These interventions took place in public spaces of several major cities, including London, Berlin, and New York.
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auction records he assembled over several years. Cirio overlaid the auction prices on the images works to sell them as digital artworks on the website
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and the use of flowcharts as an artistic medium for seeing and engaging with such aesthetics. He published a monograph of his artworks using
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dedicated to the preservation of ecosystems vulnerable to climate change. The project was awarded and presented at
Fondazione Merz in 2022.
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In 2021, Cirio concluded the campaign to ban facial recognition technology in Europe by delivering his legal research and complaint to the
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On October 9, 2021, Cirio established the first international climate crime tribunal though a solo exhibition at the historical museum of
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in 2016; exposing over 20,000 patents of technology enabling social manipulation in 2018. Recently, in 2020, he pirated over 100,000
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philosophy. They occupied public spaces and invited artists to create and show artworks during the events. Cirio created several
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635:, by printing and posting life-sized pictures of people in the exact locations where they were photographed. The posters were
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807:, who were accountable for political measures or advocacy for mass surveillance and espionage programs. The photos, mostly
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profiled the political affiliations of over one million Americans who used Twitter during the months leading up to the
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and police unions forced the take down of the project both online and at the exhibition in the French art institution
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within the potentials offered by the Internet. To illustrate the conceptual work, the artist drew a series of fifteen
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such as discrimination, polarization, addiction, deception, control, censorship, and surveillance were published on
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In 2004, Cirio joined the Illegal Art Show network, which organized street art happenings in Italy in line with the
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used it as a case study to identify future vulnerabilities in space security. Cirio promoted the action through an
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Uncontainable: 17th International Symposium on Electronic Art, ISEA2011 Istanbul, 14 September - 20 November 2011
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system. In the following years, he presented the projects in relation to the economic recession and the related
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and the artist proposed to pay people to read featured financial news articles. Cirio conceived a provocative
1922:"Reconnaissance faciale : Un artiste veut identifier 4 000 visages de policiers - Le Monde Informatique"
1439:"Google Will Eat Itself: A Q&A with the creators of a subversive, oddly timeless piece of conceptual art"
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provoke regulation, Cirio has investigated secrecy and manipulation of art auctions with extensive research
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in conjunction with Alessandro Ludovico and Ubermorgen. The project questioned the information monopoly of
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pieces and organized three such events independently: two in Turin in 2004 and a third in London in 2005.
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795:. He disseminated on public walls unauthorized photos of high-ranking U.S. intelligence officials of the
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1173:. Through these commissions, Cirio built platforms to visualize and engage online users by using the
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mugshot extortion victims and was subject to a legal threat from Mugshots.com, an anonymous firm in
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1011:. This project was reported by the international outlets as a controversial and investigative work.
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771:. He entire artistic act was pre-scripted as a performance for illustrating critical issues on the
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of The Wall Street Journal, Financial Times, and The Economist. Through his paid subscriptions and
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from Facebook and Twitter accounts of civilians, were rendered with a particular technique called
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web portal called StopTheNato.org, which he launched in 2001 and updated periodically until 2006.
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2017:
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to inspire values and functions for a global and participatory society. The fifteen diagrams of
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in which he obfuscated over 10 million online mugshots and the criminal records of victims of
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Between 2022 and 2023, Cirio received three grants to expand the conceptual framework of the
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579:. The methodology used to create these artworks was eventually formalized in a series called
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where he curated a selection of artworks, exhibitions, and publications from the history of
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sold both The Economist and the Financial Times and Cirio republished the whole content of
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Younger than Jesus artist directory: the essential handbook to a new generation of artists
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Loophole4All.com by Paolo Cirio in Manchester at FutureEverything 2015 - Loophole for All
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1030:. Further, Cirio aimed to crowdsource the identification of the officer on his platform
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bills, and global climate treaties. Central to Cirio’s concept is the historical study
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During the fall of 2019, Cirio presented three new projects related to his concept of
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hack, he obtained over 60,000 news articles published during the course of 2014. The
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I know who you are and I saw what you did: social networks and the death of privacy
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In 2002, Cirio's first international action was called Anti-NATO Day. As an act of
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and he attempted to profile 4000 French police officers with facial recognition in
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Transcript from the lecture delivered at the University Paris 8 on 4 January 2012.
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Connecting Worlds: NTT InterCommunication Center, September 15-November 25, 2006
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1042:. This case of censorship of Cirio’s work was largely reported internationally.
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899:. A collection of essays about the works presented were published in the book
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Bastard culture! user participation and the extension of cultural industries
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for a fraction of the value set at the auctions. Cirio designed a "future"
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547:. Cirio issued thousands of illicit VISA credit cards to design a creative
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1737:"Financial True Crime: Art, Para-Journalism, and Data-Driven Storytelling"
662:. The project made public the list of all the companies registered in the
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to work with socio-economic information systems and a separate text book
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In 2013, Cirio investigated offshore financial systems with the project
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project in 2012, Cirio recontextualized photos of individuals found on
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1631:"Extralegal Portraiture: Surveillance, between Privacy and Expression"
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with Alessandro Ludovico. For this piece, Cirio collected one million
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in 2005; and the obfuscation of 15 million U.S. criminal records with
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840:, and US Data ltd., a Texan firm owning a few mugshot websites. With
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for the first time, exposing tax evasion practices by counterfeiting
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German Parliamentary Committee investigating the NSA spying scandal
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During the spring of 2015, Cirio conducted the street art campaign
551:, named "Gift Finance", which is a participatory and interest-free
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Unlike us reader: social media monopolies and their alternatives
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This provocation was designed by Cirio to promote his campaign
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disabled the site after receiving complaints of international
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from the article and its talk page, especially if potentially
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for digital content misappropriated by private corporations.
1889:"Activists Turn Facial Recognition Tools Against the Police"
1868:"KĂĽnstler plakatiert Fotos von Geheimdienst-Chefs in Berlin"
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through publishing 1 million users on a dating website with
2444:
How to Enjoy Contemporary Art Some Explanations to Help You
2261:
Parla come navighi: antologia della webletteratura italiana
1809:"Geheimdienst-Chefs ganz privat - und plötzlich öffentlich"
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in 2011; the theft of 60,000 financial news articles with
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with 4000 faces of French police officers assembled by a
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New Museum of Contemporary Art (New York, N.Y.) (2009).
1561:"Coercive Disobedience: Art and Simulated Transgression"
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was part of a larger campaign for the introduction of a
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in United States. The project addressed the unregulated
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The Coloring Book of Technology for Social Manipulation
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AWARD FOR NEW MEDIA/Stuttgarter Filmwinter, 2007, for
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that Cirio outlined within the launch of the project.
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Paolo Cirio has won a number of awards, including the
2166:. Sydney: International Symposium of Electronic Art.
286:
Paolo Cirio is known for having exposed over 200,000
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Cleland, Kathy; Fisher, Laura; Harley, Ross (2013).
2000:"Digital Art", Thames and Hudson's World of Art book
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with over 50,000 signatures supporting his petition.
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and reporting on its military operations since 2001
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NMD: New media design: le nuove frontiere dell'arte
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194:
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2362:International Symposium on Electronic Art (2011).
2301:HĂĄvarstein, Maiken Fosen; Ohlman, Carsten (2013).
2051:
353:His early works include his cyber attacks against
1202:2005, Honorary Mention Net Vision category, for
1167:New York University Tandon School of Engineering
734:content was republished for free on the website
707:were informed by the artist’s research into the
2243:. Athens: National Museum of Contemporary Art.
2035:. Vancouver, Canada B.C.: New Forms Art Press.
1718:"Paolo Cirio Discovers a Tax Loophole for All"
947:, Cirio addressed subtle forms advertising by
751:the system. After a few days, the ISP hosting
1495:Cirio, Paolo and Alessandro Ludovicio. 2013.
961:he put forward an aesthetics of contemporary
8:
2404:. Amsterdam: Institute of Network Cultures.
2278:Guadagnini, Walter; Nori, Franziska (2013).
2150:Cirio, Paolo; Ludovicio, Alessandro (2013).
2077:. New York: Whitney Museum of American Art.
1256:Share Festival Prize 2011, First Prize, for
1089:public events, and interviews with experts.
980:to identify an ontology of an aesthetics of
2221:L'impresa dell'arte = The Enterprise of Art
1983:. Cambridge, Massachusetts: The MIT Press.
1020:In October 2020, Cirio created the project
855:to introduce a privacy policy adapting the
2325:: CS1 maint: location missing publisher (
2022:: CS1 maint: location missing publisher (
191:
56:about living persons that is unsourced or
2484:. Amsterdam: Amsterdam University Press.
2112:Bazzichelli, Tatiana; Cox, Geoff (2013).
1208:ibizagrafica 2006, Honorary Mention, for
987:In June 2020, Cirio launched the project
127:Learn how and when to remove this message
993:online, with a database of over 100,000
648:2012 United States presidential election
1283:
695:that the artist outlined for worldwide
418:Canadian Department of National Defence
2318:
2015:
1318:"OCIPEP Daily Brief Number: DOB02-071"
2400:Lovink, Geert; Rasch, Miriam (2013).
1034:. In response the interior minister
908:In 2018, Cirio published the project
7:
2503:. Tokyo: InterCommunication Center.
2181:Colson, Richard (10 December 2007).
1608:"Art 'hacktivists' take on Facebook"
1180:In January 2023, Cirio launched the
1108:jurisprudential theory, informed by
1098:attribution of recent climate change
955:In the spring of 2019 with his work
2531:Paolo Cirio Live at The Influencers
859:law to the United States. With the
823:In 2016, Cirio created the project
545:P2P Gift Credit Card - Gift Finance
1785:FutureEverything 2015: Paolo Cirio
1629:Steinberg, Monica (1 April 2022).
1606:Allsop, Laura (11 February 2011).
484:exploiting a vulnerability of the
14:
2423:Art contemporain, nouveaux médias
2263:. Il foglio: Piombino (Livorno).
1887:Hill, Kashmir (21 October 2020).
1559:Steinberg, Monica (3 July 2021).
1265:2012, Fellowship in New York City
1241:Cairo Prize 2009, Nominated, for
1132:2021, Cirio launched the project
384:second prize 2008, among others.
2116:. Autonomedia, DATA browser 05.
1697:Laura Flanders (15 April 2013).
1437:Dewey, Caitlin (21 March 2014).
1250:2011, Award of Distinction, for
608:from around the world including
420:investigated the action and the
143:
23:
2183:The fundamentals of digital art
1807:Beitzer, Hannah (23 May 2015).
1716:Yanyan Huang (7 January 2014).
1517:. Italy: Il Foglio Letterario.
1501:http://hdl.handle.net/2123/9673
1320:. The Information Warfare Site.
1215:St. Gilgen International School
1084:combines a body of works about
876:During 2017, Cirio curated the
793:global surveillance disclosures
447:In 2005, Cirio hacked Google's
2566:Institutional Critique artists
2480:Schäfer, Mirko Tobias (2010).
2427:. Paris: Nouvelles Ă©d. Scala.
2366:. London: Goldsmiths College.
2164:ISEA2013, Resistance is futile
2152:The hacking monopolism trilogy
1826:Feiler, Hannah (22 May 2015).
1788:. Manchester: FutureEverything
1678:. Manchester: FutureEverything
1515:Antologia della webletteratura
1497:The hacking monopolism trilogy
1235:Award 2008, Second Prize, for
1146:threatened by climate change.
1096:integrates the science of the
711:of ancient, contemporary, and
528:has resulted in two projects:
1:
2286:]. Florence: Mandragora.
2204:. London: Vivays Publishing.
1577:10.1080/00043249.2021.1920288
1538:Lechner, Marie (7 May 2011).
1513:Campanini, Cristiana (2010).
1391:. Berlin: Wildsmile Studios.
594:profiles, filtered them with
290:offshore firms with the work
2571:Italian contemporary artists
2446:. Elgan Publishing Limited.
2241:Tag Ties and Affective Spies
2073:Arévalo, Denisse A. (2012).
1828:"Die Kunst ĂĽberwacht zurĂĽck"
833:mug shot publishing industry
787:concerning the aftermath of
668:Certificate of Incorporation
462:Cirio worked on the project
380:Fellowship in 2012; and the
310:in 2014 and of e-books from
34:biography of a living person
1948:"Paolo Cirio | eyebeam.org"
1389:International Sticker Award
1316:IWS INFOCON (30 May 2002).
687:In 2014, Cirio created the
600:facial recognition software
61:must be removed immediately
2602:
2576:Italian conceptual artists
2419:Moulon, Dominique (2011).
2338:. Seoul: Art Center Nabi.
2219:Draganovic, Julia (2008).
2200:Crommelin, Claude (2013).
2185:. Lausanne: AVA Academia.
1735:Steinberg, Monica (2021).
1720:. The Wild. Archived from
1142:. On Extinction-Claims.com
1100:with the legal concept of
543:, Cirio created the piece
513:Hacking Monopolism Trilogy
493:to criticize the abuse of
152:This biographical article
2223:. Napoli: Electa Napoli.
2095:Fino alla fine del cinema
2050:Andrews, Lori B. (2012).
1998:Paul, Christiane (2015).
1979:; Petit, Michael (2015).
1928:(in French). October 2020
1387:Ullrich, Andreas (2006).
1364:Politics of Globalization
1195:Selected awards include:
1110:climate change litigation
1078:in Capri. His concept of
1028:facial recognition system
642:In 2012, his web project
433:Temporary Autonomous Zone
2499:Shikata, Yukiko (2006).
2239:Dragona, Daphne (2008).
2131:Cecchi, Alberto (2008).
2058:. New York: Free Press.
2031:Armstrong, Kate (2015).
1848:"Wir ĂĽberwachen zurĂĽck!"
1699:"Tax Loopholes for All!"
1123:greenhouse gas emissions
1102:environmental personhood
813:High Definition Stencils
296:in 2013; the hacking of
1753:10.1111/1467-8365.12571
1412:Jelinek, Alana (2013).
1271:2014, Golden Nica, for
1243:Open Society Structures
1217:Media Award, 2006, for
1051:#BanFacialRecognitionEU
844:, Cirio questioned the
697:participatory democracy
596:artificial intelligence
586:In 2011, Cirio created
526:transmedia storytelling
473:and its revenue model.
2348:Exhibition catalogue.
2259:Gerosa, Mario (2010).
2093:Barbeni, Luca (2010).
1833:Frankfurter Allgemeine
1499:. ISEA International.
1296:Ars Electronica Center
1175:Carbon Majors Database
1118:Carbon Majors Database
1076:Certosa di San Giacomo
757:Copyright infringement
718:In 2014 Cirio created
581:Anti-Social Sculptures
553:basic income guarantee
509:Google Will Eat Itself
464:Google Will Eat Itself
275:Cirio's work embodies
48:Please help by adding
2515:Exhibition catalogue.
2334:Hur, Suhjung (2007).
2255:Exhibition catalogue.
2235:Exhibition catalogue.
2154:. ISEA International.
2089:Exhibition catalogue.
1467:Cantz, Hatje (2011).
1163:Strasbourg University
866:Right to be Forgotten
857:Right to Be Forgotten
846:Right to Be Forgotten
701:Organizational charts
283:, and cyber attacks.
165:by revising it to be
2135:. Mantova: Sometti.
2075:Creative Destruction
2033:"ISEA2015" catalogue
1813:Sueddeutsche Zeitung
1782:Paolo Cirio (2015).
1672:Paolo Cirio (2015).
1643:10.1162/grey_a_00342
1340:Eisenhower Institute
1332:Eisenhower Institute
1269:Prix Ars Electronica
1248:Prix Ars Electronica
1200:Prix Ars Electronica
1182:Climate Class Action
1005:financial derivative
936:Internet Photography
693:political philosophy
691:project, a creative
682:Prix Ars Electronica
539:In 2010, during the
480:'s protections with
451:service by creating
422:Eisenhower Institute
320:in 2006; defrauding
54:Contentious material
2465:. London: Phaidon.
2442:Nagle, Joe (2013).
2280:Territori instabili
2114:Disrupting Business
1926:LeMondeInformatique
1724:on 9 February 2014.
1444:The Washington Post
1338:. Washington, D.C:
1336:Space Security 2013
1138:addressing ongoing
1058:European Commission
999:Art-Derivatives.com
923:Cambridge Analytica
901:Evidentiary Realism
878:Evidentiary Realism
773:Information economy
340:auction records in
2581:Artists from Turin
2284:Unstable Territory
2097:. Bologna: CLUEB.
1893:The New York Times
1292:"Loophole for All"
1171:Hamburg University
1032:Capture-Police.com
868:in United States.
829:mass incarceration
728:Scripting language
713:emergent democracy
633:Google Street View
557:Occupy Wall Street
511:together form the
476:In 2006 he eluded
412:website through a
2551:New media artists
2381:Kognitif (2013).
1977:Paasonen, Susanna
1540:"Credit Revolver"
1398:978-3-89955-151-8
1148:Extinction Claims
1134:Extinction Claims
1130:Dutch Design Week
982:social complexity
963:social complexity
680:, first prize of
262:conceptual artist
255:
254:
188:
187:
137:
136:
129:
111:
37:needs additional
2593:
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2013:
1994:
1981:Networked affect
1963:
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1938:
1937:
1935:
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1884:
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1873:Der Tagesspiegel
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1694:
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1685:
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1669:
1663:
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1626:
1620:
1619:
1614:. Archived from
1603:
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1550:
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1510:
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1307:
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1302:
1288:
1273:Loophole for All
1258:Face to Facebook
1252:Face to Facebook
1159:Climate Tribunal
1106:rights of nature
1094:Climate Tribunal
1080:Climate Tribunal
972:for the project
769:DailyPaywall.com
753:DailyPaywall.com
736:DailyPaywall.com
660:Loophole for All
588:Face to Facebook
577:Face to Facebook
501:Face to Facebook
302:Face to Facebook
292:Loophole for All
218:contemporary art
192:
183:
180:
174:
147:
146:
139:
132:
125:
121:
118:
112:
110:
69:
50:reliable sources
27:
26:
19:
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2536:
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2441:
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2399:
2393:
2385:. Spain: LEMO.
2380:
2374:
2361:
2333:
2317:
2313:
2303:Ă… bade i bilder
2300:
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2231:
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2130:
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2092:
2085:
2072:
2066:
2049:
2043:
2030:
2014:
2010:
1997:
1991:
1974:
1971:
1969:Further reading
1966:
1956:
1954:
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1945:
1941:
1931:
1929:
1920:
1919:
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1886:
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1825:
1824:
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1806:
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1791:
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1696:
1695:
1691:
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1679:
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1666:
1628:
1627:
1623:
1618:on 7 July 2012.
1605:
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1553:
1537:
1536:
1532:
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1512:
1511:
1507:
1494:
1490:
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1475:. p. 168.
1473:Ars Electronica
1466:
1465:
1461:
1456:
1452:
1436:
1435:
1431:
1424:
1414:This is Not Art
1411:
1410:
1406:
1399:
1386:
1385:
1381:
1374:
1362:
1361:
1357:
1350:
1342:. p. 159.
1330:
1329:
1325:
1315:
1314:
1310:
1300:
1298:
1290:
1289:
1285:
1281:
1193:
1140:Mass Extinction
1086:Climate Justice
1072:
1036:GĂ©rald Darmanin
932:
874:
861:Right to Remove
851:Right2Remove.us
781:
740:sharing economy
722:by hacking the
656:
565:
549:monetary policy
541:Great Recession
521:
486:"search inside"
445:
408:attack) in the
394:
374:Ars Electronica
372:first prize at
366:
270:cultural critic
226:performance art
208:
207:
197:
184:
178:
175:
163:help improve it
160:
148:
144:
133:
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116:
113:
70:
68:
47:
28:
24:
17:
12:
11:
5:
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2563:
2561:Street artists
2558:
2553:
2548:
2538:
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2534:
2533:
2528:
2526:paolocirio.net
2521:
2520:External links
2518:
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2202:New Street Art
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2090:
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2008:
1995:
1989:
1970:
1967:
1965:
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1939:
1913:
1879:
1876:. 22 May 2015.
1859:
1856:. 22 May 2015.
1839:
1818:
1799:
1774:
1747:(2): 256–284.
1727:
1708:
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1530:
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1481:
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1416:. I.B.Tauris.
1404:
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1366:. SAGE. 2009.
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1254:
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978:conceptual art
931:
928:
873:
870:
789:Edward Snowden
780:
777:
709:social science
664:Cayman Islands
655:
652:
644:Persecuting.US
573:Persecuting.US
564:
561:
520:
517:
495:copyright laws
444:
441:
402:virtual sit-in
393:
390:
365:
362:
288:Cayman Islands
281:identity theft
253:
252:
222:conceptual art
215:
214:Known for
211:
210:
205:
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151:
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142:
135:
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117:September 2024
58:poorly sourced
31:
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16:Italian artist
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2586:Living people
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2453:9780992749507
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2104:9788849134117
2100:
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2084:9780874271591
2080:
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2061:
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2042:9780987835413
2038:
2034:
2029:
2025:
2019:
2011:
2009:9780500204238
2005:
2001:
1996:
1992:
1990:9780262028646
1986:
1982:
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1975:Hillis, Ken;
1973:
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1637:(87): 66–99.
1636:
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1548:. p. 10.
1547:
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1524:9788876062643
1520:
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1482:9783775731805
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897:Harun Farocki
894:
890:
889:Mark Lombardi
886:
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742:model, where
741:
737:
733:
729:
725:
721:
720:Daily Paywall
716:
714:
710:
706:
705:Global Direct
702:
698:
694:
690:
689:Global Direct
685:
683:
679:
674:
669:
665:
661:
653:
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649:
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638:
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629:Street Ghosts
625:
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569:Street Ghosts
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496:
492:
487:
483:
482:internet bots
479:
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454:
453:internet bots
450:
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429:
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411:
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385:
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379:
376:in 2014; the
375:
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306:Daily Paywall
303:
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284:
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278:
277:hacker ethics
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193:
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182:
179:November 2023
172:
168:
164:
158:
157:
156:like a résumé
150:
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131:
128:
120:
109:
106:
102:
99:
95:
92:
88:
85:
81:
78: –
77:
76:"Paolo Cirio"
73:
72:Find sources:
66:
62:
59:
55:
51:
45:
44:
40:
35:
30:
21:
20:
2500:
2481:
2462:
2443:
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2401:
2382:
2363:
2356:Google Books
2349:
2335:
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2151:
2132:
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2094:
2074:
2053:
2032:
1999:
1980:
1955:. Retrieved
1951:
1942:
1930:. Retrieved
1925:
1916:
1904:. Retrieved
1892:
1882:
1871:
1862:
1851:
1842:
1831:
1821:
1802:
1790:. Retrieved
1784:
1777:
1744:
1740:
1730:
1722:the original
1711:
1702:
1692:
1680:. Retrieved
1674:
1667:
1634:
1624:
1616:the original
1601:
1571:(3): 78–99.
1568:
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1442:
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1382:
1363:
1358:
1335:
1326:
1311:
1299:. Retrieved
1295:
1286:
1272:
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1242:
1236:
1233:Transmediale
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893:Jenny Holzer
877:
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732:pay-per-view
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566:
544:
538:
534:The Big Plot
533:
530:Drowning NYC
529:
522:
512:
508:
504:
500:
499:
490:
475:
466:
463:
446:
430:
416:script. The
414:Flash Player
400:he staged a
395:
386:
382:Transmediale
367:
347:
341:
331:
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291:
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257:
256:
189:
176:
171:encyclopedic
153:
123:
114:
104:
97:
90:
83:
71:
60:
43:verification
36:
2556:Net.artists
2546:1979 births
1952:eyebeam.org
1932:25 November
1906:25 November
1741:Art History
1682:26 February
1565:Art Journal
1301:27 November
1237:Amazon Noir
1228:Amazon Noir
1219:Amazon Noir
1210:Amazon Noir
1070:2021 - 2023
989:Derivatives
974:Foundations
957:Foundations
930:2019 - 2020
885:Hans Haacke
872:2017 - 2018
785:OVEREXPOSED
779:2015 - 2016
761:Pearson PLC
744:crowdsource
678:Golden Nica
654:2013 - 2014
637:wheatpasted
622:Apple Daily
563:2011 - 2012
532:(2010) and
519:2008 - 2010
505:Amazon Noir
491:Amazon Noir
457:click fraud
443:2005 - 2007
392:2001 - 2004
370:Golden Nica
342:Derivatives
316:Amazon Noir
258:Paolo Cirio
234:photography
206:Paolo Cirio
196:Paolo Cirio
154:is written
2540:Categories
2383:CREATICITY
2305:. Norway.
1957:28 January
1703:The Nation
1545:Libération
1349:0920231365
1152:Carbon Tax
1104:, and the
1040:Le Fresnoy
967:flowcharts
618:Tagesschau
559:protests.
478:Amazon.com
437:street art
398:Hacktivism
312:Amazon.com
266:hacktivist
250:hacktivism
246:street art
230:public art
87:newspapers
2351:Connected
2344:701467468
2336:Connected
2321:cite book
2018:cite book
1901:0362-4331
1769:233595956
1761:1467-8365
1659:249993158
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