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style, characterized by his mastery of contrapposto, the enrichment of his high-keyed palette and the development of a dignified and diverse repertory of ideal human types in conservative compositions. These qualities dominated his work to the exclusion of dramatic chiaroscuro, spatial experiment,
701:
683:
239:; his date of birth is calculated from this). His stock has been rising somewhat in recent decades, as more attributions are removed from Giorgione and Titian and given to him; his "sheer painterly capacity" in the handling of paint and color is extremely fine.
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256:) in a horizontal form with a landscape background. In other, secular, groups something seems to occurring between the figures, though exactly what is unclear. All these types of painting were patronized by wealthy Venetians for their homes.
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expressionism and innovative composition." Critical opinion is rather divided as whether the art from shortly before his sudden death was continuing to develop, or had lost energy and direction.
336:
His paintings frequently feature his (so-called) daughter
Violante, of whom Titian was said to be enamoured. Famous works by Palma include a composition of six paintings in the Venetian church of
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426:
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by Palma, probably after his death; he had probably done the same for
Giorgione after his death. He overpainted two of the figures, and made changes to the background. It is now in the
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735:
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He painted the new pastoral mythologies and half-length portraits, often of idealized beauties who, then as now, were enticingly suspected of being portraits of Venice's famous
1155:
1255:
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and
Previtali, before long Palma found himself, after Titian, the leading painter in Venice, much in demand until his early death at the age of 47 (according to
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340:, with St Barbara in the centre, under the dead Christ, and to right and left SS. Dominic, Sebastian, John Baptist and Anthony. A second work is in the
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203:. He is first recorded in Venice in 1510, but had probably already been there for some time. He was perhaps apprenticed to
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sees his career as oscillating between the influences of Titian and other north and
Central Italian trends, including
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for churches inside Venice and around the
Venetian territories on the mainland such as the
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of
Venetian painting, but Palma came to follow the new style and subjects pioneered by
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Virgin and Child, Saints
Catharine and Celestine, John the Baptist and Barbara, 1520–22
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348:. A third work, discovered in Venice in 1900, is a portrait supposed to represent
271:. However, he was not commissioned to paint a main altar in Venice until 1525, at
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299:. He had a workshop about which little certain is known, and may have taught
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Holy Family with the Infant Saint John the
Baptist and Saint Mary Magdalene
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Holy Family with the Infant Saint John the
Baptist and Saint Mary Magdalene
283:, and taking influence from Central Italy from about 1515 into the 1520's.
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971:. Oxford Art Online. Oxford University Press. Web. 26 February 2017.
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Rylands; Steer, 101-103; Freedberg, 160-165; RC, 212-213; Jaffé, 41
1002:
This article incorporates text from a publication now in the
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246:. He also painted religious pieces, in particular developing the
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955:
The Art of Italy in the Royal
Collection; Renaissance and Baroque
179:("Palma the Younger"), his great-nephew, who was also a painter.
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708:
Madonna and Child with Saint John the Baptist and Mary Magdalene
1339:
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363:; a Madonna, in the church of Santo Stefano in Vicenza; the
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Holy Family with Saint John the Baptist and Saint Catherine
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Holy Family with Saint John the Baptist and Saint Catherine
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St Stephen and other Saints, Christ and the Widow of Nain
252:(the Virgin and Child with a group of saints and perhaps
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The Holy Family with St. Catherine, St. John and Donor
175:
in Italian ("Palma the Elder") to distinguish him from
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It has recently been realized that Titian completed a
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1048:, 1988, Cambridge, the standard monograph in English
199:, but his recorded career all took place in or near
1627:
1530:
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893:, pp. 197-198, 1983, Royal Academy of Arts, London.
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984:, 1970, London: Thames and Hudson (World of Art),
943:, The National Gallery Company/Yale, London 2003,
1021:. Vol. 20 (11th ed.). pp. 642–643.
560:, an example of a painting often attributed to
227:and Giorgione, and the removal from Venice of
1351:
1256:Portrait of a Young Woman Known as "La Bella"
1067:
286:Palma's mature work from the 1520's shows a "
8:
853:Rylands; Freedberg, 160-163, 323; Steer, 103
1358:
1344:
1336:
1129:Adoration of the Shepherds with Saint Roch
1093:
1074:
1060:
1052:
211:, Previtali's master and by then the aged
42:
31:
303:, who he certainly influenced, as he did
1681:
1213:Adoration of the Magi with Saint Helena
1181:Adoration of the Shepherds with a Donor
957:, Royal Collection Publications, 2007,
889:Philip Rylands in Jane Martineau (ed),
840:
838:
836:
834:
832:
816:
771:Adoration of the Magi with Saint Helena
447:
822:
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804:Christ and the Woman Taken in Adultery
1137:Presentation of the Virgin Altarpiece
953:"RC", Lucy Whitaker, Martin Clayton,
523:Young Woman in a Blue Dress, with Fan
265:Presentation of the Virgin Altarpiece
259:He also painted traditional vertical
7:
1734:Artists from the Province of Bergamo
982:Venetian painting: A concise history
1229:The Martyrdom of Saint Peter Martyr
757:Woman with a breast uncovered, 1525
317:Category:Paintings by Palma Vecchio
25:
373:Holy Family with a young shepherd
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722:St. Barbara polyptych, 1523–24,
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585:, a large altarpiece, 1512-1514.
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361:National Gallery for Foreign Art
355:Other leading examples are: the
1497:Antonio da Sangallo the Younger
891:The Genius of Venice, 1500–1600
618:Sacra Conversazione, 1516–1518
1:
1739:16th-century Italian painters
1580:
1543:
1173:Madonna and Child with Donors
1144:Madonna and Child with Saints
1038:Paintings by Palma il Vecchio
743:Madonna and Child with Donors
672:
649:
601:
505:
482:
461:
145:
67:
49:
27:Italian painter (c.1480–1528)
1744:16th-century Venetian people
1719:Italian Renaissance painters
927:Painting in Italy, 1500–1600
880:Freedberg, 160-165, 334-337
1770:
1645:Johann Joachim Winckelmann
1635:Art patronage of Julius II
1205:Polyptych of Saint Barbara
967:Rylands, Philip, "Palma."
542:Philadelphia Museum of Art
314:
64:Jacomo Nigretti de Lavalle
1009:Rossetti, William Michael
41:
1113:Assumption of the Virgin
582:Assumption of the Virgin
397:Assumption of the Virgin
165:Italian High Renaissance
1264:Portrait of a Courtesan
1197:Saint Helena Altarpiece
1018:Encyclopædia Britannica
929:, 3rd edn. 1993, Yale,
692:Portrait of a Courtesan
438:Gallerie dell'Accademia
401:Gallerie dell'Accademia
1596:Sistine Chapel ceiling
1561:San Pietro in Montorio
1467:Bernardino delle Croci
1121:San Giacomo Altarpiece
689:An unusually explicit
598:The Raising of Lazarus
479:Young Woman in Profile
333:
223:. After the deaths of
195:, a dependency of the
151:– 30 July 1528), born
138:
48:Imaginative portrait,
1729:Italian male painters
1492:Sebastiano del Piombo
1422:Mariotto Albertinelli
1040:at Wikimedia Commons
973:subscription required
324:
229:Sebastiano del Piombo
136:
1724:Painters from Venice
1590:St. Peter's Basilica
1457:Antonio da Correggio
1374:Principal proponents
1248:Nymph in a Landscape
924:Freedberg, Sydney J.
568:, but also to Palma.
501:Nymph in a Landscape
100:, Republic of Venice
1522:Antonio Vassilacchi
1325:Santa Maria Formosa
939:Jaffé, David (ed),
724:Santa Maria Formosa
434:sacra conversazione
338:Santa Maria Formosa
249:sacra conversazione
1487:Baldassare Peruzzi
1442:Moretto da Brescia
1427:Pellegrino Aretusi
458:Portrait of a Poet
334:
326:Diana and Callisto
273:Sant'Elena, Venice
197:Republic of Venice
187:Palma was born at
139:
80:Republic of Venice
1672:
1671:
1617:The Last Judgment
1406:Leonardo da Vinci
1333:
1332:
1320:Venetian painting
1304:(possible master)
1290:
1289:
1044:Rylands, Philip,
1036:Media related to
375:(Louvre, Paris),
131:
130:
94:(aged 47–48)
16:(Redirected from
1761:
1701:
1700:
1689:
1688:
1687:
1680:
1640:Jacob Burckhardt
1585:
1584: 1502–1516
1582:
1548:
1547: 1492–1498
1545:
1502:Andrea del Sarto
1437:Ludovico Beretta
1367:High Renaissance
1360:
1353:
1346:
1337:
1308:High Renaissance
1302:Andrea Previtali
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969:Grove Art Online
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676: 1518–1522
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509: 1518–1520
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486: 1512–1514
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419:Christ at Emmaus
411:Lady with a Lute
346:The Three Graces
301:Bonifazio Pitati
288:High Renaissance
209:Giovanni Bellini
205:Andrea Previtali
177:Palma il Giovane
173:Palma il Vecchio
161:Venetian painter
155:, also known as
150:
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126:High Renaissance
93:
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18:Palma il Vecchio
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1609:Transfiguration
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1539:The Last Supper
1526:
1482:Maffeo Olivieri
1462:Piero di Cosimo
1447:Gasparo Cairano
1410:
1381:Donato Bramante
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1027:Further reading
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342:Dresden Gallery
319:
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293:S. J. Freedberg
185:
171:in English and
167:. He is called
157:Jacopo Negretti
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1272:A Blonde Woman
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1259:(c. 1518–1520)
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1251:(c. 1518–1520)
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1216:(c. 1525–1526)
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1208:(c. 1523–1524)
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1200:(c. 1524–1525)
1193:
1192:(c. 1520–1525)
1185:
1184:(c. 1520–1525)
1177:
1169:
1168:(c. 1518–1522)
1165:Salvator Mundi
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1158:, c. 1520–1522
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371:, Milan); the
330:Nymphs Bathing
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1013:Palma, Jacopo
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1004:public domain
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1659:
1650:Leonardeschi
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1391:Michelangelo
1280:Storm at Sea
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153:Jacopo Palma
152:
141:
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92:(1528-06-30)
90:30 June 1528
29:
1754:1528 deaths
1749:1480 births
1703:Visual arts
1620:(1536–1541)
1612:(1516–1520)
1604:(1509–1524)
1598:(1508–1512)
1592:(1506–1513)
1571:(1501–1504)
1557:(1498–1499)
1531:Major works
1232:(1526–1528)
1224:(1525–1528)
1132:(1514–1515)
1108:(1508–1512)
978:Steer, John
949:1 857099036
806:, 1525–1528
791:, 1525–1528
774:, 1525–1526
710:, 1520–1522
653: 1520
633:, 1518–1520
605: 1514
540:, by 1515,
525:, 1512–1514
465: 1516
440:in Venice.
403:, Venice),
357:Last Supper
261:altarpieces
189:Serina Alta
149: 1480
106:Nationality
71: 1480
53: 1648
1713:Categories
1151:, c. 1520)
990:0500201013
935:0300055870
918:References
409:(Uffizi),
315:See also:
244:courtesans
1661:The Lives
1576:Mona Lisa
1512:Tamagnino
1507:Il Sodoma
1386:Giorgione
1283:(c. 1528)
1275:(c. 1520)
1267:(c. 1520)
1176:(c. 1525)
1116:(c. 1513)
1097:Religious
1090:Paintings
1011:(1911). "
566:Giorgione
557:The Bravo
385:Beli Dvor
332:, 1525-28
297:Mannerism
217:Giorgione
1691:Painting
1314:The Bill
631:La Bella
538:Allegory
395:and the
389:Belgrade
365:Epiphany
350:Violante
159:, was a
122:Movement
117:Painting
109:Venetian
1677:Portals
1628:Related
1396:Raphael
1295:Related
1240:Secular
1149:Bergamo
1006::
844:Rylands
444:Gallery
359:in the
267:now in
225:Bellini
193:Bergamo
163:of the
1563:(1500)
1401:Titian
1221:Judith
1124:(1515)
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988:
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941:Titian
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788:Judith
728:Venice
695:, 1520
562:Titian
425:) and
269:Serina
254:donors
237:Vasari
221:Titian
201:Venice
98:Venice
76:Serina
1568:David
1554:Pietà
1156:Genoa
812:Notes
328:, or
311:Works
277:Brera
275:(now
213:doyen
191:near
986:ISBN
959:ISBN
945:ISBN
931:ISBN
379:and
219:and
183:Life
87:Died
60:Born
1015:".
564:or
399:, (
391:),
367:, (
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