213:) was used by the family for its religious rites. It is a hall on a square plan, turned into an octagon by the introduction of four apses at the corners. The sides have the same length as the chapel's height up to the hemispherical dome. The chapel is decorated with lilies from the Farnese coat of arms and Mannerist masks portraying angels. Other symbols referring to the Ducal family such as the
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The original plan called for a massive rectangular palace with three main floors, three towers, two ceremonial staircases and two spiral ones, each floor was to have two residential complexes (one for
Ottavio, another for Margaret) which included an oratory, a chapel, three state rooms, service rooms
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in Italy; the rectangular plan is 113.25 metres by 88 metres and over 40 meters in height. The building works were entrusted to
Giovanni Bernardo Della Valle, Giovanni Lavezzari and Bernardo Panizzari (Caramosino). The actual construction, however, made up only less than a half of Vignola's original
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Ultimately the planned building far overestimated the financial capacities of the duchy and of the
Farnese family itself, being a far larger palace than those built by other Italian families and even French and Spanish royalty, and even though subsequent Farnese dukes tried to continue the
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The
Gallery or Pinacoteca is housed in the so-called "Duchess Apartments", on the first floor. It contains paintings from the 16th-17th centuries once belonging to the Dukes' collections, as well as painting from former religious houses and churches. The most important artwork is the
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and a private loggia; and on top of that it included two main loggias on the southern facade, an open theatre on the internal courtyard and
Italian gardens that were to reach the main city walls opposite the Po river.
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in 1731, the palace fell into disrepair. Restoration began only in the early 20th century and today the
Palazzo Farnese at Piacenza houses an important series of museums and exhibitions.
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who negotiated an agreement which made the duchy a
Spanish fief and returned Piacenza to the Farnese family (though Spanish soldiers were to be stationed in
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occupied both Parma and
Piacenza, however, Ottavio didn’t renounce his claim to the duchy and, in 1551, was able to retake Parma with the help of King
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BASSI, ELEONORA, 2019. Politecnico di Milano. Utopia farnese: scenografia di un progetto incompiuto del
Vignola a Piacenza
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Museum of
Ancient Weapons, with 400 antique weapons and armours collected by the Piacentine nobleman Antonio Parma
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The project for the façade of Palazzo Farnese, Piacenza, by Jacopo Barozzi da Vignola.
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The palace was commissioned by Ottavio's wife Margaret, daughter of Emperor
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Collections of sculptures, frescoes, majolica ware, glassworks, and
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This large partly constructed palace is located on the banks of the
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project and lacked many of the planned architectural features.
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construction, it was finally declared finished in 1602.
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Musei di Palazzo Farnese and Museo di Storia Naturale
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109:Margaret of Austria
458:Farnese residences
394:45.0557°N 9.6961°E
276:Giovanni da Milano
205:The Ducal Chapel (
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187:Giuseppe Garibaldi
163:Alessandro Farnese
139:Francesco Paciotto
121:Piacenza's citadel
117:Philip II of Spain
101:Henry II of France
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412:Categories
382:45°03′21″N
329:References
36:The court.
385:9°41′46″E
305:epigraphs
244:haruspicy
155:Caprarola
128:Charles V
312:See also
223:dolphins
219:starfish
132:Visconti
115:to meet
113:Brussels
81:River Po
73:fortress
49:Piacenza
227:turtles
215:unicorn
195:Antonio
141:, from
59:History
274:, and
159:Latium
143:Urbino
45:palace
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