179:â India: in 2000 Pan established Vidya, a theatre group based in the slum communities of Ahmedabad that uses interactive theatre to open debates around the issues that prevent slum-dwelling girls from achieving their potentials. The performers are all from the slum areas and create plays from their own personal experiences. From 2003 Vidya has been self-sustaining and self funding.
230:â Pakistan: in 2013, in partnership with the British Council, and after two training periods with participants from Pakistani NGOs, Pan awarded 3 implementation grants to organisations to tackle a social issue using techniques of theatre for development in their communities. The organisations are all based in and around
238:â South Sudan: in 2015 Pan's artistic director and founder John Martin delivered workshops to the artists of the South Sudan Theatre Organisation (SSTO); the aim was to train the team as trainers for school projects to be held across the country which have begun a debate about the country's future amongst young people.
113:
Weapon of Choice uses peer-led debate and forum theatre to engage young people from backgrounds of gang culture and gun and knife crime. The project visits youth centres, schools and pupil referral units and presents real life scenarios encountered by London youth, encouraging audience participation
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The project âThere Ainât no Black in the Union Jackâ, run from 2007 to 2008, provided residencies for over 100 young people across London. Participants created innovative and though provoking pieces of work which investigated âbritishnessâ, citizenship and what it means to be âyouthâ in the 21st
241:
Pan's working model involves project workers training local actor/activists in the first stages of performance and interactions, after which the ownership passes to local groups or organisations who know their situations best. They in turn create interactive performances and train more people to
27:
is an intercultural arts organization and registered charity based in London, UK, that uses the arts to explore cultural diversity and social change. The main purpose of the organization is to help marginalised young people from all cultures and religions who are at risk of social exclusion to
198:
techniques to resettle communities where collapse of social infrastructure resulted in social problems. In 2009 Pan worked with the
British Council and the Batticoloa Centre of Performing Arts to create Shakthi, a company composed by Tamil and Singhalese members who have been affected by the
147:
Synergy
Project was launched in 2010 to support the local community in Camden and it was funded by Emanuel Vincent Harris Trust and the Santander Foundation. It used drama, film, urban music, dance and graffiti art to connect with Camden youth at risk of crime and anti-social behaviour. In
31:
Pan's aims include: encouraging understanding, respect and social harmony between communities; giving a voice to marginalised youth and providing the opportunity to rehearse alternatives to their negative futures; and offering skills development and training/employment opportunities.
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invited Pan to train 60 villagers from the affected Delta area to become travelling theatre companies that worked in 160 villages. In 2011 the
British Council invited Pan to help establish a permanent Theatre for Development company, Human Drama, in collaboration with the NGO
80:
Fortune and Future groups provide young refugees and asylum seekers opportunities for confidence and creativity development through drama and movement activities focused on teamwork. Both groups have participated in public performances including
Refugee Week 2010 at the
76:
The Amies
Project supports victims of human trafficking and encourages reflection through music and drama. Participants develop physical and vocal confidence while roleplaying situations where they feel they lack confidence, working together to create a performance.
138:
Alongside the main programme of work, Pan works on a peer mentoring and youth leadership strand. In the Weapon of Choice programme, for example, previous participants are trained to become facilitators and to take the responsibility of leading their own project.
35:
In addition to their work in London, Pan has worked internationally using the arts to address difficult issues including gender discrimination, child marriages and dowries. The organisation has also engaged with people affected by trauma including survivors of
234:
and are therefore affected by the ongoing conflict situations near the Afghan border. One of the organisations is called Ranra, a word that means âlightâ. It focuses on human rights and on empowering women in their workplace to challenge sexual harassment.
122:. Since 2009, Weapon of Choice has been funded by The Big Lottery Fund, Trusthouse Charitable Foundation, St. Andrew Holborn Charity, sir Jules Thorn Charitable Trust, Unite Foundation and The Deutsche Bank's youth engagement programme.
148:
partnership with Camden-based youth organisations, the project aims to provide personal, social and creative development as well as transferable skills for future employment to young offenders, refugees and asylum seekers.
63:. In a forum performance, an audience member becomes a spect-actor when they take over the role of a character on stage in order to offer an alternative direction to the action on stage, thereby rehearsing change.
203:; in September 2010 the Shakthi group travelled to Switzerland to perform at the British Council Switzerland conference âAct 2: The Power of Theatre Post Conflictâ, and continued to London for performances.
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from the research report "Mapping Arts, Health and Higher
Education Collaborative Projects in London" (pag 18), commissioned by London Centre for Arts and Culture Enterprise and Arts Council England
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227:. After three annual training periods Human Drama is now working with communities affected by sexual and reproductive health issues, human trafficking and access to justice.
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from the essay "Revolutionary Beauty Out of
Homophobic Hate" by Mojisola Adebayo, included in the book "Applied Theatre: Aesthetics" by Gareth White, 2015 (page 124)
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to train actors, youth workers and clinicians to provide psycho-social help through art in the emergency camps set up across the country, following the
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disseminate the techniques and Pan can be a âlong distance mentorâ. These self-sustaining projects ensure the work can continue after Pan has left.
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improve personal and interpersonal skills through a range of arts activities including drama, music, film, dance, creative writing and visual arts.
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to discover an alternative future for the characters on stage. Weapon of Choice have also performed their plays at
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Gould Helen G.,"A Sense of
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to train local NGOs to deal with the psycho-social problems which followed
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Pan uses theatre for development techniques to engage with communities in
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century in the UK. These were performed at a four-day showcase at the
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http://www.impactalliance.org/ev_en.php?ID=49431_201&ID2=DO_TOPIC
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634:"Rose Bruford College partners with British Council Switzerland"
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947:"TFM Culture â Tech, culture and conflict transformation"
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Pan's methodology is influenced by
Brazilian dramatist
519:"There Ain't No Black in the Union Jack, Studio Shows"
285:"Pan Intercultural Arts | Anna Lindh Foundation"
776:"British Council The Power of Theatre Post Conflict"
465:"Zephryn Taitte, star of 'Brothers With No Game'"
182:â Sri Lanka: in 2005 Pan artists worked with the
802:"Theatre for Development: testing methodologies"
719:"Power To The Powerless In The Form Of Theatre"
152:International Theatre for Development Programme
419:"London: Making Museums A Hub For Integration"
218:, when 130,000 died in one night; in 2009 the
579:"The New Londoners Magazine October 11 issue"
442:"The rise of boutique philanthropic advisors"
338:. Colombo, Sri Lanka Retrieved on 5 June 2015
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750:"Helping communities through Forum Theatre"
349:"Augusto Boal's Forum Theatre for Teachers"
220:United Nations Development Programme (UNDP)
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225:Association François-Xavier Bagnoud (AFXB)
194:were present. Follow up visits introduced
892:"Momin Khan â Bringing Light to Darkness"
491:"There ain't no Black in the Union Jack"
377:"The Medaille Trust Winter Edition 2013"
994:Cultural organisations based in England
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356:organizingforpower.files.wordpress.com
210:): in 2008 Pan collaborated with the
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440:Eagar, Charlotte (March 21, 2014).
668:Theatre for Young Audiences Centre
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898:. August 19, 2013. Archived from
260:"About the register of charities"
463:Berwick, Isabel (May 16, 2014).
109:Arts Against Violence Programme
840:Sehmi, Raseel (31 July 2009).
800:Jones, Nesta (July 21, 2013).
192:post traumatic stress disorder
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289:www.annalindhfoundation.org
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605:"Good practice case study"
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143:Integrated Arts Programme
620:Retrieved on 4 June 2015
553:secure.thebiggive.org.uk
326:"Power to the powerless"
311:Retrieved on 5 June 2015
922:"SCREAM DOWN HARASSMEN"
664:"Sahrawi Refugee Camp"
72:Refugee Arts Programme
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698:www.britishcouncil.lk
190:where high levels of
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951:transformedia.org.uk
638:Rose Bruford College
423:citiesofmigration.ca
201:Sri Lankan civil war
188:Indian Ocean tsunami
91:Freedom from Torture
896:www.peaceagents.org
549:"Weapon Of Choice"
489:Shabazi, Shabnam.
331:2015-05-29 at the
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754:Daily News
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246:References
120:Old Bailey
116:Roundhouse
99:Barnardo's
67:Programmes
20:Pan's Logo
583:issuu.com
162:Sri Lanka
50:Sri Lanka
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336:Daily FT
329:Archived
232:Peshawar
166:Pakistan
44:and the
759:10 June
170:Myanmar
46:Tsunami
42:Myanmar
648:4 June
589:4 June
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208:Burma
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