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130:, with Boyle as its artistic director and Cottrell Boyce as the writer. Cottrell Boyce commented "Danny had a very clear idea that in the first 15 minutes you had to have a great, startling image that could go around the world. It had to climax with something that made people go, Oh my God!", and Boyle decided that "the journey from the pastoral to the industrial, ending with the forging of the Olympic rings" was that image. Boyle made
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is far from routine; it reflects the deeply felt preoccupations of an unusual man", and said that through the texts selected, the book "conveys the heroic promise of industrialism as well as the devastation, the humanistic spirit of science as well the dehumanizing dangers".
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Following an attempt to get the out-of-print 1985 edition published as an e-book, a new condensed edition of the book was published in
October 2012, with a foreword by Frank Cottrell Boyce. It represents about a third of the original edition. Writing of the new edition,
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observed " it received many perceptive and enthusiastic reviews, but it has taken Boyle to shift it from academic appreciation to the general readership for which it was intended and which it deserves."
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and published posthumously in 1985 by Icon Books having received funding for the project from the
Elephant Trust. The book takes its title from the first excerpt within it, the section in Book I of
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said, "Many of the early milestones of industrialization and its effects have become textbook cliches, and a routine anthology devoted to the subject would hardly call for special attention. But
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required reading for his opening ceremony team. The resulting section of the ceremony was named "Pandemonium", in acknowledgement of both Milton and
Jennings' works.
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Jennings collated the excerpts between 1937 and his early death in 1950. Jennings' daughter, Mary-Louise
Jennings, and a co-founder with Jennings of
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to help inform the
Industrial Revolution sequence in the play. At the same time, Boyle and Cottrell Boyce were developing the
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is a book of contemporary observations of the coming, development, and impact of the
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Pandaemonium, 1660–1886: The Coming of the
Machine as Seen by Contemporary Observers
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in the United
Kingdom, collected by documentary film-maker
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Lynskey, Dorian (January 2013) , "Oblivion with Bells",
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