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181:- SAN through the VDC-2000. What many people do not realise is that MegaDef connected to the Spirit or Specter machines internally using a special interface that was jointly developed by Philips and Pandora. This meant that the images from film were always processed at full 2K resolution before being converted to HDTV or SDTV formats. In this way the accuracy of the internal keyer's and other image processing was greatly enhanced as they were in effect always over sampling the video image.
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are specified for 2K. Unlike most of the software based systems currently on the market the
Revolution is designed to deliver all image processing in real time. It can be configured to perform up to 50 layers of colour correction, and some layers can also provide, defocus, sharpening and other special effects. Operational speed is always consistent no matter how many layers are in use at any time.
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CPU rack which used twin
Motorola 68020 CPU's and a telecine interface rack which varied depending on the make and model of the Telecine system in use. The first Pogles controlled the telecine's internal colour corrector. Originally Pogles used a PDOS operating system which was quickly replaced with a proprietary system named ANDIX. The program and list are stored on a
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is the current product; it is a non-linear data grade system. Revolution is built entirely using
Programmable Logic Devices and so it can be programmed to perform different tasks and handle different types of image Data. Image resolutions of up to 4K are possible but currently most systems delivered
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iQ system using an optical fiber using a proprietary connection protocol known as "FreeFlow". This system was also capable of operating in real time at 2048x1556 resolutions as well as standard TV formats. Systems were purchased by Peter
Jackson's Company "Film Unit" in New Zealand during the filming
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introduced the
Specter the first virtual telecine. It is able to colour correct, re-size and grain reduce 2K DPX files in real time. Used in DI work and to make multiple video formats off one film transfer scan (PAL, NTSC, Pan scan, letter box...). This was accomplished by playing the DPX files back
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video. The DCP was a modular system so over the life of the product various add-on's and upgrades were made including the "Electric
Sunroof" option. This was launched in direct competition to the "Power Windows" feature from DaVinci System in Florida. It enabled multiple secondary colour corrections
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DCP or
Digital Color Processor was a standard-definition digital video processor controlled by a Pogle. DCP was one of the first commercially available systems which was built entirely with digital circuitry using programmable logic. Until this time most color manipulation was predominantly analog.
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Pogle used customized external control panels. The Pogle also included a VTR deck controller which was capable of controlling up to four video tape decks for field accurate editing including 3/2 sequence control. Other systems made do with a separate computer system for this function. Pogle has a
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is a maker of hardware and software systems for video editing, Telecine
Control and Colour Correction. Pandora was founded in 1985 By Steve Brett and Martin Greenwood, later Aine Marsland joined the team and took over the administration of the company. Pandora International devices are able to
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The Pixi Colour
Corrector was launched in 1995 and replaced the DCP. Pixi was a High Definition colour corrector and so could handle video resolutions up to 1920x1080 at 30 frames per second. The feature set was similar to the DCP but upgraded in many ways. For example, the Pixi also provided
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In 1997, Pandora introduced the MegaDEF system. MegaDEF uses two PiXi chassis with an additional multiplexer rack. MegaDef was the first commercially available system that was capable of working at full 2K resolution in real time . The MegaDEF could be used with both the
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to be applied each within a separate area of the image. ESR windows featured an advanced keying system which allowed the user to identify the areas of the image using Hue, Saturation and
Luminance keys combined with the physical position of pixels on the screen.
156:). This was an HDTV capable disk server designed to handle 10bit RGB signals. Industrial Light & Magic purchased one of these systems for use on Star Wars episode I "The Phantom Menace" and another for episode II "Attack of the Clones".
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Lightning II film recorder was used to record the data output back to film. This process helped change the trees and grass backgrounds from green to a yellow/brown, creating the 1930s "Dustbowl" effect wanted by the
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With the DCP, primary and secondary colour processing could be done outside the telecine and so input could be from film or video tape. Standard definition processing was of
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754:"FDL 60-Progress in Film Scanning Using CCD Sensors and Digital Processing", D. Poetsch et al., `International Broadcast Engineer`, Jan. 1981, pp. 47–49.
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was scanned with Spirit Datacine, colour-corrected with a VDC-2000 using a Pandora Int. Pogle Colour Corrector with MegaDEF at
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colour-correct video and 16 mm and 35 mm motion picture film in real time. Pandora International is based in
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Pandora was awarded an Emmy in 2001 for MegaDef in recognition of its pioneering work in developing the concept of
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and video cards in the Pogle controller rack. The Indy computer and O2 computer's backup is usually to an external
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digital system so some telecine's which only had analog output's had to first send their signal to an external
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177:. MegaDEF was controlled with a Pogle Platinum controller. In the virtual telecine this data was playing off a
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A version of Pixi was incorporated into the Picasso system from Post Impressions Ltd (later purchased by
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was processed using a MegaDef system, this featured many scenes in which selected colours were removed.
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through the Spirit Datacine's process electronics and a Pandora MegaDef Colour Correction system.
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DFT Digital Film Technology - Manufacturer of CCD based telecines and data scanners
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circularly shaped windows and vignettes rather than just squares and rectangles.
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Pogle can control a: Bosch Fernseh FDL 60 Telecine Film Deck and Lens Gate
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Pandora Powers Digital Film for Peter Jackson's Film Unit in New Zealand
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is to a multi-sync monitor. The newer operating system updated to a
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theasc.com, © 2003 American Cinematographer, DI by Debra Kaufman
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kodak.com "Restoration of an impeccably preserved old negative"
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Pogle MegaDEF: Two PiXi systems with a multiplexer rack
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BBC2 Repeat Season, Colour Restorations with a Pandora
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Pogle can control a:SDC-2000 Spirit DataCine Film Deck
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259:Evolution - Pandora Pogle Colour Suite Controller
254:Evolution - Pandora Pogle Colour Suite Controller
240:Other versions of MegaDef were interfaced to the
437:Silicon Graphics Indy use to run Pogle software
365:Pogle display close up of telecine control menu
114:. Pandora's DCP external colour corrector is a
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485:Pandora System installed in London Post House
461:Pogle can control a: Quadra Telecine Film Deck
413:Pogle control rack, CPU and Telecine interface
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425:Silicon Graphics 02 use to run Pogle software
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194:Specter - VDC - Virtual DataCine. In 1999
329:Pogle control panel and soft knob display
16:English video editing system manufacturer
553:For means of putting video on film, see
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110:or ext. floppy. The O2 has an internal
730:Pandora Pandora International Web site
659:American Cinematographer A flex Finish
43:Pandora Int. was the maker the Pogle
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763:creativeplanetnetwork.com, DCP emmys
47:controller. The Pogle can control a
401:Pixi Colour Corrector Internal View
59:telecine. New models could control
768:reativeplanetnetwork.com, Piccaso
245:of the Lord of the Rings trilogy.
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626:Picasso Colour Correction System
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102:; these replaced the internal
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715:pandoratek.global Revolution
593:thameside.tv Spirit DataCine
377:Pogle control panel joyballs
615:patentgenius.com DCP patent
120:analog-to-digital converter
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522:Factors causing HDTV Blur.
261:is a Telecine controller.
205:O Brother, Where Art Thou?
341:Pogle SGI monitor display
883:Super-resolution imaging
512:Direct to Disk Recording
305:Evolution Control Panel
703:pandoratek.global Pluto
692:pandoratek.global Pogle
579:pandora-int.com contact
604:Pogle history web site
98:computer and later an
39:Pogle Colour corrector
20:Pandora International
929:Television technology
745:History of Telecines
539:and editing systems.
235:Digital Intermediate
225:and cinematographer
188:Pleasantville (film)
179:Storage area network
545:telecine equipment.
75:, with backup to a
856:Special processing
517:Hard disk recorder
154:Snell & Wilcox
51:machine, like the
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898:Pixel art scaling
863:Film colorization
317:T3 Control Panel
276:management tool.
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88:Silicon Graphics
77:3.5" floppy disk
65:Spirit DataCines
45:colour corrector
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918:Categories
847:Deflicking
830:Comparison
820:Deblocking
566:References
497:Film Chain
285:Revolution
280:Revolution
55:the first
25:Greenhithe
878:Film look
842:Denoising
559:kinescope
557:(UK) and
527:Test film
173:VDC-2000
108:zip Drive
94:ran on a
73:hard disk
903:Telecine
825:Resizing
491:See also
214:Cinesite
169:and the
116:Rec. 601
96:SGI Indy
49:Telecine
867:tinting
865: (
242:Quantel
196:Philips
171:Specter
160:MegaDEF
84:display
57:digital
33:England
543:Cintel
112:CD-ROM
100:SGI O2
561:(US).
272:is a
270:Pluto
218:Kodak
210:Kodak
81:Video
53:FDL60
144:PiXi
135:and
133:NTSC
70:SCSI
63:and
29:Kent
274:LUT
137:PAL
126:DCP
104:CPU
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585:^
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