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Also noteworthy within the programme is
Pappano filming the interior of Ludwig II's palace revealing the neo-gothic and richly coloured interior design alongside panoramic paintings of scenes from Wagner's Ring Cycle. The palace of Richard Wagner's patron is usually ignored in documentaries in favour
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Pappano relates how Wagner would stand on the stage, directing the singers, including singing all the roles, male and female to them; as means to direct them in interpreting roles. Wagner would also show stage choreography to the cast by performing stage fighting and demonstrating how to climb
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during the documentary. Pappano explains how Wagner did not approve of the word opera to describe his compositions. Instead he favoured the term musical drama, which he considered to be an all-inclusive term for his role of controlling every aspect of the production.
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mountains. When scenes required some skill in mountaineering to scale scenography of a mountain.
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Pappano returned to conducting the Ring for the Royal Opera House, London in
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Included in the programme are interviews with opera singers, notably
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Daily
Telegraph review of Ring Cycle highlighting Tomlinson's Hagen
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if focusing exclusively on the
Bayreuth opera house.
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156:numerous times. Under Pappano he has sung the
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