Knowledge (XXG)

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Sophie Israelsohn noted that "Reach" has frantic drums as Kraus repeatedly sings "Reaching through me". Geffen described the guitar as "fuzzed-out", while Isrealsohn found Kraus's voice airy, yet expressive. Cohen said that "See" offers "a bedside elegy as a narcotized singsong". On "Big Blood",
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the 18th best shoegaze album of all time, declaring that it is "unfailingly one of the most brilliant contemporary shoegaze albums ever", ascending "to pure perfection". She concluded: "It ultimately helps you achieve catharsis and find an outlet for your frustration." In 2023, Joe Trainor of
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noted that, while Kraus was "in no rush to release a new record", he had a playlist titled "Album 2" containing work-in-progress songs. According to Quinn Moreland, these sketches "contain more of the ambitious instrumentation and ambiguous yet heartfelt songwriting becoming his signature".
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first and last tracks, "Figure" and "Mostly", Cohen said that "Kraus's coos are enveloped by gritty, spun-sugar drones", feeling that they are as expressive as the other songs in the record, despite being wordless. On the latter track, Galil described it as "weightless" and
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while highlighting that the artist "continues to do well at keeping his ideas—and words—as intangible as possible". Pessaro described it as "mildly antisocial and downright gorgeous to the core, like a sweet lullaby being sung across a crackling radio".
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Galil wrote that when combined with its powerful guitars, euphoric drums, and samples creating melodies "that cut through the atmosphere like a foghorn", Kraus's "vocal caterwauling" enhances the track's strength.
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Leor Galil felt that Kraus's melancholic and resonant vocals, along with the sorrowful lyrics, were more distinct than the ones present in
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shows it's always better with personality", saying that it was "one of the more intriguing entries into shoegaze of recent vintage".
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engaging. Trainor described it as "rock music using modern tech to create exciting new sounds". Fred Pessaro of
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described it as "Kraus barreling through beautiful explosions of noise and melody". Cohen found it inspired by
1131: 425: 335: 1251: 270:, in early 2016. After finishing it, he emailed several labels and music writers. Brian Justie from 989: 917: 881: 837: 512: 499: 486: 446: 362: 322: 295: 280: 248: 242: 278:
was released through the label on September 9, 2016. An interview published in January 2017 by
1136: 784: 539: 414: 327: 271: 254: 229: 213: 99: 1210:"Young shoegaze maven Will Kraus expresses himself even more clearly on his second album, 106: 1218: 1174: 1169: 1022: 766: 553: 522: 372: 353: 316: 161: 1245: 1058: 776: 400: 340: 984: 944: 289:
was preceded by two singles: "Reach" on February 7, 2018, and "Bum" on February 28.
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Leor Galil said that Kraus "expresses himself even more clearly" when compared to
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VHS recording, while accompanied by energetic guitar work. Sasha Geffen of
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was released on March 9. A music video for "Bum", which Fred Pessaro of
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vibe as its most unique aspect, writing how "about 70 percent of
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considered it the 18th best shoegaze album of all time.
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album, reviewers noted the album's influence from 1990s
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described it as "experimental shoegaze". Writing for
822: 579: 571: 510:"caused a stir" when it was released. Ian Cohen of 160: 115: 105: 93: 77: 65: 50: 37: 23: 820: 818: 816: 814: 812: 810: 808: 806: 804: 802: 1016: 1014: 1012: 978: 976: 974: 266:Kraus started working on his debut studio album, 208:is the second studio album by American musician 1052: 1050: 557:included it in a list of "rare shoegaze gems". 420:Cohen said that the intro of "Games" resembles 299:described as colorful, was released on June 6. 344:. Further, he highlighted the combination of " 8: 1170:"Rare Shoegaze Gems From All Eras Unearthed" 913:"Kraus Makes Noise Rock for Anxious People" 1203: 1201: 1199: 1197: 870: 868: 866: 864: 862: 860: 733: 465: 29: 20: 906: 904: 432:". Overall, he felt that the song blends 216:. Preceded by singles "Reach" and "Bum", 1163: 1161: 1159: 1125: 1123: 568: 326:, Ian Cohen described the album's 1990s 1021:Israelsohn, Sophie (February 7, 2018). 798: 715: 516:wrote: "Shoegaze doesn't need ego, but 1108:from the original on September 1, 2023 1088: 1086: 959:from the original on September 1, 2023 1071:from the original on October 19, 2021 1035:from the original on October 20, 2021 997:from the original on October 20, 2021 889:from the original on October 20, 2021 716: 566:All tracks are written by Will Kraus. 471: 212:, released on March 9, 2018, through 7: 1057:DeVille, Chris (February 28, 2018). 911:Moreland, Quinn (January 13, 2017). 1257:Shoegaze albums by American artists 1182:from the original on March 27, 2024 352:digital dreams, and bedroom artist 1226:from the original on July 11, 2021 983:Geffen, Sasha (February 7, 2018). 14: 1144:from the original on May 12, 2022 925:from the original on May 19, 2024 845:from the original on May 17, 2022 440:-era nostalgia by alluding to an 240:was described as "intriguing" by 1168:Trainor, Joe (January 9, 2023). 875:Pessaro, Fred (June 6, 2018). 572: 18:2018 studio album by Kraus 1: 1208:Galil, Leor (July 20, 2018). 985:"Kraus: 'Reach' Track Review" 827:Cohen, Ian (March 12, 2018). 274:agreed to release the album. 366:said that the album evokes 189:Released: February 28, 2018 1273: 1130:Wu, Carly (July 9, 2019). 180:Released: February 7, 2018 756: 751: 748: 745: 742: 705: 694: 683: 672: 661: 650: 639: 628: 617: 606: 595: 584: 576: 479: 476: 232:, evoking a vibe akin to 197: 171: 156: 123: 28: 506:Fred Pessaro wrote that 54:March 9, 2018 262:Background and release 220:follows Kraus's debut 426:Red Hot Chili Peppers 336:The Smashing Pumpkins 310:was characterized as 224:on the same label. A 735:Release history for 546:Carly Wu considered 467:Professional ratings 462:Reception and legacy 739: 468: 368:My Bloody Valentine 234:My Bloody Valentine 734: 466: 246:and "gorgeous" by 1023:"Kraus – 'Reach'" 790: 789: 726: 725: 496: 495: 314:; Joe Trainor of 201: 200: 152: 151: 1264: 1236: 1235: 1233: 1231: 1205: 1192: 1191: 1189: 1187: 1165: 1154: 1153: 1151: 1149: 1137:Far Out Magazine 1127: 1118: 1117: 1115: 1113: 1090: 1081: 1080: 1078: 1076: 1054: 1045: 1044: 1042: 1040: 1018: 1007: 1006: 1004: 1002: 980: 969: 968: 966: 964: 941: 935: 934: 932: 930: 908: 899: 898: 896: 894: 872: 855: 854: 852: 850: 824: 785:Terrible Records 767:Digital download 740: 719: 574: 569: 545: 540:Far Out Magazine 528: 505: 469: 456: 397: 378: 328:alternative rock 272:Terrible Records 255:Far Out Magazine 230:alternative rock 214:Terrible Records 190: 187: 181: 178: 125: 124: 89: 88: 84: 61: 59: 33: 21: 1272: 1271: 1267: 1266: 1265: 1263: 1262: 1261: 1242: 1241: 1240: 1239: 1229: 1227: 1207: 1206: 1195: 1185: 1183: 1167: 1166: 1157: 1147: 1145: 1129: 1128: 1121: 1111: 1109: 1092: 1091: 1084: 1074: 1072: 1059:"Kraus – 'Bum'" 1056: 1055: 1048: 1038: 1036: 1020: 1019: 1010: 1000: 998: 982: 981: 972: 962: 960: 943: 942: 938: 928: 926: 910: 909: 902: 892: 890: 874: 873: 858: 848: 846: 826: 825: 800: 795: 781: 732: 730:Release history 727: 717: 563: 543: 526: 503: 464: 454: 395: 389: 376: 305: 264: 193: 188: 185: 184: 179: 176: 175: 147: 145:View No Country 140: 131: 86: 82: 81: 57: 55: 46: 19: 12: 11: 5: 1270: 1268: 1260: 1259: 1254: 1244: 1243: 1238: 1237: 1219:Chicago Reader 1193: 1175:Bandcamp Daily 1155: 1119: 1082: 1046: 1008: 970: 936: 900: 856: 797: 796: 794: 791: 788: 787: 782: 780: 779: 774: 769: 763: 761: 760:March 9, 2018 758: 754: 753: 750: 747: 744: 731: 728: 724: 723: 720: 714: 713: 710: 707: 703: 702: 699: 696: 692: 691: 688: 685: 681: 680: 677: 674: 670: 669: 666: 663: 659: 658: 655: 652: 648: 647: 644: 641: 637: 636: 633: 630: 626: 625: 622: 619: 615: 614: 611: 608: 604: 603: 600: 597: 593: 592: 589: 586: 582: 581: 578: 575: 564: 562: 559: 554:Bandcamp Daily 523:Chicago Reader 494: 493: 490: 482: 481: 478: 474: 473: 463: 460: 388: 385: 373:Chicago Reader 354:claustrophobia 317:Bandcamp Daily 304: 301: 263: 260: 199: 198: 195: 194: 192: 191: 182: 172: 169: 168: 158: 157: 154: 153: 150: 149: 142: 133: 121: 120: 113: 112: 109: 103: 102: 97: 91: 90: 79: 75: 74: 69: 63: 62: 52: 48: 47: 42: 35: 34: 26: 25: 17: 13: 10: 9: 6: 4: 3: 2: 1269: 1258: 1255: 1253: 1250: 1249: 1247: 1225: 1221: 1220: 1215: 1213: 1204: 1202: 1200: 1198: 1194: 1181: 1177: 1176: 1171: 1164: 1162: 1160: 1156: 1143: 1139: 1138: 1133: 1126: 1124: 1120: 1107: 1103: 1099: 1097: 1089: 1087: 1083: 1070: 1066: 1065: 1060: 1053: 1051: 1047: 1034: 1030: 1029: 1024: 1017: 1015: 1013: 1009: 996: 992: 991: 986: 979: 977: 975: 971: 958: 954: 950: 948: 940: 937: 924: 920: 919: 914: 907: 905: 901: 888: 884: 883: 878: 871: 869: 867: 865: 863: 861: 857: 844: 840: 839: 834: 833:Album Review" 832: 823: 821: 819: 817: 815: 813: 811: 809: 807: 805: 803: 799: 792: 786: 783: 778: 775: 773: 770: 768: 765: 764: 762: 759: 755: 741: 738: 729: 721: 718:Total length: 711: 708: 704: 700: 697: 693: 689: 686: 682: 678: 675: 671: 667: 664: 660: 656: 653: 649: 645: 642: 638: 634: 631: 627: 623: 620: 616: 612: 609: 605: 601: 598: 594: 590: 587: 583: 570: 567: 561:Track listing 560: 558: 556: 555: 549: 542: 541: 535: 532: 525: 524: 519: 515: 514: 509: 502: 501: 491: 489: 488: 484: 483: 475: 472:Review scores 470: 461: 459: 453: 449: 448: 443: 439: 435: 431: 427: 423: 418: 416: 412: 408: 407: 402: 394: 386: 384: 382: 375: 374: 369: 365: 364: 359: 355: 351: 347: 343: 342: 341:Siamese Dream 337: 333: 329: 325: 324: 319: 318: 313: 309: 302: 300: 298: 297: 292: 288: 283: 282: 277: 273: 269: 261: 259: 257: 256: 251: 250: 245: 244: 239: 235: 231: 227: 223: 219: 215: 211: 207: 206: 196: 183: 174: 173: 170: 167: 163: 159: 155: 146: 143: 139: 138: 134: 130: 127: 126: 122: 118: 114: 110: 108: 104: 101: 98: 96: 92: 80: 76: 73: 70: 68: 64: 53: 49: 45: 40: 36: 32: 27: 22: 16: 1228:. Retrieved 1217: 1211: 1184:. Retrieved 1173: 1146:. Retrieved 1135: 1112:September 1, 1110:. Retrieved 1095: 1073:. Retrieved 1062: 1037:. Retrieved 1026: 999:. Retrieved 988: 963:September 1, 961:. Retrieved 947:End Tomorrow 946: 939: 927:. Retrieved 916: 891:. Retrieved 880: 847:. Retrieved 836: 830: 736: 654:"Brief Skin" 565: 552: 547: 538: 536: 531:End Tomorrow 530: 521: 517: 511: 507: 498: 497: 485: 451: 445: 430:Give It Away 422:the Big Pink 419: 404: 392: 390: 381:End Tomorrow 380: 371: 361: 357: 339: 331: 321: 315: 307: 306: 294: 290: 286: 279: 276:End Tomorrow 275: 268:End Tomorrow 267: 265: 253: 247: 241: 237: 222:End Tomorrow 221: 217: 204: 203: 202: 165: 144: 136: 135: 129:End Tomorrow 128: 39:Studio album 15: 1252:2018 albums 1098:, by Kraus" 949:, by Kraus" 687:"Big Blood" 356:", keeping 303:Composition 252:. In 2019, 1246:Categories 793:References 757:Worldwide 749:Format(s) 698:"Watching" 346:arena-rock 119:chronology 111:Will Kraus 58:2018-03-09 1064:Stereogum 1028:Stereogum 990:Pitchfork 918:Pitchfork 838:Pitchfork 772:streaming 665:"Outside" 537:In 2019, 513:Pitchfork 487:Pitchfork 452:Stereogum 447:Pitchfork 434:chillwave 406:Stereogum 323:Pitchfork 281:Pitchfork 243:Pitchfork 1230:July 10, 1224:Archived 1180:Archived 1148:July 15, 1142:Archived 1106:Archived 1102:Bandcamp 1075:July 10, 1069:Archived 1039:July 10, 1033:Archived 1001:July 10, 995:Archived 957:Archived 953:Bandcamp 929:July 10, 923:Archived 893:July 10, 887:Archived 882:Revolver 849:July 10, 843:Archived 829:"Kraus: 709:"Mostly" 643:"Follow" 588:"Figure" 500:Revolver 363:Revolver 350:nu-metal 348:volume, 312:shoegaze 296:Revolver 249:Revolver 226:shoegaze 107:Producer 100:Terrible 72:Shoegaze 51:Released 41: by 1186:May 20, 743:Region 632:"Reach" 610:"Games" 442:X Games 438:Clinton 401:ambient 177:"Reach" 162:Singles 148:(2021) 141:(2018) 132:(2016) 56: ( 752:Label 621:"Grow" 580:Length 544:'s 527:'s 504:'s 492:7.3/10 480:Rating 477:Source 455:'s 399:"near- 396:'s 377:'s 78:Length 777:vinyl 746:Date 722:33:22 676:"See" 599:"Bum" 577:Title 436:with 415:Stars 387:Songs 210:Kraus 186:"Bum" 166:Path 164:from 117:Kraus 95:Label 67:Genre 44:Kraus 1232:2021 1212:Path 1188:2024 1150:2021 1114:2023 1096:Path 1077:2021 1041:2021 1003:2021 965:2023 931:2021 895:2021 851:2021 831:Path 737:Path 712:3:01 701:2:35 690:3:06 679:3:39 668:2:37 657:2:18 646:3:11 635:2:20 624:2:10 613:3:12 602:2:28 591:2:38 548:Path 518:Path 508:Path 450:and 424:and 413:'s " 393:Path 358:Path 332:Path 308:Path 291:Path 287:Path 238:Path 218:Path 205:Path 137:Path 24:Path 706:12. 695:11. 684:10. 573:No. 428:' " 417:". 411:Hum 391:On 338:'s 1248:: 1222:. 1216:. 1196:^ 1178:. 1172:. 1158:^ 1140:. 1134:. 1122:^ 1104:. 1100:. 1085:^ 1067:. 1061:. 1049:^ 1031:. 1025:. 1011:^ 993:. 987:. 973:^ 955:. 951:. 921:. 915:. 903:^ 885:. 879:. 859:^ 841:. 835:. 801:^ 673:9. 662:8. 651:7. 640:6. 629:5. 618:4. 607:3. 596:2. 585:1. 236:. 87:22 83:33 1234:. 1214:" 1190:. 1152:. 1116:. 1094:" 1079:. 1043:. 1005:. 967:. 945:" 933:. 897:. 853:. 85:: 60:)

Index

The image is an abstract piece of artwork with vibrant colors. The background consists of a mix of orange and purple hues, with irregular, brush-like strokes. There are dark, shadowy shapes in the center that give the impression of an obscured figure. The top left corner has the text "KRAUS PATH" in white, stylized font.
Studio album
Kraus
Genre
Shoegaze
Label
Terrible
Producer
Kraus
Singles
Kraus
Terrible Records
shoegaze
alternative rock
My Bloody Valentine
Pitchfork
Revolver
Far Out Magazine
Terrible Records
Pitchfork
Revolver
shoegaze
Bandcamp Daily
Pitchfork
alternative rock
The Smashing Pumpkins
Siamese Dream
arena-rock
nu-metal
claustrophobia

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