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Paul Beaver

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in June 1967, when musicians and artists' representatives visited their stall and began placing orders for Moogs. Over the next two years, Beaver played a key role in popularizing the instrument in rock music and in film and television. During that time, he undertook a steady stream of session work
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that was one of the first electronic instruments to have programmable preset sounds, controlled by an auxiliary 8-bit computer which used a TV monitor. In addition, Beaver, together with associates Phil Davis and
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They continued to work together in a project to master the new Moog synthesizer and present it as a viable instrument for film and recording work. From 1967, Beaver collaborated with Krause as the recording duo
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album, which features two synthesizers simultaneously gliding up and down to merge into a final single chord, was later re-performed to become the musical soundtrack for the original
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record label, was a landmark work, introducing the public to the full range of individual sounds that the Moog could make, and in great detail.
1540: 1412: 1309: 1469: 1453: 1354: 112: 690: 573: 504:, composing and performing incidental ambient music ("The Cage" and others) and creating several sound effects for the original 1111: 1076: 50: 379:. Holzman introduced Beaver to Bernie Krause, another synthesizer enthusiast. They decided to pool their savings to buy a 93: 65: 46: 724: 448: 1137: 72: 1487: 39: 1228: 492: 458: 389: 1445: 483:" (accomplished by switching the motorized 'tone wheel' off and on). During this time he and musician-engineer 479:
album, supplying the first-generation Hammond B3 organ which provided the strange sound effect at the end of "
967: 79: 1236: 1147: 174: 484: 401:. They were one of the first groups to record pop-commercial electronic music, which later became known as 541:(1972). Combining the Moog with acoustic instruments, these albums were effectively the beginning of the " 462:, an album that is widely recognised as the first recording in the genre to feature the Moog synthesizer. 1184: 866: 858: 554: 421: 61: 816: 375:, who wished to make an album that used electronic music in a format that would appeal to the emerging 1535: 1530: 909: 807: 526: 475: 321: 243: 420:'s sales representatives on the U.S. West Coast, they attracted limited industry interest until the 1463: 742: 338: 185: 626: 425:
for their Moog customers and led workshops attended by film composers and session keyboardists.
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built a custom polyphonic Moog modular synthesizer, based on the Moog Apollo prototype, for
410: 380: 334: 330: 292: 272: 268: 219: 193: 189: 157: 267:(August 14, 1925 โ€“ January 16, 1975) was an American musician who was a pioneer in popular 1011: 901: 514: 453: 372: 356: 316: 239: 428:
Among his many appearances on recordings by pop and rock acts, Beaver played the Moog on
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describes Beaver as "one of the first and most unique American synthesizer players".
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The Sound of Tomorrow: How Electronic Music Was Smuggled into the Mainstream
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Beaver was the electronic half of a 1967 experimental free-form album for
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in January 1975, at the age of 49, while working on a revised version of
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Beaver & Krause continued releasing electronic albums, first for
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Electronic and Experimental Music: Technology, Music, and Culture
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Jonathan Livingston Seagull (Original Motion Picture Soundtrack)
604:(under his pseudonym "the Seth Man"), musician and musicologist 197: 545:" musical movement. The ending of the track "Spaced", from the 550: 22: 1442:
Analog Days: The Invention and Impact of the Moog Synthesizer
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Analog Days: The Invention and Impact of the Moog Synthesizer
584:. His health began to deteriorate in 1973. He died of a 295:, Paul Beaver studied classical music and learned the 1304:. London: Bloomsbury Academic. pp. 151, 161โ€“62. 1345:. Cambridge, MA: Harvard University Press. p.  249: 235: 225: 211: 203: 181: 164: 144: 134: 127: 53:. Unsourced material may be challenged and removed. 1338: 325:(1953), and became a technical consultant to the 1481: 1479: 834:Music For Instruments & Electronic Sounds 307:. After the war, he played the organ at the 8: 1002:Pisces, Aquarius, Capricorn & Jones Ltd. 439:Pisces, Aquarius, Capricorn & Jones Ltd. 1511: 1486:Cope, Julian ("the Seth Man") (June 2010). 1440:Pinch, Trevor; Trocco, Frank (2004-11-15). 1381: 1287: 1275: 1263: 124: 113:Learn how and when to remove this message 1488:"Unsung: Beaver & Krauserocksampler" 436:", the final song on their fourth album 1256: 275:. From 1967, Beaver collaborated with 1461: 1120:There's a Whole Lalo Schifrin Goin' On 634:The Nonesuch Guide To Electronic Music 446:' "Goin' Back", from their 1968 album 407:The Nonesuch Guide to Electronic Music 1427: 1369: 1337:Pinch, Trevor; Trocco, Frank (2002). 1324: 465:Beaver was a friend and associate of 7: 1403:. New York, NY: Routledge. pp.  1079:(Original Motion Picture Soundtrack) 869:(Original Motion Picture Soundtrack) 810:(Original Motion Picture Soundtrack) 469:, and he aided in the production of 442:, released in November 1967, and on 51:adding citations to reliable sources 1546:20th-century American keyboardists 553:logo used in movie theatres. With 14: 885:Nine: A Musical Mystical Allegory 612:said of Beaver that "other than 367:. In 1966, he was approached by 27: 1240:(Creative Record Service, 1975) 1026:With The Mystic Moods Orchestra 329:. He also became a successful 38:needs additional citations for 1112:Music from Mission: Impossible 1077:Beneath the Planet of the Apes 525:(1969), then three albums for 1: 1541:American electronic musicians 1468:: CS1 maint: date and year ( 985:The Plastic Cow Goes Moooooog 452:. He also contributed to the 1138:Shankar Family & Friends 951:Harps of the Ancient Temples 500:, worked alongside composer 387:. The result was the album 1246:(Computer Humanities, 1976) 1202:The Mason Williams Ear Show 791:Fabulous Rhythms Of Modesto 725:The Notorious Byrd Brothers 449:The Notorious Byrd Brothers 1562: 493:Emerson, Lake & Palmer 409:, issued on Jac Holzman's 348: 15: 1229:The Zodiac: Cosmic Sounds 1222:With no album artist name 1162:With The Sound Of Feeling 459:The Zodiac: Cosmic Sounds 390:The Zodiac: Cosmic Sounds 1446:Harvard University Press 1081:(20th Century Fox, 1970) 1054:New Sound Element Stones 16:Not to be confused with 1512:Pinch & Trocco 2002 1382:Pinch & Trocco 2002 1327:, pp. 151, 166โ€“68. 1288:Pinch & Trocco 2002 1276:Pinch & Trocco 2002 1264:Pinch & Trocco 2002 1244:Unplayed by Human Hands 1237:Unplayed by Human Hands 694:(Brother/Reprise, 1970) 600:Writing on his website 561:Personal life and death 345:Work with Bernie Krause 175:Los Angeles, California 1095:Gypsy Carnival Caravan 968:Is This What You Want? 871:(United Artists, 1973) 708:Psychedelic Percussion 365:Psychedelic Percussion 1394:Holmes, Thom (2012). 1188:(Wooden Nickel, 1973) 1185:The Serpent Is Rising 867:Electra Glide in Blue 859:James William Guercio 676:(GNP Crescendo, 1969) 422:Monterey Pop Festival 405:. Their double album 341:from his collection. 327:Hammond Organ Company 287:Early life and career 279:as the recording duo 265:Paul Henry Beaver Jr. 140:Paul Henry Beaver Jr. 1448:. pp. 112โ€“114. 1384:, pp. 117, 123. 1300:Brend, Mark (2012). 1204:(Warner Bros., 1968) 660:(Warner Bros., 1972) 654:(Warner Bros., 1971) 648:(Warner Bros., 1970) 527:Warner Bros. Records 476:Magical Mystery Tour 359:with studio drummer 322:The Magnetic Monster 47:improve this article 1278:, pp. 113โ€“114. 1266:, pp. 112โ€“113. 646:In A Wild Sanctuary 627:Beaver & Krause 576:, unmarried, and a 531:In a Wild Sanctuary 521:, with their album 510:television series. 399:Beaver & Krause 351:Beaver & Krause 339:musical instruments 319:for movies such as 281:Beaver & Krause 254:Beaver & Krause 1372:, pp. 166โ€“67. 1209:With The Zeet Band 1141:(Dark Horse, 1974) 817:A Long Time Comin' 785:With Modesto Duran 743:First Taste of Sin 590:The Nonesuch Guide 517:' spin-off label, 1414:978-0-415-89636-8 1311:978-0-8264-2452-5 1170:(Limelight, 1968) 800:The Electric Flag 642:(Limelight, 1969) 586:cerebral aneurysm 582:sexual liberation 502:Alexander Courage 337:, and rented out 315:, made music and 259: 258: 123: 122: 115: 97: 1553: 1515: 1509: 1503: 1502: 1500: 1498: 1483: 1474: 1473: 1467: 1459: 1437: 1431: 1425: 1419: 1418: 1391: 1385: 1379: 1373: 1367: 1361: 1360: 1344: 1334: 1328: 1322: 1316: 1315: 1297: 1291: 1285: 1279: 1273: 1267: 1261: 1069:Leonard Rosenman 1060:New Time Element 836:(Nonesuch, 1969) 820:(Columbia, 1968) 812:(Sidewalk, 1967) 780:(Columbia, 1973) 728:(Columbia, 1968) 636:(Nonesuch, 1968) 381:Moog synthesizer 335:recording studio 331:session musician 293:Columbiana, Ohio 273:Moog synthesizer 269:electronic music 228: 220:Moog synthesizer 194:psychedelic rock 190:electronic music 171: 168:January 16, 1975 158:Columbiana, Ohio 154: 152: 137: 125: 118: 111: 107: 104: 98: 96: 55: 31: 23: 1561: 1560: 1556: 1555: 1554: 1552: 1551: 1550: 1521: 1520: 1519: 1518: 1514:, pp. 129. 1510: 1506: 1496: 1494: 1485: 1484: 1477: 1460: 1456: 1439: 1438: 1434: 1426: 1422: 1415: 1393: 1392: 1388: 1380: 1376: 1368: 1364: 1357: 1336: 1335: 1331: 1323: 1319: 1312: 1299: 1298: 1294: 1290:, pp. 126. 1286: 1282: 1274: 1270: 1262: 1258: 1253: 1232:(Elektra, 1967) 1157:(Capitol, 1972) 1040:(Philips, 1969) 1034:(Philips, 1968) 1012:Hugo Montenegro 1005:(Colgems, 1967) 953:(Rapture, 1969) 937:(Liberty, 1967) 921:(A&M, 1976) 912:(Reprise, 1972) 905:(A&M, 1971) 902:Smackwater Jack 887:(Orchard, 1976) 793:(Raynote, 1960) 762:(Raynote, 1959) 746:(Reprise, 1972) 710:(Dunhill, 1967) 622: 598: 563: 515:Mercury Records 454:Elektra Records 373:Elektra Records 357:Dunhill Records 353: 347: 317:special effects 289: 262: 226: 173: 169: 156: 155:August 14, 1925 150: 148: 135: 130: 119: 108: 102: 99: 56: 54: 44: 32: 21: 12: 11: 5: 1559: 1557: 1549: 1548: 1543: 1538: 1533: 1523: 1522: 1517: 1516: 1504: 1475: 1454: 1432: 1430:, p. 159. 1420: 1413: 1386: 1374: 1362: 1355: 1329: 1317: 1310: 1292: 1280: 1268: 1255: 1254: 1252: 1249: 1248: 1247: 1241: 1233: 1219: 1218: 1206: 1205: 1195:Mason Williams 1190: 1189: 1172: 1171: 1159: 1158: 1143: 1142: 1125: 1124: 1116: 1099: 1098: 1083: 1082: 1064: 1063: 1057: 1042: 1041: 1035: 1023: 1022: 1007: 1006: 989: 988: 973: 972: 955: 954: 939: 938: 928:Roger Kellaway 923: 922: 918:I Heard That!! 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Index

Paul Beavers

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"Paul Beaver"
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Columbiana, Ohio
Los Angeles, California
Experimental
electronic music
psychedelic rock
jazz
Organ
Moog synthesizer
Elektra
Warner Bros.
Beaver & Krause
electronic music
Moog synthesizer
Bernie Krause
Beaver & Krause
Columbiana, Ohio
organ
US Navy

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