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visits these ladies, but she describes what it is like to sit with them in the room, and the somber dynamic between them. She thinks they must be sisters whose lives have unravelled so far that they grimly await salvation or death. The girl changes from wishing death on the eldest sister to liking her as the story progresses. One of the sisters receives a bundle of letters from a man one evening which she thinks must be a former lover, and the young girl is filled with hatred that she might be left alone that way.
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are death and isolation. Throughout the novel, the narrator examines the figures across the street from her and contemplates their lives and how they will die. This includes descriptions of these women committing suicide and even desires to murder them. Many times Lange’s writing, she seems scared of
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Slowly, the clarity in time and space of the novel begins to morph into vagueness as the narrator is pulled from reality into her own imagination. The girl feels a sense of ownership over the figures across the street as she weaves a possible version of their lives. It is unclear whether she actually
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When she gets back home, she notices the drawing-room across the street is dark. She asks her family if anyone in the neighborhood has died, but they reassure her that no one died. Distraught that her family seems ignorant to this grand change in the one thing that has consumed her life for the past
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for four days to clear her head. She is concerned she will miss something important across the street while she is gone, but realizes it could be an adventure to leave for a while and see what it is like when she returns. Her unhealthy obsession begins to relax a bit during her time out of town.
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begins filling much of her free time secretly observing three mysterious women in the house across the street. From her house, she can see the women sitting in their drawing-room. Fixated on these women, she searches their faces, imagining the stories of their lives.
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because of her neighbor, by coincidence named "Nora" Lange. In this excerpt from her first-ever book-length translation into
English, Lange seeks to cast a light onto the enigma of her three mysterious neighbors’ identities.
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The story follows a young girl in
Argentina as she notices and then begins to obsess over three figures she can see in the house across the street from hers. The blurred lines between reality and imagination in
331:. The book was largely overlooked; Lange was seen primarily as a muse for others rather than a writer. In 2018, the novel was translated into English by Charlotte Whittle, who herself says she only found
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is also considered to be a commentary on feminine roles within
Argentinian society and the mental torture that can be caused by household isolation.
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323:. She gained notoriety for writing a collection of books with adolescent female protagonists. Perhaps her most important work,
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months, she mourns. The book ends with a suggestion that the sisters moved out and put the home up for rent.
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Her family slowly takes notice of her changing behavior and intervenes. She is sent to a nearby city
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in 1950. The
English version, translated by Charlotte Whittle, was published in August 2018 by
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getting older, mirroring the deteriorated view of what she sees as normal adulthood.
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However, it only builds anticipation for her homecoming and inevitable reunion.
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464:"Norah Lange: finally, 'Borges's muse' gets her time in the spotlight"
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grew up surrounded by accomplished writers such as her distant cousin
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Portrait of the three Brontë sisters that inspired the sisters in
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629:"People in the Room by Norah Lange: Macabre Argentinean classic"
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contribute to an eerie ambiguity present throughout the novel.
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An unnamed seventeen-year-old girl living with her family on
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was published in 1950 and was inspired by a portrait of the
500:"A Second Birth: Argentine Master Norah Lange Gets Her Due"
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276:Learn how and when to remove this message
252:Relevant discussion may be found on the
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256:. Please help Knowledge (XXG) by
191:is a novel by Argentinian author
578:"Why Was Norah Lange Forgotten?"
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248:of non-free copyrighted sources
527:"Review of People in the Room"
205:Argentine Writer’s Association
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207:bestowed the novel with the
551:"Ellen Jones - The Watcher"
462:Reith, James (2018-08-02).
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321:ultraist literary movement
311:, and her future husband,
68:Horacio Butler (1897-1983)
140:Published in English
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16:1950 novel by Norah Lange
531:www.forewordreviews.com
353:Buenos Aires, Argentina
319:and contributed to the
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258:rewriting this article
102:Editorial Sudamericana
608:Words Without Borders
504:Words Without Borders
410:"PERSONAS EN LA SALA"
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604:"People in the Room"
435:"People in the Room"
329:three Brontë Sisters
260:with your own words.
210:Gran Premio de Honor
659:1950 Spanish novels
582:Electric Literature
383:The main themes of
317:MartĂn Fierro Group
197:Personas en la sala
51:Personas en la sala
47:Original title
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20:People in the Room
627:Gilmartin, Sarah.
390:People in the Room
385:People in the Room
333:People in the Room
325:People in the Room
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294:People in the Room
246:close paraphrasing
219:People in the Room
188:People in the Room
439:And Other Stories
347:Avenida Juramento
309:Jorge Luis Borges
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201:And Other Stories
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179:978-1-911508-23-6
167:(English 1st ed.)
162:(Spanish 1st ed.)
152:Print (Paperback)
129:Publication place
113:(English 1st. ed)
110:And Other Stories
105:(Spanish 1st ed.)
65:Cover artist
60:Charlotte Whittle
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340:Plot summary
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301:Buenos Aires
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305:Norah Lange
193:Norah Lange
108:Sheffield:
91:Avant-garde
41:Norah Lange
638:2020-04-06
613:2020-06-23
588:2020-04-05
560:2020-04-05
536:2020-04-04
509:2020-04-04
481:2020-04-04
396:References
225:Background
57:Translator
476:0261-3077
303:in 1905,
266:June 2020
254:talk page
244:contains
133:Argentina
97:Publisher
653:Category
414:AbeBooks
299:Born in
73:Language
444:4 April
419:4 April
367:Adrogué
165:176 p.
160:119 p.
87:Fiction
77:Spanish
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379:Themes
100:CABA:
37:Author
157:Pages
83:Genre
472:ISSN
446:2020
421:2020
174:ISBN
124:1950
350:in
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