Knowledge (XXG)

People in the Room

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visits these ladies, but she describes what it is like to sit with them in the room, and the somber dynamic between them. She thinks they must be sisters whose lives have unravelled so far that they grimly await salvation or death. The girl changes from wishing death on the eldest sister to liking her as the story progresses. One of the sisters receives a bundle of letters from a man one evening which she thinks must be a former lover, and the young girl is filled with hatred that she might be left alone that way.
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are death and isolation. Throughout the novel, the narrator examines the figures across the street from her and contemplates their lives and how they will die. This includes descriptions of these women committing suicide and even desires to murder them. Many times Lange’s writing, she seems scared of
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Slowly, the clarity in time and space of the novel begins to morph into vagueness as the narrator is pulled from reality into her own imagination. The girl feels a sense of ownership over the figures across the street as she weaves a possible version of their lives. It is unclear whether she actually
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When she gets back home, she notices the drawing-room across the street is dark. She asks her family if anyone in the neighborhood has died, but they reassure her that no one died. Distraught that her family seems ignorant to this grand change in the one thing that has consumed her life for the past
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for four days to clear her head. She is concerned she will miss something important across the street while she is gone, but realizes it could be an adventure to leave for a while and see what it is like when she returns. Her unhealthy obsession begins to relax a bit during her time out of town.
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begins filling much of her free time secretly observing three mysterious women in the house across the street. From her house, she can see the women sitting in their drawing-room. Fixated on these women, she searches their faces, imagining the stories of their lives.
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because of her neighbor, by coincidence named "Nora" Lange. In this excerpt from her first-ever book-length translation into English, Lange seeks to cast a light onto the enigma of her three mysterious neighbors’ identities.
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The story follows a young girl in Argentina as she notices and then begins to obsess over three figures she can see in the house across the street from hers. The blurred lines between reality and imagination in
331:. The book was largely overlooked; Lange was seen primarily as a muse for others rather than a writer. In 2018, the novel was translated into English by Charlotte Whittle, who herself says she only found 208: 499: 463: 392:
is also considered to be a commentary on feminine roles within Argentinian society and the mental torture that can be caused by household isolation.
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months, she mourns. The book ends with a suggestion that the sisters moved out and put the home up for rent.
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Her family slowly takes notice of her changing behavior and intervenes. She is sent to a nearby city
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in 1950. The English version, translated by Charlotte Whittle, was published in August 2018 by
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getting older, mirroring the deteriorated view of what she sees as normal adulthood.
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However, it only builds anticipation for her homecoming and inevitable reunion.
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grew up surrounded by accomplished writers such as her distant cousin
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Portrait of the three Brontë sisters that inspired the sisters in
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contribute to an eerie ambiguity present throughout the novel.
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An unnamed seventeen-year-old girl living with her family on
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was published in 1950 and was inspired by a portrait of the
500:"A Second Birth: Argentine Master Norah Lange Gets Her Due" 257: 172: 156: 148: 138: 128: 118: 96: 82: 72: 64: 56: 46: 36: 195:, originally published in Spanish under the name 365: 351: 345: 8: 19: 25: 18: 276:Learn how and when to remove this message 252:Relevant discussion may be found on the 401: 7: 572: 570: 521: 519: 493: 491: 457: 455: 14: 256:. Please help Knowledge (XXG) by 191:is a novel by Argentinian author 578:"Why Was Norah Lange Forgotten?" 233: 248:of non-free copyrighted sources 527:"Review of People in the Room" 205:Argentine Writer’s Association 1: 207:bestowed the novel with the 551:"Ellen Jones - The Watcher" 462:Reith, James (2018-08-02). 675: 321:ultraist literary movement 311:, and her future husband, 68:Horacio Butler (1897-1983) 140:Published in English 24: 16:1950 novel by Norah Lange 531:www.forewordreviews.com 353:Buenos Aires, Argentina 319:and contributed to the 366: 352: 346: 296: 258:rewriting this article 102:Editorial Sudamericana 608:Words Without Borders 504:Words Without Borders 410:"PERSONAS EN LA SALA" 291: 604:"People in the Room" 435:"People in the Room" 329:three BrontĂ« Sisters 260:with your own words. 210:Gran Premio de Honor 659:1950 Spanish novels 582:Electric Literature 383:The main themes of 317:MartĂ­n Fierro Group 197:Personas en la sala 51:Personas en la sala 47:Original title 21: 20:People in the Room 627:Gilmartin, Sarah. 390:People in the Room 385:People in the Room 333:People in the Room 325:People in the Room 297: 294:People in the Room 246:close paraphrasing 219:People in the Room 188:People in the Room 439:And Other Stories 347:Avenida Juramento 309:Jorge Luis Borges 286: 285: 278: 201:And Other Stories 184: 183: 179:978-1-911508-23-6 167:(English 1st ed.) 162:(Spanish 1st ed.) 152:Print (Paperback) 129:Publication place 113:(English 1st. ed) 110:And Other Stories 105:(Spanish 1st ed.) 65:Cover artist 60:Charlotte Whittle 666: 643: 642: 640: 639: 624: 618: 617: 615: 614: 599: 593: 592: 590: 589: 574: 565: 564: 562: 561: 547: 541: 540: 538: 537: 523: 514: 513: 511: 510: 495: 486: 485: 483: 482: 459: 450: 449: 447: 445: 431: 425: 424: 422: 420: 406: 369: 355: 349: 313:Oliverio Girondo 281: 274: 270: 267: 261: 237: 236: 229: 120:Publication date 29: 22: 674: 673: 669: 668: 667: 665: 664: 663: 649: 648: 647: 646: 637: 635: 633:The Irish Times 626: 625: 621: 612: 610: 601: 600: 596: 587: 585: 576: 575: 568: 559: 557: 555:Literary Review 549: 548: 544: 535: 533: 525: 524: 517: 508: 506: 497: 496: 489: 480: 478: 461: 460: 453: 443: 441: 433: 432: 428: 418: 416: 408: 407: 403: 398: 381: 342: 282: 271: 265: 262: 251: 238: 234: 227: 203:. In 1959, the 164: 149:Media type 141: 121: 107: 32: 17: 12: 11: 5: 672: 670: 662: 661: 651: 650: 645: 644: 619: 602:Lange, Norah. 594: 566: 542: 515: 487: 451: 426: 400: 399: 397: 394: 380: 377: 341: 338: 284: 283: 241: 239: 232: 226: 223: 182: 181: 176: 170: 169: 158: 154: 153: 150: 146: 145: 144:August 9, 2018 142: 139: 136: 135: 130: 126: 125: 122: 119: 116: 115: 98: 94: 93: 84: 80: 79: 74: 70: 69: 66: 62: 61: 58: 54: 53: 48: 44: 43: 38: 34: 33: 30: 15: 13: 10: 9: 6: 4: 3: 2: 671: 660: 657: 656: 654: 634: 630: 623: 620: 609: 605: 598: 595: 583: 579: 573: 571: 567: 556: 552: 546: 543: 532: 528: 522: 520: 516: 505: 501: 498:Aira, CĂ©sar. 494: 492: 488: 477: 473: 469: 465: 458: 456: 452: 440: 436: 430: 427: 415: 411: 405: 402: 395: 393: 391: 386: 378: 376: 372: 368: 362: 358: 354: 348: 339: 337: 334: 330: 326: 322: 318: 314: 310: 306: 302: 295: 290: 280: 277: 269: 259: 255: 249: 247: 242:This article 240: 231: 230: 224: 222: 220: 214: 212: 211: 206: 202: 198: 194: 190: 189: 180: 177: 175: 171: 168: 163: 159: 155: 151: 147: 143: 137: 134: 131: 127: 123: 117: 114: 111: 106: 103: 99: 95: 92: 88: 85: 81: 78: 75: 71: 67: 63: 59: 55: 52: 49: 45: 42: 39: 35: 31:First edition 28: 23: 636:. Retrieved 632: 622: 611:. Retrieved 607: 597: 586:. Retrieved 584:. 2018-12-05 581: 558:. Retrieved 554: 545: 534:. Retrieved 530: 507:. Retrieved 503: 479:. Retrieved 468:The Guardian 467: 442:. Retrieved 438: 429: 417:. Retrieved 413: 404: 389: 384: 382: 373: 363: 359: 343: 340:Plot summary 332: 324: 301:Buenos Aires 298: 293: 272: 263: 243: 218: 215: 209: 196: 187: 186: 185: 166: 161: 112: 104: 50: 305:Norah Lange 193:Norah Lange 108:Sheffield: 91:Avant-garde 41:Norah Lange 638:2020-04-06 613:2020-06-23 588:2020-04-05 560:2020-04-05 536:2020-04-04 509:2020-04-04 481:2020-04-04 396:References 225:Background 57:Translator 476:0261-3077 303:in 1905, 266:June 2020 254:talk page 244:contains 133:Argentina 97:Publisher 653:Category 414:AbeBooks 299:Born in 73:Language 444:4 April 419:4 April 367:AdroguĂ© 165:176 p. 160:119 p. 87:Fiction 77:Spanish 474:  379:Themes 100:CABA: 37:Author 157:Pages 83:Genre 472:ISSN 446:2020 421:2020 174:ISBN 124:1950 350:in 655:: 631:. 606:. 580:. 569:^ 553:. 529:. 518:^ 502:. 490:^ 470:. 466:. 454:^ 437:. 412:. 89:, 641:. 616:. 591:. 563:. 539:. 512:. 484:. 448:. 423:. 279:) 273:( 268:) 264:( 250:.

Index


Norah Lange
Spanish
Fiction
Avant-garde
Editorial Sudamericana
And Other Stories
Argentina
ISBN
978-1-911508-23-6
Norah Lange
And Other Stories
Argentine Writer’s Association
Gran Premio de Honor
close paraphrasing
talk page
rewriting this article
Learn how and when to remove this message
Portrait of the three Brontë sisters that inspired the sisters in People in the Room
Buenos Aires
Norah Lange
Jorge Luis Borges
Oliverio Girondo
MartĂ­n Fierro Group
ultraist literary movement
three Brontë Sisters
"PERSONAS EN LA SALA"
"People in the Room"

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