Knowledge (XXG)

Performance-lecture

Source 📝

30:
The genealogy of the lecture-performance is a topic of active discussion, with various critics offering multiple ways to trace the precursors of the format. There is a long history of performances in the
35:
that experiment with form to call attention to education, and educational contexts, how teaching itself is a live performance, art education and institutional structures, and
27:. Performance lectures draw attention to the form of knowledge presentation, the situational elements of teaching, and the dynamics of lecturer and audience interaction. 87: 219: 157:
Giménez, Calpe (2020). "The lecture-performance: Implementing performative pedagogy in literature class".
224: 135: 40: 23:
or lecture-performance is a genre of presenting ideas live, that blends aspects of teaching and
112: 170: 162: 44: 24: 213: 63: 55: 113:"How to open my eyes? The performance-lecture as a method within artistic research" 79: 71: 59: 75: 166: 67: 83: 32: 91: 36: 191: 175: 48: 16:
A performance lecture blends aspects of teaching and performance art
117:
Networking Knowledge: Journal of the MeCCSA Postgraduate Network
43:
and social gathering. Performance lectures also appear in other
159:
International Conference on Higher Education Advances (HEAd'20)
192:"Teaching as Art: The Contemporary Lecture-Performance" 54:
Some artists that have worked in this genre include:
136:"When form starts talking: On lecture-performances" 140:Afterall: A Journal of Art, Context and Enquiry 8: 174: 103: 196:PAJ: A Journal of Performance and Art 7: 14: 47:and literary contexts, such as 1: 88:Bruce High Quality Foundation 86:, and the arts collectives 241: 190:Milder, Patricia (2011). 167:10.4995/HEAd20.2020.11186 134:Frank, Rike (2013). 111:Cerezo, Bel (2016). 21:performance lecture 41:mode of production 232: 204: 203: 187: 181: 180: 178: 154: 148: 147: 131: 125: 124: 108: 240: 239: 235: 234: 233: 231: 230: 229: 220:Performance art 210: 209: 208: 207: 189: 188: 184: 156: 155: 151: 133: 132: 128: 110: 109: 105: 100: 45:performing arts 25:performance art 17: 12: 11: 5: 238: 236: 228: 227: 222: 212: 211: 206: 205: 182: 149: 126: 102: 101: 99: 96: 15: 13: 10: 9: 6: 4: 3: 2: 237: 226: 223: 221: 218: 217: 215: 201: 197: 193: 186: 183: 177: 172: 168: 164: 161:: 1001–1008. 160: 153: 150: 145: 141: 137: 130: 127: 122: 118: 114: 107: 104: 97: 95: 93: 89: 85: 81: 77: 73: 69: 65: 64:Yvonne Rainer 61: 57: 56:Andrea Fraser 52: 50: 46: 42: 38: 34: 28: 26: 22: 225:Storytelling 199: 195: 185: 176:10251/145881 158: 152: 143: 139: 129: 120: 116: 106: 80:Hito Steyerl 72:Robin Deacon 60:Chris Burden 53: 29: 20: 18: 202:(1): 13–27. 76:Devin Kenny 214:Categories 98:References 68:Coco Fusco 92:Metahaven 84:Goodiepal 33:fine arts 37:pedagogy 146:: 4–14. 49:theatre 90:, and 39:as a 123:(3). 171:hdl 163:doi 216:: 200:33 198:. 194:. 169:. 144:33 142:. 138:. 119:. 115:. 94:. 82:, 78:, 74:, 70:, 66:, 62:, 58:, 51:. 19:A 179:. 173:: 165:: 121:9

Index

performance art
fine arts
pedagogy
mode of production
performing arts
theatre
Andrea Fraser
Chris Burden
Yvonne Rainer
Coco Fusco
Robin Deacon
Devin Kenny
Hito Steyerl
Goodiepal
Bruce High Quality Foundation
Metahaven
"How to open my eyes? The performance-lecture as a method within artistic research"
"When form starts talking: On lecture-performances"
doi
10.4995/HEAd20.2020.11186
hdl
10251/145881
"Teaching as Art: The Contemporary Lecture-Performance"
Categories
Performance art
Storytelling

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.