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Philips Wouwerman

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199:, and figures accompanied by horses. Over the next thirty years he developed an individual style, treating a wide range of subjects from genre and landscape to military and religious scenes (equestrian scenes, hunting and hawking parties, landscapes with travellers, cavalry battles and military encampments, peasants festivities etc.). He is noted for his skill in the depiction of horses of all breeds seen in motion. The art historian Frederik J. Duparc calls Wouwerman "undoubtedly the most accomplished and successful 17th-century Dutch painter of horses". The masterpieces from his best period (around 1650–1660) are of indisputably high quality, beautifully combining imaginary southern landscapes and a typically Dutch atmosphere. Wouwerman's paintings are characterized by subdued colours, a cool atmosphere and a wealth of witty, anecdotal details. He died in Haarlem. 203: 49: 264: 162: 545: 158:, Wouwerman made an important and highly influential contribution to the canon of seventeenth-century Dutch painting. His pictures were in demand during his lifetime, and even more sought after in the 18th century. Throughout Europe, formerly princely art collections like in Dresden and St. Petersburg still bear witness to this widespread admiration of Wouwerman's art. 647: 179:(1581/85–1666), but the particular style of Hals didn't leave a footmark on his oeuvre. Apart from a short stay in Hamburg at the end of the 1630s, Wouwerman seemed to have lived in Haarlem during his whole artistic career and died as a prosperous member of the community at the age of 48. He joined the 273:
The oeuvre of Pieter (1623–1682) clearly manifests the influence of Philips with regard to the range of subjects, but regarding the artistic style, Pieter had quite one of his own. And Jan (1629–1666) was a rather autonomous landscape painter. Out of the countless followers, some of the most gifted
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in 1640 and here took on several official posts in the years to come. Wouwerman also worked as an estate agent in his home town, as many documents in Haarlem archives mentioned the artist in this context.
252:(2006), only about 570 pictures were listed as authentic works, as many of the pictures mentioned by Hofstede de Groot were actually painted by countless followers and imitators all over Europe. 220:
At an early age, Wouwerman married Anna Pietersz. van Broeckhoff with whom he had ten children. They lived on the Bakenessergracht in a house that was also lived in by Haarlem painters
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The first retrospective exhibition of Philips Wouwerman's work took place in Kassel, Gemäldegalerie Alte Meister, and in The Hague, The Royal Picture Gallers Mauritshuis, 2009/2010.
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Born in Haarlem in 1619, the son of a now altogether obscure painter named Pouwels Joostsz Wouwerman, little is known of his artistic schooling. According to
565: 560: 260:, the younger brothers of Philips, were often regarded as close followers whose pictures seemed to have been frequently attributed to Philips. 588: 695: 602: 395: 366: 680: 720: 228:. Seven of the Wouwerman children survived and, after the death of their mother in 1670, accepted a substantial inheritance. 351: 195:(1592/99–after 1642). His paintings of the mid-1640s often feature a diagonal slope of land, a tree which functions as a 700: 390: 651: 511: 705: 623:
Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten holländischen Maler des XVII. Jahrhunderts
461: 583:. Exhibition Catalogue, Museumslandschaft Hessen Kassel/ Royal Picture Gallery Mauritshuis, The Hague, 2009/2010, 180: 139: 428: 410: 221: 658: 375: 48: 674: 294: 279: 668: 263: 187:
Wouwerman started his artistic career with simple depictions of everyday life in the tradition of the
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A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century
598: 584: 298: 241: 225: 452: 322: 287: 257: 151: 135: 437: 419: 192: 172: 634:
A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish and French Painters
445:, panel, 49.5 x 44.4 cm, London, Her Majesty Queen Elizabeth II., Buckingham Palace 359:, canvas, 59 x 82 cm, Vaduz-Vienna, The Collections of the Prince of Liechtenstein 318: 57: 689: 556: 551: 253: 161: 625:, vol. 2, Esslingen and Paris 1908 (Reprint: Teaneck, NJ: Somerset House, 1976; 342: 310: 105: 17: 196: 176: 636:, vol. 1, pp. 199–412 and vol. 9, pp. 137–233, London 1829 and 1842 248:(1908) the number exceeds to 1200. In Birgit Schumacher's recently published 150:
Philips Wouwerman was one of the most versatile and prolific artists of the
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Information on the catalogue raisonné of the paintings by Philips Wouwerman
646: 154:. Embedded in the artistic environment and tradition of his home town of 131: 115: 569:. Vol. 28 (11th ed.). Cambridge University Press. p. 838. 155: 134:
of hunting, landscape and battle scenes. He became prolific during the
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This article incorporates text from a publication now in the
403:, panel, 34.4. x 38.3 cm, Kassel, Gemäldegalerie Alte Meister 262: 160: 515: 274:
artists working in Wouwerman's style are worth mentioning:
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Frederik J. Duparc, "Philips Wouwerman, 1619-1668", in:
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Philips Wouwerman. The Horse Painter of the Golden Age
499:. Oxford University Press. Retrieved February 23, 2014 130:) (24 May 1619 (baptized) – 19 May 1668) was a Dutch 111: 101: 86: 68: 39: 491: 489: 487: 485: 483: 481: 479: 477: 240:(1829/1842) as the work of Philip Wouwerman. In 616:Studien zu Werk und Wirkung Philips Wouwermans' 365:, canvas, 70 x 112 cm, 1653, Minneapolis, 236:About 800 pictures were listed in John Smith's 350:, panel, 32.3 x 36.2 cm, 1646, Leipzig, 8: 659:103 artworks by or after Philips Wouwerman 495:Duparc, Frederik J. "Wouwerman, Philips." 363:Festive Peasants in an Extensive Landscape 47: 36: 611:, 1993, vol. 107, no. 3, pp. 257–286 376:Berlin, Staatliche Museen, Gemäldegalerie 341:, panel, 43.9 x 37.6 cm, Amsterdam, 526: 207:Courtyard with a farrier shoeing a horse 201: 473: 394:, panel, 35.4 x 30.7 cm, Antwerp, 597:, Davaco Publishers, Doornspijk 2006, 460:, canvas, 85 x 68 cm, Brunswick, 409:, canvas, 82.5 x 127 cm, Vienna, 507: 505: 30:For the World War II cargo ship, see 7: 438:Dresden, Gemäldegalerie Alte Meister 427:, canvas, 76 x 105 cm, Madrid, 420:Dresden, Gemäldegalerie Alte Meister 497:Grove Art Online. Oxford Art Online 383:, canvas, 47 x 67 cm, London, 372:Winter Landscape with Wooden Bridge 286:van Bredael (1688–1739) as well as 453:St Petersburg, The State Hermitage 25: 367:The Minneapolis Institute of Arts 645: 543: 434:Battle at a Mountainous Fortress 407:Riding School and Watering Place 357:Landscape with River and Bathers 449:Lady and Gentleman at a Harbour 56:, c. 1640, red chalk on paper, 425:Landscape with a Hawking Party 401:The Apple Grey at a Blacksmith 374:, panel, 28.5 x 36.5 cm, 1: 581:Philips Wouwerman (1619-1668) 451:, canvas, 51 x 71.3 cm, 621:Cornelis Hofstede de Groot, 443:Cavalry at a Sutler's Booth 436:, canvas, 69 x 82 cm, 352:Museum der bildenden KĂĽnste 293:His registered pupils were 737: 671:Works by Philips Wouwerman 462:Herzog Anton Ulrich-Museum 418:, panel, 45 x 64 cm, 348:Horse and Dismounted Rider 278:(1647–1733), the brothers 29: 696:Dutch Golden Age painters 396:Royal Museum of Fine Arts 391:The Rider's Halting Place 181:Haarlem Guild of St. Luke 140:Haarlem Guild of St. Luke 46: 27:Dutch painter (1619–1668) 675:www.birgitschumacher.com 429:Museo Nacional del Prado 411:Kunsthistorisches Museum 222:Cornelis Gerritsz Decker 566:Encyclopædia Britannica 458:The Ascension of Christ 416:Departure for the Hunt 270: 209: 168: 721:Painters from Haarlem 654:at Wikimedia Commons 295:Johannes van der Bent 266: 205: 164: 681:Works and literature 385:The National Gallery 329:, and his brothers. 276:Jan van Huchtenburgh 32:MV Philips Wouwerman 701:Dutch male painters 618:, Diss. Munich 1989 614:Birgit Schumacher, 593:Birgit Schumacher, 271: 250:Catalogue raisonnĂ© 238:Catalogue raisonnĂ© 210: 175:, he studied with 169: 706:Dutch war artists 669:www.wouwerman.org 652:Philips Wouwerman 650:Media related to 589:978-90-400-8592-5 561:Wouwerman, Philip 512:Philips Wouwerman 299:Hendrick Berckman 242:Hofstede de Groot 226:Hendrik de Meijer 124:Philips Wouwerman 121: 120: 41:Philips Wouwerman 16:(Redirected from 728: 649: 570: 549: 547: 546: 530: 524: 518: 509: 500: 493: 323:Matthias Scheits 288:Carel van Falens 282:(1683–1750) and 258:Pieter Wouwerman 152:Dutch Golden Age 136:Dutch Golden Age 94:(aged 48), 93: 78: 76: 51: 37: 21: 18:Philip Wouwerman 736: 735: 731: 730: 729: 727: 726: 725: 686: 685: 643: 577: 575:Further reading 559:, ed. (1911). " 555: 544: 542: 534: 533: 525: 521: 510: 503: 494: 475: 470: 339:The White Horse 335: 315:Anthony de Haen 268:The white horse 234: 218: 193:Pieter van Laer 173:Cornelis de Bie 148: 138:and joined the 91: 74: 72: 64: 42: 35: 28: 23: 22: 15: 12: 11: 5: 734: 732: 724: 723: 718: 713: 708: 703: 698: 688: 687: 684: 683: 678: 672: 666: 642: 641:External links 639: 638: 637: 630: 619: 612: 605: 591: 576: 573: 572: 571: 557:Chisholm, Hugh 539: 538: 532: 531: 529:, p. 838. 519: 501: 472: 471: 469: 466: 465: 464: 455: 446: 440: 431: 422: 413: 404: 398: 387: 381:A Horse Stable 378: 369: 360: 354: 345: 334: 333:Selected works 331: 319:Emanuel Murant 233: 230: 217: 214: 147: 144: 119: 118: 113: 112:Known for 109: 108: 103: 99: 98: 88: 84: 83: 70: 66: 65: 58:British Museum 52: 44: 43: 40: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 733: 722: 719: 717: 714: 712: 709: 707: 704: 702: 699: 697: 694: 693: 691: 682: 679: 676: 673: 670: 667: 664: 660: 657: 656: 655: 653: 648: 640: 635: 631: 628: 624: 620: 617: 613: 610: 606: 604: 603:90-70288-67-2 600: 596: 592: 590: 586: 582: 579: 578: 574: 568: 567: 562: 558: 553: 552:public domain 541: 540: 536: 535: 528: 527:Chisholm 1911 523: 520: 517: 513: 508: 506: 502: 498: 492: 490: 488: 486: 484: 482: 480: 478: 474: 467: 463: 459: 456: 454: 450: 447: 444: 441: 439: 435: 432: 430: 426: 423: 421: 417: 414: 412: 408: 405: 402: 399: 397: 393: 392: 388: 386: 382: 379: 377: 373: 370: 368: 364: 361: 358: 355: 353: 349: 346: 344: 340: 337: 336: 332: 330: 328: 324: 320: 316: 312: 308: 307:Nicolas Ficke 304: 303:Eduard Dubois 300: 296: 291: 290:(1683–1733). 289: 285: 281: 277: 269: 265: 261: 259: 255: 251: 247: 243: 239: 231: 229: 227: 223: 215: 213: 208: 204: 200: 198: 194: 190: 185: 182: 178: 174: 167: 163: 159: 157: 153: 146:Life and work 145: 143: 141: 137: 133: 129: 125: 117: 114: 110: 107: 104: 100: 97: 89: 85: 82: 79:24 May 1619, 71: 67: 63: 59: 55: 54:Self-Portrait 50: 45: 38: 33: 19: 661: at the 644: 633: 632:John Smith, 626: 622: 615: 608: 594: 580: 564: 522: 496: 457: 448: 442: 433: 424: 415: 406: 400: 389: 380: 371: 362: 356: 347: 338: 327:Kort Withold 292: 272: 267: 249: 245: 244:'s enlarged 237: 235: 219: 211: 206: 189:bamboccianti 188: 186: 170: 166:Battle scene 165: 149: 127: 123: 122: 92:(1668-05-19) 53: 716:1668 deaths 711:1619 births 609:Oud Holland 537:Attribution 343:Rijksmuseum 311:Barent Gael 102:Nationality 90:19 May 1668 690:Categories 468:References 197:repoussoir 177:Frans Hals 128:Wouwermans 75:1619-05-24 629:, vol. 2) 280:Jan Frans 246:Catalogue 116:Painting 554::  514:in the 156:Haarlem 132:painter 96:Haarlem 81:Haarlem 663:Art UK 601:  587:  548:  284:Joseph 232:Output 216:Family 126:(also 62:London 106:Dutch 665:site 599:ISBN 585:ISBN 256:and 224:and 87:Died 69:Born 563:". 516:RKD 254:Jan 191:by 692:: 504:^ 476:^ 325:, 321:, 317:, 313:, 309:, 305:, 301:, 297:, 142:. 60:, 77:) 73:( 34:. 20:)

Index

Philip Wouwerman
MV Philips Wouwerman

British Museum
London
Haarlem
Haarlem
Dutch
Painting
painter
Dutch Golden Age
Haarlem Guild of St. Luke
Dutch Golden Age
Haarlem

Cornelis de Bie
Frans Hals
Haarlem Guild of St. Luke
Pieter van Laer
repoussoir

Cornelis Gerritsz Decker
Hendrik de Meijer
Hofstede de Groot
Jan
Pieter Wouwerman

Jan van Huchtenburgh
Jan Frans
Joseph

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