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cut off two of his nine strings, only leaving him the choice whether he would sacrifice the two lowest or the two highest. Some scholars consider this anecdote doubtful; for it is not improbable that the number of strings had been increased at an earlier period. What is not controversial is that
111:. Before receiving the instructions of this musician, Phrynnis had been a flute-player, which may partly account for the liberties he took with the music of the cithara. His innovations and affectations are repeatedly attacked by the comic poets, especially
88:. His father's name seems to have been "Camon" or "Cambon" but the true form is very doubtful. Respecting his own name, also, there is some doubt among scholars, but the form "Phrynnis" is the genuine
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in the 1670s. This was a sort of moral screed against "beer fiddlers", or Printz's caricature of "overly sensual" musicians.
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Comic
Business: Theatricality, Dramatic Technique, and Performance Contexts of Aristophanic Comedy
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Among the innovations which he is said to have made, was the addition of two strings to the
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Phrynnis earned the ire of these poets owing to his technique of "bending" or "turning" (
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An ahistorical version of
Phrynnis was used as a main character in the treatise called
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Phrynnis was the first who gained the victory in the musical contests established by
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Geschichte der griechischen
Litteratur bis auf das Zeitalter Alexanders
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Trophies of
Victory: Public Building in Periklean Athens
154:, probably in 445 BCE. He was one of the instructors of
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Dictionary of Greek and Roman
Biography and Mythology
80:Phrynnis was born in Mytilene, on the island of
158:, who, however, defeated him on one occasion.
389:The Musician in Literature in the Age of Bach
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284:Ancient Greek Music: A New Technical History
73:, who lived roughly around the time of the
150:, in connection with the festivals of the
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27:5th-century BC Greek musician and poet
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103:music, having been taught music by
34:Representation of the poet at work.
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165:by German musician and writer
130:relates that, when he went to
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330:Shear Jr., T. Leslie (2016).
238:Fragmenta comicorum graecorum
476:5th-century BC Greek people
447:. Vol. 3. p. 361.
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481:4th-century BC Greek poets
394:Cambridge University Press
338:Princeton University Press
289:Cambridge University Press
185:Revermann, Martin (2006).
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486:5th-century BC musicians
318:Schol. ad Aristoph. Nub.
240:vol. ii. p. 326, &c.
461:Ancient Greek musicians
193:Oxford University Press
386:Rose, Stephen (2011).
281:Hagel, Stefan (2009).
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340:. pp. 212–214.
156:Timotheus of Miletus
466:Ancient Mytileneans
396:. pp. 75–113.
370:Karl Otfried Müller
163:Phynnis Mitilenaeus
95:He belonged to the
222:apud Plut. de Mus.
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471:Dithyrambic poets
152:Panathenaic Games
75:Peloponnesian War
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113:Pherecrates
101:citharoedic
67:dithyrambic
455:Categories
435:"Phrynnis"
409:2021-01-25
353:2021-01-25
304:2021-01-25
269:Dithyramb.
255:The Clouds
208:2021-01-25
173:References
124:heptachord
99:school of
271:pp. 89-95
267:Schmidt,
109:Terpander
433:(1870).
148:Pericles
128:Plutarch
69:poet of
63:Mytilene
39:Phrynnis
441:(ed.).
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224:p. 1146
97:Lesbian
51:Φρύννις
43:Phrynis
18:Phrynis
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141:kampai
136:Ephors
134:, the
132:Sparta
126:; and
92:form.
86:Athens
82:Lesbos
59:Φρύνις
437:. In
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398:ISBN
342:ISBN
320:l.c.
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197:ISBN
115:and
53:or
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
