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cut off two of his nine strings, only leaving him the choice whether he would sacrifice the two lowest or the two highest. Some scholars consider this anecdote doubtful; for it is not improbable that the number of strings had been increased at an earlier period. What is not controversial is that
100:. Before receiving the instructions of this musician, Phrynnis had been a flute-player, which may partly account for the liberties he took with the music of the cithara. His innovations and affectations are repeatedly attacked by the comic poets, especially
77:. His father's name seems to have been "Camon" or "Cambon" but the true form is very doubtful. Respecting his own name, also, there is some doubt among scholars, but the form "Phrynnis" is the genuine
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in the 1670s. This was a sort of moral screed against "beer fiddlers", or Printz's caricature of "overly sensual" musicians.
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Comic
Business: Theatricality, Dramatic Technique, and Performance Contexts of Aristophanic Comedy
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Among the innovations which he is said to have made, was the addition of two strings to the
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Phrynnis earned the ire of these poets owing to his technique of "bending" or "turning" (
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An ahistorical version of
Phrynnis was used as a main character in the treatise called
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Phrynnis was the first who gained the victory in the musical contests established by
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Geschichte der griechischen
Litteratur bis auf das Zeitalter Alexanders
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Trophies of
Victory: Public Building in Periklean Athens
143:, probably in 445 BCE. He was one of the instructors of
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Dictionary of Greek and Roman
Biography and Mythology
69:Phrynnis was born in Mytilene, on the island of
147:, who, however, defeated him on one occasion.
378:The Musician in Literature in the Age of Bach
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273:Ancient Greek Music: A New Technical History
62:, who lived roughly around the time of the
139:, in connection with the festivals of the
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16:5th-century BC Greek musician and poet
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92:music, having been taught music by
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154:by German musician and writer
119:relates that, when he went to
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319:Shear Jr., T. Leslie (2016).
227:Fragmenta comicorum graecorum
465:5th-century BC Greek people
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470:4th-century BC Greek poets
383:Cambridge University Press
327:Princeton University Press
278:Cambridge University Press
174:Revermann, Martin (2006).
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475:5th-century BC musicians
307:Schol. ad Aristoph. Nub.
229:vol. ii. p. 326, &c.
450:Ancient Greek musicians
182:Oxford University Press
375:Rose, Stephen (2011).
270:Hagel, Stefan (2009).
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145:Timotheus of Miletus
455:Ancient Mytileneans
385:. pp. 75–113.
359:Karl Otfried Müller
152:Phynnis Mitilenaeus
84:He belonged to the
211:apud Plut. de Mus.
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460:Dithyrambic poets
141:Panathenaic Games
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102:Pherecrates
90:citharoedic
56:dithyrambic
444:Categories
424:"Phrynnis"
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342:2021-01-25
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258:Dithyramb.
244:The Clouds
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162:References
113:heptachord
88:school of
260:pp. 89-95
256:Schmidt,
98:Terpander
422:(1870).
137:Pericles
117:Plutarch
58:poet of
52:Mytilene
28:Phrynnis
430:(ed.).
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213:p. 1146
86:Lesbian
40:Φρύννις
32:Phrynis
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130:kampai
125:Ephors
123:, the
121:Sparta
115:; and
81:form.
75:Athens
71:Lesbos
48:Φρύνις
426:. In
50:) of
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309:l.c.
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186:ISBN
104:and
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
