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Piano Concerto No. 4 (Saint-Saëns)

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216: 189: 207:, and the piano leads the orchestra into a new brief but energetic theme. Eventually the orchestra moves into a lush Andante, recapitulating the chorale-style melody. Rather suddenly, the piano climbs up to a flurry of double octave trills and a climactic trumpet fanfare, leading to the jubilant finale based once more on the hymn theme played at triple time. The concerto concludes with the piano, in cadenza-like cascades, guiding the orchestra to a 1052: 22: 184:. The composer demonstrates brilliant skill in employing the piano and orchestra almost equally. In the Andante, he introduces a hymn-like theme with the woodwinds (also strikingly similar to the tune of the third symphony's final section), and uses this as a platform on which he builds a series of variations before bringing the movement to a quiet close. 1077: 154:
is the composer's most structurally innovative piano concerto. In one sense it is structured like a four-movement symphony, but these are grouped in pairs. That is, the piece is divided into two parts, each of which combines two main movements (I. A moderate-tempo Theme and Variations in C minor; II.
402:. Saint-Saëns' Piano Concerto No. 4 was based on an introduction to an unfinished symphony which the 19-year-old composer wrote and then abandoned. Nearly every bar of the concerto evolves from this draft, providing a rare opportunity to understand Saint-Saëns' compositional craft. 161:
major; III. Scherzo in C minor; IV. Finale in C major). However, in each part there is a bridge-like transitional section, between the two main "movements" – for example, a fugal Andante in part II functions as an interlude between the two main triple-meter sections.
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The Allegro vivace begins as a playful and cunning scherzo (although still in C minor), deriving its main theme from the original chromatic subject in the beginning of the first movement. There is a bold switch to 6/8
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in 1875. It was premièred on October 31, 1875, at the Théâtre du Châtelet of Paris, with the composer as the soloist. The concerto is dedicated to
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The concerto is scored for solo piano, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani and strings.
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The first movement begins with a gently mischievous chromatic subject, heard in dialogue between the strings and
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soloist, and continues in a creative thematic development similar to Saint-Saëns'
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Daniel M. Fallon, "The Genesis of Saint-Saëns' Piano Concerto No. 4"
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Orchestre de la Radiodiffusion française, conductedby
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Orchestre de la Société des Concerts du Conservatoire
280:, piano, Orchestre National de la RTF, conducted by 142:, a professor of piano at the Vienna Conservatory. 1031: 1012: 993: 950: 791: 756: 679: 626: 619: 576: 452: 46:. Unsourced material may be challenged and removed. 304:, piano, Boston Symphony Orchestra, conducted by 421: 314:, piano, Philarmonia Orchestra, conducted by 8: 155:A slower, related Theme and Variations in A 623: 428: 414: 406: 395:International Music Score Library Project 342:(with piano concerto n°2). CD Erato 1982. 106:Learn how and when to remove this message 1072: 247:Les Annales du théâtre et de la musique 238: 55:"Piano Concerto No. 4" Saint-Saëns 1098:Piano concertos by Camille Saint-Saëns 1021:The Assassination of the Duke of Guise 892:Caprice sur des airs danois et russes 350:City of Birmingham Symphony Orchestra 7: 44:adding citations to reliable sources 362:, piano, Les Siècles, conducted by 298:. Recorded 1955–1957. 2 CD Emi 1996 700:Introduction and Rondo Capriccioso 14: 1075: 1051: 1050: 214: 187: 20: 128:Piano Concerto No. 4 in C minor 31:needs additional citations for 284:(Live 11/12/1956). CD INA 2014 1: 318:. LP His Master's Voice 1958 308:. LP His Master's Voice 1954 875:The Carnival of the Animals 332:. 1962. Report CD Sony 1993 1124: 485:Mon cœur s'ouvre à ta voix 274:1935. Report CD Naxos 2000 1047: 811:Suite for Cello and Piano 443: 292:Complete piano concertos, 799:Piano Quartet in E major 1108:Compositions in C minor 666:Piano Concerto No. 5 ( 336:François-René Duchable 123: 719:Violin Concerto No. 3 693:Violin Concerto No. 1 687:Violin Concerto No. 2 590:Symphony in F major ( 378:Jean-Jacques Kantorow 360:Jean-François Heisser 326:New York Philharmonic 121: 733:Cello Concerto No. 2 713:Cello Concerto No. 1 652:Piano Concerto No. 4 646:Piano Concerto No. 3 640:Piano Concerto No. 2 634:Piano Concerto No. 1 446:List of compositions 391:Piano Concerto No. 4 364:François-Xavier Roth 302:Alexander Brailowsky 200:– Andante – Allegro 40:improve this article 905:Violin Sonata No. 2 868:Violin Sonata No. 1 437:Camille Saint-Saëns 374:Tapiola Sinfonietta 366:. 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"Piano Concerto No. 4" Saint-Saëns
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Op.
Camille Saint-Saëns
Anton Door
piano concerto
Allegro
Andante
piano
third symphony

vivace
time

Alfred Cortot
Orchestre de la Société des Concerts du Conservatoire
Charles Munch
Lélia Gousseau
André Cluytens
Jeanne-Marie Darré

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