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50:. His most highly esteemed works are his thirty six motets, which demonstrate melodic sense, textual clarity, and timing.
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from a single composer. This publication consisted of magnificats, masses, and motets, numbering eight of each type. His
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The motets of Pierre Colin (fl. 1538-1564) - by
William Chris Lengefeld, University of Iowa, 1969
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from 1539 until 1565 while serving as priest. His compositions were compiled by 1541 by
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was a French composer active between 1538 and 1572. He was a singer in the
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Music, Authorship, and the Book in the First
Century of Print
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from 1532 to 1536. He was the organist and choirmaster of
184:Antonio Gardano, Venetian Music Printer, 1538-1569
214:. University of California Press. p. 273.
160:. University of California Press. p. 57.
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211:Spanish Cathedral Music in the Golden Age
130:. Garland Publishing, Inc. p. xvii.
114:. New York: G. Schirmer, Inc., 1907. 138.
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88:10.1093/gmo/9781561592630.article.06092
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187:. Taylor & Francis. p. 25.
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46:Colin's masses are classified as
74:Lengefeld, William C. (2001).
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250:16th-century French composers
127:The Moderne Motet Anthologies
82:. Oxford University Press.
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208:Stevenson, Robert (1961).
39:has been misattributed to
124:Sherr, Richard (1998).
31:, one of the earliest
110:Pratt, Waldo Selden.
181:Lewis, Mary (2013).
112:The History of Music
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91:. Retrieved
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93:October 19,
244:Categories
54:References
41:Palestrina
154:(2013).
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132:ISBN
95:2021
84:doi
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