289:, a piece for percussion and electronics, for which he got the High School Prize for Composers in 2015. This creation highlights the major themes of Jodlowski's work: questioning about the world, political commitment, the question of theatricality in musical creation, how to write the gesture, integration of visual and scenic media in the process of composition. All these points were developed in an article published in the
27:
135:
1578:
1566:
237:
After this period of study, Jodlowski continued to produce mixed music works and tried to establish multiple relationships between the instruments on stage and the sounds projected by loud speakers. He very quickly identified the question of gesture as essential in the development of his writing, and
511:
At the end of his studies, Jodlowski gathered a group of composers in his hometown
Toulouse and created the Novelum Festival. For 17 years, he has co-directed with Bertrand Dubedout and developed a program that reflected his interests as regards stage performance. Éole Studio, located in Odyssud
332:
Another cycle was imagined between 2006 and 2008, initiating what
Jodlowski calls a cumulative writing system. In these works, the principle was based on the successive and cumulative looping of all the elements played on stage. These works could be similar to American
479:
Jodlowski is also interested in the question of interactivity, spectators take an active part in some of his works: with some gestures (spotted by sensors), they may control the evolution of sound and visual elements. Its first installation,
221:, where he studied composition and computer music. He completed his training by obtaining the certificate of proficiency as professor of electroacoustic composition in 1998. All the works composed by Jodlowski during this period move towards
535:, Jodlowski insists on the societal role of the composer who can no longer, according to him, stay away from the world but must commit himself in order to preserve a free and experimental expression of contemporary musical art.
502:
The question of memory, central in
Jodlowski's aesthetics is declined in the various versions of this installation, each of them being devoted to a particular theme: intimacy, ecology, time, city portraits, refugees' memories…
193:
in 1991. His instrumental training included piano, saxophone and electric bass. He realized several projects in jazz and rock and achieved the course of composition in
Scientific and Technical Studies (DEUST) at the
214:
499:. In this project, consisting of an interactive, 10-meter-long tunnel, the visitor is confronted to the memory of another individual which he can then explore by moving as he pleases in this space.
492:(2016), an interactive audiovisual installation provides a scenery which attracts the visitor inside a First World War barracks and places him at the center of an interactive process.
337:
because of the use of looping, but the number of accumulated loops (more than 40 in general) generates a very strong dramatic tension characteristic of his aesthetics. Among them,
419:
Jodlowski integrated voice in his very first works. Initially, it is often a distilled presence in the electronic parts; he often uses cinematographic voice-overs. After
1603:
1246:
274:
and worked on a first cycle of works leading to a stage show: the three pieces were linked under the title "Berlin Random
Memories" and included new media: in
512:
Cultural Center in
Blagnac, hosts the productions of this group of artists and ensures the development of projects at national and international levels.
1608:
44:
35:
1151:
195:
267:. After its creation in 2000, he presented this project on various European stages. It has become internationally well known since.
121:
254:(2004), a piece for percussion opposing a musician to a small automaton, a kind of metronome, an essential tool for the musician.
1618:
471:, commissioned by the Percussions de Strasbourg in 2017 and where a recorded voice sings the texts of great German romanticists.
372:
cycle with the
Lamaison Company), collaborations with the new circus (Les Beaux Orages with the Petit Travers Company in 2011).
102:
400:. This work gave rise to a stage version presented in France and Canada with a video directed by scenographer Pierre Nouvel.
74:
51:
1423:
81:
1556:
1316:
88:
352:
He also started large-scale projects that gradually integrated all scenic mediums: lights, video, scenography.
179:
1393:
70:
329:... each of these works connecting visual universes (generally inspired by films) and the soloist on stage.
271:
40:
184:
1613:
1582:
210:
1598:
515:
Jodlowski has always claimed a political commitment in his works. He tackles societal issues as in
443:
1501:
1471:
263:
206:
1363:
997:
257:
In the same period, the Cinémathèque de
Toulouse commissioned him for an electronic creation of
389:
258:
154:
95:
1570:
158:
484:(2005), exploited different types of sensors and technologies in a futuristic environment.
411:
about the issue of speech, featuring 12 singers who either use spoken voice or sung voice.
524:
467:, composed in 2016 where musicians must speak up excerpts from newspapers; or in his show
162:
59:
1198:
523:, for a string orchestra and recorded voice, a young teenager chants with great violence
448:
442:
and where spoken and sung vocal parts alternate, especially in the extracts devoted to
495:
Since 2009, Jodlowski has been working more particularly on one of his installations:
1592:
457:
384:
334:
1543:
532:
342:
190:
278:(2002) for a solo dancer, he explored the possibilities of motion sensors and in
439:
428:
222:
146:
54:. Contentious material about living persons that is unsourced or poorly sourced
26:
1023:
438:, a long composition for soprano, ensemble and electronic on the theme of the
150:
1449:
1341:
1294:
1272:
1224:
1176:
1129:
1107:
1085:
1063:
376:
1041:
974:
305:
Since 2006, Jodlowski has been developing cycles of works, especially the
134:
408:
394:
1152:"Pierre Jodlowski, lauréat du Grand Prix Lycéen des Compositeurs 2015"
1247:"L'influence du cinéma dans les séries de Pierre Jodlowski (anglais)"
209:
and in 1996, his Music
National Diploma of Higher Studies (DNESM) in
463:
Even in his purely instrumental works, voice remains present, as in
229:(1997) where a flutist on stage is accompanied by a virtual voice.
1547:
1457:
1349:
1302:
1280:
1232:
1184:
1137:
1115:
1093:
1071:
1049:
1027:
982:
294:
218:
133:
1535:
531:, a critical manifesto against men of power. During lectures or
295:
Institute for
Research and Acoustic Coordination / Music (IRCAM)
202:
by Jacques Dupin, an electronic piece fixed on a magnetic tape.
20:
178:
Born in Toulouse, Jodlowski began his musical studies at the
205:
In 1995, he got his degree in Music and Musicology from the
427:, for soprano, bass clarinet and electronic, based on
1554:
270:
Between 2001 and 2003, he stayed in residence at the
297:in 2016, "The gesture, a question in composition".
1317:"Les beaux orages qui nous étaient promis – 2015"
242:(1999) (Prix de Bourges / Mixed Music category),
1544:"Pierre Jodlowski (biography, works, resources)"
1024:"Pierre Jodlowski (biography, works, resources)"
309:for piano and soundtrack. After the creation of
313:for the Orléans Piano Competition, he composed
238:in several works he gave it an important role:
403:In 2011, he created his first musical drama:
8:
145:(born 9 March 1971) is a French composer of
488:(2010) is a work inspired by video games.
423:, his first truly vocal work, he composed
16:French composer of mixed music (born 1971)
456:, a scenic work on the eponymous text by
341:, for flute, inspired by the painting of
122:Learn how and when to remove this message
1456:(work details) (in French and English).
1348:(work details) (in French and English).
1301:(work details) (in French and English).
1279:(work details) (in French and English).
1231:(work details) (in French and English).
1183:(work details) (in French and English).
1136:(work details) (in French and English).
1114:(work details) (in French and English).
1092:(work details) (in French and English).
1070:(work details) (in French and English).
1048:(work details) (in French and English).
981:(work details) (in French and English).
1604:French contemporary classical composers
1561:
966:
1424:"Ghostland, le territoire des ombres"
1156:www.gplc.musiquenouvelleenliberte.org
519:, with a deep humanistic thought. In
7:
636:Figures pour un espace en mouvement
285:Between 2004 and 2006, he composed
1199:"Le Geste question de composition"
900:Le dernier songe de Samuel Beckett
198:. He began composing in 1993 with
14:
996:Giroux, Olivier (16 March 2011).
942:This leads to an emotional stasis
654:Barbarismes, Trilogie de l'an mil
507:Societal and political commitment
368:; collaborations with dance (the
301:Cycles of works and show projects
1576:
1564:
189:where he got the First Prize in
25:
1609:French male classical composers
882:Hyperspeed disconnected motions
475:Interactive sound installations
1430:(in French). 19 September 2017
349:, for 11 musicians and video.
233:Mixed music and intermediality
215:Conservatoire National de Lyon
174:Beginnings in electronic music
1:
1404:(in French). 12 December 2016
225:in real time as in his piece
52:secondary or tertiary sources
977:Cinq Poèmes de Jacques Dupin
546:Cinq Poèmes de Jacques Dupin
149:. He works in particular on
58:, especially if potentially
36:biography of a living person
1374:(in French). 29 August 2018
1088:Berlin, mémoires aléatoires
876:Something out of Apocalypse
690:Berlin, mémoires aléatoires
576:Mise en bouche acousmatique
211:electroacoustic composition
138:Pierre Jodlowski performing
56:must be removed immediately
1635:
1546:(in French and English).
1026:(in French and English).
415:Presence and use of voice
180:Conservatoire de Toulouse
1482:(in French). 17 May 2016
1396:Diary Random and Pickles
1253:(in French). 7 June 2015
1205:(in French). 8 June 2006
465:Diary Random and Pickles
1619:Musicians from Toulouse
1321:Collectif Petit Travers
738:Artaud Corpus fragments
356:in 2007 which includes
1510:www.maisondelaradio.fr
1480:www.pierrejodlowski.fr
1428:www.pierrejodlowski.fr
1402:www.pierrejodlowski.fr
1372:www.pierrejodlowski.fr
1251:www.pierrejodlowski.fr
1203:www.pierrejodlowski.fr
1002:www.pierrejodlowski.fr
906:Post Human Computation
452:. In 2017, he created
272:Berlin Academy of Arts
217:. He then moved on to
196:University of Toulouse
139:
50:Please help by adding
930:Lesson of Anatomy n°1
387:'s unfinished novel:
383:, a work inspired by
137:
852:Typologies du regard
1454:, Pierre Jodlowski"
1346:, Pierre Jodlowski"
1299:, Pierre Jodlowski"
1277:, Pierre Jodlowski"
1229:, Pierre Jodlowski"
1181:, Pierre Jodlowski"
1134:, Pierre Jodlowski"
1112:, Pierre Jodlowski"
1090:, Pierre Jodlowski"
1068:, Pierre Jodlowski"
1046:, Pierre Jodlowski"
979:, Pierre Jodlowski"
834:Le royaume d'en bas
612:Tryptique Ă la nuit
582:Lignes d'incidences
282:, real time video.
39:relies too much on
600:Ă€ John, Chorus III
227:Dialog / No dialog
207:University of Lyon
140:
71:"Pierre Jodlowski"
894:Ombre della Mente
798:Limite Circulaire
768:Cycle des rituels
564:L'Envers du décor
425:Ombra della Mente
339:Limite Circulaire
155:music informatics
132:
131:
124:
106:
1626:
1581:
1580:
1579:
1569:
1568:
1567:
1560:
1551:
1539:
1538:
1536:Official website
1522:
1521:
1519:
1517:
1498:
1492:
1491:
1489:
1487:
1468:
1462:
1461:
1446:
1440:
1439:
1437:
1435:
1420:
1414:
1413:
1411:
1409:
1390:
1384:
1383:
1381:
1379:
1360:
1354:
1353:
1338:
1332:
1331:
1329:
1327:
1313:
1307:
1306:
1291:
1285:
1284:
1269:
1263:
1262:
1260:
1258:
1243:
1237:
1236:
1221:
1215:
1214:
1212:
1210:
1195:
1189:
1188:
1173:
1167:
1166:
1164:
1162:
1148:
1142:
1141:
1126:
1120:
1119:
1104:
1098:
1097:
1082:
1076:
1075:
1060:
1054:
1053:
1044:Dialog/No Dialog
1038:
1032:
1031:
1020:
1014:
1013:
1011:
1009:
993:
987:
986:
971:
594:Dialog/No Dialog
398:
188:
163:interactive arts
143:Pierre Jodlowski
127:
120:
116:
113:
107:
105:
64:
29:
21:
1634:
1633:
1629:
1628:
1627:
1625:
1624:
1623:
1589:
1588:
1587:
1583:Classical music
1577:
1575:
1565:
1563:
1555:
1542:
1534:
1533:
1530:
1525:
1515:
1513:
1500:
1499:
1495:
1485:
1483:
1470:
1469:
1465:
1448:
1447:
1443:
1433:
1431:
1422:
1421:
1417:
1407:
1405:
1392:
1391:
1387:
1377:
1375:
1362:
1361:
1357:
1340:
1339:
1335:
1325:
1323:
1315:
1314:
1310:
1293:
1292:
1288:
1271:
1270:
1266:
1256:
1254:
1245:
1244:
1240:
1223:
1222:
1218:
1208:
1206:
1197:
1196:
1192:
1175:
1174:
1170:
1160:
1158:
1150:
1149:
1145:
1128:
1127:
1123:
1106:
1105:
1101:
1084:
1083:
1079:
1062:
1061:
1057:
1040:
1039:
1035:
1022:
1021:
1017:
1007:
1005:
995:
994:
990:
973:
972:
968:
964:
959:
732:Le grand dehors
648:Is it is ?
541:
525:Fernando Pessoa
509:
477:
440:First World War
421:L' Aire du Dire
417:
392:
303:
261:'s first film,
235:
182:
176:
171:
128:
117:
111:
108:
65:
63:
49:
45:primary sources
30:
17:
12:
11:
5:
1632:
1630:
1622:
1621:
1616:
1611:
1606:
1601:
1591:
1590:
1586:
1585:
1573:
1553:
1552:
1540:
1529:
1528:External links
1526:
1524:
1523:
1493:
1463:
1441:
1415:
1385:
1355:
1333:
1308:
1286:
1264:
1238:
1216:
1190:
1179:Time and Money
1168:
1143:
1121:
1099:
1077:
1055:
1033:
1015:
988:
965:
963:
960:
958:
957:
951:
945:
939:
933:
927:
921:
915:
909:
903:
897:
891:
885:
879:
873:
867:
864:L'aire du dire
861:
855:
849:
843:
840:GrainStick 2.0
837:
831:
825:
819:
813:
807:
801:
795:
789:
783:
777:
771:
765:
759:
753:
747:
741:
735:
729:
726:Time and Money
723:
717:
711:
705:
699:
693:
687:
681:
675:
669:
663:
657:
651:
645:
639:
633:
627:
621:
615:
609:
603:
597:
591:
585:
579:
573:
567:
561:
555:
552:Éclats de ciel
549:
542:
540:
537:
533:master classes
517:Time and Money
508:
505:
486:GrainStick 2.0
476:
473:
416:
413:
405:L'Aire du Dire
358:Time and Money
302:
299:
293:review of the
287:Time and Money
234:
231:
175:
172:
170:
167:
151:intermediality
130:
129:
33:
31:
24:
15:
13:
10:
9:
6:
4:
3:
2:
1631:
1620:
1617:
1615:
1614:Living people
1612:
1610:
1607:
1605:
1602:
1600:
1597:
1596:
1594:
1584:
1574:
1572:
1562:
1558:
1549:
1545:
1541:
1537:
1532:
1531:
1527:
1511:
1507:
1506:de Jodlowski"
1505:
1497:
1494:
1481:
1477:
1475:
1467:
1464:
1459:
1455:
1453:
1445:
1442:
1429:
1425:
1419:
1416:
1403:
1399:
1397:
1389:
1386:
1373:
1369:
1367:
1359:
1356:
1351:
1347:
1345:
1337:
1334:
1322:
1318:
1312:
1309:
1304:
1300:
1298:
1290:
1287:
1282:
1278:
1276:
1268:
1265:
1252:
1248:
1242:
1239:
1234:
1230:
1228:
1220:
1217:
1204:
1200:
1194:
1191:
1186:
1182:
1180:
1172:
1169:
1157:
1153:
1147:
1144:
1139:
1135:
1133:
1125:
1122:
1117:
1113:
1111:
1103:
1100:
1095:
1091:
1089:
1081:
1078:
1073:
1069:
1067:
1059:
1056:
1051:
1047:
1045:
1037:
1034:
1029:
1025:
1019:
1016:
1003:
999:
992:
989:
984:
980:
978:
970:
967:
961:
955:
952:
949:
946:
943:
940:
937:
934:
931:
928:
925:
922:
919:
916:
913:
910:
907:
904:
901:
898:
895:
892:
889:
886:
883:
880:
877:
874:
871:
868:
865:
862:
859:
856:
853:
850:
847:
844:
841:
838:
835:
832:
829:
826:
823:
820:
817:
814:
811:
808:
805:
802:
799:
796:
793:
790:
787:
784:
781:
778:
775:
772:
769:
766:
763:
760:
757:
756:SĂ©rie blanche
754:
751:
748:
745:
742:
739:
736:
733:
730:
727:
724:
721:
718:
715:
712:
709:
706:
703:
700:
697:
694:
691:
688:
685:
682:
679:
676:
673:
670:
667:
664:
661:
658:
655:
652:
649:
646:
643:
642:Mental Vortex
640:
637:
634:
631:
628:
625:
622:
619:
616:
613:
610:
607:
604:
601:
598:
595:
592:
589:
586:
583:
580:
577:
574:
571:
568:
565:
562:
559:
556:
553:
550:
547:
544:
543:
538:
536:
534:
530:
526:
522:
518:
513:
506:
504:
500:
498:
493:
491:
487:
483:
474:
472:
470:
466:
461:
459:
458:Henri Michaux
455:
451:
450:
445:
441:
437:
432:
430:
426:
422:
414:
412:
410:
407:, a one-hour
406:
401:
399:
396:
391:
386:
385:Georges Perec
382:
378:
375:He tried the
373:
371:
367:
363:
359:
355:
350:
348:
344:
340:
336:
330:
328:
324:
320:
316:
315:SĂ©rie Blanche
312:
308:
300:
298:
296:
292:
288:
283:
281:
277:
273:
268:
266:
265:
260:
255:
253:
249:
245:
241:
232:
230:
228:
224:
220:
216:
212:
208:
203:
201:
197:
192:
186:
181:
173:
168:
166:
164:
160:
156:
152:
148:
144:
136:
126:
123:
115:
104:
101:
97:
94:
90:
87:
83:
80:
76:
73: –
72:
68:
67:Find sources:
61:
57:
53:
47:
46:
42:
37:
32:
28:
23:
22:
19:
1514:. Retrieved
1509:
1503:
1496:
1484:. Retrieved
1479:
1474:Soleil blanc
1473:
1466:
1451:
1444:
1432:. Retrieved
1427:
1418:
1406:. Retrieved
1401:
1395:
1388:
1376:. Retrieved
1371:
1365:
1358:
1343:
1336:
1324:. Retrieved
1320:
1311:
1297:Narcisse – O
1296:
1289:
1274:
1267:
1255:. Retrieved
1250:
1241:
1226:
1219:
1207:. Retrieved
1202:
1193:
1178:
1171:
1159:. Retrieved
1155:
1146:
1131:
1124:
1109:
1102:
1087:
1080:
1065:
1058:
1043:
1036:
1018:
1006:. Retrieved
1001:
998:"Biographie"
991:
976:
969:
954:Soleil blanc
953:
947:
941:
935:
929:
923:
917:
911:
905:
899:
893:
887:
881:
875:
869:
863:
857:
851:
845:
839:
833:
827:
822:Narcisse – O
821:
815:
809:
803:
797:
791:
785:
779:
773:
767:
761:
755:
749:
743:
737:
731:
725:
719:
713:
707:
701:
695:
689:
683:
677:
671:
665:
659:
653:
647:
641:
635:
629:
623:
617:
611:
605:
599:
593:
587:
581:
575:
569:
563:
557:
551:
545:
528:
520:
516:
514:
510:
501:
496:
494:
490:Soleil blanc
489:
485:
481:
478:
468:
464:
462:
453:
447:
435:
433:
424:
420:
418:
404:
402:
388:
380:
374:
369:
365:
361:
357:
353:
351:
346:
343:M. C. Escher
338:
331:
326:
322:
318:
314:
310:
306:
304:
290:
286:
284:
279:
275:
269:
262:
256:
251:
247:
243:
239:
236:
226:
204:
199:
191:music theory
177:
161:, image and
142:
141:
118:
109:
99:
92:
85:
78:
66:
55:
38:
18:
1599:1971 births
1512:(in French)
1504:L'ultimatum
1366:La Ralentie
1227:SĂ©rie noire
1132:Is it this?
1004:(in French)
924:Soleil noir
888:SĂ©rie bleue
846:Ghost woman
774:Criogenesis
708:SĂ©rie noire
678:Géo-métries
672:People/Time
454:La Ralentie
444:Shakespeare
436:Soleil Noir
431:'s poetry.
429:Alda Merini
393: [
379:genre with
366:People Time
327:SĂ©rie Rouge
319:SĂ©rie Bleue
311:SĂ©rie Noire
280:Is it This?
250:(2001) and
248:Barbarismes
223:mixed music
200:Cinq poèmes
183: [
147:mixed music
62:or harmful.
1593:Categories
962:References
918:Twins Peak
870:SĂ©rie rose
720:Labyrinthe
630:Forfaiture
527:'s famous
434:Then came
362:Labyrinthe
335:minimalism
323:SĂ©rie Rose
259:Eisenstein
82:newspapers
41:references
1571:Biography
936:Ultimatum
912:Induction
780:Collapsed
702:In Out 1
684:Chorus 1A
529:Ultimatum
521:Ultimatum
469:Ghostland
377:radio art
169:Biography
112:June 2013
1516:12 March
1486:12 March
1434:12 March
1408:12 March
1378:12 March
1326:12 March
1275:Lifetime
1257:12 March
1209:12 March
1161:12 March
1066:La grève
1008:12 March
810:Suite 54
804:Coliseum
786:24 Loops
744:60 Loops
714:Lifetime
696:Mecano 1
624:La grève
606:De front
409:oratorio
390:53 jours
370:Narcisse
354:Lifetime
264:La Grève
252:Mecano 1
246:(2002),
240:De Front
60:libelous
1557:Portals
1344:Jour 54
1110:N, N, N
858:SĂ©rie-C
828:Jour 54
816:Passage
792:Respire
666:Mixtion
660:N, N, N
588:Focales
497:Passage
449:Henry V
381:Jour 54
347:Respire
276:N, N, N
244:Mixtion
213:at the
159:staging
96:scholar
1452:Mendel
956:, 2016
950:, 2016
948:Tadmor
944:, 2016
938:, 2016
932:, 2015
926:, 2015
920:, 2015
914:, 2014
908:, 2014
902:, 2013
896:, 2013
890:, 2013
884:, 2012
878:, 2012
872:, 2012
866:, 2011
860:, 2011
854:, 2011
848:, 2010
842:, 2010
836:, 2010
830:, 2009
824:, 2009
818:, 2009
812:, 2009
806:, 2008
800:, 2008
794:, 2008
788:, 2007
782:, 2007
776:, 2007
770:, 2007
764:, 2007
762:Drones
758:, 2007
752:, 2007
746:, 2006
740:, 2006
734:, 2006
728:, 2006
722:, 2005
716:, 2005
710:, 2005
704:, 2004
698:, 2004
692:, 2003
686:, 2003
680:, 2003
674:, 2003
668:, 2002
662:, 2002
656:, 2001
650:, 2001
644:, 2001
638:, 2000
632:, 2000
626:, 2000
620:, 2000
618:Mendel
614:, 2000
608:, 1999
602:, 1998
596:, 1997
590:, 1997
584:, 1996
578:, 1996
572:, 1995
566:, 1995
560:, 1995
554:, 1995
548:, 1993
482:Mendel
307:Series
98:
91:
84:
77:
69:
1548:IRCAM
1458:IRCAM
1350:IRCAM
1303:IRCAM
1281:IRCAM
1233:IRCAM
1185:IRCAM
1138:IRCAM
1116:IRCAM
1094:IRCAM
1072:IRCAM
1050:IRCAM
1028:IRCAM
983:IRCAM
539:Works
397:]
291:InouĂŻ
219:IRCAM
187:]
103:JSTOR
89:books
34:This
1518:2019
1488:2019
1436:2019
1410:2019
1380:2019
1328:2019
1259:2019
1211:2019
1163:2019
1010:2019
750:Wind
570:IRMA
558:Vola
345:and
75:news
446:'s
43:to
1595::
1508:.
1478:.
1426:.
1400:.
1370:.
1319:.
1249:.
1201:.
1154:.
1000:.
460:.
395:fr
364:,
360:,
325:,
321:,
317:,
185:fr
165:.
157:,
153:,
1559::
1550:.
1520:.
1502:"
1490:.
1476:"
1472:"
1460:.
1450:"
1438:.
1412:.
1398:"
1394:"
1382:.
1368:"
1364:"
1352:.
1342:"
1330:.
1305:.
1295:"
1283:.
1273:"
1261:.
1235:.
1225:"
1213:.
1187:.
1177:"
1165:.
1140:.
1130:"
1118:.
1108:"
1096:.
1086:"
1074:.
1064:"
1052:.
1042:"
1030:.
1012:.
985:.
975:"
125:)
119:(
114:)
110:(
100:·
93:·
86:·
79:·
48:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
