Knowledge (XXG)

Piet Zwart

Source 📝

35: 460: 362:, while still adding a playfulness to the mix. In the 1920s, he began to work for Nederlandsche Kabelfabriek (Cable manufacturers) in Delft. While working for the company, he experimented with upper and lower case letters, lines, circles and screens, and free letter composition. He produced 275 designs within a decade, and then after he moved on to interior design, industrial design and furniture design. Zwart called himself a 'typotect'; part typographer, part architect. 506: 491: 476: 448:, negative images, and are overprinted with colored inks and cropped into geometric shapes. In 1928, he bought his own camera and taught himself the photographic techniques. Zwarts admiration for repetition, structure, lines and planes, and balance show throughout his photographs. Zwart experimented with photography while working for the NKF catalog. He photographed the close-ups of the electric cables. 309: 982: 538:
1937, which is still available today. The design reflects graphic organization and it is considered mass-production. The design was highly-progressive for its time. Zwart's Bruynzeel Modular Kitchen was exhibited in Germany-Netherlands: Interactions 1920-1940 at the Haags Gemeentemuseum. This was an example of a 'rational kitchen.'
301: 257:
In 1930, Piet Zwart was asked to design "The Book of PTT." The book was aimed at teaching school children how to use the Dutch postal service. Zwart looked at this as a way to "tickle their curiosity and encourage self reliance." The book was full of bright colors and it was meant to be exciting. He
537:
In 1930, Zwart was employed by the Bruynzeel Company. First he designed their annual calendars and other commercial items. He helped with other areas of the company, too. He was the first to design a kitchen for mass production. Zwart is best known for his design of the Bruynzeel modular kitchen in
186:
aesthetic. In the early 1920s Zwart received his first typographic commissions from Laga, a flooring manufacturer. Zwart had no formal training in typography or printing, so he was uninhibited by the rules and methods of traditional professional practices. Zwart regarded typography as an important
533:
In the Netherlands immediately before World War II, activity in the design field grew rapidly, calling for new solutions to functional problems. In 1938 Zwart's prefabricated kitchen consisting of independent units was brought out on the Dutch market, revolutionising kitchen interiors which also
402:
In 1920, he got an assignment from the flooring company Vickers House. He made several advertisements for this client. “Zagen, boren, vijlen” (saws, drills and files) Zwart solved a practical print problem by assembling letters, blanks, and symbols from print houses.
415:
in the early 1920s, but, while working at the NKF, he realised how unaware he was of the terms and methods of printing. He didn't know the difference between lower and uppercase letters. An 18-year-old assistant at the NKF helped him learn the principles of
316:"Zwart was able to manipulate the oblique perspective in such a way that space was not only activated but made to seem irrational in order to heighten the viewer's experience of what would otherwise have been an ordinary rectangular room." 258:
created two main characters for the book: 'The Post' and 'J Self'. They were paper doll cut-outs that he photographed and then touched up with chalk, ink, and color pencil. Additionally, he used many different
251: 912:
The Omega Workshops by Judith Collins; The De Stijl Environment by Nancy Troy, Review by: Gillian Naylor, Design Issues, Vol. 2, No. 2 (Autumn, 1985), pp. 85–88, Published by: The MIT Press
1044: 467: 178:. He trained as an architect, and began graphic design projects at age 36. His training as an architect included designing furniture and interiors. He was influenced by the 420:. He created a total of 275 designs in 10 years for the NKF Company, almost all typographical works. He experimented with small and large letters, circles and rectangles, 207:), from 1902 to 1907. He studied a diverse range of art related subjects including painting and architecture, and he was introduced to the principles of the English 1039: 1024: 273:, Zwart's design career came to a halt when he was arrested by the occupying German forces. He was held prisoner, along with 800 other prominent people, in an 1049: 1059: 904:
Sillevis, John, The Hague. Germany-Netherlands: Interactions 1920-1940, The Burlington Magazine, Vol. 124, No. 951 (Jun., 1982), pp. 385–386+388
436:
Zwart began using photographic images in his compositions in 1926. He first worked with commercial photographers. Thus creating a balance between
1034: 411:
In 1923 Berlage introduced him to one of his relatives. the manager of the Nederlandsche Kabelfabriek (NKF) at Delft. He had experimented with
327:) and the Dutch postal, telegraph and telephone service. He did not adhere to traditional typography rules, but used the basic principles of 890:
Industrial Design in the Netherlands, Pieter Brattinga, Design Quarterly, No. 59, Industrial Design in the Netherlands (1964), pp. 1–25
952: 1029: 942: 825:
Industrial Design in the Netherlands, Pieter Brattinga, Design Quarterly, No. 59, Industrial Design in the Netherlands (1964), pp. 1-25
459: 246:. He was dismissed in 1933 because of what were considered his radical ideas on education. Zwart's ideas were similar to those of the 242:
From 1919, while continuing to work as an independent designer, he began teaching at the Rotterdam Academy of Visual Arts, now the
1019: 968: 204: 759: 505: 231: 1054: 512: 496: 481: 490: 475: 932: 783: 963: 899: 671: 34: 243: 208: 525:
Zwart was a member of the Ring neuer Werbegestalter which is an avant-garde group of advertisement designers.
391: 383: 986: 546:
In 2000, Zwart was awarded the "Designer of the Century" award by the Association of Dutch Designers.
1014: 1009: 351: 328: 285: 158: 250:
art school in Germany, where, in 1929, he gave a series of guest lectures. Zwart was a member of
323:, Zwart was well known for his work for both Nederlandse Kabelfabriek Delft (a cable factory in 838: 387: 445: 441: 278: 183: 182:
movement, which focused on the essentials of form, colour and line, but later moved to a more
115: 993: 437: 274: 277:. He was released in 1945 when the war ended. He resumed his career, mainly focusing on 876:
Meggs, Philip B., Purvis, Alston W.History of Graphic Design. Hoboken, N.J: Wiley, 2006
580:
Meggs, Philip B., Purvis, Alston W.History of Graphic Design. Hoboken, N.J: Wiley, 2006
567: 371: 149: 106: 1003: 336: 425: 340: 270: 263: 308: 715: 596: 428:. He resigned in 1933 to become an interior, industrial and furniture designer. 111: 17: 957: 947: 893: 740: 665: 421: 412: 320: 262:
of varying sizes and thicknesses. He was assisted in illustrating the book by
219: 154: 102: 927: 918:
Yvonne Brentjens, Piet Zwart vormingenieur, Waanders Uitgevers Zwolle (2008)
692: 622: 375: 289: 74: 343:. The latter is exemplified by his well-known cover designs for the series 199:(National School of Applied Arts, Amsterdam), which later merged into the 981: 787: 682:
Yvonne Brentjes, Piet Zwart vormingenieur, Waanders Uitgevers Zwolle, 2008
640: 417: 379: 359: 332: 223: 179: 175: 55: 807:* Fridolin Muller, Piet Zwart, Hastings House Publishers: New York, 1966 247: 924:
Fridolin Muller, Piet Zwart, Hastings House Publishers: New York, 1966
816:
Sillevis, The Hague. Germany-Netherlands: Interactions 1920-1940, 386
300: 938:
Piet Zwart Institute Willem de Kooning Academy Rotterdam University
444:
image. The photographs that he integrated into his work have high
324: 307: 299: 259: 915:
Piet Zwart (1885–1977). Form Engineer, Gemeente Museum, Den Haag.
855:
Piet Zwart (1885-1977). Form Engineer, Gemeente Museum, Den Haag.
534:
illustrated the creativity of mass-production of useful objects.
339:, geometrical shapes, repeated word patterns and an early use of 355: 937: 135:
Designer of the 20th Century by Association of Dutch Designers
153:; 28 May 1885 – 24 September 1977) was a Dutch photographer, 335:" in his commercial work. His work can be recognized by its 252:
Nederlandsche Vereeniging voor Ambachts- en Nijverheidskunst
214:
From 1908 he taught drawing and art history lessons at the
254:(V.A.N.K.) the Dutch Association for Craft and Craft Art. 908:
Published by: The Burlington Magazine Publications, Ltd.
304:
Piet Zwart, advertising card for the Laga Company, 1922
864:
The Hague. Germany-Netherlands: Interactions 1920-1940
943:
Tudor, Sebastian, Visual Involved, November 24, 2010.
667:
Piet Zwart het Boek van PTT Typography Graphic Design
760:"Film. 12 monografieën over filmkunst - Piet Zwart" 131: 121: 98: 90: 82: 63: 41: 25: 994:Piet Zwart Views of Manufacturing and Architecture 218:, (Industrial and Domestic School for Girls) in 350:His commercial print work has influences from 885:Original title: Alles Moet Nieuw - Piet Zwart 8: 1045:Academic staff of Willem de Kooning Academy 592: 590: 588: 586: 266:. The book was finally published in 1938. 197:Rijksschool voor Kunstnijverheid Amsterdam 33: 22: 216:Industrie- en Huishoudschool voor Meisjes 953:The Design Observer Group, June 24, 200 921:Piet Zwart, Piet Zwart, Focus Pub (1997) 174:Piet Zwart was born on May 28, 1885, in 599:(in Dutch) (Accessed: 15 January 2017). 554: 455: 996:, held at the Getty Research Institute 693:"Homepage | Piet Zwart Institute" 284:Piet Zwart died in 1977, aged 92. The 201:Amsterdamse Hogeschool voor de Kunsten 1040:Delft University of Technology alumni 1025:Dutch typographers and type designers 833: 831: 741:"Piet Zwart : Design Is History" 566: 386:in 1919. Two years after working for 319:As a designer, and pioneer of modern 226:and returned to study, attending the 148: 7: 617: 615: 613: 611: 609: 607: 605: 288:of the Willem de Kooning Academy in 187:cultural force of the 20th-century. 1050:People interned during World War II 881:Everything Must Change - Piet Zwart 370:Piet Zwart is mostly known for his 374:work. He started his career as an 14: 883:. Memphis Film & Television. 623:"Piet Zwart - iconofgraphics.com" 528: 390:, he worked with Dutch Architect 1060:20th-century Dutch photographers 980: 504: 489: 474: 458: 205:Amsterdam University of the Arts 312:letterhead for Jan Wils, 1921 232:Delft University of Technology 1: 1035:Academic staff of the Bauhaus 378:and draftsman and worked for 228:Technische Universiteit Delft 720:The Art Institute of Chicago 705:Collins, The Omega Workshops 895:Video describes Piet Simply 345:Monografieën over filmkunst 1076: 1030:Dutch industrial designers 879:De Jesus, Sherman (2012). 347:(Monographs on Film Art). 15: 784:"20th Century Typography" 529:Zwart's Industrial Design 521:Ring Neuer Werbegestalter 244:Willem de Kooning Academy 32: 281:from this point onward. 209:Arts and Crafts movement 127:NKF Catalog, Book of PTT 16:Not to be confused with 1020:Dutch graphic designers 839:"Piet Zwart Collection" 94:Architect, photographer 627:www.iconofgraphics.com 313: 305: 222:. In 1913 he moved to 311: 303: 234:) from 1913 to 1914. 1055:People from Zaanstad 989:at Wikimedia Commons 292:is named after him. 286:Piet Zwart Institute 150:[ˈpitˈsʋɑrt] 146:Dutch pronunciation: 745:designishistory.com 597:Kunstbus:Piet Zwart 468:Stained glass Gouda 394:for several years. 195:Zwart attended the 159:industrial designer 116:industrial designer 314: 306: 985:Media related to 948:Design Is History 442:three-dimensional 424:, repetition and 279:industrial design 184:functional design 139: 138: 67:24 September 1977 1067: 992:Finding Aid for 984: 960: 896: 865: 862: 856: 853: 847: 846: 835: 826: 823: 817: 814: 808: 805: 799: 798: 796: 795: 786:. Archived from 780: 774: 773: 771: 770: 764:www.stedelijk.nl 755: 749: 748: 737: 731: 730: 728: 727: 712: 706: 703: 697: 696: 689: 683: 680: 674: 668: 663: 657: 656: 654: 652: 637: 631: 630: 619: 600: 594: 581: 578: 572: 570: 568:[ˈzʋɑrt] 559: 508: 493: 478: 462: 398:Flooring Company 269:In 1942, during 152: 147: 124: 107:graphic designer 70: 51: 49: 37: 23: 1075: 1074: 1070: 1069: 1068: 1066: 1065: 1064: 1000: 999: 977: 959:The book of PTT 958: 928:Iconofgraphics 894: 873: 868: 863: 859: 854: 850: 843:Design Observer 837: 836: 829: 824: 820: 815: 811: 806: 802: 793: 791: 782: 781: 777: 768: 766: 757: 756: 752: 739: 738: 734: 725: 723: 714: 713: 709: 704: 700: 691: 690: 686: 681: 677: 666: 664: 660: 650: 648: 639: 638: 634: 621: 620: 603: 595: 584: 579: 575: 560: 556: 552: 544: 531: 523: 516: 509: 500: 494: 485: 479: 470: 466: 463: 454: 438:two-dimensional 434: 409: 400: 368: 337:primary colours 298: 275:internment camp 240: 193: 172: 167: 145: 122: 110: 78: 72: 68: 59: 53: 47: 45: 28: 21: 12: 11: 5: 1073: 1071: 1063: 1062: 1057: 1052: 1047: 1042: 1037: 1032: 1027: 1022: 1017: 1012: 1002: 1001: 998: 997: 990: 976: 975:External links 973: 972: 971: 969:Modernism 101 966: 955: 950: 945: 940: 935: 933:Design History 930: 925: 922: 919: 916: 913: 906: 905: 902: 891: 888: 877: 872: 869: 867: 866: 857: 848: 827: 818: 809: 800: 775: 750: 732: 707: 698: 684: 675: 658: 632: 601: 582: 573: 565:is pronounced 561:In isolation, 553: 551: 548: 543: 540: 530: 527: 522: 519: 518: 517: 510: 503: 501: 495: 488: 486: 480: 473: 471: 464: 457: 453: 450: 433: 430: 408: 405: 399: 396: 372:graphic design 367: 366:Working career 364: 352:Constructivism 329:constructivism 297: 294: 239: 236: 192: 189: 171: 168: 166: 163: 137: 136: 133: 129: 128: 125: 119: 118: 100: 99:Known for 96: 95: 92: 88: 87: 84: 80: 79: 73: 71:(aged 92) 65: 61: 60: 54: 43: 39: 38: 30: 29: 26: 13: 10: 9: 6: 4: 3: 2: 1072: 1061: 1058: 1056: 1053: 1051: 1048: 1046: 1043: 1041: 1038: 1036: 1033: 1031: 1028: 1026: 1023: 1021: 1018: 1016: 1013: 1011: 1008: 1007: 1005: 995: 991: 988: 983: 979: 978: 974: 970: 967: 965: 961: 956: 954: 951: 949: 946: 944: 941: 939: 936: 934: 931: 929: 926: 923: 920: 917: 914: 911: 910: 909: 903: 901: 897: 892: 889: 886: 882: 878: 875: 874: 870: 861: 858: 852: 849: 844: 840: 834: 832: 828: 822: 819: 813: 810: 804: 801: 790:on 2011-08-30 789: 785: 779: 776: 765: 761: 754: 751: 746: 742: 736: 733: 721: 717: 711: 708: 702: 699: 694: 688: 685: 679: 676: 673: 669: 662: 659: 646: 642: 636: 633: 628: 624: 618: 616: 614: 612: 610: 608: 606: 602: 598: 593: 591: 589: 587: 583: 577: 574: 569: 564: 558: 555: 549: 547: 541: 539: 535: 526: 520: 514: 507: 502: 498: 492: 487: 483: 477: 472: 469: 461: 456: 451: 449: 447: 443: 440:type and the 439: 431: 429: 427: 423: 419: 414: 406: 404: 397: 395: 393: 389: 385: 381: 377: 373: 365: 363: 361: 357: 353: 348: 346: 342: 338: 334: 330: 326: 322: 317: 310: 302: 295: 293: 291: 287: 282: 280: 276: 272: 267: 265: 261: 255: 253: 249: 245: 237: 235: 233: 229: 225: 221: 217: 212: 210: 206: 202: 198: 190: 188: 185: 181: 177: 169: 164: 162: 160: 156: 151: 143: 134: 130: 126: 120: 117: 113: 108: 104: 101: 97: 93: 89: 85: 81: 77:, Netherlands 76: 66: 62: 58:, Netherlands 57: 44: 40: 36: 31: 24: 19: 907: 884: 880: 860: 851: 842: 821: 812: 803: 792:. Retrieved 788:the original 778: 767:. Retrieved 763: 753: 744: 735: 724:. Retrieved 719: 716:"Piet Zwart" 710: 701: 687: 678: 661: 649:. Retrieved 644: 641:"Piet Zwart" 635: 626: 576: 562: 557: 545: 536: 532: 524: 515:stamp (1931) 465:Stamps 1931 435: 426:alliteration 410: 401: 369: 349: 344: 341:photomontage 318: 315: 296:Design Style 283: 271:World War II 268: 264:Dick Elffers 256: 241: 227: 215: 213: 200: 196: 194: 173: 141: 140: 123:Notable work 112:photographer 69:(1977-09-24) 1015:1977 deaths 1010:1885 births 651:17 December 452:Stamps 1931 432:Photography 422:visual puns 407:NKF Catalog 155:typographer 103:Typographer 83:Nationality 52:28 May 1885 18:Zwarte Piet 1004:Categories 987:Piet Zwart 871:References 794:2011-08-30 769:2024-01-22 726:2024-01-22 647:(in Dutch) 513:Wilhelmina 497:Wilhelmina 482:Wilhelmina 413:typography 321:typography 238:Later life 220:Leeuwarden 170:Early life 142:Piet Zwart 48:1885-05-28 27:Piet Zwart 758:Grrr.nl. 388:Jans Wils 376:architect 290:Rotterdam 191:Education 165:Biography 91:Education 75:Wassenaar 446:contrast 418:printing 380:Jan Wils 360:De Stijl 333:De Stijl 224:Voorburg 180:De Stijl 176:Zaandijk 56:Zaandijk 964:YouTube 900:YouTube 672:YouTube 511:Design 392:Berlage 384:Berlage 248:Bauhaus 722:. 1885 542:Awards 157:, and 132:Awards 563:Zwart 550:Notes 499:stamp 484:stamp 331:and " 325:Delft 260:fonts 86:Dutch 653:2020 382:and 358:and 356:Dada 64:Died 42:Born 962:on 898:on 670:on 645:RKD 1006:: 841:. 830:^ 762:. 743:. 718:. 643:. 625:. 604:^ 585:^ 354:, 211:. 161:. 114:, 105:, 887:. 845:. 797:. 772:. 747:. 729:. 695:. 655:. 629:. 571:. 230:( 203:( 144:( 109:, 50:) 46:( 20:.

Index

Zwarte Piet

Zaandijk
Wassenaar
Typographer
graphic designer
photographer
industrial designer
[ˈpitˈsʋɑrt]
typographer
industrial designer
Zaandijk
De Stijl
functional design
Amsterdam University of the Arts
Arts and Crafts movement
Leeuwarden
Voorburg
Delft University of Technology
Willem de Kooning Academy
Bauhaus
Nederlandsche Vereeniging voor Ambachts- en Nijverheidskunst
fonts
Dick Elffers
World War II
internment camp
industrial design
Piet Zwart Institute
Rotterdam

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.