35:
460:
362:, while still adding a playfulness to the mix. In the 1920s, he began to work for Nederlandsche Kabelfabriek (Cable manufacturers) in Delft. While working for the company, he experimented with upper and lower case letters, lines, circles and screens, and free letter composition. He produced 275 designs within a decade, and then after he moved on to interior design, industrial design and furniture design. Zwart called himself a 'typotect'; part typographer, part architect.
506:
491:
476:
448:, negative images, and are overprinted with colored inks and cropped into geometric shapes. In 1928, he bought his own camera and taught himself the photographic techniques. Zwarts admiration for repetition, structure, lines and planes, and balance show throughout his photographs. Zwart experimented with photography while working for the NKF catalog. He photographed the close-ups of the electric cables.
309:
982:
538:
1937, which is still available today. The design reflects graphic organization and it is considered mass-production. The design was highly-progressive for its time. Zwart's
Bruynzeel Modular Kitchen was exhibited in Germany-Netherlands: Interactions 1920-1940 at the Haags Gemeentemuseum. This was an example of a 'rational kitchen.'
301:
257:
In 1930, Piet Zwart was asked to design "The Book of PTT." The book was aimed at teaching school children how to use the Dutch postal service. Zwart looked at this as a way to "tickle their curiosity and encourage self reliance." The book was full of bright colors and it was meant to be exciting. He
537:
In 1930, Zwart was employed by the
Bruynzeel Company. First he designed their annual calendars and other commercial items. He helped with other areas of the company, too. He was the first to design a kitchen for mass production. Zwart is best known for his design of the Bruynzeel modular kitchen in
186:
aesthetic. In the early 1920s Zwart received his first typographic commissions from Laga, a flooring manufacturer. Zwart had no formal training in typography or printing, so he was uninhibited by the rules and methods of traditional professional practices. Zwart regarded typography as an important
533:
In the
Netherlands immediately before World War II, activity in the design field grew rapidly, calling for new solutions to functional problems. In 1938 Zwart's prefabricated kitchen consisting of independent units was brought out on the Dutch market, revolutionising kitchen interiors which also
402:
In 1920, he got an assignment from the flooring company
Vickers House. He made several advertisements for this client. “Zagen, boren, vijlen” (saws, drills and files) Zwart solved a practical print problem by assembling letters, blanks, and symbols from print houses.
415:
in the early 1920s, but, while working at the NKF, he realised how unaware he was of the terms and methods of printing. He didn't know the difference between lower and uppercase letters. An 18-year-old assistant at the NKF helped him learn the principles of
316:"Zwart was able to manipulate the oblique perspective in such a way that space was not only activated but made to seem irrational in order to heighten the viewer's experience of what would otherwise have been an ordinary rectangular room."
258:
created two main characters for the book: 'The Post' and 'J Self'. They were paper doll cut-outs that he photographed and then touched up with chalk, ink, and color pencil. Additionally, he used many different
251:
912:
The Omega
Workshops by Judith Collins; The De Stijl Environment by Nancy Troy, Review by: Gillian Naylor, Design Issues, Vol. 2, No. 2 (Autumn, 1985), pp. 85–88, Published by: The MIT Press
1044:
467:
178:. He trained as an architect, and began graphic design projects at age 36. His training as an architect included designing furniture and interiors. He was influenced by the
420:. He created a total of 275 designs in 10 years for the NKF Company, almost all typographical works. He experimented with small and large letters, circles and rectangles,
207:), from 1902 to 1907. He studied a diverse range of art related subjects including painting and architecture, and he was introduced to the principles of the English
1039:
1024:
273:, Zwart's design career came to a halt when he was arrested by the occupying German forces. He was held prisoner, along with 800 other prominent people, in an
1049:
1059:
904:
Sillevis, John, The Hague. Germany-Netherlands: Interactions 1920-1940, The
Burlington Magazine, Vol. 124, No. 951 (Jun., 1982), pp. 385–386+388
436:
Zwart began using photographic images in his compositions in 1926. He first worked with commercial photographers. Thus creating a balance between
1034:
411:
In 1923 Berlage introduced him to one of his relatives. the manager of the
Nederlandsche Kabelfabriek (NKF) at Delft. He had experimented with
327:) and the Dutch postal, telegraph and telephone service. He did not adhere to traditional typography rules, but used the basic principles of
890:
Industrial Design in the
Netherlands, Pieter Brattinga, Design Quarterly, No. 59, Industrial Design in the Netherlands (1964), pp. 1–25
952:
1029:
942:
825:
Industrial Design in the
Netherlands, Pieter Brattinga, Design Quarterly, No. 59, Industrial Design in the Netherlands (1964), pp. 1-25
459:
246:. He was dismissed in 1933 because of what were considered his radical ideas on education. Zwart's ideas were similar to those of the
242:
From 1919, while continuing to work as an independent designer, he began teaching at the
Rotterdam Academy of Visual Arts, now the
1019:
968:
204:
759:
505:
231:
1054:
512:
496:
481:
490:
475:
932:
783:
963:
899:
671:
34:
243:
208:
525:
Zwart was a member of the Ring neuer Werbegestalter which is an avant-garde group of advertisement designers.
391:
383:
986:
546:
In 2000, Zwart was awarded the "Designer of the Century" award by the Association of Dutch Designers.
1014:
1009:
351:
328:
285:
158:
250:
art school in Germany, where, in 1929, he gave a series of guest lectures. Zwart was a member of
323:, Zwart was well known for his work for both Nederlandse Kabelfabriek Delft (a cable factory in
838:
387:
445:
441:
278:
183:
182:
movement, which focused on the essentials of form, colour and line, but later moved to a more
115:
993:
437:
274:
277:. He was released in 1945 when the war ended. He resumed his career, mainly focusing on
876:
Meggs, Philip B., Purvis, Alston W.History of Graphic Design. Hoboken, N.J: Wiley, 2006
580:
Meggs, Philip B., Purvis, Alston W.History of Graphic Design. Hoboken, N.J: Wiley, 2006
567:
371:
149:
106:
1003:
336:
425:
340:
270:
263:
308:
715:
596:
428:. He resigned in 1933 to become an interior, industrial and furniture designer.
111:
17:
957:
947:
893:
740:
665:
421:
412:
320:
262:
of varying sizes and thicknesses. He was assisted in illustrating the book by
219:
154:
102:
927:
918:
Yvonne Brentjens, Piet Zwart vormingenieur, Waanders Uitgevers Zwolle (2008)
692:
622:
375:
289:
74:
343:. The latter is exemplified by his well-known cover designs for the series
199:(National School of Applied Arts, Amsterdam), which later merged into the
981:
787:
682:
Yvonne Brentjes, Piet Zwart vormingenieur, Waanders Uitgevers Zwolle, 2008
640:
417:
379:
359:
332:
223:
179:
175:
55:
807:* Fridolin Muller, Piet Zwart, Hastings House Publishers: New York, 1966
247:
924:
Fridolin Muller, Piet Zwart, Hastings House Publishers: New York, 1966
816:
Sillevis, The Hague. Germany-Netherlands: Interactions 1920-1940, 386
300:
938:
Piet Zwart Institute Willem de Kooning Academy Rotterdam University
444:
image. The photographs that he integrated into his work have high
324:
307:
299:
259:
915:
Piet Zwart (1885–1977). Form Engineer, Gemeente Museum, Den Haag.
855:
Piet Zwart (1885-1977). Form Engineer, Gemeente Museum, Den Haag.
534:
illustrated the creativity of mass-production of useful objects.
339:, geometrical shapes, repeated word patterns and an early use of
355:
937:
135:
Designer of the 20th Century by Association of Dutch Designers
153:; 28 May 1885 – 24 September 1977) was a Dutch photographer,
335:" in his commercial work. His work can be recognized by its
252:
Nederlandsche Vereeniging voor Ambachts- en Nijverheidskunst
214:
From 1908 he taught drawing and art history lessons at the
254:(V.A.N.K.) the Dutch Association for Craft and Craft Art.
908:
Published by: The Burlington Magazine Publications, Ltd.
304:
Piet Zwart, advertising card for the Laga Company, 1922
864:
The Hague. Germany-Netherlands: Interactions 1920-1940
943:
Tudor, Sebastian, Visual Involved, November 24, 2010.
667:
Piet Zwart het Boek van PTT Typography Graphic Design
760:"Film. 12 monografieën over filmkunst - Piet Zwart"
131:
121:
98:
90:
82:
63:
41:
25:
994:Piet Zwart Views of Manufacturing and Architecture
218:, (Industrial and Domestic School for Girls) in
350:His commercial print work has influences from
885:Original title: Alles Moet Nieuw - Piet Zwart
8:
1045:Academic staff of Willem de Kooning Academy
592:
590:
588:
586:
266:. The book was finally published in 1938.
197:Rijksschool voor Kunstnijverheid Amsterdam
33:
22:
216:Industrie- en Huishoudschool voor Meisjes
953:The Design Observer Group, June 24, 200
921:Piet Zwart, Piet Zwart, Focus Pub (1997)
174:Piet Zwart was born on May 28, 1885, in
599:(in Dutch) (Accessed: 15 January 2017).
554:
455:
996:, held at the Getty Research Institute
693:"Homepage | Piet Zwart Institute"
284:Piet Zwart died in 1977, aged 92. The
201:Amsterdamse Hogeschool voor de Kunsten
1040:Delft University of Technology alumni
1025:Dutch typographers and type designers
833:
831:
741:"Piet Zwart : Design Is History"
566:
386:in 1919. Two years after working for
319:As a designer, and pioneer of modern
226:and returned to study, attending the
148:
7:
617:
615:
613:
611:
609:
607:
605:
288:of the Willem de Kooning Academy in
187:cultural force of the 20th-century.
1050:People interned during World War II
881:Everything Must Change - Piet Zwart
370:Piet Zwart is mostly known for his
374:work. He started his career as an
14:
883:. Memphis Film & Television.
623:"Piet Zwart - iconofgraphics.com"
528:
390:, he worked with Dutch Architect
1060:20th-century Dutch photographers
980:
504:
489:
474:
458:
205:Amsterdam University of the Arts
312:letterhead for Jan Wils, 1921
232:Delft University of Technology
1:
1035:Academic staff of the Bauhaus
378:and draftsman and worked for
228:Technische Universiteit Delft
720:The Art Institute of Chicago
705:Collins, The Omega Workshops
895:Video describes Piet Simply
345:Monografieën over filmkunst
1076:
1030:Dutch industrial designers
879:De Jesus, Sherman (2012).
347:(Monographs on Film Art).
15:
784:"20th Century Typography"
529:Zwart's Industrial Design
521:Ring Neuer Werbegestalter
244:Willem de Kooning Academy
32:
281:from this point onward.
209:Arts and Crafts movement
127:NKF Catalog, Book of PTT
16:Not to be confused with
1020:Dutch graphic designers
839:"Piet Zwart Collection"
94:Architect, photographer
627:www.iconofgraphics.com
313:
305:
222:. In 1913 he moved to
311:
303:
234:) from 1913 to 1914.
1055:People from Zaanstad
989:at Wikimedia Commons
292:is named after him.
286:Piet Zwart Institute
150:[ˈpitˈsʋɑrt]
146:Dutch pronunciation:
745:designishistory.com
597:Kunstbus:Piet Zwart
468:Stained glass Gouda
394:for several years.
195:Zwart attended the
159:industrial designer
116:industrial designer
314:
306:
985:Media related to
948:Design Is History
442:three-dimensional
424:, repetition and
279:industrial design
184:functional design
139:
138:
67:24 September 1977
1067:
992:Finding Aid for
984:
960:
896:
865:
862:
856:
853:
847:
846:
835:
826:
823:
817:
814:
808:
805:
799:
798:
796:
795:
786:. Archived from
780:
774:
773:
771:
770:
764:www.stedelijk.nl
755:
749:
748:
737:
731:
730:
728:
727:
712:
706:
703:
697:
696:
689:
683:
680:
674:
668:
663:
657:
656:
654:
652:
637:
631:
630:
619:
600:
594:
581:
578:
572:
570:
568:[ˈzʋɑrt]
559:
508:
493:
478:
462:
398:Flooring Company
269:In 1942, during
152:
147:
124:
107:graphic designer
70:
51:
49:
37:
23:
1075:
1074:
1070:
1069:
1068:
1066:
1065:
1064:
1000:
999:
977:
959:The book of PTT
958:
928:Iconofgraphics
894:
873:
868:
863:
859:
854:
850:
843:Design Observer
837:
836:
829:
824:
820:
815:
811:
806:
802:
793:
791:
782:
781:
777:
768:
766:
757:
756:
752:
739:
738:
734:
725:
723:
714:
713:
709:
704:
700:
691:
690:
686:
681:
677:
666:
664:
660:
650:
648:
639:
638:
634:
621:
620:
603:
595:
584:
579:
575:
560:
556:
552:
544:
531:
523:
516:
509:
500:
494:
485:
479:
470:
466:
463:
454:
438:two-dimensional
434:
409:
400:
368:
337:primary colours
298:
275:internment camp
240:
193:
172:
167:
145:
122:
110:
78:
72:
68:
59:
53:
47:
45:
28:
21:
12:
11:
5:
1073:
1071:
1063:
1062:
1057:
1052:
1047:
1042:
1037:
1032:
1027:
1022:
1017:
1012:
1002:
1001:
998:
997:
990:
976:
975:External links
973:
972:
971:
969:Modernism 101
966:
955:
950:
945:
940:
935:
933:Design History
930:
925:
922:
919:
916:
913:
906:
905:
902:
891:
888:
877:
872:
869:
867:
866:
857:
848:
827:
818:
809:
800:
775:
750:
732:
707:
698:
684:
675:
658:
632:
601:
582:
573:
565:is pronounced
561:In isolation,
553:
551:
548:
543:
540:
530:
527:
522:
519:
518:
517:
510:
503:
501:
495:
488:
486:
480:
473:
471:
464:
457:
453:
450:
433:
430:
408:
405:
399:
396:
372:graphic design
367:
366:Working career
364:
352:Constructivism
329:constructivism
297:
294:
239:
236:
192:
189:
171:
168:
166:
163:
137:
136:
133:
129:
128:
125:
119:
118:
100:
99:Known for
96:
95:
92:
88:
87:
84:
80:
79:
73:
71:(aged 92)
65:
61:
60:
54:
43:
39:
38:
30:
29:
26:
13:
10:
9:
6:
4:
3:
2:
1072:
1061:
1058:
1056:
1053:
1051:
1048:
1046:
1043:
1041:
1038:
1036:
1033:
1031:
1028:
1026:
1023:
1021:
1018:
1016:
1013:
1011:
1008:
1007:
1005:
995:
991:
988:
983:
979:
978:
974:
970:
967:
965:
961:
956:
954:
951:
949:
946:
944:
941:
939:
936:
934:
931:
929:
926:
923:
920:
917:
914:
911:
910:
909:
903:
901:
897:
892:
889:
886:
882:
878:
875:
874:
870:
861:
858:
852:
849:
844:
840:
834:
832:
828:
822:
819:
813:
810:
804:
801:
790:on 2011-08-30
789:
785:
779:
776:
765:
761:
754:
751:
746:
742:
736:
733:
721:
717:
711:
708:
702:
699:
694:
688:
685:
679:
676:
673:
669:
662:
659:
646:
642:
636:
633:
628:
624:
618:
616:
614:
612:
610:
608:
606:
602:
598:
593:
591:
589:
587:
583:
577:
574:
569:
564:
558:
555:
549:
547:
541:
539:
535:
526:
520:
514:
507:
502:
498:
492:
487:
483:
477:
472:
469:
461:
456:
451:
449:
447:
443:
440:type and the
439:
431:
429:
427:
423:
419:
414:
406:
404:
397:
395:
393:
389:
385:
381:
377:
373:
365:
363:
361:
357:
353:
348:
346:
342:
338:
334:
330:
326:
322:
317:
310:
302:
295:
293:
291:
287:
282:
280:
276:
272:
267:
265:
261:
255:
253:
249:
245:
237:
235:
233:
229:
225:
221:
217:
212:
210:
206:
202:
198:
190:
188:
185:
181:
177:
169:
164:
162:
160:
156:
151:
143:
134:
130:
126:
120:
117:
113:
108:
104:
101:
97:
93:
89:
85:
81:
77:, Netherlands
76:
66:
62:
58:, Netherlands
57:
44:
40:
36:
31:
24:
19:
907:
884:
880:
860:
851:
842:
821:
812:
803:
792:. Retrieved
788:the original
778:
767:. Retrieved
763:
753:
744:
735:
724:. Retrieved
719:
716:"Piet Zwart"
710:
701:
687:
678:
661:
649:. Retrieved
644:
641:"Piet Zwart"
635:
626:
576:
562:
557:
545:
536:
532:
524:
515:stamp (1931)
465:Stamps 1931
435:
426:alliteration
410:
401:
369:
349:
344:
341:photomontage
318:
315:
296:Design Style
283:
271:World War II
268:
264:Dick Elffers
256:
241:
227:
215:
213:
200:
196:
194:
173:
141:
140:
123:Notable work
112:photographer
69:(1977-09-24)
1015:1977 deaths
1010:1885 births
651:17 December
452:Stamps 1931
432:Photography
422:visual puns
407:NKF Catalog
155:typographer
103:Typographer
83:Nationality
52:28 May 1885
18:Zwarte Piet
1004:Categories
987:Piet Zwart
871:References
794:2011-08-30
769:2024-01-22
726:2024-01-22
647:(in Dutch)
513:Wilhelmina
497:Wilhelmina
482:Wilhelmina
413:typography
321:typography
238:Later life
220:Leeuwarden
170:Early life
142:Piet Zwart
48:1885-05-28
27:Piet Zwart
758:Grrr.nl.
388:Jans Wils
376:architect
290:Rotterdam
191:Education
165:Biography
91:Education
75:Wassenaar
446:contrast
418:printing
380:Jan Wils
360:De Stijl
333:De Stijl
224:Voorburg
180:De Stijl
176:Zaandijk
56:Zaandijk
964:YouTube
900:YouTube
672:YouTube
511:Design
392:Berlage
384:Berlage
248:Bauhaus
722:. 1885
542:Awards
157:, and
132:Awards
563:Zwart
550:Notes
499:stamp
484:stamp
331:and "
325:Delft
260:fonts
86:Dutch
653:2020
382:and
358:and
356:Dada
64:Died
42:Born
962:on
898:on
670:on
645:RKD
1006::
841:.
830:^
762:.
743:.
718:.
643:.
625:.
604:^
585:^
354:,
211:.
161:.
114:,
105:,
887:.
845:.
797:.
772:.
747:.
729:.
695:.
655:.
629:.
571:.
230:(
203:(
144:(
109:,
50:)
46:(
20:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.