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in the guild year 1660-1661. His father was at the time the deacon of the guild. After being admitted as a master of the Guild he remained to work in his father's workshop as a collaborator.
70:. Travelling via Germany and Austria, he company arrived in Rome on 4 November 1674.The presence of P.II Verbruggen in Rome was found in Stati d'Anime (Cf. A. Jacobs in exhibition cat. exh.
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in
Antwerp which he executed with his father Pieter Verbrugghen I in 1670. His works belong to the Flemish High Baroque tradition. He was a fine craftsman rather than an original artist.
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who had been the master of his father. Pieter probably received his training from his father. He was admitted as a 'wijnmeester', i.e. son of a master, in the
Antwerp
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Pieter returned to
Antwerp in 1677 where he worked as an engraver. He became dean of the Guild in 1691. He married Maria Isabella Heck in 1688.
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74:, Rome, Istituto centrale de la Grafica, 2016 - 2017, p.64 ISBN 978-88-6557-326-6)> While there he is known to have made drawings after
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He is known for various designs of tombs and other religious structures including the designs for the high altar of the
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He died in
Antwerp where he was buried in St. Andrew Church on 12 October 1691. Joannes Boecksent was his pupil.
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Iris
Kockelbergh. "Verbrugghen." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 15 Oct. 2020
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Volume 2, Antwerp, 1864, pp. 313-314 and note 4, 322, 406, 464*, 477, 495, 500, 525, 527, 533, 535, 543, 557
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artists working in Rome, where he took the nickname (referred to as 'bent name') 'Ballon' (
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Alla luce di Roma. I disegni scenografici di scultori fiamminghi e il
Barocco romano
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Grove Art Online. Oxford Art Online. Oxford
University Press. Web. 1 Dec. 2013.
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on 8 September 1674 in the company of various persons including the painter
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De liggeren en andere historische archieven der
Antwerpsche sint Lucasgilde
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for 'balloon'). He was admitted to the
Bentvueghels at the same time as
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De groote schouburgh der
Nederlantsche konstschilders en schilderessen
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After completing his training and working in Antwerp, he set out for
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and antique sculptures, which were later used by his brother
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Design for main altar of the Antwerp St. Paul Church, 1670
39:sculptor, draughtsman, etcher and stone merchant.
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316:Drawing artists from the Holy Roman Empire
268:Iris Kockelbergh. "Pieter Verbrugghen I."
177:The Netherlands Institute for Art History
213:Ph. Rombouts and Th. van Lerius (eds.),
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47:Pieter Verbruggen was a son of
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35:– after 1691, Antwerp) was a
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331:Members of the Bentvueghels
138:Peter van der Brugghen (II)
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306:Flemish Baroque sculptors
249:Abraham Genoels biography
80:Hendrik Frans Verbrugghen
173:Pieter Verbruggen (II)
132:alternative spellings:
150:Peter Verbrugghen (II)
134:Pieter Verbruggen (II)
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326:Painters from Antwerp
251:in Arnold Houbraken,
146:Peter Verbruggen (II)
29:Pieter Verbrugghen II
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311:Artists from Antwerp
292:at Wikimedia Commons
194:Biographical details
120:Notes and references
98:and François Moens.
49:Pieter Verbrugghen I
76:Gianlorenzo Bernini
57:Guild of Saint Luke
53:Erasmus Quellinus I
199:2013-12-05 at the
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197:Archived
152:, alias
255:, 1718
88:Flemish
37:Flemish
33:Antwerp
31:(1648,
154:Ballon
92:Dutch
108:Work
64:Rome
43:Life
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