636:
832:
1418:
418:
3072:
1608:
1455:
1477:
1593:
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1440:
290:
1548:
706:(Fear God: Revelation 14:7). That an open disbeliever should inscribe himself with Timete Deum seems odd. The portrait in question shows a plump face, with small dark eyes, a short but well-cut nose, and sensuous lips; the neck is thick, the hair bushy and frizzled, and the general air imposing. The later portrait in the Cambio of Perugia shows the same face with traces of added years. Perugino died with considerable property, leaving three sons.
1564:
1532:
1516:
1501:
864:
851:
710:
2674:
789:, a square of 6.5 m containing about thirty life-sized figures; this was executed, with scarcely credible celerity, from March 1 to 25 (or thereabouts) in 1505, and must no doubt be in great part the work of Vannucci's pupils. In 1507, when the master's work had for years been in a course of decline and his performances were generally weak, he produced, nevertheless, one of his best paintings, the
49:
1880:
3084:
1934:
315:. Scholars continue to dispute the socioeconomic status of the Vannucci family. While certain academics maintain that Vannucci worked his way out of poverty, others argue that his family was among the wealthiest in the town. His exact date of birth is not known, but based on his age at death that was mentioned by
2223:
487:
accompanied
Perugino to Rome, and was made his partner, receiving a third of the profits. He may have done some of the Zipporah subject. The Sistine frescoes were the major high Renaissance commission in Rome. The altar wall was also painted with the
800:, now in the Palazzo Penna. In the church of S. Onofrio in Florence is a much lauded and much debated fresco of the Last Supper, a careful and blandly correct but uninspired work; it has been ascribed to Perugino by some connoisseurs, by others to
517:
Between 1486 and 1499, Perugino worked mostly in
Florence, making one journey to Rome and several to Perugia, where he may have maintained a second studio. He had an established studio in Florence, and received a great number of commissions. His
669:
to
Perugia from 1512. Among his latest works, many of which decline into repetitious studio routine, one of the best is the extensive altarpiece (painted between 1512 and 1517) of the church of San Agostino in Perugia, also now dispersed.
1103:
855:
635:
2151:
632:. The work was a failure, being accused of lack of innovation. Perugino lost his students; and toward 1506 he once more and finally, abandoned Florence, going to Perugia, and thence in a year or two to Rome.
557:. The humanist Francesco Maturanzio acted as his consultant. This extensive scheme, which may have been finished by 1500, comprised the painting of the vault, showing the seven planets and the signs of the
2271:
681:(1521, signed and dated), the monastery of Sant'Agnese in Perugia, and in 1522 for the church of Castello di Fortignano. Both series have disappeared from their places, the second being now in the
2167:
1650:
2477:
2397:
334:. The date of the first Florentine sojourn is unknown; some make it as early as 1466-1470, others push the date to 1479. According to Vasari, he was apprenticed to the workshop of
3154:
2453:
1417:
696:
Vasari is the main source stating that
Perugino had very little religion and openly doubted the soul's immortality. Perugino in 1494 painted his own portrait, now in the
561:(Perugino being responsible for the designs and his pupils most probably for the execution), and the representation on the walls of two sacred subjects: the Nativity and
2123:
596:): Vannucci brought an action for defamation of character, unsuccessfully. Put on his mettle by this mortifying transaction, he produced the masterpiece of the
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1971:
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996:
436:
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Perugia dedicated an important monument to
Perugino built in 1923 by the sculptor Enrico Quattrini and today visible in the Carducci Gardens.
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479:
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1114:
581:, who in boyhood, toward 1496, had been placed by his uncles under the tuition of Perugino, bore a hand in the work of the vaulting.
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figured in the program. On the mid-pilaster of the hall
Perugino placed his own portrait in bust-form. It is probable that
2862:
2855:
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1964:
1270:
539:. The same year, Perugino made Florence his permanent home once again, though he continued to accept some work elsewhere.
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980:
270:
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1365:
1317:
417:
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1826:
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1208:
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918:
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2333:
2115:
3134:
2706:
1957:
1891:
1745:. Vol. 2. Translated by Foster, Mrs. Jonathan. London: C. Scribner's sonsGeorge Bell and Sons. p. 316
1404:
617:
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693:. Like other plague victims, he was hastily buried in an unconsecrated field, the precise spot now unknown.
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2011:
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is an uncharacteristically stark work that avoids
Perugino's sometimes too easy sentimental piety.
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form. In 1472, he must have completed his apprenticeship since he was enrolled as a master in the
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Among his pupils were
Raphael, upon whose early work Perugino's influence is most noticeable,
796:
740:
535:, Perugino was to return to Florence in September 1493 to marry Chiara, daughter of architect
339:
289:
744:). The attribution to him of the painting of the marriage of Joseph and the Virgin Mary (the
661:, who had been trained by Perugino; and Vannucci, after painting the ceiling with figures of
2948:
2887:
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1736:
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988:
601:
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as the emblem of wisdom, and numerous life-sized figures of classic worthies, prophets, and
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274:
273:
of the
Umbrian school, developed some of the qualities that found classic expression in the
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Pietro most likely began studying painting in local workshops in
Perugia such as those of
2521:
752:, which indisputably served as the original, to a great extent, of the still more famous
434:
Perugino returned from Florence to Perugia, where his Florentine training showed in the
385:; he produced many cartoons for them also, which they executed with brilliant effect in
3062:
2634:
2609:
1944:
1732:
1125:
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932:
887:
697:
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570:
510:
452:
448:
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320:
316:
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1704:
863:
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709:
551:(money-changers or bankers) of Perugia asked him to decorate their audience-hall, the
3103:
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2128:
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907:
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891:
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604:, now disassembled and scattered among museums: the only portion in the Certosa is
589:
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370:
78:
48:
1299:
30:"Perugino" redirects here. For the Italian wine grape also known as Perugino, see
1910:
1859:
1740:
1349:
The Nativity: the Virgin, St. Joseph, and the Shepherds adoring the Infant Christ
366:. Pietro, although very talented, was not extremely enthusiastic about his work.
395:
3083:
780:); the other portions of the same altarpiece are dispersed in other galleries.
307:, the son of Cristoforo Maria Vannucci. His nickname characterizes him as from
17:
686:
678:
614:
the Virgin adoring the infant Christ, St. Michael, and St. Raphael with Tobias
103:
1807:
2577:
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765:
761:
31:
1933:
1861:
Catalogo dei quadri che si conservano nella Pinacoteca Vannucci in Perugia
1104:
Madonna with Child Enthroned between Saints John the Baptist and Sebastian
856:
Madonna with Child Enthroned between Saints John the Baptist and Sebastian
2224:
Madonna and Child with St John the Baptist and St Catherine of Alexandria
1212:
901:
804:; it may more probably be by some different pupil of the Umbrian master.
463:
138:
118:
3056:
2506:
1742:
Lives of Seventy of the Most Eminent Painters, Sculptors and Architects
1235:
945:
836:
801:
658:
578:
390:
308:
278:
2152:
Madonna and Child Enthroned with Saints John the Baptist and Sebastian
2683:
1369:
1321:
1303:
1080:
1035:
674:
558:
532:
525:
374:
312:
304:
142:
83:
1844:. New York: Reynal and Co., William Morrow and Company. p. 14.
734:). Toward 1496 he frescoed a crucifixion, commissioned in 1493 for
2618:
1949:
1885:
This article incorporates text from a publication now in the
1325:
1039:
862:
849:
830:
708:
634:
574:
497:
457:
1739:; Blashfield, Evangeline Wilbour; Hopkins, Albert Allis (eds.).
1274:
1196:
1171:
1159:
1096:
1055:
966:
777:
749:
666:
2581:
1953:
665:
in different glories, in five medallion-subjects, retired from
639:
God the Father and angels by Pietro Perugino on the ceiling of
207:
195:
1170:-Oil on panel, 262x215 cm, church of Santa Maria Nuova,
965:-Oil on panel, 212x172 cm, church of Santa Maria Nuova,
783:
In the chapel of the Disciplinati of Città della Pieve is an
222:
2168:
Madonna and Child with St John the Baptist and St Augustine
677:
were painted in the church of the Madonna delle Lacrime in
213:
198:
369:
Perugino was one of the earliest Italian practitioners of
204:
1364:
from S. Maria Assunta, at Fontignano, 254 x 594 cm,
1149:- Oil on panel, 52 x 44 cm, National Gallery, London
1138:- Oil on panel, 52 x 44 cm, Uffizi Gallery, Florence
1109:- Oil on panel, 178x164 cm, Uffizi Gallery, Florence
323:, it is believed that he was born between 1446 and 1452.
1651:
The American Heritage Dictionary of the English Language
592:
told Perugino to his face that he was a bungler in art (
2478:
Madonna and Child with St Herculanus and St Constantius
504:. These works were later destroyed to make a space for
1158:-Oil on panel, 193x165 cm, Pinacoteca Vaticana,
234:
210:
189:
1336:– Oil on panel, 334 x 225 cm (the main panel),
1316:— Tempera on canvas, 160 x 191 cm, painted for
440:
for the church of Santa Maria dei Servi of Perugia (
219:
192:
2958:
2940:
2922:
2872:
2816:
2752:
2737:
2681:
2616:
2556:
1987:
1461:
The Virgin and Child with Saints Jerome and Francis
1403:– Oil on Panel, 89 x 71 cm, Part of polyptych
760:, Milan), is now questioned, and it is assigned to
225:
201:
162:
148:
134:
124:
114:
92:
58:
39:
2272:Madonna and Child with the Infant John the Baptist
1921:. Vol. 11. New York: Robert Appleton Company.
1483:Virgin and Child between Saints Rosa and Catherine
1120:— Oil and tempera on panel, 53.8 × 39.5 cm,
649:had summoned Perugino to paint the Stanza of the
1904:. Vol. 21 (11th ed.). p. 279-280.
455:walls. The frescoes he executed there included
2124:Madonna and Child with St Rose and St Catherine
700:, and into it, he introduced a scroll entitled
27:Italian Renaissance painter (c. 1446 1452–1523)
2793:The Fall and Expulsion from the Garden of Eden
1945:Pietro Perugino at the National Gallery of Art
657:; but he soon preferred a younger competitor,
2593:
1965:
569:of Justice, Prudence, Temperance, Fortitude,
8:
1864:, by Galleria Nazionale dell'Umbria, (1903).
1766:
1764:
1762:
1760:
764:. A vastly finer work of Perugino's was the
730:for the Florentine convent of Santa Chiara (
447:). In about 1480, he was called to Rome by
2494:Madonna and Child with St Peter and St Paul
2971:Restoration of the Sistine Chapel frescoes
2749:
2600:
2586:
2578:
1972:
1958:
1950:
1855:
1853:
1851:
554:Sala delle Udienze del Collegio del Cambio
47:
36:
3155:16th-century deaths from plague (disease)
2770:The Creation of the Sun, Moon, and Plants
2044:St Sebastian between St Roch and St Peter
620:. This was succeeded in 1504–1507 by the
406:Virgin and Child Enthroned between Saints
373:. Some of his early works were extensive
1771:Garibaldi, Vittoria (2004). "Perugino".
1735:(1897) . "Pietro Perugino, Painter". In
416:
389:. A good specimen of his early style in
288:
1637:
1496:
1410:
565:; in addition, the Eternal Father, the
1091:- Tempera on panel, 174 x 88 cm,
2763:The Separation of Light from Darkness
2454:Baptism of Christ (Città della Pieve)
1389:- Oil on panel, 332.5 x 266 cm,
941:Cathedral of Saint Romulus of Fiesole
772:painted ca 1496–98 for the church of
249:
7:
2390:The Battle Between Love and Chastity
1294:— Oil on canvas, 181 × 115 cm,
588:of Perugia in 1501. On one occasion
2656:The Punishment of the Sons of Korah
2326:San Francesco al Prato Resurrection
2160:The Virgin appearing to St. Bernard
1412:Religious works, details, portraits
1179:San Francesco al Prato Resurrection
1063:The Virgin appearing to St. Bernard
1912:"Perugino (Pietro Vannucci)"
1115:St Sebastian (Perugino, Hermitage)
1075:— Oil on wood, 173 × 170 cm,
1009:— Oil on panel, 174 × 88 cm,
628:in Florence, in which he replaced
25:
2538:Madonna of Graces with Two Saints
2216:Madonna and Child with Two Saints
2176:Portrait of Francesco delle Opere
1909:Herbermann, Charles, ed. (1911).
1627:(1475–1529) – a pupil of Perugino
1586:Portrait of Francesco delle Opere
1133:Portrait of Francesco delle Opere
1050:— Oil on wood, 110 × 62 cm,
3082:
3070:
2776:The Separation of Land and Water
2672:
2208:Lamentation over the Dead Christ
1932:
1878:
1606:
1591:
1579:
1562:
1546:
1530:
1514:
1499:
1475:
1453:
1438:
1416:
1255:-Oil on panel, 330x265 cm,
1230:-Oil on panel, 180x158 cm,
1207:-Oil on panel, 415x246 cm,
1191:-Oil on panel, 233x165 cm,
931:-Oil on panel, 168x176 cm,
616:are among the treasures of the
185:
2028:Adoration of the Magi (Perugia)
1282:St. Sebastian Bound to a Column
1257:Pinacoteca Nazionale di Bologna
726:In 1495, he signed and dated a
612:has disappeared; three panels,
451:to paint fresco panels for the
2036:God the Father with Two Saints
1710:Merriam-Webster.com Dictionary
1232:Galleria Nazionale dell'Umbria
906:— painted for San Domenico at
641:Stanza dell'Incendio del Borgo
381:fathers, destroyed during the
358:is thought to have taught him
281:became his most famous pupil.
1:
3165:16th-century Italian painters
3160:15th-century Italian painters
3150:People from Città della Pieve
2514:Adoration of the Magi (Trevi)
2414:The Martyrdom of St Sebastian
2108:St Sebastian (Nationalmuseum)
1654:(5th ed.). HarperCollins
1486:
1464:
1427:
1381:
1352:
1286:
1247:
1222:
1183:
1067:
1026:
1001:
957:
923:
886:— Fresco, 335 × 600 cm,
871:
835:Monument to Pietro Vannucci,
717:
584:Perugino was made one of the
441:
263:
251:[ˈpjɛːtroperuˈdʒiːno]
66:
3145:Sistine Chapel wall frescoes
3110:Italian Renaissance painters
2707:The Vocation of the Apostles
2663:Testament and Death of Moses
2649:The Descent from Mount Sinai
2358:Madonna in Glory with Saints
2092:Portrait of Lorenzo di Credi
1842:The Complete Work of Raphael
1825:. New York: Reynal and Co.,
1823:The Complete Work of Raphael
1802:(3810): 584. 11 March 1900.
1613:Portrait of Lorenzo di Credi
1366:Victoria & Albert Museum
1243:Madonna in Glory with Saints
1034:— Panel, 176 × 116 cm,
974:Portrait of Lorenzo di Credi
912:National Gallery, Washington
756:painted by Raphael in 1504 (
606:God the Father with cherubim
299:Pietro Vannucci was born in
2642:The Crossing of the Red Sea
2311:Collegio del Cambio frescos
2304:Certosa di Pavia Altarpiece
1311:Combat of Love and Chastity
1144:Certosa di Pavia Altarpiece
271:Italian Renaissance painter
3186:
2966:Art patronage of Julius II
2486:Transfiguration Altarpiece
2280:Madonna della Consolazione
1840:Becherucci, Luisa (1969).
1827:William Morrow and Company
1821:Becherucci, Luisa (1969).
1679:Collins English Dictionary
1269:— Oil on wood, 234 × 185,
1087:Albani Torlonia Altarpiece
683:Victoria and Albert Museum
624:for the high altar of the
547:In 1499, the guild of the
399:(circular picture) in the
29:
3002:
2992:The Agony and the Ecstasy
2700:The Temptations of Christ
2670:
2116:Albani Torlonia Polyptych
1892:Rossetti, William Michael
1737:Blashfield, Edwin Howland
1380:(Sansepolcro Altarpiece;
736:Maria Maddalena de' Pazzi
46:
2721:The Delivery of the Keys
2546:Sant'Agostino Altarpiece
2446:St Sebastian (São Paulo)
2192:St Sebastian (Hermitage)
1773:Pittori del Rinascimento
1555:The Delivery of the Keys
1424:Assumption of the Virgin
1405:Birmingham Museum of Art
1318:Isabella d'Este studiolo
882:The Delivery of the Keys
689:in 1523 when he died of
626:Basilica dell'Annunziata
618:National Gallery, London
423:The Delivery of the Keys
364:Confraternity of St Luke
156:The Delivery of the Keys
53:Self-portrait, 1497–1500
3077:Vatican City portal
2808:The Drunkenness of Noah
2714:The Sermon on the Mount
2628:Moses Leaving for Egypt
2068:Moses Leaving for Egypt
1901:Encyclopædia Britannica
1338:Gallerie dell'Accademia
1296:São Paulo Museum of Art
1209:Galleria dell'Accademia
985:National Gallery of Art
748:) now in the museum of
377:for the convent of the
3089:Catholicism portal
3047:Bartolomeo della Gatta
2462:Sansepolcro Altarpiece
2406:Marriage of the Virgin
2382:Monteripido Altarpiece
2350:Vallombrosa Altarpiece
1996:Nativity of the Virgin
1264:Marriage of the Virgin
1203:Vallombrosa Altarpiece
877:
860:
839:
813:Eusebio da San Giorgio
723:
643:
431:
296:
3120:Italian male painters
3115:Quattrocento painters
2798:The Sacrifice of Noah
2693:The Baptism of Christ
2505:(c. 1505–1521) (with
2398:Adoration of the Magi
2248:St Sebastian (Louvre)
2127:(c. 1490–1492) (with
1918:Catholic Encyclopedia
1391:Sansepolcro Cathedral
1362:transferred to canvas
981:transferred to canvas
866:
853:
834:
786:Adoration of the Magi
776:, (Municipal Museum,
712:
638:
622:Annunziata Altarpiece
467:(often attributed to
437:Adoration of the Magi
420:
356:Piero della Francesca
336:Andrea del Verrocchio
292:
129:Andrea del Verrocchio
3026:Domenico Ghirlandaio
2976:Sistine Chapel Choir
2782:The Creation of Adam
2422:Annunziata Polyptych
2318:San Pietro Polyptych
2256:Decemviri Altarpiece
2100:Annunciation of Fano
2052:Delivery of the Keys
1941:at Wikimedia Commons
1446:Decemviri Altarpiece
1332:Annunziata Polyptych
1271:Musée des Beaux-Arts
1154:Decemviri Altarpiece
953:Annunciation of Fano
774:S. Pietro of Perugia
480:Delivery of the Keys
344:Domenico Ghirlandaio
311:, the chief city of
2788:The Creation of Eve
2470:Corciano Altarpiece
2366:Gonfalon of Justice
2296:Ascension of Christ
2136:Agony in the Garden
2020:Miracle of the Snow
1796:"Pietro Perugino".
1775:. Florence: Scala.
1539:Prophets and Sibyls
1523:Prophets and Sibyls
1377:Ascension of Christ
1193:Pinacoteca Vaticana
1093:Torlonia Collection
817:Mariano di Eusterio
770:Ascension of Christ
524:(1483–1493) in the
426:fresco, 1481–1482,
332:Fiorenzo di Lorenzo
328:Bartolomeo Caporali
167:Italian Renaissance
108:(now Umbria, Italy)
2635:The Youth of Moses
2530:Fontignano Madonna
2076:Apollo and Daphnis
1600:Madonna with Child
878:
868:Apollo and Marsyas
861:
840:
821:Giovanni di Pietro
724:
685:. He was still at
651:Incendio del Borgo
644:
598:Madonna and Saints
432:
297:
3170:Catholic painters
3097:
3096:
3016:Sandro Botticelli
2931:The Last Judgment
2918:
2917:
2575:
2574:
2565:Madonna and Child
2438:Madonna of Loreto
2374:Madonna and Child
2288:Madonna del Sacco
2240:Portrait of a Boy
2232:Pazzi Crucifixion
2084:Galitzin Triptych
2060:Baptism of Christ
1937:Media related to
1713:. Merriam-Webster
1625:Berto di Giovanni
1571:Portrait of a boy
1407:
1398:Saint Bartholomew
1393:
1372:
1345:
1328:
1306:
1277:
1259:
1238:
1215:
1199:
1174:
1162:
1150:
1139:
1128:
1110:
1099:
1083:
1058:
1052:Galleria Borghese
1042:
1017:
992:
969:
936:
914:
904:triptych, 1480s)
894:
741:Pazzi Crucifixion
474:Baptism of Christ
383:Siege of Florence
340:Leonardo da Vinci
301:Città della Pieve
294:Città della Pieve
242:-noh, -oo-
172:
171:
100:(aged 76–77)
75:Città della Pieve
16:(Redirected from
3177:
3140:Umbrian painters
3087:
3086:
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3073:
3031:Biagio d'Antonio
2949:Raphael Cartoons
2888:Erythraean Sibyl
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2430:Chigi Altarpiece
1974:
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1896:Perugino, Pietro
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1187: 1499–1501
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738:, Florence (the
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719:
673:Perugino's last
602:Certosa of Pavia
567:cardinal virtues
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348:Lorenzo di Credi
275:High Renaissance
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267: 1446/1452
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3135:Fresco painters
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3042:Luca Signorelli
3037:Piero di Cosimo
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3021:Cosimo Rosselli
3011:Pietro Perugino
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2728:The Last Supper
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2557:Works by studio
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2264:Fano Altarpiece
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1981:Pietro Perugino
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1186:
1166:Fano Altarpiece
1077:Alte Pinakothek
1070:
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960:
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874:
848:
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791:Virgin between
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630:Filippino Lippi
594:goffo nell arte
563:Transfiguration
545:
469:Luca Signorelli
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401:Musée du Louvre
352:Filippino Lippi
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256:Pietro Vannucci
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2568:(c. 1500–1510)
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2525:(c. 1521–1522)
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2498:
2497:(c. 1515–1520)
2490:
2482:
2474:
2466:
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2442:
2434:
2433:(c. 1506–1507)
2426:
2418:
2410:
2409:(c. 1500–1504)
2402:
2394:
2386:
2378:
2370:
2362:
2361:(c. 1500–1501)
2354:
2346:
2338:
2334:Mary Magdalene
2330:
2322:
2321:(c. 1496–1500)
2314:
2308:
2307:(c. 1496–1500)
2300:
2299:(c. 1496–1500)
2292:
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2284:
2283:(c. 1496–1498)
2276:
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2252:
2244:
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2204:
2203:(c. 1493–1495)
2196:
2188:
2187:(c. 1483–1495)
2180:
2172:
2164:
2163:(c. 1490–1494)
2156:
2148:
2147:(c. 1483–1493)
2140:
2139:(c. 1483–1493)
2132:
2120:
2112:
2104:
2103:(c. 1488–1490)
2096:
2088:
2080:
2072:
2064:
2056:
2055:(c. 1481–1482)
2048:
2040:
2032:
2031:(c. 1470–1476)
2024:
2023:(c. 1472–1474)
2016:
2015:(c. 1472–1473)
2008:
2004:Pietà Gonfalon
2000:
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1989:
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762:Lo Spagna
698:Uffizi Gallery
663:God the Father
647:Pope Julius II
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511:Last Judgement
453:Sistine Chapel
428:Sistine Chapel
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1829:. p. 12.
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485:Pinturicchio
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150:Notable work
98:(1523-00-00)
79:Papal States
3130:1523 deaths
3125:1446 births
2995:(1965 film)
2753:Scenes from
2608:Art of the
2549:(1502–1523)
2425:(1504–1507)
2313:(1496–1500)
2259:(1495–1496)
2200:Last Supper
2195:(1493–1494)
2184:Crucifixion
2039:(1477–1478)
1490: 1493
1468: 1507
1431: 1506
1385: 1510
1356: 1522
1226: 1500
1005: 1490
898:Crucifixion
875: 1490
846:Major works
721: 1490
703:Timete Deum
445: 1476
360:perspective
285:Early years
115:Nationality
70: 1446
3104:Categories
2941:Tapestries
2923:Altar wall
2012:Visitation
1705:"Perugino"
1674:"Perugino"
1646:"Perugino"
1632:References
1344:, Florence
1342:Annunziata
989:Washington
935:, Florence
754:Sposalizio
746:Sposalizio
728:Deposition
691:the plague
687:Fontignano
490:Assumption
338:alongside
104:Fontignano
2850:Zechariah
2803:The Flood
2465:(c. 1510)
2457:(c. 1510)
2449:(c. 1507)
2441:(c. 1507)
2377:(c. 1501)
2369:(c. 1501)
2353:(c. 1500)
2345:(c. 1500)
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2329:(c. 1499)
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2111:(c. 1490)
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2079:(c. 1483)
2071:(c. 1482)
2063:(c. 1482)
2047:(c. 1478)
2007:(c. 1472)
1999:(c. 1472)
1988:Paintings
1894:(1911). "
1808:1747-3594
1557:, fresco
1360:— Fresco
1300:São Paulo
1015:Stockholm
827:Monuments
766:polyptych
502:Bulrushes
449:Sixtus IV
379:Ingessati
125:Education
32:Trebbiano
2832:Jeremiah
2817:Prophets
2682:Life of
2617:Life of
1749:14 March
1619:See also
1598:Detail,
1553:Detail,
1541:, fresco
1537:Detail,
1525:, fresco
1521:Detail,
1506:Detail,
1213:Florence
902:Galitzin
675:frescoes
600:for the
494:Nativity
464:Zipporah
375:frescoes
247:Italian:
163:Movement
139:Painting
86:, Italy)
3057:Raphael
2959:Related
2838:Ezekiel
2755:Genesis
2744:Gallery
2739:Ceiling
2507:Raphael
1889::
1872:Sources
1717:23 June
1689:23 June
1658:23 June
1508:Madonna
1314:(1503)
1236:Perugia
1205:(1500)
1168:(1497)
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768:of the
659:Raphael
653:in the
579:Raphael
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471:), the
430:, Rome
403:of the
393:is the
391:tempera
309:Perugia
279:Raphael
254:; born
119:Italian
2873:Sibyls
2863:Daniel
2856:Isaiah
2684:Christ
2541:(1522)
2533:(1522)
2489:(1517)
2481:(1515)
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1370:London
1322:Louvre
1304:Brazil
1081:Munich
1036:Louvre
991:, D.C.
859:, 1493
819:, and
586:priors
575:sibyls
559:zodiac
549:cambio
533:Vasari
526:Uffizi
496:, and
492:, the
477:, and
317:Vasari
313:Umbria
305:Umbria
143:fresco
84:Umbria
2825:Jonah
2619:Moses
2144:Pietà
1326:Paris
1040:Paris
919:Pietà
900:(the
758:Brera
714:Pietà
679:Trevi
608:. An
521:Pietà
498:Moses
458:Moses
396:tondo
82:(now
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1804:ISSN
1777:ISBN
1751:2024
1719:2019
1691:2019
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1340:and
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667:Rome
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