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101:, after which the upper body was hand-formed while the clay was still malleable. Some have feet peeping out from under their skirt. They always have raised hands, normally with palms pointing sideways or out, and there is often a hole at the top of the head, perhaps to help firing, while the openings at the ears may be intended to suggest readiness to hear prayers. Most are unpainted. They relate to other, less stylized, types of Minoan clay goddess figures.
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believed that a second meaning of the depiction and use of poppies in the Greco-Roman myths is the symbolism of the bright scarlet colour as signifying the promise of resurrection after death and that the poppy was the emblem of the goddess
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The figurines found at Gazi, which are larger than any previously produced on Minoan Crete, are rendered in an extremely stylized manner. The bodies are rigid, the skirts simple cylinders, and the poses stereotyped.
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figurines were found in public sanctuaries, not only in palace-sanctuaries, as is usual in earlier periods. Clay figurines of the goddess with raised hands also were found in the shrine of double axes in
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Interpreters speculate that the raised hands of the figurine who gazes toward the visitor indicate that it is a deity and that the gesture of the two upraised hands with open palms is an
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influence particularly on art was strong over the island, showing that Crete had become little more than a province of the
Mycenean world after the Mycenean invasion in 1450 BC.
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gesture of the goddess. It is possible that the goddess is giving a greeting, or a blessing, or is praying, or it may symbolize her appearance in earth in human form.
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Terracottas from Gazi in AM Heraklion, 1300-1100 BC, including the poppy goddess, but birds are more common here.
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shared the view that the imagery of the gathered poppy reeds in the figurine's hands are associated with the
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on the head. Other figures have different ornaments to the head, including many birds, and the
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asserted that poppies were connected with a Cretan cult that was transmitted to the
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The Poppy: A Cultural
History from Ancient Egypt to Flanders Fields to Afghanistan
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is perhaps a representation of the goddess as the bringer of sleep or death.
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and it is almost certain that in the Cretan cult sphere
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showing a seated goddess bearing three poppy seedcases
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Type of large female terracotta figurine in Minoan art
181:for the Greeks Demeter was a poppy goddess bearing
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goddess" figurine from the sanctuary at Gazi, Crete
391:Dionysos. Archetypal image of Indestructible life.
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215:: "It seems probable that the Great
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427:The Arts in Prehistoric Greece
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231:was prepared from poppies."
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189:vii 157).
179:Theocritus
52:Minoan art
468:Figurines
338:, (2013)
62:, rather
42:The name
250:See also
163:epiphany
114:Mycenean
225:Eleusis
198:Mycenae
183:sheaves
175:Demeter
139:Prinias
127:Gournia
123:Knossos
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131:Myrtos
87:diadem
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187:Idyll
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360:ISBN
221:Rhea
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