396:
22:
58:
68:
Delphine was the daughter of
Dominique Ramel (1777–1860) and the niece of Charles Marcotte d'Argenteuil. She is presented as warm and engaging, devoid of the upper-class pretensions that marked most of his other later-period female portraits. Ingres depicted her in the same pose in a drawing dated
50:, completed in 1859. Depicting his second wife Delphine Ramel (he was widowed in 1849), it is Ingres' final painted portrait, apart from two self-portraits. It was probably painted to accompany Ingres's self-portrait of the same year, now in the
263:
196:
146:
Wolohojian, Stephan (ed). "A Private
Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthop Collection, Harvard University". NY: Metropolitan Museum of Art, 2003.
231:
720:
214:
295:
606:
383:
582:
566:
189:
502:
311:
574:
673:
614:
182:
303:
168:
151:
590:
622:
518:
359:
141:
335:
510:
494:
427:
351:
327:
239:
558:
319:
255:
630:
205:
47:
542:
287:
725:
598:
534:
459:
638:
550:
367:
279:
730:
486:
419:
681:
411:
395:
375:
665:
343:
451:
103:
443:
271:
247:
526:
164:
147:
137:
115:
467:
435:
21:
62:
51:
699:
30:
714:
156:
43:
57:
174:
132:
Brettell, Richard R., Paul Hayes Tucker, and
Natalie H. Lee. 2009.
56:
178:
264:
Virgil reading The Aeneid before
Augustus, Livia and Octavia
42:
is a late period oil on canvas painting by the French
118:". Harvard College, 2016. Retrieved 23 September 2017
232:
692:
657:
478:
403:
221:
136:. New York: Metropolitan Museum of Art. p. 14.
163:. New York: Metropolitan Museum of Art, 1999.
190:
8:
607:Luigi Cherubini and the Muse of Lyric Poetry
384:Joan of Arc at the Coronation of Charles VII
296:Don Pedro of Toledo Kissing Henry IV's Sword
583:Portrait of Madame Marcotte de Sainte-Marie
567:Portrait of Caroline Murat, Queen of Naples
134:Nineteenth- and Twentieth-century Paintings
721:Portraits by Jean-Auguste-Dominique Ingres
197:
183:
175:
312:Henry IV Receiving the Spanish Ambassador
16:Painting by Jean-Auguste-Dominique Ingres
575:Portrait of Madame Jacques-Louis Leblanc
20:
78:
161:Portraits by Ingres: Image of an Epoch
7:
615:Portrait of Comtesse d'Haussonville
503:Portrait of Marie-Françoise Rivière
304:Aretino and Charles V's Ambassador
61:Portrait of Delphine Ramel, 1855,
14:
623:Portrait of Baronne de Rothschild
519:Napoleon I on His Imperial Throne
360:The Martyrdom of Saint Symphorian
394:
674:Self-Portrait at Seventy-Eight
591:Portrait of Amédée de Pastoret
559:Portrait of Madame de Senonnes
336:The Dauphin's Entry Into Paris
320:The Death of Leonardo da Vinci
1:
631:Portrait of Madame Moitessier
511:Mademoiselle Caroline Rivière
495:Portrait of Philibert Rivière
206:Jean-Auguste-Dominique Ingres
69:1855 in the Fogg Art Museum.
48:Jean-Auguste-Dominique Ingres
543:Portrait of Charles Marcotte
599:Portrait of Monsieur Bertin
535:Portrait of Madame Duvaucey
256:Romulus' Victory Over Acron
747:
647:Portrait of Madame Ingres
392:
212:
39:Portrait of Madame Ingres
27:Portrait of Madame Ingres
639:The Princesse de Broglie
551:Portrait of Paul Lemoyne
368:The Illness of Antiochus
280:Raphael and La Fornarina
29:, 1859, 121.3 x 90.8cm.
487:Bonaparte, First Consul
352:The Apotheosis of Homer
412:The Half-Length Bather
328:Roger Freeing Angelica
240:Oedipus and the Sphinx
65:
34:
682:Antwerp Self-Portrait
666:Self-Portrait Aged 24
428:La Dormeuse de Naples
344:The Vow of Louis XIII
60:
24:
452:Odalisque with Slave
420:The Valpinçon Bather
288:Paolo and Francesca
272:The Dream of Ossian
104:Brettell et al., 14
726:Portraits of women
248:Jupiter and Thetis
66:
35:
708:
707:
215:List of paintings
169:978-0-300-08653-9
152:978-1-5883-9076-9
738:
468:The Turkish Bath
460:Venus Anadyomene
436:Grande Odalisque
398:
199:
192:
185:
176:
119:
112:
106:
101:
95:
92:
86:
83:
746:
745:
741:
740:
739:
737:
736:
735:
711:
710:
709:
704:
688:
653:
474:
399:
390:
223:
217:
208:
203:
173:
128:
123:
122:
113:
109:
102:
98:
93:
89:
85:Wolohojian, 206
84:
80:
75:
63:Fogg Art Museum
52:Fogg Art Museum
17:
12:
11:
5:
744:
742:
734:
733:
731:1859 paintings
728:
723:
713:
712:
706:
705:
703:
702:
696:
694:
690:
689:
687:
686:
678:
670:
661:
659:
658:Self-portraits
655:
654:
652:
651:
643:
635:
627:
619:
611:
603:
595:
587:
579:
571:
563:
555:
547:
539:
531:
527:La Belle Zélie
523:
515:
507:
499:
491:
482:
480:
476:
475:
473:
472:
464:
456:
448:
440:
432:
424:
416:
407:
405:
401:
400:
393:
391:
389:
388:
380:
372:
364:
356:
348:
340:
332:
324:
316:
308:
300:
292:
284:
276:
268:
260:
252:
244:
236:
227:
225:
219:
218:
213:
210:
209:
204:
202:
201:
194:
187:
179:
172:
171:
157:Tinterow, Gary
154:
144:
129:
127:
124:
121:
120:
107:
96:
87:
77:
76:
74:
71:
15:
13:
10:
9:
6:
4:
3:
2:
743:
732:
729:
727:
724:
722:
719:
718:
716:
701:
698:
697:
695:
691:
684:
683:
679:
676:
675:
671:
668:
667:
663:
662:
660:
656:
649:
648:
644:
641:
640:
636:
633:
632:
628:
625:
624:
620:
617:
616:
612:
609:
608:
604:
601:
600:
596:
593:
592:
588:
585:
584:
580:
577:
576:
572:
569:
568:
564:
561:
560:
556:
553:
552:
548:
545:
544:
540:
537:
536:
532:
529:
528:
524:
521:
520:
516:
513:
512:
508:
505:
504:
500:
497:
496:
492:
489:
488:
484:
483:
481:
477:
470:
469:
465:
462:
461:
457:
454:
453:
449:
446:
445:
441:
438:
437:
433:
430:
429:
425:
422:
421:
417:
414:
413:
409:
408:
406:
402:
397:
386:
385:
381:
378:
377:
373:
370:
369:
365:
362:
361:
357:
354:
353:
349:
346:
345:
341:
338:
337:
333:
330:
329:
325:
322:
321:
317:
314:
313:
309:
306:
305:
301:
298:
297:
293:
290:
289:
285:
282:
281:
277:
274:
273:
269:
266:
265:
261:
258:
257:
253:
250:
249:
245:
242:
241:
237:
234:
233:
229:
228:
226:
220:
216:
211:
207:
200:
195:
193:
188:
186:
181:
180:
177:
170:
166:
162:
158:
155:
153:
149:
145:
143:
142:9780691145365
139:
135:
131:
130:
125:
117:
116:Change of Art
111:
108:
105:
100:
97:
94:Tinterow, 433
91:
88:
82:
79:
72:
70:
64:
59:
55:
53:
49:
45:
41:
40:
33:, Switzerland
32:
28:
23:
19:
700:Musée Ingres
680:
672:
664:
646:
645:
637:
629:
621:
613:
605:
597:
589:
581:
573:
565:
557:
549:
541:
533:
525:
517:
509:
501:
493:
485:
466:
458:
450:
442:
434:
426:
418:
410:
382:
374:
366:
358:
350:
342:
334:
326:
318:
310:
302:
294:
286:
278:
270:
262:
254:
246:
238:
230:
160:
133:
110:
99:
90:
81:
67:
44:Neoclassical
38:
37:
36:
31:Am Römerholz
26:
18:
685:(1864-1865)
642:(1851–1853)
634:(1844–1856)
376:The Odyssey
291:(1814–1819)
715:Categories
444:The Source
54:, Boston.
506:(1805–06)
479:Portraits
224:paintings
447:(c 1820)
222:History
25:Ingres,
693:Museums
126:Sources
46:artist
677:(1858)
669:(1806)
650:(1859)
626:(1848)
618:(1845)
610:(1842)
602:(1832)
594:(1826)
586:(1826)
578:(1823)
570:(1814)
562:(1814)
554:(1811)
546:(1810)
538:(1807)
530:(1806)
522:(1806)
514:(1806)
498:(1805)
490:(1804)
471:(1863)
463:(1848)
455:(1842)
439:(1814)
431:(1809)
423:(1808)
415:(1807)
387:(1854)
379:(1850)
371:(1840)
363:(1834)
355:(1827)
347:(1824)
339:(1821)
331:(1819)
323:(1818)
315:(1817)
307:(1815)
299:(1814)
283:(1813)
275:(1813)
267:(1812)
259:(1812)
251:(1811)
243:(1808)
235:(1801)
167:
150:
140:
404:Nudes
73:Notes
165:ISBN
148:ISBN
138:ISBN
717::
159:.
198:e
191:t
184:v
114:"
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.