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Quitéria served in the
Brazilian War of Independence between 1822 and 1823 dressed as a man. She was subsequently promoted to cadet and Lieutenant, and ultimately decorated with the Imperial order. She, along with
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to prominent figures in the fight for the
Independence of Brazil. The insignia of the Imperial Order is formed by a white star with five forked and
115:(1872-1923). Failutto, an Italian who worked in Brazil between 1917 and 1922, completed the work in 1920 on the occasion of the centenary of the
158:, which got its nickname due to the yellow color on the cuffs and collar of their blue uniform. The background is an idealized landscape of the
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is depicted flowing towards the horizon; it connects the interior city of
Cachoeira, the scene of the independence movement, to the
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in
Salvador, are known as the three Bahian women resistance fighters in the War of Independence against the Portuguese.
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The painting is in oil on canvas. It measures 233 centimetres (92 in) high and 133 centimetres (52 in) wide.
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to place in its Hall of Honor, where it remains; Failutti also painted portraits of Sister Joana Angélica and
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Quitéria is depicted in the painting in military clothing holding a musket. The uniform is typical of the
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271:"Les portraits de l'Impératrice. Genre et politique dans la peinture d'histoire du Brésil"
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166:. The Bahian Recôncavo was the stage fighting in which Quitéria participated. The
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233 cm × 133 cm (92 in × 52 in)
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points; the portrait incorrectly depicts it as a four-pointed star.
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123:(1792-1853), a combatant and folk hero in the campaign for the
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Lima Junior, Carlos; Simioni, Ana Paula
Cavalcanti (2018).
234:"História nacional em São Paulo: o Museu Paulista em 1922"
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Anais do Museu
Paulista: História e Cultura Material
177:Maria Quitéria wears the insignia of Knight of the
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181:on her left breast, a distinction offered by
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100:Portrait of Maria Quitéria de Jesus Medeiros
22:Portrait of Maria Quitéria de Jesus Medeiros
109:Retrato de Maria Quitéria de Jesus Medeiros
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321:Museologia & Interdisciplinaridade
269:Cavalcanti Simioni, Ana Paula (2014).
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240:(in Portuguese). 10–11 (1): 79–103.
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232:Brefe, Ana Cláudia Fonseca (2003).
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16:1920 painting by Domenico Failutti
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197:The work was commissioned by the
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207:Princess Leopoldina of Brazil
209:(1847-1871) for the museum.
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179:Imperial Order of Cruzeiro
275:Nuevo Mundo Mundos Nuevos
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284:10.4000/nuevomundo.66390
133:Maria Felipa de Oliveira
156:Batalhão dos Periquitos
135:(died 1873) and Sister
121:Maria Quitéria de Jesus
69:Maria Quitéria de Jesus
117:Independence of Brazil
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317:"Heroínas em batalha"
125:Independence of Bahia
193:Purchase and display
139:(1761-1822) of the
111:) is a painting by
372:Portraits of women
367:Museu do Ipiranga
323:(in Portuguese).
172:Bay of All Saints
113:Domenico Failutti
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40:Domenico Failutti
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168:Paraguaçu River
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141:Convent of Lapa
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137:Joana Angélica
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183:Dom Pedro I
147:Description
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213:References
187:maçanetada
105:Portuguese
75:Dimensions
343:2238-5436
293:1626-0252
256:0101-4714
203:São Paulo
91:São Paulo
60:on canvas
164:Salvador
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49:1920
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58:Oil
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