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157:). Copies produced in the 17th century show Castiglione's hands in full, suggesting that the picture was subsequently cut by several inches at the bottom (at a later date researchers determined it has not been cut). Castiglione is seated against an earth-toned background and wears a dark doublet with a trim of squirrel fur and black ribbon; on his head is a turban topped by a notched beret. The attire indicates that this was painted during the winter, likely that of 1514–1515, when Castiglione was in Rome by appointment of Guidobaldo da Montefeltro to
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161:. The lightest areas are the subject's face seen nearly head-on, a billow of white shirt front at his chest, and his folded hands, which are mostly cropped at the bottom edge of the canvas. Castiglione is seen as vulnerable, possessing a humane sensitivity characteristic of Raphael's later portraits. The soft contours of his clothing and rounded beard express the subtlety of the subject's personality. In his
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noted the counter-intuitive handling of gray velvet (actually a fur) as contrary to an academic modeling of form, with the broad surfaces banked in rich darkness and the fabric shining most brightly as it turns away from the light. For Gowing, "The picture has the subtlety of baroque observation but
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may have had a practical and intimate purpose. Castiglione left his family behind when he went to Rome, and he wrote a poem in which he imagined his wife and son consoling themselves with the picture during his absence.
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The portrait was produced as a result of
Raphael's friendship with Castiglione, whose ascent in courtly circles paralleled that of the artist. They were close friends by 1504, when Castiglione made his second visit to
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much like that which adorned
Raphael's painting, perhaps indicating Ingres's ambitions, while also underscoring the paintings' similarities of coloration and extraordinary illusionism. At the turn of the 20th century
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is generally seen as owing a strong compositional debt to
Raphael's painting, and also reflects Castiglione's influential advice regarding the restrained elegance of attire recommended for courtiers. In 1639
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exclaimed of
Raphael's portrait: "How well rounded the forehead is, with all the distinct planes. How well balanced the patches in the unity of the whole...."
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The composition is pyramidal. It's one of only two
Raphael's paintings on canvas (it was considered before as originally painted on a wood panel, and later
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108:. Considered one of the great portraits of the Renaissance, it has an enduring influence. It depicts Raphael's friend, the diplomat and humanist
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the stillness and noble contour of classic painting at its peak." The portrait's composition and atmospheric quality suggest an homage to the
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Notwithstanding shifts in the critical appraisal of
Raphael's work, the painting has enjoyed consistent admiration from other artists.
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was strongly influenced by this portrait, and may have first viewed it in
Castiglione's home in Mantua. The Venetian master's
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Castiglione argued on behalf of the cultivation of fine manners and dress. He popularized the term
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The picture's elegance of execution is consistent with the attitude of the subject. Art historian
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flourish, quite different from the original painting's sober restraint. In the 19th century
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stands as a final solution for single male portraiture within the
Renaissance style...."
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Writing about the Titian portrait, Serena
Padovani disagreed, calling the connection to
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Culture & Values, Volume II: A Survey of the
Humanities with Readings
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82 cm × 67 cm (32 in × 26 in)
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Portrait de l'ami en homme de cour. Portrait de Balthazar Castiglione
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Portrait of Doña Isabel de Requesens y Enríquez de Cardona-Anglesola
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Portrait of Baldassarre Castiglione by Raphael - Louvre (INV 611)
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drew a sketch of the painting while it was being auctioned in
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Loudon, Lynn M. "Sprezzatura" in Raphael and Castiglione,
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Titian•Tintoretto•Veronese: Rivals in Renaissance Florence
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is a c. 1514–1515 oil painting attributed to the Italian
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Center for Research and Restoration of Museums of France
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Portrait of Baldassare Castiglione (1478–1529), Louvre
672:. New Haven and London, Yale University Press, 1983.
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660:Jones, Jonathan. Baldassare Castiglione, Raphael,
143:in that fresco may be a portrait of the courtier.
1767:Portrait of Andrea Navagero and Agostino Beazzano
229:. Both Rembrandt's and Rubens's versions display
635:. New York, Stewart, Tabori & Chang, 1987.
780:
596:Rembrandt's Journey: Painter•Draftsman•Etcher
335:Self Portrait with Beret and Turned-Up Collar
8:
2272:(1507–1520) (continued by other architects)
2060:The Expulsion of Heliodorus from the Temple
2451:Paintings in the Louvre by Italian artists
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1984:Portrait of Pope Leo X with Two Cardinals
695:. New York, Harry N. Abrams, Inc., 1999.
612:. New York, Harry N. Abrams, Inc., 1976.
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623:Cunningham, Lawrence S., Reich, John J.
2076:The Meeting of Leo the Great and Attila
1495:Portrait of Cardinal Alessandro Farnese
738:high definition picture of the painting
693:Portraits by Ingres: Images of an Epoch
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535:, 188. Venice, Marsilio Editori, 1990.
1260:Portrait of Guidobaldo da Montefeltro
1086:Portrait of Emilia Pia da Montefeltro
649:. Boston, Museum of Fine Arts, 2009.
598:. Boston, Museum of Fine Arts, 2003.
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302:Self-portrait Leaning on a Stone Sill
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1744:Christ Falling on the Way to Calvary
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1393:Portrait of a Young Woman (La Muta)
1230:Madonna with Beardless Saint Joseph
1729:Portrait of Baldassare Castiglione
731:Portrait of Baldassare Castiglione
529:Portrait of Baldassare Castiglione
286:Portrait of a Man (Tommaso Mosti?)
210:Portrait of a Man (Tommaso Mosti?)
199:Portrait of Baldassare Castiglione
147:Portrait of Baldassare Castiglione
97:Portrait of Baldassare Castiglione
22:Portrait of Baldassare Castiglione
14:
2044:Disputation of the Holy Sacrament
708:The World of Rembrandt: 1606–1669
2456:Portrait paintings in the Louvre
2052:Cardinal and Theological Virtues
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2313:Antonio da Sangallo the Younger
1858:Saint Michael Vanquishing Satan
856:Madonna and Child with the Book
668:Jones, Roger; Penny, Nicholas.
350:Jean Auguste Dominique Ingres,
259:, the painting was acquired by
129:in 1505 to paint a picture for
2386:Multi-Purpose Logistics Module
2172:Saint Paul Preaching in Athens
1071:Portrait of Elisabetta Gonzaga
687:, Vol. 28, No. 1, Autumn 1968.
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2124:Miraculous Draught of Fishes
1835:Madonna with the Blue Diadem
1820:The Ecstasy of Saint Cecilia
710:. New York: Time-Life Books.
389:List of paintings by Raphael
139:, and that the depiction of
2355:(disciple and collaborator)
2156:Conversion of the Proconsul
2007:Self-Portrait with a Friend
1146:Saint George and the Dragon
714:White, Christopher, et al.
645:Ilchman, Frederick, et al.
353:Portrait of Monsieur Bertin
240:Portrait of Monsieur Bertin
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2311:(1518–1525) (completed by
2297:(1509–1575) (completed by
2199:Adoration of the Shepherds
2084:Deliverance of Saint Peter
1714:Portrait of Bindo Altoviti
1578:Portrait of Pope Julius II
1354:(1507–1508) (completed by
1336:Madonna of the Baldacchino
1275:Portrait of Maddalena Doni
932:The Marriage of the Virgin
533:Titian: Prince of Painters
263:in 1661 from the heirs of
223:Courtauld Institute of Art
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2295:Sant'Eligio degli Orefici
2276:Palazzo Jacopo da Brescia
1942:Portrait of a Young Woman
1631:Madonna of the Candelabra
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248:copied the painting, and
127:Guidobaldo da Montefeltro
26:
2360:Raphael and La Fornarina
2132:Christ's Charge to Peter
1850:Holy Family of Francis I
1423:Niccolini-Cowper Madonna
1207:Young Woman with Unicorn
1056:Portrait of Pietro Bembo
718:. Yale University Press.
706:Wallace, Robert (1968).
627:. Cengage Learning, 2009
164:The Book of the Courtier
2336:Giovanni Santi (father)
2140:Healing of the Lame Man
1691:Portrait of a Young Man
1245:Portrait of Agnolo Doni
1161:Young Man with an Apple
691:Tinterow, Gary, et al.
633:Paintings in the Louvre
2461:16th-century portraits
2253:Raffaello da Montelupo
1661:Madonna dell'Impannata
1616:Madonna della Seggiola
1510:Portrait of a Cardinal
1192:Madonna del Cardellino
840:Resurrection of Christ
475:Cunningham, Reich, 319
237:chose a frame for his
110:Baldassare Castiglione
2092:The Fire in the Borgo
1759:Creation of the World
1601:Madonna with the Fish
1363:Canigiani Holy Family
155:transferred to canvas
2446:Portraits by Raphael
2349:(mistress and model)
2343:(mistress and model)
2315:and other disciples)
2303:Bastiano da Sangallo
2247:–1524) (executed by
2228:(1520) (executed by
2102:–1517) (executed by
2036:The School of Athens
1298:Madonna of the Pinks
1131:Madonna del Granduca
1101:Small Cowper Madonna
955:Portrait of Perugino
761:at Wikimedia Commons
716:Rembrandt by himself
664:. 12 September 2003.
594:Ackley, Clifford S.
426:Jones and Penny, 162
271:Influenced paintings
136:The School of Athens
2417:Also attributed to
2164:Sacrifice at Lystra
2068:The Mass at Bolsena
1999:Madonna of the Rose
1676:Madonna della Tenda
1356:Ridolfo Ghirlandaio
1351:La belle jardinière
1313:Bridgewater Madonna
894:Conestabile Madonna
733:(1478–1529), Louvre
177:William Shakespeare
16:Painting by Raphael
2299:Baldassare Peruzzi
1563:Madonna of Foligno
1555:The Prophet Isaiah
1116:Terranuova Madonna
970:Colonna Altarpiece
940:Diotallevi Madonna
924:Vision of a Knight
824:Baronci Altarpiece
631:Gowing, Lawrence.
531:"rather dubious".
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2115:Tapestry cartoons
1969:Madonna de Bogota
1923:Small Holy Family
1540:Madonna of Loreto
1408:Esterhazy Madonna
1222:Madonna del Prato
1033:Florentine period
909:Portrait of a Man
807:List of paintings
757:Media related to
740:, website of the
655:978-0-87846-739-6
227:Peter Paul Rubens
225:, was painted by
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2:
2483:
2472:
2471:Raphael rooms
2469:
2467:
2464:
2462:
2459:
2457:
2454:
2452:
2449:
2447:
2444:
2443:
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2353:Giulio Romano
2351:
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2201:
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2196:
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2165:
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2112:
2105:
2104:Giulio Romano
2094:
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2057:
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2041:
2038:
2037:
2033:
2030:
2029:
2028:The Parnassus
2025:
2024:
2022:
2020:
2019:Raphael Rooms
2016:
2009:
2008:
2004:
2001:
2000:
1996:
1986:
1985:
1981:
1971:
1970:
1966:
1963:
1962:
1958:
1955:
1954:Giulio Romano
1952:–1519) (with
1944:
1943:
1939:
1936:
1935:Giulio Romano
1933:–1519) (with
1925:
1924:
1920:
1917:
1916:
1912:
1902:
1901:
1897:
1887:
1886:Giulio Romano
1883:
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1431:Tempi Madonna
1428:
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1176:Self-portrait
1173:
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1128:
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1038:
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1015:Saint Michael
1012:
1002:
1001:
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987:
986:
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942:
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926:
925:
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871:Solly Madonna
868:
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837:
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829:
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702:
701:0-8109-6536-4
698:
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679:
678:0-300-03061-4
675:
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663:
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641:1-55670-007-5
638:
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621:
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618:0-8109-0432-2
615:
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605:
604:0-87846-677-0
601:
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587:
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568:
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559:Tinterow, 305
556:
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541:
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409:
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394:
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387:
386:
382:
380:
378:
377:
372:
371:Alain Jaubert
368:
361:
355:
354:
346:
341:
337:
336:
328:
323:
319:
318:Self Portrait
312:
307:
303:
296:
291:
287:
280:
275:
270:
268:
266:
262:
258:
253:
251:
247:
246:Henri Matisse
242:
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236:
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200:
196:
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185:
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111:
107:
103:
99:
98:
88:
84:
81:
77:
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70:
66:
62:
59:
58:Oil on canvas
56:
52:
48:
44:
41:
38:
34:
30:
25:
20:
2392:
2383:
2376:La Fornarina
2375:
2370:(1894 opera)
2367:
2359:
2321:(decoration)
2309:Villa Madama
2270:Chigi Chapel
2235:
2223:
2197:
2189:
2170:
2162:
2154:
2146:
2138:
2130:
2122:
2090:
2082:
2074:
2066:
2058:
2050:
2042:
2034:
2026:
2005:
1997:
1982:
1967:
1959:
1940:
1921:
1915:La Fornarina
1913:
1898:
1879:
1864:
1856:
1848:
1833:
1818:
1803:
1788:
1773:
1765:
1757:
1742:
1728:
1727:
1712:
1704:
1689:
1674:
1659:
1644:
1629:
1614:
1599:
1584:
1581:(1511, 1512)
1576:
1561:
1553:
1538:
1525:Alba Madonna
1523:
1508:
1493:
1478:
1463:
1457:Roman period
1437:
1429:
1421:
1406:
1391:
1376:
1361:
1349:
1334:
1326:
1311:
1296:
1288:
1273:
1258:
1243:
1228:
1220:
1205:
1190:
1182:
1174:
1159:
1144:
1129:
1114:
1099:
1084:
1069:
1054:
1039:
1013:
1000:Three Graces
998:
985:Saint George
983:
968:
953:
938:
930:
922:
907:
892:
884:
869:
854:
846:
838:
830:
822:
745:
730:
715:
707:
692:
684:
669:
662:The Guardian
661:
646:
632:
624:
609:
595:
576:
545:Wallace 1968
540:
532:
528:
523:
518:Ilchman, 201
502:
471:
374:
366:
365:
351:
333:
317:
301:
285:
254:
250:Paul Cézanne
238:
209:
203:
198:
188:
181:
168:
162:
152:
146:
145:
134:
119:
96:
95:
94:
49:c. 1514–1515
2378:(1944 film)
2289: 1520
2278:(1515–1519)
2245: 1520
2207: 1508
2175:(1514–1516)
2167:(1514–1516)
2159:(1514–1516)
2151:(1514–1516)
2143:(1514–1516)
2135:(1514–1516)
2127:(1514–1516)
2100: 1514
2079:(1513–1514)
2071:(1512–1514)
2063:(1511–1512)
2047:(1510–1511)
2039:(1509–1511)
2031:(1509–1511)
2010:(1518–1520)
2002:(1518–1520)
1992: 1518
1977: 1517
1964:(1516–1520)
1950: 1518
1931: 1518
1918:(1518–1519)
1908: 1518
1893: 1518
1874: 1518
1843: 1510
1828: 1514
1813: 1517
1798: 1516
1783: 1516
1752: 1514
1737: 1514
1722: 1512
1699: 1513
1684: 1513
1669: 1513
1654: 1513
1639: 1513
1624: 1513
1609: 1512
1594: 1512
1571: 1511
1558:(1511–1512)
1548: 1511
1533: 1511
1518: 1510
1503: 1509
1488: 1509
1473: 1509
1447: 1507
1416: 1508
1401: 1507
1386: 1507
1371: 1507
1344: 1506
1321: 1507
1306: 1506
1293:(1505–1507)
1283: 1506
1268: 1506
1253: 1506
1238: 1506
1215: 1505
1200: 1505
1187:(1505–1506)
1179:(1504–1506)
1169: 1505
1154: 1505
1139: 1505
1124: 1504
1109: 1504
1094: 1504
1079: 1504
1064: 1504
1049: 1502
1023: 1504
1008: 1503
993: 1503
978: 1503
963: 1504
948: 1504
927:(1503–1504)
917: 1503
902: 1502
889:(1502–1504)
879: 1500
864: 1503
851:(1502–1503)
843:(1499–1502)
835:(1501–1502)
827:(1500–1501)
816:Early works
685:Art Journal
571:Ackley, 308
497:Gowing, 170
332:Rembrandt,
316:Rembrandt,
300:Rembrandt,
288:, ca. 1520.
255:Now in the
169:sprezzatura
2440:Categories
2425:Attributed
2249:Lorenzetto
2230:Lorenzetto
2217:Sculptures
1805:Visitation
886:Oddi Altar
588:References
580:White, 200
412:Loudon, 43
369:, film by
195:James Beck
173:Ben Jonson
159:Pope Leo X
64:Dimensions
2393:Raffaello
2384:Raffaello
2263:Buildings
1790:La velata
506:Beck, 156
440:Beck, 160
362:On screen
261:Louis XIV
219:Amsterdam
215:Rembrandt
190:Mona Lisa
141:Zoroaster
131:Henry VII
86:Accession
2191:Lucretia
2183:Drawings
1089: (
1074: (
958: (
747:IIPImage
383:See also
376:Palettes
284:Titian,
116:Overview
104:painter
72:Location
2368:Raphael
2329:Related
2194:(1500s)
1586:Galatea
796:Raphael
670:Raphael
610:Raphael
356:, 1832.
320:, 1640.
231:Baroque
106:Raphael
89:INV 611
40:Raphael
2237:Elijah
2087:(1514)
2055:(1511)
1994:–1520)
1979:–1520)
1884:(with
1861:(1518)
1853:(1518)
1845:–1518)
1830:–1517)
1770:(1516)
1762:(1516)
1754:–1516)
1739:–1515)
1724:–1515)
1709:(1514)
1706:Sibyls
1701:–1514)
1686:–1514)
1671:–1514)
1656:–1514)
1641:–1514)
1626:–1514)
1611:–1514)
1573:–1512)
1520:–1511)
1505:–1511)
1490:–1510)
1449:–1509)
1434:(1508)
1426:(1508)
1403:–1508)
1388:–1508)
1373:–1508)
1346:–1508)
1331:(1507)
1323:–1508)
1308:–1507)
1225:(1506)
1217:–1506)
1202:–1506)
1126:–1505)
1111:–1505)
1096:–1505)
1081:–1505)
1051:–1504)
1025:–1505)
1010:–1505)
995:–1505)
980:–1505)
935:(1504)
919:–1504)
904:–1504)
881:–1504)
744:using
699:
676:
653:
639:
616:
602:
257:Louvre
206:Titian
123:Urbino
76:Louvre
54:Medium
36:Artist
2225:Jonah
466:Jones
395:Notes
373:from
80:Paris
2301:and
2251:and
697:ISBN
674:ISBN
651:ISBN
637:ISBN
614:ISBN
600:ISBN
175:and
46:Year
2391:SS
1888:) (
2442::
2286:c.
2242:c.
2204:c.
2097:c.
1989:c.
1974:c.
1947:c.
1928:c.
1905:c.
1890:c.
1871:c.
1840:c.
1825:c.
1810:c.
1795:c.
1780:c.
1749:c.
1734:c.
1719:c.
1696:c.
1681:c.
1666:c.
1651:c.
1636:c.
1621:c.
1606:c.
1591:c.
1568:c.
1545:c.
1530:c.
1515:c.
1500:c.
1485:c.
1470:c.
1444:c.
1413:c.
1398:c.
1383:c.
1368:c.
1341:c.
1318:c.
1303:c.
1280:c.
1265:c.
1250:c.
1235:c.
1212:c.
1197:c.
1166:c.
1151:c.
1136:c.
1121:c.
1106:c.
1091:c.
1076:c.
1061:c.
1046:c.
1020:c.
1005:c.
990:c.
975:c.
960:c.
945:c.
914:c.
899:c.
876:c.
861:c.
564:^
552:^
511:^
480:^
459:^
445:^
431:^
417:^
403:^
267:.
179:.
78:,
2305:)
2291:)
2284:(
2255:)
2240:(
2232:)
2209:)
2202:(
2106:)
2095:(
1987:(
1972:(
1956:)
1945:(
1937:)
1926:(
1910:)
1903:(
1895:)
1876:)
1869:(
1838:(
1823:(
1815:)
1808:(
1800:)
1793:(
1785:)
1778:(
1747:(
1732:(
1717:(
1694:(
1679:(
1664:(
1649:(
1634:(
1619:(
1604:(
1596:)
1589:(
1566:(
1550:)
1543:(
1535:)
1528:(
1513:(
1498:(
1483:(
1475:)
1468:(
1442:(
1418:)
1411:(
1396:(
1381:(
1366:(
1358:)
1339:(
1316:(
1301:(
1285:)
1278:(
1270:)
1263:(
1255:)
1248:(
1240:)
1233:(
1210:(
1195:(
1171:)
1164:(
1156:)
1149:(
1141:)
1134:(
1119:(
1104:(
1066:)
1059:(
1044:(
1018:(
1003:(
988:(
973:(
965:)
950:)
943:(
912:(
897:(
874:(
866:)
859:(
788:e
781:t
774:v
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