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Portrait of Charles Marcotte

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Marcotte commissioned the portrait as a gift to his mother. He did not like the final painting, finding it too stern, a fact Ingres asked him to keep to himself. It remained in his possession until his death in 1864, after which it passed to his son Joseph Marcotte, and then to his widow, and to his
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and velvet collar over a white shirt and yellow waistcoat. Affectionately, his hair appears ruffled, which somewhat breaks the overall grim and morose tone. Special attention is given to his claw-like right hand, with its long sinuous fingers, the shape of which is echoed by the tassels protruding
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Although handsome and possessing a strong bone structure, he is portrayed as dour and serious, dressed in an imposing military uniform, and given a stern facial expression, with tightly pursed lips, which are turned down at the corners. A number of art historians have noted how his stiffness
52:, completed during the artists first stay in Rome. Charles Marie Jean Baptiste Marcotte (1773-1864) was a long-term friend, loyal supporter and adviser to Ingres, and commissioned a number of portraits of his family and friends, as well as works such as 324: 257: 292: 781: 275: 110: 791: 356: 667: 444: 643: 627: 250: 563: 372: 635: 734: 675: 243: 364: 217: 203: 651: 683: 579: 420: 396: 571: 555: 488: 412: 388: 300: 619: 380: 316: 691: 266: 49: 348: 58:(1839). He was 23 years in age when the portrait was painted and serving as inspector general for Waters and Forests in 659: 595: 91: 69:
Marcotte stands against a plain grey-green background, leaning against a table draped with a red cloth. His stiff,
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Ingres signed and dated the painting on the lower right, over the red cloth.
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daughter Élisabeth Pougin de la Maisonneuve until 1935. It was acquired by
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resembles Ingres' own early self-portraits, particularly that of 1804.
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Virgil reading The Aeneid before Augustus, Livia and Octavia
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The Ambassadors of Agamemnon in the tent of Achilles
753: 718: 539: 464: 282: 111:List of paintings by Jean-Auguste-Dominique Ingres 44:) is an 1810 oil on canvas painting by the French 77:appears tight and restrictive. He wears a blue 212:. New York: Metropolitan Museum of Art, 1999. 251: 8: 668:Luigi Cherubini and the Muse of Lyric Poetry 445:Joan of Arc at the Coronation of Charles VII 357:Don Pedro of Toledo Kissing Henry IV's Sword 644:Portrait of Madame Marcotte de Sainte-Marie 628:Portrait of Caroline Murat, Queen of Naples 782:Portraits by Jean-Auguste-Dominique Ingres 258: 244: 236: 373:Henry IV Receiving the Spanish Ambassador 16:Painting by Jean-Auguste-Dominique Ingres 792:Paintings in the National Gallery of Art 636:Portrait of Madame Jacques-Louis Leblanc 20: 122: 210:Portraits by Ingres: Image of an Epoch 156: 154: 152: 142: 140: 130: 128: 126: 7: 676:Portrait of Comtesse d'Haussonville 564:Portrait of Marie-Françoise Rivière 365:Aretino and Charles V's Ambassador 14: 684:Portrait of Baronne de Rothschild 580:Napoleon I on His Imperial Throne 421:The Martyrdom of Saint Symphorian 198:. London: Harry N. Abrams, 1990. 455: 735:Self-Portrait at Seventy-Eight 652:Portrait of Amédée de Pastoret 620:Portrait of Madame de Senonnes 397:The Dauphin's Entry Into Paris 381:The Death of Leonardo da Vinci 25:Ingres, 1810, 93.7 x 69.4 cm. 1: 692:Portrait of Madame Moitessier 572:Mademoiselle Caroline Rivière 556:Portrait of Philibert Rivière 267:Jean-Auguste-Dominique Ingres 177:. Retrieved 24 September 2017 86:from the bicorne beside him. 50:Jean-Auguste-Dominique Ingres 604:Portrait of Charles Marcotte 35:Portrait of Charles Marcotte 660:Portrait of Monsieur Bertin 596:Portrait of Madame Duvaucey 317:Romulus' Victory Over Acron 94:in 1949, and gifted to the 808: 708:Portrait of Madame Ingres 453: 273: 700:The Princesse de Broglie 612:Portrait of Paul Lemoyne 429:The Illness of Antiochus 341:Raphael and La Fornarina 548:Bonaparte, First Consul 413:The Apotheosis of Homer 175:National Gallery of Art 96:National Gallery of Art 27:National Gallery of Art 473:The Half-Length Bather 389:Roger Freeing Angelica 301:Oedipus and the Sphinx 73:white and yellow neck 30: 743:Antwerp Self-Portrait 727:Self-Portrait Aged 24 489:La Dormeuse de Naples 405:The Vow of Louis XIII 171:Marcotte d'Argenteuil 41:Marcotte d'Argenteuil 24: 513:Odalisque with Slave 481:The Valpinçon Bather 55:Odalisque with Slave 349:Paolo and Francesca 333:The Dream of Ossian 231:NGA catalogue entry 309:Jupiter and Thetis 208:Conisbee, Philip. 31: 29:, Washington, D.C. 769: 768: 276:List of paintings 218:978-0-300-08653-9 204:978-0-300-08653-9 192:Rosenblum, Robert 799: 529:The Turkish Bath 521:Venus Anadyomene 497:Grande Odalisque 459: 260: 253: 246: 237: 178: 167: 161: 158: 147: 144: 135: 132: 807: 806: 802: 801: 800: 798: 797: 796: 772: 771: 770: 765: 749: 714: 535: 460: 451: 284: 278: 269: 264: 227: 222: 187: 182: 181: 168: 164: 159: 150: 145: 138: 133: 124: 119: 107: 92:Samuel H. Kress 38:(also known as 17: 12: 11: 5: 805: 803: 795: 794: 789: 787:1810 paintings 784: 774: 773: 767: 766: 764: 763: 757: 755: 751: 750: 748: 747: 739: 731: 722: 720: 719:Self-portraits 716: 715: 713: 712: 704: 696: 688: 680: 672: 664: 656: 648: 640: 632: 624: 616: 608: 600: 592: 588:La Belle Zélie 584: 576: 568: 560: 552: 543: 541: 537: 536: 534: 533: 525: 517: 509: 501: 493: 485: 477: 468: 466: 462: 461: 454: 452: 450: 449: 441: 433: 425: 417: 409: 401: 393: 385: 377: 369: 361: 353: 345: 337: 329: 321: 313: 305: 297: 288: 286: 280: 279: 274: 271: 270: 265: 263: 262: 255: 248: 240: 234: 233: 226: 225:External links 223: 221: 220: 206: 188: 186: 183: 180: 179: 162: 148: 136: 121: 120: 118: 115: 114: 113: 106: 103: 15: 13: 10: 9: 6: 4: 3: 2: 804: 793: 790: 788: 785: 783: 780: 779: 777: 762: 759: 758: 756: 752: 745: 744: 740: 737: 736: 732: 729: 728: 724: 723: 721: 717: 710: 709: 705: 702: 701: 697: 694: 693: 689: 686: 685: 681: 678: 677: 673: 670: 669: 665: 662: 661: 657: 654: 653: 649: 646: 645: 641: 638: 637: 633: 630: 629: 625: 622: 621: 617: 614: 613: 609: 606: 605: 601: 598: 597: 593: 590: 589: 585: 582: 581: 577: 574: 573: 569: 566: 565: 561: 558: 557: 553: 550: 549: 545: 544: 542: 538: 531: 530: 526: 523: 522: 518: 515: 514: 510: 507: 506: 502: 499: 498: 494: 491: 490: 486: 483: 482: 478: 475: 474: 470: 469: 467: 463: 458: 447: 446: 442: 439: 438: 434: 431: 430: 426: 423: 422: 418: 415: 414: 410: 407: 406: 402: 399: 398: 394: 391: 390: 386: 383: 382: 378: 375: 374: 370: 367: 366: 362: 359: 358: 354: 351: 350: 346: 343: 342: 338: 335: 334: 330: 327: 326: 322: 319: 318: 314: 311: 310: 306: 303: 302: 298: 295: 294: 290: 289: 287: 281: 277: 272: 268: 261: 256: 254: 249: 247: 242: 241: 238: 232: 229: 228: 224: 219: 215: 211: 207: 205: 201: 197: 193: 190: 189: 184: 176: 172: 166: 163: 160:Conisbee, 122 157: 155: 153: 149: 146:Conisbee, 124 143: 141: 137: 134:Rosenblum, 70 131: 129: 127: 123: 116: 112: 109: 108: 104: 102: 99: 97: 93: 87: 84: 80: 76: 72: 67: 63: 61: 57: 56: 51: 47: 43: 42: 37: 36: 28: 23: 19: 761:Musée Ingres 741: 733: 725: 706: 698: 690: 682: 674: 666: 658: 650: 642: 634: 626: 618: 610: 603: 602: 594: 586: 578: 570: 562: 554: 546: 527: 519: 511: 503: 495: 487: 479: 471: 443: 435: 427: 419: 411: 403: 395: 387: 379: 371: 363: 355: 347: 339: 331: 323: 315: 307: 299: 291: 209: 195: 165: 100: 88: 68: 64: 53: 46:Neoclassical 40: 39: 34: 33: 32: 18: 746:(1864-1865) 703:(1851–1853) 695:(1844–1856) 437:The Odyssey 352:(1814–1819) 776:Categories 505:The Source 98:in 1952. 60:Napoleonic 567:(1805–06) 540:Portraits 285:paintings 508:(c 1820) 283:History 105:See also 71:starched 754:Museums 185:Sources 81:with a 79:carrick 48:artist 738:(1858) 730:(1806) 711:(1859) 687:(1848) 679:(1845) 671:(1842) 663:(1832) 655:(1826) 647:(1826) 639:(1823) 631:(1814) 623:(1814) 615:(1811) 607:(1810) 599:(1807) 591:(1806) 583:(1806) 575:(1806) 559:(1805) 551:(1804) 532:(1863) 524:(1848) 516:(1842) 500:(1814) 492:(1809) 484:(1808) 476:(1807) 448:(1854) 440:(1850) 432:(1840) 424:(1834) 416:(1827) 408:(1824) 400:(1821) 392:(1819) 384:(1818) 376:(1817) 368:(1815) 360:(1814) 344:(1813) 336:(1813) 328:(1812) 320:(1812) 312:(1811) 304:(1808) 296:(1801) 216:  202:  196:Ingres 75:collar 62:Rome. 465:Nudes 117:Notes 214:ISBN 200:ISBN 83:cape 173:". 778:: 194:. 151:^ 139:^ 125:^ 259:e 252:t 245:v 169:"

Index


National Gallery of Art
Neoclassical
Jean-Auguste-Dominique Ingres
Odalisque with Slave
Napoleonic
starched
collar
carrick
cape
Samuel H. Kress
National Gallery of Art
List of paintings by Jean-Auguste-Dominique Ingres








Marcotte d'Argenteuil
National Gallery of Art
Rosenblum, Robert
ISBN
978-0-300-08653-9
ISBN
978-0-300-08653-9
NGA catalogue entry
v

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