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Portrait of Hermann Hillebrandt de Wedigh

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31: 180: 192: 332:. He is traditionally called "Hermann Hillebrandt Wedigh," but only his family name and age can be established. Hermann III von Wedigh's father, Hermann II, had, so far as we know, no other sons and no brothers, and although his sister Clara married first Philip Aberlinck and then Johannes Hillebrandt, no children are recorded from either marriage. The identification of this member of the family as "Hermann Hillebrandt Wedigh" is by no means certain. 586:
Hans Holbein the Younger, 1497/98-1543: Portraitist of the Renaissance. Catalogue for the exhibition, Hans Holbein 1497/98-1543, 16 August–16 November 2003. Essays, Stephanie Buck, Jochen Sander; catalogue, Ariane van Suchtelen, Quentin Buvelot, Peter van der Ploeg; with appendices by Bieke van der
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are light brown, "the separate hairs being indicated with almost microscopic care." The eyes are blue, the right one larger than the left, the eyebrow raised. The right side of the face shows "great charm and much sweetness of expression" and the left appears "sadder and more forbidding".
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the folds of which are finely arranged and painted, has a black velvet collar and velvet at the wrists. The white shirt, partly open and showing the bare chest beneath, is tied in the front by long strings passed through a white
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on a signet ring. "Perhaps to engage the viewer in close study of the likenesses of the two men, or even to stress a common family trait, the artist has exaggerated the size of the right eye in each."
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This small half-length has been described as "one of the finest and most sympathetic portraits ever painted by Holbein." The subject stands directly facing the viewer, the left hand holding his
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gloves, and the right half hidden by the heavy dark-brown cloak. The manner in which the right hand is hidden inside a cloak is repeated in
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granted this coat of arms to a "Rheinlander" named Heinrich von Wedigh (1440–1513) on 18 July 1503. Several members of this
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Buck, Stephanie; Sander, Jochen; Suchtelen, Ariane van; Buvelot, Quentin; Ploeg, Peter van der (2003).
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Ainsworth, Maryan W.; Waterman, Joshua P.; Husband, Timothy; Thomas, Karen E.; Mahon, Dorothy (2013).
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in New York also has a raised eyebrow over the right eye which is larger than the left and the
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on his index finger is enamelled in red, white, black and green, and in the circle around a
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Renaissance Portraits: European Portrait-Painting in the 14th 15th and 16th Centuries
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The two men have been identified as a members of the Wedigh family of Cologne by the
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inscription at head-height, with the year and the sitter's age in gold letters:
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there are some letters now undecipherable. Unlike Holbein's other paintings of
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42.1 cm Ă— 32.6 cm (16.6 in Ă— 12.8 in)
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The subject of this painting may be an undocumented brother or cousin of
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Hermann von Wedigh III (died 1560), 1532, by Hans Holbein the Younger,
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Double Portrait of Jakob Meyer zum Hasen and Dorothea KannengieĂźer
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Portrait of a Lady, probably a Member of the Cromwell Family
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German Paintings in the Metropolitan Museum of Art, 1350-1600
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The hair, beard, and 8: 238:is on his head, of the type worn by all the 440: 306:a chevron surrounded by three willow leaves 806: 792: 784: 195:Hermann von Wedigh III (died 1560), Detail 29: 20: 967:Portrait of Hermann Hillebrandt de Wedigh 774:Portrait of Hermann Hillebrandt de Wedigh 137:Portrait of Hermann Hillebrandt de Wedigh 24:Portrait of Hermann Hillebrandt de Wedigh 541: 469: 250:On the plain blue background there is a 1156:Paintings in the Gemäldegalerie, Berlin 1022:Portrait Miniature of Hans Schwarzwaldt 864:The Body of the Dead Christ in the Tomb 457: 377: 529: 423: 1151:Portraits by Hans Holbein the Younger 391: 389: 387: 385: 383: 381: 211:The poet Henry Howard, Earl of Surrey 7: 998:Portrait Miniature of Margaret Roper 630:Chamberlain, Arthur Bensley (1913). 16:Painting by Hans Holbein the Younger 1091:Portrait of Johann von Schwarzwaldt 348:, by 1746 until 1865; the banker, 286:Hermann von Wedigh III (died 1560) 14: 1006:Portrait of Sir Richard Southwell 302:coat of arms on their signet ring 1037:Portrait of Christina of Denmark 880:Portrait of Erasmus of Rotterdam 1109:Hans Holbein the Elder (father) 856:Portrait of Bonifacius Amerbach 750:. London: Granada. p. 58. 748:Holbein: The Complete Paintings 397:"Hermann Hillebrandt de Wedigh" 256:ANNO . 1533. // ÆTATIS SVÆ . 39 943:Portrait of the Artists Family 152:painting completed in 1533 by 1: 1064: 1049: 1026: 979: 892: 724:(Complete ed.). Oxford: 569:. pp. 133–137, 301–302. 316:family were merchants at the 215: 1075:Portrait of a Young Merchant 935:Portrait of Nicolaus Kratzer 746:(1980). Piper, David (ed.). 276:(1533), have no letter/s or 270:, this portrait and that of 1114:Ambrosius Holbein (brother) 975:Portrait of Thomas Cromwell 919:Portrait of Sir Thomas More 678:Metropolitan Museum Journal 1182: 911:Sir Thomas More and Family 672:Holman, Thomas S. (1979). 567:Metropolitan Museum of Art 291:Metropolitan Museum of Art 185:Metropolitan Museum of Art 831:List of portrait drawings 821: 28: 815:Hans Holbein the Younger 633:Hans Holbein the Younger 280:to identify the sitter. 154:Hans Holbein the Younger 42:Hans Holbein the Younger 951:Portrait of Georg Giese 720:Rowlands, John (1985). 649:Foister, Susan (2007). 1060:Portrait of Jane Small 1014:Portrait of Henry VIII 779:Gemäldegalerie, Berlin 401:Gemäldegalerie, Berlin 330:Hermann III von Wedigh 196: 188: 158:Gemäldegalerie, Berlin 613:Yale University Press 508:, p. 301, n. 12. 506:Ainsworth et al. 2013 494:Ainsworth et al. 2013 482:Ainsworth et al. 2013 320:in London from 1480. 194: 182: 121:/museums-institutions 1130:Northern Renaissance 728:. pp. 138–139. 342:Counts von Schönborn 283:A related portrait, 587:Mark and Epco Runia 496:, pp. 133–137. 484:, pp. 136–137. 289:(1532), now at the 268:Steelyard merchants 240:Steelyard merchants 657:. pp. 66–67. 651:Holbein in England 615:. pp. 30–34. 350:Barthold Suermondt 197: 189: 1138: 1137: 903:Darmstadt Madonna 872:Solothurn Madonna 826:List of paintings 472:, pp. 30–34. 295:same coat of arms 133: 132: 1173: 1161:Portraits of men 1069: 1066: 1054: 1053: 1535–1540 1051: 1031: 1030: 1535–1540 1028: 984: 983: 1532–1534 981: 897: 894: 808: 801: 794: 785: 761: 739: 716: 714: 712: 668: 645: 626: 600: 580: 545: 539: 533: 527: 521: 518:Buck et al. 2003 515: 509: 503: 497: 491: 485: 479: 473: 467: 461: 455: 444: 441:Chamberlain 1913 438: 427: 421: 412: 411: 409: 407: 393: 220: 217: 164:thought to be a 129: 126: 124: 123:/gemaeldegalerie 122: 120: 118: 116: 114: 33: 21: 1181: 1180: 1176: 1175: 1174: 1172: 1171: 1170: 1141: 1140: 1139: 1134: 1118: 1097: 1067: 1052: 1029: 1017:(1536–37, lost) 982: 959:The Ambassadors 895: 888:Lais of Corinth 835: 817: 812: 769: 764: 758: 742: 736: 719: 710: 708: 690:10.2307/1512741 671: 665: 655:Tate Publishing 648: 629: 623: 605:Campbell, Lorne 603: 597: 583: 577: 558: 554: 549: 548: 540: 536: 528: 524: 516: 512: 504: 500: 492: 488: 480: 476: 468: 464: 456: 447: 439: 430: 422: 415: 405: 403: 395: 394: 379: 374: 362: 338: 326: 278:merchant's mark 218: 202: 111: 17: 12: 11: 5: 1179: 1177: 1169: 1168: 1166:1533 paintings 1163: 1158: 1153: 1143: 1142: 1136: 1135: 1133: 1132: 1126: 1124: 1120: 1119: 1117: 1116: 1111: 1105: 1103: 1099: 1098: 1096: 1095: 1087: 1079: 1071: 1056: 1041: 1033: 1018: 1010: 1002: 994: 986: 971: 963: 955: 947: 939: 931: 923: 915: 907: 899: 884: 876: 868: 860: 852: 843: 841: 837: 836: 834: 833: 828: 822: 819: 818: 813: 811: 810: 803: 796: 788: 782: 781: 768: 767:External links 765: 763: 762: 756: 740: 734: 717: 669: 663: 646: 627: 621: 601: 595: 581: 575: 555: 553: 550: 547: 546: 544:, p. 138. 534: 532:, p. 146. 522: 510: 498: 486: 474: 462: 445: 428: 413: 376: 375: 373: 370: 369: 368: 361: 358: 356:, until 1874. 337: 334: 325: 324:Identification 322: 201: 198: 131: 130: 109: 105: 104: 101: 97: 96: 86:Gemäldegalerie 83: 79: 78: 75: 71: 70: 57: 53: 52: 49: 45: 44: 39: 35: 34: 26: 25: 15: 13: 10: 9: 6: 4: 3: 2: 1178: 1167: 1164: 1162: 1159: 1157: 1154: 1152: 1149: 1148: 1146: 1131: 1128: 1127: 1125: 1121: 1115: 1112: 1110: 1107: 1106: 1104: 1100: 1093: 1092: 1088: 1085: 1084: 1083:Self-portrait 1080: 1077: 1076: 1072: 1062: 1061: 1057: 1047: 1046: 1042: 1039: 1038: 1034: 1024: 1023: 1019: 1016: 1015: 1011: 1008: 1007: 1003: 1000: 999: 995: 992: 991: 987: 977: 976: 972: 969: 968: 964: 961: 960: 956: 953: 952: 948: 945: 944: 940: 937: 936: 932: 929: 928: 924: 921: 920: 916: 913: 912: 908: 905: 904: 900: 890: 889: 885: 882: 881: 877: 874: 873: 869: 866: 865: 861: 858: 857: 853: 850: 849: 845: 844: 842: 838: 832: 829: 827: 824: 823: 820: 816: 809: 804: 802: 797: 795: 790: 789: 786: 780: 776: 775: 771: 770: 766: 759: 757:9780246112903 753: 749: 745: 741: 737: 735:9780714823584 731: 727: 723: 718: 707: 703: 699: 695: 691: 687: 683: 679: 675: 670: 666: 664:9781854376459 660: 656: 652: 647: 643: 639: 635: 634: 628: 624: 622:9780300046755 618: 614: 611:. New Haven: 610: 606: 602: 598: 592: 588: 582: 578: 576:9781588394873 572: 568: 564: 563: 557: 556: 551: 543: 542:Rowlands 1985 538: 535: 531: 526: 523: 520:, p. 80. 519: 514: 511: 507: 502: 499: 495: 490: 487: 483: 478: 475: 471: 470:Campbell 1990 466: 463: 460:, p. 66. 459: 454: 452: 450: 446: 443:, p. 17. 442: 437: 435: 433: 429: 426:, p. 58. 425: 420: 418: 414: 402: 398: 392: 390: 388: 386: 384: 382: 378: 371: 367: 364: 363: 359: 357: 355: 351: 347: 343: 335: 333: 331: 323: 321: 319: 315: 311: 307: 303: 298: 296: 292: 288: 287: 281: 279: 275: 274: 269: 265: 261: 257: 253: 248: 245: 241: 237: 233: 229: 224: 213: 212: 207: 206:buff-coloured 199: 193: 186: 181: 177: 175: 171: 167: 163: 159: 156:, now in the 155: 151: 147: 143: 139: 138: 128: 110: 106: 102: 98: 95: 91: 87: 84: 80: 76: 72: 69: 65: 61: 58: 54: 50: 46: 43: 40: 36: 32: 27: 22: 19: 1089: 1081: 1073: 1058: 1043: 1035: 1020: 1012: 1004: 996: 988: 973: 966: 965: 957: 949: 941: 933: 925: 917: 914:(1527, lost) 909: 901: 886: 878: 870: 862: 854: 846: 773: 747: 721: 709:. Retrieved 681: 677: 650: 632: 608: 585: 565:. New York: 561: 537: 525: 513: 501: 489: 477: 465: 458:Foister 2007 404:. Retrieved 400: 339: 327: 310:Maximilian I 305: 299: 285: 282: 272: 264:coat of arms 255: 249: 210: 203: 136: 135: 134: 18: 1068: 1540 993:(1534–1535) 946:(1528–1529) 930:(1526–1528) 896: 1524 867:(1520–1522) 744:Strong, Roy 684:: 139–158. 530:Holman 1979 424:Strong 1980 273:Derich Born 260:signet ring 232:embroidered 219: 1542 200:Description 1145:Categories 653:. London: 596:904008906X 372:References 336:Provenance 230:, and the 187:, New York 74:Dimensions 1086:(1542–43) 1009:(1536–37) 1001:(1535–36) 840:Paintings 706:192962109 318:Steelyard 314:patrician 244:moustache 170:Steelyard 100:Accession 711:30 March 607:(1990). 406:25 March 360:See also 221:). This 166:merchant 82:Location 1123:Related 777:at the 726:Phaidon 698:1512741 552:Sources 168:of the 162:Cologne 146:tempera 117:.museum 108:Website 94:Germany 64:tempera 1102:Family 1094:(1543) 1078:(1541) 1040:(1538) 970:(1533) 962:(1533) 954:(1532) 938:(1528) 922:(1527) 906:(1526) 883:(1523) 875:(1522) 859:(1519) 851:(1516) 754:  732:  704:  696:  661:  642:519969 640:  619:  593:  573:  354:Aachen 346:Vienna 258:. The 228:button 174:London 140:is an 90:Berlin 56:Medium 38:Artist 702:S2CID 694:JSTOR 252:Latin 223:cloak 125:/home 752:ISBN 730:ISBN 713:2024 659:ISBN 638:OCLC 617:ISBN 591:ISBN 571:ISBN 408:2024 340:The 144:and 115:.smb 103:586B 62:and 51:1533 48:Year 686:doi 236:cap 172:in 150:oak 148:on 142:oil 119:/en 113:www 68:oak 66:on 60:oil 1147:: 1065:c. 1050:c. 1027:c. 980:c. 893:c. 700:. 692:. 682:14 680:. 676:. 448:^ 431:^ 416:^ 399:. 380:^ 352:, 344:, 308:. 304:: 216:c. 176:. 92:, 88:, 1070:) 1063:( 1055:) 1048:( 1032:) 1025:( 985:) 978:( 898:) 891:( 807:e 800:t 793:v 760:. 738:. 715:. 688:: 667:. 644:. 625:. 599:. 579:. 410:. 214:( 127:/

Index


Hans Holbein the Younger
oil
tempera
oak
Gemäldegalerie
Berlin
Germany
www.smb.museum/en/museums-institutions/gemaeldegalerie/home/
oil
tempera
oak
Hans Holbein the Younger
Gemäldegalerie, Berlin
Cologne
merchant
Steelyard
London

Metropolitan Museum of Art

buff-coloured
The poet Henry Howard, Earl of Surrey
cloak
button
embroidered
cap
Steelyard merchants
moustache
Latin

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