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Renaissance portraits and suggests, as now, a person of sagacity. The face has a somewhat aquiline nose and is marked by deep lines on the brow and pouches below the eyes. It appears as if the man has lost his upper front teeth, causing deepening of the grooves from the nostrils. The eyes of the figure do not engage the viewer but gaze ahead, veiled by the long eyebrows. The drawing has been drawn in fine unique lines, shadowed by hatching and executed with the left hand, as was
Leonardo's habit. The paper has brownish "fox marks" caused by the accumulation of iron salts due to moisture.
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2006:
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century is that the drawing depicts a man of a greater age than
Leonardo himself achieved, as he died at the age of 67 and allegedly made the drawing between the age of 58 and 60. It has been suggested that the sitter represents Leonardo's father Piero da Vinci or his uncle Francesco, based on the
146:
The portrait is drawn in red chalk on paper. It depicts the head of an elderly man in three-quarter view, his face turned towards the viewer. The subject is distinguished by his long hair and long waving beard which flow over the shoulders and chest. The length of the hair and beard is uncommon in
420:
330:
Other portraits of
Leonardo by himself and other hands exist, presenting a different image of Leonardo to the man as represented in the red chalk drawing. Another red chalk drawing, a profile portrait at Windsor, is attributed to his pupil
254:
Since the mid-to-late 20th century, the identification of the drawing as a self-portrait has been questioned. The claim that it represents
Leonardo has been criticized by a number of Leonardo scholars and experts, such as
449:
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1947:
170:, and is not generally viewable by the public due to its fragility and poor condition. Researchers have developed a nondestructive way to gauge the condition of the drawing by describing and quantifying the
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287:, believed to depict an elderly Leonardo with his right arm assuaged by cloth. This may correspond with accounts of Leonardo's right hand being paralytic late in life and the burial position of his
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and on the high quality of the drawing, consistent with others by
Leonardo. It was also decreed to be a self-portrait based on its likeness to the frontispiece portrait of Leonardo in
1916:
335:. A sketch by an unknown assistant on the back of one of Leonardo's studies (c. 1517) has also been determined to be a portrait. A self-portrait from Leonardo's
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reflected that "This red chalk drawing has largely determined our idea of
Leonardo's appearance for it was long taken to be his only authentic self-portrait."
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180:(2014), will be used to assess the rate at which the image is deteriorating and should help with planning appropriate conservation strategies.
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at about the age of 60. The portrait has been extensively reproduced and has become an iconic representation of
Leonardo as a
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bears an inscription indicating that it is a self-portrait of
Leonardo; this would be the earliest depiction of the artist.
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In 1839, Giovanni
Volpato, an antiques dealer who may have purchased the drawing in England or France, sold it to Prince
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In the early 21st century, the presumed self-portrait of
Leonardo was used to help identify the subject of a drawing by
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1005:
101 things you didn't know about Da Vinci: the secrets of the world's most eccentric and innovative genius revealed!
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or "Renaissance Man". Despite this, some historians and scholars disagree as to the true identity of the sitter.
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1182:, exhibition catalog fully online as PDF from The Metropolitan Museum of Art, which contains material on
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Conte, A. Mosca; Pulci, O.; Misiti, M. C.; Lojewska, J.; Teodonio, L.; Violante, C.; Missori, M. (2014).
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873:"Leonardo da Vinci never finished the Mona Lisa because he injured his arm while fainting, experts say"
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century, based on the similarity of the sitter to the possible portrait of Leonardo as
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added by a later hand, reads: "Leonardo da Vinci, portrait of himself as an old man"
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608:"Visual degradation in Leonardo da Vinci's iconic self-portrait: A nanoscale study"
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1025:"Svelata maiolica che ritrae l'Arcangelo Gabriele. "è la prima opera di Leonardo""
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depicts the artist at age 53. Leonardo may have also included a self-portrait in
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33.3 cm × 21.6 cm (13.1 in × 8.5 in)
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Leonardo da Vinci: anatomical drawings from the Royal Library, Windsor Castle
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768:"Newly identified sketch of Leonardo da Vinci to go on display in London"
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to Leonardo, but it has at least on occasion been attributed to him. The
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901:"A physical sign of stroke sequel on the skeleton of Leonardo da Vinci?"
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944:"Leonardo da Vinci and the Idea of Beauty – Muscarelle Museum of Art"
919:"Leonardo da Vinci paintings analysed for DNA to solve grave mystery"
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577:"Artwork Analysis self Portrait in Red Chalk by Leonardo Da Vinci"
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Leonardo was known for playing another stringed instrument, the
1627:
The Virgin and Child with Saint Anne and Saint John the Baptist
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372:(1511). He may have been the model for two works by his master
1917:
Museo Nazionale Scienza e Tecnologia Leonardo da Vinci (Milan)
732:
The Young Leonardo: Art and Life in Fifteenth-Century Florence
280:
fact they both had a long life and lived until the age of 80.
413:. Some suspect that the lower-right attendant in Leonardo's
679:"Emergency Treatment for Leonardo da Vinci's Self-Portrait"
436:
There is no scholarly consensus on the attribution of the
1112:. Translated by Tanguy, J. New York: Funk & Wagnalls.
1430:
Madonna and Child with the Infant Saint John the Baptist
794:"Vanishing da Vinci Portrait Could Be Saved by Science"
641:"Why Was Da Vinci's Self-portrait Hidden from Hitler?"
247:, becoming somewhat damaged in the process. In 2000,
509:
By the same accounts, Bramante portrayed himself as
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were made after his lifetime. Romantic paintings by
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174:affecting the paper. Their technique, described in
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821:"What caused Leonardo da Vinci's hand impairment?"
409:(1477) is thought by some to portray Leonardo as
303:Red chalk drawing attributed to Leonardo's pupil
122:is widely, though not universally, accepted as a
847:"Da Vinci 'paralysis left Mona Lisa unfinished'"
44:The inscription at the bottom of the portrait,
1205:
154:with other drawings of great artists such as
8:
1569:Designs for an Adoration of the Christ Child
275:. A frequent criticism made in the late 20th
188:The drawing is estimated to have been drawn
1052:The Complete Paintings of Leonardo da Vinci
976:"New Leonardo da Vinci Portrait Discovered"
761:
759:
351:, which he illustrated. A 1471 painting of
1554:
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1075:Leonardo Da Vinci: The Flights of the Mind
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735:. Cambridge University Press. p. 63.
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1583:Head of the Infant Saint John the Baptist
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551:. New York: Time-Life Books. p. 172.
18:Portrait of a man in red chalk (Leonardo)
1127:. New York: Time-Life Books. p. 12.
708:(1st ed.). Doubleday. p. 344.
639:Muñoz-Alonso, Lorena (3 November 2014).
539:
502:
358:Leonardo is thought to be portrayed as
575:Scaramella, A. D. (21 December 2012).
464:and other French artists, as well as
7:
1384:The Virgin and Child with Saint Anne
1050:della Chiesa, Angela Ottino (1967).
433:, but this has yet to be verified.
199:. In 1839, it was acquired by King
729:Feinberg, Larry J. (29 Aug 2011).
486:List of works by Leonardo da Vinci
124:self-portrait of Leonardo da Vinci
25:
1655:Drapery of the Virgin's Right Arm
819:Strickland, Ashley (4 May 2019).
419:(1481) may be a self-portrait. A
195:, possibly as a self-portrait by
2005:
2004:
1541:Studies of the Fetus in the Womb
1520:The Martyrdom of Saint Sebastian
1506:Study for the Madonna of the Cat
1125:The World of Leonardo: 1452–1519
549:The World of Leonardo: 1452–1519
468:depict the legendary account of
1007:Adams Media; pp. 167–168.
907:. 4 April 2017; 88(14): 1381–82
845:McMahon, Barbara (1 May 2005).
427:may portray Leonardo playing a
1959:replicas and reinterpretations
1905:Museo Ideale Leonardo da Vinci
1548:Portrait of a Man in Red Chalk
1302:Saint Jerome in the Wilderness
974:Cascone, Sarah (2 June 2015).
108:portrait of a man in red chalk
1:
2036:Drawings by Leonardo da Vinci
917:Knapton, Sarah (5 May 2016).
458:Jean-Auguste-Dominique Ingres
189:
111:
65:
1948:Conservation-restoration of
1715:Codex on the Flight of Birds
1648:Drapery of the Virgin's Legs
1274:The Madonna of the Carnation
871:Bodkin, Henry (4 May 2019).
583:. Helium Inc. Archived from
338:Codex on the Flight of Birds
27:Drawing by Leonardo da Vinci
1874:Giovanni Ambrogio de Predis
1829:Giovanni Antonio Boltraffio
1534:Portrait of Isabella d'Este
1139:"Self Portrait of Leonardo"
1110:The Great Artists: Da Vinci
683:news.universityproducts.com
462:François-Guillaume Ménageot
2072:
1900:Museo leonardiano di Vinci
1437:The Holy Infants Embracing
1031:(in Italian). 21 June 2018
792:Ghose, Tia (3 June 2014).
766:Brown, Mark (1 May 2019).
152:Charles Albert of Sardinia
142:Description and provenance
33:Portrait of an elderly man
1999:✻✻ Possible collaboration
1992:
1849:Giovanni Agostino da Lodi
1295:The Adoration of the Magi
1227:
547:Wallace, Robert (1972) .
406:Heraclitus and Democritus
271:, Larry J. Feinberg, and
37:
1123:Wallace, Robert (1966).
949:Muscarelle Museum of Art
285:Giovanni Ambrogio Figino
232:The Lives of the Artists
612:Applied Physics Letters
376:: the bronze statue of
184:History and attribution
177:Applied Physics Letters
2046:16th-century portraits
1726:A Treatise on Painting
1444:The Battle of Anghiari
1405:Saint John the Baptist
1324:Portrait of a Musician
1237:Science and inventions
1172:Royal Library of Turin
704:Payne, Robert (1978).
382:(c. 1476) in the
327:
307:
1943:Portraits of Leonardo
1618:Child with Saint Anne
1266:The Baptism of Christ
1108:Bacci, Mina (1978) .
472:in the hands of King
416:Adoration of the Magi
313:
302:
229:'s second edition of
126:. It is thought that
1839:Bernardino de' Conti
1339:La Belle Ferronnière
587:on November 29, 2014
425:Marcantonio Raimondi
396:Tobias and the Angel
369:The School of Athens
324:The School of Athens
222:The School of Athens
1984:(Galleria Borghese)
1969:Mathematics and art
1933:Cultural references
1796:Rapid fire crossbow
1786:Self-propelled cart
1560:Virgin of the Rocks
1332:Lady with an Ermine
1317:Virgin of the Rocks
923:The Daily Telegraph
685:. Archival Products
474:Francis I of France
2056:Drawings of people
1749:Divina proportione
1705:Codex Trivulzianus
1669:Head of the Virgin
1662:Head of Saint Anne
899:; Deo, Saudamini.
897:Charlier, Philippe
442:engraving portrait
348:Divina proportione
328:
308:
162:. It is housed in
78:Red chalk on paper
2018:
2017:
1982:Leda and the Swan
1975:The Lost Leonardo
1791:Octant projection
1761:Harpsichord-viola
1678:
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1576:Head of the Angel
1460:
1459:
1451:Leda and the Swan
1376:Lansdowne Madonna
1360:Buccleuch Madonna
1281:Ginevra de' Benci
1221:Leonardo da Vinci
1094:978-0-14-194424-1
952:. 28 October 2014
666:Leonardo da Vinci
625:10.1063/1.4879838
466:Angelica Kauffman
446:Raffaello Morghen
197:Leonardo da Vinci
128:Leonardo da Vinci
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56:Leonardo da Vinci
16:(Redirected from
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1964:High Renaissance
1912:Leonardo3 Museum
1854:Bernardino Luini
1776:Fighting vehicle
1690:Codex Atlanticus
1630:(London cartoon)
1614:Relating to the
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1259:The Annunciation
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1996:✻ Collaboration
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1869:Francesco Melzi
1864:Marco d'Oggiono
1834:Cesare da Sesto
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1806:Viola organista
1752:(illustrations)
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269:Carlo Pedretti
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201:Carlo Alberto
198:
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168:Royal Library
165:
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157:
153:
148:
141:
139:
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132:self-portrait
129:
125:
121:
117:
116:Royal Library
114:1510) in the
109:
100:
96:
95:Royal Library
93:
89:
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81:
77:
73:
64:
60:
57:
54:
50:
41:
36:
31:
19:
1981:
1973:
1956:
1949:
1859:Cesare Magni
1844:Giampietrino
1821:Leonardeschi
1766:Aerial screw
1747:
1724:
1710:Codex Madrid
1667:
1660:
1653:
1646:
1641:Christ Child
1639:
1625:
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1546:
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1511:
1504:
1490:(unexecuted)
1487:Sforza Horse
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1471:
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1428:
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1183:
1178:
1146:. Retrieved
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1109:
1103:
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1051:
1045:
1033:. Retrieved
1028:
1019:
1004:
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983:. Retrieved
979:
954:. Retrieved
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938:
926:. Retrieved
922:
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880:. Retrieved
876:
866:
854:. Retrieved
851:The Guardian
850:
840:
828:. Retrieved
824:
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802:. Retrieved
797:
787:
775:. Retrieved
772:The Guardian
771:
746:. Retrieved
731:
724:
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699:
687:. Retrieved
682:
673:
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648:. Retrieved
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589:. Retrieved
585:the original
581:Finearts.com
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343:Luca Pacioli
336:
329:
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282:
257:Robert Payne
253:
237:World War II
230:
220:
187:
175:
172:chromophores
160:Michelangelo
149:
145:
123:
107:
105:
1683:Manuscripts
1595:Last Supper
1186:(see index)
980:artnet News
804:12 November
798:LiveScience
748:13 November
689:16 November
645:artnet News
591:14 November
261:Martin Kemp
193: 1510
69: 1512
2025:Categories
1756:Great Kite
1616:Virgin and
1465:Sculptures
1083:. p.
715:0385041543
511:Democritus
492:References
411:Heraclitus
386:, and the
374:Verrocchio
130:drew this
83:Dimensions
1957:Mona Lisa
1938:Namesakes
1811:World Map
1391:Mona Lisa
1251:Paintings
905:Neurology
534:Citations
497:Footnotes
388:archangel
166:, at the
2010:Category
1771:Crossbow
1174:website.
1071:(2005).
1003:(2005).
706:Leonardo
480:See also
384:Bargello
241:taken by
136:polymath
91:Location
1926:Related
1893:Museums
1170:on the
800:. Purch
391:Raphael
364:Raphael
353:Gabriel
319:Raphael
217:Raphael
156:Raphael
1636:(lost)
1423:Medusa
1091:
1011:
739:
712:
450:statue
277:
227:Vasari
209:
52:Artist
1879:Salaì
1801:Sonar
1781:Robot
1148:8 May
1035:8 May
985:6 May
956:6 May
928:5 May
882:6 May
856:2 May
830:4 May
777:2 May
650:6 May
379:David
360:Plato
315:Plato
245:Nazis
213:Plato
205:Savoy
164:Turin
120:Turin
99:Turin
1166:The
1150:2019
1089:ISBN
1037:2019
1009:ISBN
987:2019
958:2019
930:2019
884:2019
858:2019
832:2019
806:2014
779:2019
750:2014
737:ISBN
710:ISBN
691:2014
652:2019
593:2014
524:lyre
448:and
243:the
158:and
106:The
75:Type
62:Year
1085:425
825:CNN
620:doi
616:104
452:by
444:by
423:by
403:'s
393:in
366:'s
362:in
345:'s
321:'s
317:in
219:'s
215:in
203:of
118:of
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1371:✻✻
1327:✻✻
1141:.
1087:.
1079:.
1060:^
1027:.
978:.
966:^
946:.
921:.
903:.
875:.
849:.
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796:.
770:.
758:^
681:.
643:.
614:.
610:.
579:.
557:^
476:.
460:,
267:,
263:,
259:,
190:c.
112:c.
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66:c.
1379:✻
1363:✻
1312:✻
1269:✻
1213:e
1206:t
1199:v
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989:.
960:.
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886:.
860:.
834:.
808:.
781:.
752:.
718:.
693:.
654:.
628:.
622::
595:.
526:.
513:.
110:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
