177:(also known by several names), an extremely strong and durable machinable plastic which at the time was used for making police batons. The Gibson and Dunbar chanters are made out of polyoxymethylene. It is a material that can be machined and polished much like soft metals. Since there is no danger of splitting with a plastic chanter, there is no need for a sole (see below), although some models retain it for decorative purposes.
119:
22:
234:
189:
165:
Practice chanters can be made out of various materials and come in various sizes: short chanters are designed for the smaller hands of a child; regular chanters (as shown in the photo at right) are the same size as the traditional chanters; long chanters are also available, with the added length
173:; before the expansion of the British Empire, native woods were used, and are still used in many folk instruments. In the 1960s African Blackwood was in very short supply, and Ireland's only bagpipe maker, Andrew Warnock of The Pipers Cave in Northern Ireland, began making chanters from
290:) stalks. The reed was hollowed out with a wire heated over a peat fire, and holes were burned in the reed in the same way, to form the body of the chanter. A short piece of barley stalk was then shaped in the mouth to function as a sounding reed. These home-made chanters were called
166:
allowing a melody hole spacing identical to that of the bagpipe chanter itself. On some long chanters, the melody holes are also countersunk so that the outside face of the melody holes will have the same diameter as the bagpipe chanter holes.
219:(the thicker portion). The player blows into the mouthpiece. It can be made of nylon, wood, or plastic. The reed cover channels the air over the reed causing it to vibrate and produce the sound. The ring at the base of the reed cover is a
241:
The bottom section of the chanter is the portion that produces the melody which results from the covering and uncovering of small holes drilled into the core of the chanter at precisely determined intervals. The top of this section is the
153:
The practice chanter is essentially a long, thin piece of wood or plastic (in two parts) with a small-diameter hole bored lengthwise through the centre. Air is directed into and through this borehole and passes through a
145:. As its name implies, the practice chanter serves as a practice instrument: firstly for learning to finger the different melody notes of bagpipe music, and (after a player masters the bagpipes) to practice new music.
158:, the vibration of which causes the sound. On the lower portion of the chanter, holes are bored into the instrument at right angles to the central borehole. These holes are then covered or uncovered to produce the
270:
in place of the full instrument. The practice chanter is significantly quieter and better suited for the indoors, and requires less blowing than the bagpipes, making it physically easier to play.
355:
Falzett, Tiber F.M. (2010) "Aspects of
Indigenous Instrument Technologies and the Question of the Smallpipe in the Old and New World GĂ idhealtachds." ROSC: Review of Scottish Culture 22: 176-95.
226:
The reed can be made of cane or plastic. The two blades of the double reed vibrate against one another when air passes over them, and the sound is channeled down into and through the
306:
is quite sweet and it appears that these homemade chanters were not just used for practice, but considered a proper instrument in their own right and played in a traditional house
258:. On a wooden chanter the sole keeps the wood from splitting. With the advent of plastic chanters, "sole-less" designers are more common.
354:
342:
105:
39:
86:
58:
43:
282:-speaking areas of Scotland, musicians traditionally constructed their own practice chanters out of reed (Scottish Gaelic:
65:
365:
Forrest, J. Decker (2009) “The Making of
Bagpipe Reeds and Practice Chanters in South Uist.” In Joshua Dickson (Ed.),
254:, plumber tape, etc. to ensure an airtight seal. The base of the bottom section may contain another ring called the
250:
is inserted. The stock is tightly fitted into the top section of the practice chanter, and is usually wrapped with
223:
and is purely decorative. It can be made out of ivory, imitation ivory, plastic, nylon, or a metal such as silver.
72:
32:
204:
The practice chanter consists of a top section with mouthpiece, a lower portion with finger holes, and a reed.
54:
330:
142:
382:
397:
338:
170:
155:
123:
79:
174:
279:
391:
311:
118:
135:
21:
188:
169:
Pipe
Chanters and practice chanters are typically made out of hardwood such as
307:
193:
233:
266:
The practice chanter is, as the name implies, used to practice playing the
267:
197:
138:
159:
232:
187:
117:
192:
Details of a blackwood practice chanter made by Duncan Soutar of
298:) and were distinguished from manufactured practice chanters as
180:
The practice chanter can be played either sitting or standing.
15:
46:. Unsourced material may be challenged and removed.
141:instrument, principally used as an adjunct to the
367:The Highland Bagpipe: Music, History, Tradition.
383:Finger positions for a bagpipe practice chanter
8:
106:Learn how and when to remove this message
335:A Performer's Guide to Renaissance Music
294:(Highland or Gaelic chanters; singular,
323:
237:O-rings on the Dunbar practice chanter
302:(foreign chanters). The sound of the
7:
44:adding citations to reliable sources
14:
215:(the uppermost portion) and the
20:
286:) and barley (Scottish Gaelic:
122:A practice chanter made out of
31:needs additional citations for
1:
337:, p.98. Indiana University.
369:Surrey, UK: Ashgate, 71-96.
414:
149:Design and construction
238:
201:
143:Great Highland bagpipe
127:
274:Am Feadan GĂ idhealach
236:
191:
121:
331:Kite-Powell, Jeffery
292:feadanan GĂ idhealach
40:improve this article
304:feadan GĂ idhealach
296:feadan GĂ idhealach
239:
202:
128:
55:"Practice chanter"
230:of the chanter.
171:African Blackwood
124:African blackwood
116:
115:
108:
90:
405:
370:
363:
357:
352:
346:
328:
211:consists of the
175:polyoxymethylene
132:practice chanter
111:
104:
100:
97:
91:
89:
48:
24:
16:
413:
412:
408:
407:
406:
404:
403:
402:
388:
387:
379:
374:
373:
364:
360:
353:
349:
329:
325:
320:
300:feadanan Gallda
276:
264:
262:Reasons for use
246:into which the
186:
151:
112:
101:
95:
92:
49:
47:
37:
25:
12:
11:
5:
411:
409:
401:
400:
390:
389:
386:
385:
378:
377:External links
375:
372:
371:
358:
347:
322:
321:
319:
316:
275:
272:
263:
260:
228:bottom section
185:
182:
150:
147:
126:by R.G. Hardie
114:
113:
28:
26:
19:
13:
10:
9:
6:
4:
3:
2:
410:
399:
396:
395:
393:
384:
381:
380:
376:
368:
362:
359:
356:
351:
348:
344:
343:9780253013774
340:
336:
332:
327:
324:
317:
315:
314:of Scotland.
313:
312:Western Isles
309:
305:
301:
297:
293:
289:
285:
281:
273:
271:
269:
261:
259:
257:
253:
249:
245:
235:
231:
229:
224:
222:
218:
214:
210:
205:
199:
195:
190:
183:
181:
178:
176:
172:
167:
163:
161:
157:
148:
146:
144:
140:
137:
133:
125:
120:
110:
107:
99:
96:December 2018
88:
85:
81:
78:
74:
71:
67:
64:
60:
57: –
56:
52:
51:Find sources:
45:
41:
35:
34:
29:This article
27:
23:
18:
17:
366:
361:
350:
334:
326:
303:
299:
295:
291:
287:
283:
277:
265:
255:
251:
247:
243:
240:
227:
225:
220:
216:
212:
208:
206:
203:
179:
168:
164:
152:
131:
129:
102:
93:
83:
76:
69:
62:
50:
38:Please help
33:verification
30:
209:top section
136:double-reed
318:References
217:reed cover
213:mouthpiece
194:St Andrews
130:A bagpipe
66:newspapers
398:Bagpipes
392:Category
333:(2007).
308:cèilidhs
268:bagpipes
221:ferrule,
198:Scotland
139:woodwind
310:in the
80:scholar
341:
280:Gaelic
160:melody
82:
75:
68:
61:
53:
288:eòrna
284:cuilc
244:stock
184:Parts
134:is a
87:JSTOR
73:books
339:ISBN
256:sole
252:hemp
248:reed
207:The
156:reed
59:news
278:In
42:by
394::
196:,
162:.
345:.
200:.
109:)
103:(
98:)
94:(
84:·
77:·
70:·
63:·
36:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
