218:
152:
133:
36:
536:
253:, and they are now often spread across several museum collections, with their origin often uncertain. Reuniting, at least conceptually, predella panels with the rest of their original settings gave 20th-century art historians a large task, which continues into the 21st century.
248:
They had fallen out of fashion in Italy by the mid 16th century, but continued for a while further north. As altarpieces reached the art market from the 18th century onwards, the predella scenes (and other smaller sections) were often detached and sold separately, in effect as
256:
More generally, and not usually in the
English language, a predella is an altar-step, a shelf above and behind an altar, or a piece of furniture with a lower part to kneel on, for prayer, and often a higher part to support the arms. In English the French term
193:
altarpieces, where the main panel consisted of a scene with large figures, it was normal to include a predella below with a number of small-scale narrative paintings depicting events from the life of the dedicatee, whether the
217:
185:, sometimes forming a platform or step, and the painting or sculpture along it, at the bottom of an altarpiece, sometimes with a single much larger main scene above, but often (especially in earlier examples), a
463:
233:
than in the main panel as they could only be seen from close up. As the main panels themselves became larger and more dramatic, predellas fell from use around 1510-20 in the
151:
435:
471:
245:
for the main scene, leaving the painting to his workshop assistants. But he is thought to have painted the predella scenes himself.
286:
119:
210:. Typically there would be three to five small scenes, in a horizontal format. Sometimes a single space shows different scenes in
159:
522:
508:
365:
346:
57:
437:
The
Massacre of the Innocents with the Adoration of the Shepherds and the Adoration of the Magi - panel from a predella
100:
273:
for "a low wooden platform that serves as a basis in a piece of furniture". In
English this step is referred to as a
72:
46:
53:
79:
291:
211:
376:
86:
195:
540:
556:
68:
400:– a 20th-century realist, she has made use of the predella format in numerous works (c. 1981–2019)
496:
202:
317:
518:
504:
144:
250:
234:
372:
360:
341:
238:
190:
387:
324:
241:, by then in his 70s, in about 1521. In this case he is thought to have only done the
140:
93:
550:
441:
391:
397:
297:
242:
237:, although older or more conservative painters continued to use them, for example
132:
270:
230:
226:
35:
380:
280:
Similar small reliefs are sometimes placed under a larger piece of sculpture.
182:
155:
136:
281:
258:
186:
162:
535:
17:
166:
312:
274:
216:
207:
150:
131:
221:
Flemish altarpiece of the 1550s, still with three predella scenes
29:
503:, 2003 (2nd edn), Thames & Hudson, World of Art series,
60:. Unsourced material may be challenged and removed.
189:or multipanel altarpiece. In late medieval and
501:The Thames & Hudson Dictionary of Art Terms
143:, 1468. The predella has four scenes from the
8:
444:, Live Auction 20055, Lot 22, December 2021
464:"Incidents in the Life of Saint Benedict"
120:Learn how and when to remove this message
410:
329:Incidents in the Life of Saint Benedict
277:, which may include a pradella in it.
229:, as the artist had more freedom from
390:revisited the predella in his second
7:
158:with carved and painted predella at
58:adding citations to reliable sources
25:
287:Saint George Freeing the Princess
534:
321:– one of the earliest predellas.
34:
308:Examples of predellas include:
45:needs additional citations for
347:The Adoration of the Shepherds
27:Lower part of some altarpieces
1:
351:
332:
261:is normally used for this.
515:The Oxford Companion to Art
181:) is the lowest part of an
573:
468:www.nationalgallery.org.uk
284:placed a narrow scene of
212:continuous representation
231:iconographic conventions
225:They are significant in
377:Sandham Memorial Chapel
513:Osborne, Harold (ed),
315:– the predella of his
222:
170:
148:
220:
154:
135:
543:at Wikimedia Commons
54:improve this article
497:Lucie-Smith, Edward
366:San Zeno Altarpiece
290:on the base of his
223:
203:Life of the Virgin
171:
149:
539:Media related to
426:Lucie-Smith, 174
251:cabinet paintings
145:Passion of Christ
130:
129:
122:
104:
16:(Redirected from
564:
538:
484:
483:
481:
479:
474:on 20 April 2003
470:. Archived from
460:
454:
451:
445:
433:
427:
424:
418:
415:
356:
353:
337:
336: 1407–1409
334:
235:High Renaissance
125:
118:
114:
111:
105:
103:
62:
38:
30:
21:
572:
571:
567:
566:
565:
563:
562:
561:
547:
546:
531:
493:
488:
487:
477:
475:
462:
461:
457:
452:
448:
434:
430:
425:
421:
416:
412:
407:
386:Pre-Raphaelite
373:Stanley Spencer
361:Andrea Mantegna
354:
342:Luca Signorelli
335:
306:
239:Luca Signorelli
126:
115:
109:
106:
63:
61:
51:
39:
28:
23:
22:
15:
12:
11:
5:
570:
568:
560:
559:
549:
548:
545:
544:
530:
529:External links
527:
526:
525:
511:
492:
489:
486:
485:
455:
446:
428:
419:
409:
408:
406:
403:
402:
401:
395:
388:Dante Rossetti
384:
370:
358:
339:
325:Lorenzo Monaco
322:
305:
302:
197:Life of Christ
141:Carlo Crivelli
128:
127:
42:
40:
33:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
569:
558:
555:
554:
552:
542:
537:
533:
532:
528:
524:
520:
517:, 1970, OUP,
516:
512:
510:
506:
502:
498:
495:
494:
490:
473:
469:
465:
459:
456:
450:
447:
443:
439:
438:
432:
429:
423:
420:
414:
411:
404:
399:
396:
393:
392:Beata Beatrix
389:
385:
382:
378:
374:
371:
368:
367:
362:
359:
349:
348:
343:
340:
330:
326:
323:
320:
319:
314:
311:
310:
309:
303:
301:
299:
295:
294:
289:
288:
283:
278:
276:
272:
268:
264:
260:
254:
252:
246:
244:
240:
236:
232:
228:
219:
215:
213:
209:
205:
204:
199:
198:
192:
188:
184:
180:
176:
168:
164:
161:
157:
153:
146:
142:
138:
134:
124:
121:
113:
102:
99:
95:
92:
88:
85:
81:
78:
74:
71: –
70:
66:
65:Find sources:
59:
55:
49:
48:
43:This article
41:
37:
32:
31:
19:
514:
500:
476:. Retrieved
472:the original
467:
458:
453:Osborne, 923
449:
436:
431:
422:
417:Osborne, 923
413:
398:Leigh Behnke
394:(1871-1872).
364:
345:
328:
316:
307:
298:Orsanmichele
293:Saint George
292:
285:
279:
266:
262:
255:
247:
243:underdrawing
224:
201:
196:
178:
174:
172:
160:Marienkirche
116:
110:October 2021
107:
97:
90:
83:
76:
64:
52:Please help
47:verification
44:
557:Altarpieces
355: 1496
271:Langobardic
227:art history
191:Renaissance
523:019866107X
509:0500203652
491:References
478:13 January
442:Christie's
381:Burghclere
183:altarpiece
156:Altarpiece
137:Altarpiece
80:newspapers
69:"Predella"
541:Predellas
282:Donatello
259:prie-dieu
187:polyptych
173:In art a
163:Stralsund
18:Predellas
551:Category
383:, Hants.
304:Examples
179:predelle
177:(plural
175:predella
167:Germany
94:scholar
521:
507:
369:(1459)
318:Maestà
313:Duccio
275:gradin
269:, was
267:pretel
263:Predel
200:, the
96:
89:
82:
75:
67:
405:Notes
208:saint
206:or a
101:JSTOR
87:books
519:ISBN
505:ISBN
480:2022
296:for
73:news
327:–
300:.
265:or
139:by
56:by
553::
499:,
466:.
440:,
379:,
375:–
363:–
352:c.
344:–
333:c.
214:.
165:,
482:.
357:)
350:(
338:)
331:(
169:.
147:.
123:)
117:(
112:)
108:(
98:·
91:·
84:·
77:·
50:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
