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131:, could be heard in concerts. Many years later, Cui decided to revise the two-act work: during 1881-1882 he added a new middle act (Act II) and another dance to Act III. This version constituted the score for the Russian premiere. In 1885, with the prospect of a Belgian production, he expanded the finale of Act II, creating the third version of the opera.
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362:, Kazenbek tells his melancholy daughter, Fatima, that a bridegroom has been chosen for her. She meditates on her sorrow. Suddenly a crowd of highlanders arrive, bringing along a Russian Prisoner that Fatima's bridegroom has captured as a wedding gift. Fatima begins to sympathize and eventually to fall in love with the Prisoner.
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At the wedding feast, the people praise the bridegroom. The women, then the men, perform dances. After Mar'iam sings a
Circassian song, all exit except for the newlyweds. Fatima is still sad, and Abubeker asks the reason. When they exit, the shackled Prisoner enters. Then Fatima appears; she
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A group of women congratulates Fatima on her impending nuptials. After they leave, Fatima reveals her sadness to her friend Mar'iam. Hearing the approaching steps of
Kazenbek and Fekherdin, the two of them hide behind a curtain while overhearing the conversation. The mullah has had a dream
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Then the bridegroom, Abubeker, arrives. He expresses his love for Fatima. She greets him, and gifts from the groom are presented. Abubeker gives the
Prisoner to Kazenbek, who hates the Russian. The people condemn the Prisoner to death, which he welcomes to end his suffering.
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The
Prisoner is left alone until night, when Fatima secretly brings him some food. After they part, a highlander runs in to tell Kazenbek of a group of Russians raiding a nearby aoul. The people come out to join in the combat against the despised enemy.
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Mar'iam appears and tells Fatima that the entire village is preparing to take revenge on the
Russian. The people arrive and are horrified at the news of Fatima's actions. As they set out to kill her, Fatima stabs herself to death.
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The opera was composed in three versions. The first, in 1857–1858, consisted of only two acts (which later became Acts I and III), but its staging was cancelled due to poor orchestration and insufficient length. Meanwhile, the
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urges the
Prisoner to escape and frees him. He tells her that he loves not her, but another in his homeland. She is devastated as he runs away.
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453:: опера в трех действиях (либретто по Пушкину). Переложение для пения и фортепиано . Ст.-Петербург: В. Бессель, 1882.
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158:. This opera became the most widely performed of the composer's full-length operas. Its production in
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in 1886 — made possible in no small way by the enthusiastic support of Cui's friend,
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460:: opéra en 3 actes. Partition chant et piano. St. Petersbourg, B. Bessel, 1885.
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and to have fallen out of the repertory in Russia after the composer's death.
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revealing Fatima's love for the
Russian Prisoner. The two men exit.
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The opera was preceded on the
Russian stage by choreographer
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358:After the men of the aoul pray to
142:was premiered on 4 February 1883 (
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672:(Act I, with three others, 1872)
228:M. A. Slavina, F. N. Belinskaya
18:Prisoner of the Caucasus (opera)
339:Tsvetkova in the role of Fatima
78:. The libretto is credited to
191:Premiere cast, 4 February 1883
164:La Comtesse de Mercy-Argenteau
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416:Aria of the Prisoner (Act I)
140:The Prisoner of the Caucasus
97:The Prisoner in the Caucasus
89:The Prisoner of the Caucasus
55:The Prisoner of the Caucasus
154:under the conductorship of
101:The Captive in the Caucasus
74:in three acts, composed by
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70:in transliteration) is an
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583:A Feast in Time of Plague
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419:Aria of Abubeker (Act II)
49:in the Caucasus Mountains
45:19th-century postcard of
535:Prisoner of the Caucasus
471:Prisoner of the Caucasus
458:Le prisonnier du Caucase
402:Notable musical excerpts
758:Russian-language operas
685:The Fair at Sorochyntsi
369:Sobinov as the Prisoner
703:List of literary works
634:Little Red Riding Hood
607:The Captain's Daughter
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520:List of compositions
263:I. P. Pryanishnikov
738:Operas by César Cui
285:A Russian prisoner
135:Performance history
543:The Mandarin's Son
451:Кавказский пленник
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60:Кавказский пленник
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47:Mount Elbrus
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575:The Saracen
428:Circassian
319:2nd mullah
268:Fekherdin,
188:Voice type
118:Composition
732:Categories
456:_______.
253:bridegroom
249:Abubeker,
235:her friend
146:), at the
511:César Cui
432:(Act III)
425:(Act III)
311:baritone
251:Fatima's
233:Mar'iam,
202:Kazenbek
144:Old Style
114:of 1825.
76:César Cui
36:César Cui
34:Composer
719:Category
407:Overture
389:Act III.
346:Caucasus
331:Synopsis
259:baritone
217:Fatima,
125:overture
64:Cyrillic
696:Related
378:Act II.
344:Place:
224:soprano
753:Operas
653:(1915)
645:(1913)
637:(1911)
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559:Angelo
554:(1869)
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538:(1858)
527:Operas
423:Dances
356:Act I.
322:tenor
301:tenor
272:mullah
112:ballet
669:Mlada
360:Allah
289:tenor
277:bass
185:Role
178:Roles
160:Liège
72:opera
430:Song
411:Aria
350:aoul
206:bass
99:and
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110:'s
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