Knowledge (XXG)

Production company

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Actors and crew are hand picked by the producer, director, and casting director, who often use collaborators or referenced personnel to prevent untrusted or unwelcomed people from gaining access to a specific production and compromising the entire production through leaks. Once a production enters into principal photography, it begins filming. Productions are almost never cancelled once they reach this phase. Codenames are often used on bigger productions during filming to conceal the production's shooting locations for both privacy and safety reasons. In many cases, the director, producers, and the leading actors are often the only people with access to a full or majority of a single script. Supporting actors, background actors, and crew often never receive a full copy of a specific script to prevent leaks. Productions are often shot in secured studios, with limited to no public access, but they are also shot on location on secured sets or locations. Due to the exposure, when shooting in public locations, major productions often employ security to ensure the protection of the talent and crew working on a specific production. After filming is completed, the production enters into post production, which is handled by a post production company and overseen by the production company. The editing, musical score, visual effects, re-recording of the dialog, and sound effects are "mixed" to create the final film, which is then screened at the final screening. Marketing is also launched during this phase, such as the release of trailers and posters. Once a final film has been approved, the film is taken over by the distributors, who then release the film.
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require at least one to two cameras and lighting equipment for on location shooting. Production equipment is either leased or purchased from another production company or directly from the manufacturer. In the entertainment industry, in order to secure experienced professional talent and crew, production companies often become a signatory company to that talent or crew members "guild". By becoming a signatory company, it agrees to abide by the guild regulations. All big budget guild productions are exclusive to guild members and non guild members are not allowed to participate in these productions unless authorized by the guild. Productions with smaller budgets are allowed to use both guild talent and talent from the public. The majority of the talent and crew working in the entertainment industry are members of their professions guild. Most productions in the entertainment industry are guild productions.
417:, and crew). Production companies are judged and ranked based on the amount of funding it has, as well the productions it has completed or been involved with in the past. If a production company has major funding either through earnings, studio investors, or private investors, and has done or been involved with big budget productions in the past, it is considered to be a major production company. These companies often work with well-known and expensive talent. If a production company does not have much funding and has not done or been involved with any big budget productions, it is considered to be a small production company. These companies often work with up and coming talent. 305:, specializing "only" in motion pictures is only connected with its other counterpart industries through its parent company. Instead of performing a corporate reorganization, many motion picture companies often have sister companies they collaborate with in other industries that are subsidiaries owned by their parent company and is often not involved in the making of products that are not motion picture related. A film production company can either operate as an affiliate (under a contract) or as a subsidiary for an entertainment company, motion picture company, television network, or all, and are generally smaller than the company they are partnered with. 575: 520:
phase, most productions never reach this phase for financing or talent reasons. In pre-production, the actors are signed on and prepared for their roles, crew is signed on, shooting locations are found, sets are built or acquired, and the proper shooting permits are acquired for on location shooting.
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are two companies with this corporate structure. It allows for a single company to maintain control over seemingly unrelated companies that fall within the ranges of entertainment, which increases and centralises the revenue into one company (example: a film production company, TV production company,
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moving into the publishing field, publishers have started to enter the film and TV production business to boost their net income with Amazon attempting to compete there too. More screenwriters are turning to book publishers to get their screenplay published as a book, so as to have a boost in their
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staff that helps to oversee the company's daily activities. In some cases, a production company can be run by only a handful of people. The company's funds are mainly committed towards employing talent, crew, and acquiring new updated production equipment on a regular basis. Many productions often
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Generally the term refers to all individuals responsible for the technical aspects of creating a particular product, regardless of where in the process their expertise is required, or how long they are involved in the project. For example, in a theatrical performance, the production team has not
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is also a major factor. All films, as a tradition, are often marketed around the image and the performance of the actors; with an option of marketing the behind the scenes crew such as the directors and screenwriters. Unlike many other businesses, a production company does not rely on an ongoing
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A production company is responsible for the development and filming of a specific production or media broadcast. In entertainment, the production process begins with the development of a specific project. Once a final script has been produced by the screenwriters, the production enters into the
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Films have been using books as a prime source for films for years. In 2012, six out of the nine best picture Oscar nominees were originally books. Previously, publishers did not develop their books into movie nor receive any of the profits. Neither Scholastic or Little Brown, get any box office
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In rare occasional cases, a few troubled major studios would also shed their distribution and/or marketing staffs, mainly due to reduced resources, and resort to co-investing and/or co-distributing film projects with larger studios, operating as virtual, production-only movie studios. Notable
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while not a unit of a publisher started using a book packaging to film model of film and TV development by developing the property in-house, hire authors for the books and films, so as to own the property. Random House was the first big six book publisher to establish a book to film unit,
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and open their own production companies so that they can have more control over their careers and pay, while acting as an "in-house" creative and business driving force for their company but continuing to freelance as an artist for other companies, if desired.
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The entertainment industry is centered on funding (investments from studios, investment firms, or individuals either from earnings from previous productions or personal wealth), projects (scripts and entertainment franchises), and talent
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in October 2010 under the packaging model similar to Alloy while also moving to get film rights from Dunne's published author. Also that year, Random House changed their strategy to film development and packaging only.
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where a distributor has the rights to all the output of a production company. The creator is paid in an overall deal regardless if projects are taken to production or not, and all projects developed are owned by the
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completely owned by another company, remain small, or fail. The success of an entertainment production company is centered on the projects it produces, the talent it can acquire, and the performance of the talent.
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For legal reasons, it is common within the entertainment industry for production companies not to accept unsolicited materials from any other company, talent, or the general public. It is also common for
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where a network has the right of refusal to all the output of a production company, after which the production company is free to shop the project to other distributors.
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A production company is usually run by a producer or director, but can also be run by a career executive. In entertainment, a production company relies highly on
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a democratized power structure to ensure that both the companies and talent receive their fair share of pay and recognition for work done on a production.
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in October 2012. In 2013, Macmillan Films became Macmillan Entertainment with an expansion to look at other divisions' book for possible films.
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movies just through book sales. As the publishers faced decreasing revenue due to increased competition from self-published e-books, or
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is capable of using its resources to supply good quality products and services to the public. Many entertainment production companies
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or a well known entertainment franchise to raise the value of an entertainment project and draw out larger audiences. This gives the
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video game company, and comic book company are all owned by a single entertainment company). A motion picture company, such as
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Because a production company is only operational when a production is being produced and most of the talent and crew are
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their entertainment projects. An entertainment project can either become a "one time hit" or an ongoing "entertainment
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The production company may be directly responsible for fundraising the production or may accomplish this through a
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A book to film unit is a unit of a book publishing company for the purposes of getting books that they published
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conglomerates distribute said creative works, but it is not uncommon for production companies to act as a
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attempt to have the screenplay turned into a movie, given that it is a known product after the book.
221:. In music, the term production team typically refers to a group of individuals filling the role of " 162: 682: 678: 669: 471: 361: 356: 348: 182: 111: 630: 594: 375: 371: 302: 214: 150: 711: 664: 277: 625: 612: 466:). Entertainment projects can be either an original or an adaptation from another industry. 451: 352: 119: 1008: 94:. These groups consist of technical staff and members to produce the media, and are often 655: 607: 603: 589: 559: 447: 314: 273: 269: 261: 222: 139: 75: 63: 51: 225:" usually reserved for one individual. Some examples of musical production teams include 517: 431: 365: 198: 178: 131: 1037: 686: 414: 206: 166: 55: 420:
Small production companies will either grow to become a major production company, a
985: 535: 479: 327: 265: 158: 107: 17: 454:, or expanded into other sister industries; such as the video game industry (see 134:, partner, or private investor. It handles budgeting, scheduling, scripting, the 660: 580: 241: 230: 154: 1013: 674: 635: 621: 570: 531: 503: 439: 421: 386: 335: 237: 99: 79: 599: 499: 462: 456: 426: 398: 190: 143: 804:"Why Hollywood screenwriters are detouring to books in quest for film work" 773:"Why Hollywood screenwriters are detouring to books in quest for film work" 292:, operating many divisions or subsidiaries in many different industries. 268:
which are paid services. Both large and small production studios have an
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Production companies are often either owned or under contract with a
71: 47: 742:"How Publishers Bolster Their Bottom Line by Retaining Film Rights" 986:"What Are Overall Deals and How Do You Get Them? | No Film School" 443: 410: 91: 87: 67: 59: 264:, in this case, should not be confused with a self-publishing 502:, many production companies are only required to hire 708:"What is a Production Company and Why Do I Need One?" 138:, the organization of staff, the production itself, 962:. Filmescape.com. October 31, 2015. Archived from 258:Nintendo Entertainment Planning & Development 181:. This has become known as the "studio system". 1009:"Death of TV's Overall Deals (As We Knew Them)" 368:deal under a development and co-finance plan. 8: 927:"Macmillan Publishers Expands Film Division" 833:Trachtenberg, Jeffrey A. (August 18, 2013). 217:. Production companies can work together in 209:). In the case of television, a production 866:"Macmillan Publishers Starts Film/TV Unit" 710:. Production-Companies.net. Archived from 996:from the original on September 19, 2020. 954: 952: 288:Entertainment companies operate as mini 699: 651:List of television production companies 486:, which was downsized by former owner 896:"Macmillan Expands Book-to-Film Unit" 864:Fleming, Mike Jr. (October 4, 2010). 735: 733: 731: 729: 27:Company or studio that produces media 7: 641:International Cinematographers Guild 50:that creates works in the fields of 984:Hellerman, Jason (August 8, 2019). 937:from the original on March 17, 2014 906:from the original on March 30, 2014 876:from the original on March 31, 2014 752:from the original on March 17, 2014 1021:from the original on May 23, 2024. 845:from the original on March 6, 2016 771:Harvey, Ellen (November 5, 2013). 476:Sony Pictures Motion Picture Group 470:examples include legendary studio 385:was started by Magazine publisher 25: 802:Hall, Gina (September 18, 2012). 740:Lewis, Andy (February 23, 2012). 646:List of film production companies 450:" that can be continued, remade, 925:Lewis, Andy (November 1, 2013). 814:from the original on 16 May 2014 783:from the original on May 5, 2014 573: 171:concentration of media ownership 136:supply with talent and resources 1049:Television production companies 1007:Cullins, Ashley (May 1, 2024). 494:Staffing, funds, and equipment 276:, along with other forms of a 1: 254:Walt Disney Animation Studios 1090: 1059:Film and video terminology 294:Warner Bros. Entertainment 1044:Film production companies 835:"Publisher Makes TV Play" 490:into a smaller division. 383:Condé Nast Entertainment 1054:Entertainment companies 534:or producers to become 298:Lionsgate Entertainment 246:The Walt Disney Company 1074:Theatrical occupations 1069:Television terminology 1064:Mass media occupations 931:The Hollywood Reporter 746:The Hollywood Reporter 403:entertainment industry 617:Broadcast syndication 252:act as publisher for 902:. November 1, 2013. 393:Operation and profit 349:Simon & Schuster 213:would serve under a 169:company, due to the 163:video game publisher 142:, distribution, and 120:theatrical direction 100:commercial publisher 839:Wall Street Journal 683:Television producer 679:Theatrical producer 670:Screen Actors Guild 472:Metro-Goldwyn-Mayer 357:Alloy Entertainment 236:The aforementioned 183:Independent studios 175:production company' 126:Tasks and functions 112:theatrical producer 714:on 8 November 2011 631:Hip hop production 595:Executive producer 436:Legendary Pictures 376:Thomas Dunne Books 362:Random House Films 303:Paramount Pictures 215:television network 151:media conglomerate 32:production company 18:Production Company 665:Television studio 364:, in 2005 with a 332:The Twilight Saga 326:revenue from the 315:adapted into film 309:Book to film unit 278:command hierarchy 195:production studio 173:, who act as the 40:production studio 16:(Redirected from 1081: 1023: 1022: 1004: 998: 997: 981: 975: 974: 972: 971: 956: 947: 946: 944: 942: 922: 916: 915: 913: 911: 900:publishersweekly 892: 886: 885: 883: 881: 861: 855: 854: 852: 850: 830: 824: 823: 821: 819: 799: 793: 792: 790: 788: 768: 762: 761: 759: 757: 737: 724: 723: 721: 719: 704: 626:Video production 613:Film distributor 583: 578: 577: 576: 553: 552: 374:was launched by 353:Paramount Global 187:production house 76:interactive arts 36:production house 21: 1089: 1088: 1084: 1083: 1082: 1080: 1079: 1078: 1034: 1033: 1032: 1027: 1026: 1006: 1005: 1001: 983: 982: 978: 969: 967: 958: 957: 950: 940: 938: 924: 923: 919: 909: 907: 894: 893: 889: 879: 877: 863: 862: 858: 848: 846: 832: 831: 827: 817: 815: 801: 800: 796: 786: 784: 770: 769: 765: 755: 753: 739: 738: 727: 717: 715: 706: 705: 701: 696: 691: 656:Outline of film 608:Television crew 604:Production team 590:Directors Guild 579: 574: 572: 569: 560:First-look deal 550: 549: 545: 527: 513: 496: 395: 372:Macmillan Films 345: 323: 311: 286: 274:editor-in-chief 270:editorial board 262:Self-publishing 244:. For example, 223:record producer 203:production team 185:usually prefer 140:post-production 128: 110:, but also the 52:performing arts 44:production team 28: 23: 22: 15: 12: 11: 5: 1087: 1085: 1077: 1076: 1071: 1066: 1061: 1056: 1051: 1046: 1036: 1035: 1031: 1030:External links 1028: 1025: 1024: 999: 990:No Film School 976: 948: 917: 887: 856: 825: 794: 763: 725: 698: 697: 695: 692: 690: 689: 672: 667: 658: 653: 648: 643: 638: 633: 628: 619: 610: 597: 592: 586: 585: 584: 568: 565: 564: 563: 557: 544: 541: 526: 523: 518:pre-production 512: 509: 495: 492: 432:revenue stream 394: 391: 366:Focus Features 344: 341: 322: 319: 310: 307: 285: 282: 260:respectively. 219:co-productions 199:Amazon Studios 179:parent company 132:parent company 127: 124: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1086: 1075: 1072: 1070: 1067: 1065: 1062: 1060: 1057: 1055: 1052: 1050: 1047: 1045: 1042: 1041: 1039: 1029: 1020: 1016: 1015: 1010: 1003: 1000: 995: 991: 987: 980: 977: 966:on 2017-09-20 965: 961: 955: 953: 949: 936: 932: 928: 921: 918: 905: 901: 897: 891: 888: 875: 871: 867: 860: 857: 844: 840: 836: 829: 826: 813: 809: 805: 798: 795: 782: 778: 777:Book Business 774: 767: 764: 751: 747: 743: 736: 734: 732: 730: 726: 713: 709: 703: 700: 693: 688: 687:Film producer 684: 680: 676: 673: 671: 668: 666: 662: 659: 657: 654: 652: 649: 647: 644: 642: 639: 637: 634: 632: 629: 627: 623: 620: 618: 614: 611: 609: 605: 601: 598: 596: 593: 591: 588: 587: 582: 571: 566: 561: 558: 554: 547: 546: 542: 540: 537: 536:entrepreneurs 533: 525:Other details 524: 522: 519: 510: 508: 505: 501: 493: 491: 489: 485: 481: 477: 473: 467: 465: 464: 459: 458: 453: 449: 445: 441: 437: 433: 428: 423: 418: 416: 415:screenwriters 413:, directors, 412: 406: 404: 400: 392: 390: 388: 384: 380: 377: 373: 369: 367: 363: 358: 354: 350: 342: 340: 337: 333: 329: 320: 318: 316: 308: 306: 304: 299: 295: 291: 283: 281: 279: 275: 271: 267: 263: 259: 255: 251: 247: 243: 239: 234: 232: 228: 224: 220: 216: 212: 208: 207:Rooster Teeth 204: 200: 196: 192: 188: 184: 180: 177:s partner or 176: 172: 168: 167:entertainment 164: 160: 156: 152: 147: 145: 141: 137: 133: 125: 123: 121: 117: 113: 109: 103: 101: 97: 93: 89: 85: 81: 77: 73: 69: 65: 61: 57: 56:new media art 53: 49: 45: 41: 37: 33: 19: 1012: 1002: 989: 979: 968:. 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Index

Production Company
studio
performing arts
new media art
film
television
radio
comics
interactive arts
video games
websites
music
video
incorporated
commercial publisher
running crew
theatrical producer
designers
theatrical direction
parent company
supply with talent and resources
post-production
marketing
media conglomerate
film studio
record label
video game publisher
entertainment
concentration of media ownership
parent company

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