943:
a large number then stood and turned their backs on the performers, prompting Os
Mutantes to turn their backs on the audience. As the song continued, the students pelted the stage with fruit, vegetables, eggs, paper balls and anything else that came hand. Veloso stopped playing and launched into a furious monologue, in which he excoriated the students for their conservatism. After being joined by Gilberto Gil, who came on stage to show his support, Veloso finished his diatribe by telling the students "... if you are the same in politics as you are in aesthetics, we’re done for!" and declaring he was withdrawing from the competition. He then deliberately finished the song out of tune, angrily shouted "Enough!" and walked off arm-in-arm with Gil and Os Mutantes.
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parodied the
Brazilian national anthem. Gil and Veloso were both arrested in February 1969 on the orders of the military junta - they were held in prison for three months without charge or trial, and after a further four months under house arrest, they were released on condition that they leave the country, and they spent the next few years in exile in the UK. Others in the Tropicalist movement were treated even more harshly - several were arrested and tortured, or forced to undergo psychiatric 'treatment'.
934:
first round of the
Festival's song competition on 12 September, he was initially greeted with enthusiastic applause, but the situation soon turned ugly. Dressed in a shiny green plastic suit, festooned with wires and necklaces strung with teeth, Veloso provoked the students with his sensual movements and startling new psychedelic music. He was bombarded by insults, jeers and boos from the students, who became even more incensed when American pop singer
956:
875:, also known as 'Tropicalismo' (Tropicalism), an anti-authoritarian artistic reaction to the repressive military junta that seized power in Brazil in 1964. Encompassing visual art, theatre, poetry and music, Tropicália combined the popular and the avant-garde, and fused traditional Brazilian culture with foreign influences, including contemporary developments in British and American psychedelic music, and above all the music of
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In
September 1968 Caetano Veloso gave two tumultuous performances at the third annual International Popular Song Festival in Rio, where the audience included a large contingent of left-wing students who were vehemently opposed to the Tropicalistas. When Veloso (backed by Os Mutantes) performed in the
942:
The students began hissing and booing as soon as Veloso's name was announced, and when he began his performance, his overtly sexual stage moves and the experimental music of Os
Mutantes provoked an outpouring of anger - the audience began booing so loudly stood that Veloso could barely be heard, and
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Tropicália had a major effect on the
Brazilian music scene during its brief heyday (1967–68), and the main performers made regular appearances on Brazilian stage, television and radio, but the movement was abruptly shut down in early 1969, following a provocative December 1968 TV performance which
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made a surprise appearance during the song. The ideological conflict climaxed three days later when Veloso returned for the second round of the competition on 15 September, at which he performed a new song entitled "Prohibido a
Prohibir" ("It is Forbidden to Forbid"), which was recorded live and
926:'s early "electric" concerts - the performers sported long hair, wore outlandish psychedelic costumes, used electric guitars and amplification, and played at full volume. Brazil's military junta was becoming increasingly suspicious of the anarchic anti-establishment attitudes of the
922:. The collective also performed a number of concert "happenings" which were intended to both involve and provoke audiences, and these reportedly had a similar effect on Brazilian audiences to that experienced by folk purists who witnessed
930:, who also found themselves at odds with the nationalistic student left-wing, who favoured traditional Brazilian musical forms, and rejected what they saw as the corrupting influence of Western pop music.
1238:
Monsivais, Carlos (2004). "Would So Many
Millions of People Not End Up Speaking English?: The North American Culture and Mexico". In Sarto, Ana del; RĂos, Alicia; Trigo, Abril (eds.).
1030:, a cultural movement was born from a few Chilean bands that emerged playing a unique fusion of folkloric music with heavy psychedelic influences. The 1967 release of Los Mac's album
871:), they have since accrued a substantial international cult following. Os Mutantes also played a central role in the short-lived but revolutionary Brazilian aesthetic movement
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played in the festival. Meanwhile, in the
Argentinian capital Buenos Aires, a burgeoning psychedelic scene gave birth to three of the most important bands in Argentine rock:
39:
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879:. As well as recording their own material, Os Mutantes collaborated with other key figures in the burgeoning Tropicalist movement, including singer-songwriter
916:. The album's group cover photograph depicted the collective holding a variety of objects and images, in a deliberate reference to the cover of The Beatles'
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emerged, especially in northern border
Mexican states, in particular, Tijuana, Baja California. Among the most recognized bands from this "
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imagery and artwork, and open drug use. In Chile from 1967 to 1973, between the ending of the government of President
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produced psychedelic rock within the Chilean late 60s early 70s context with a female vocalist Denise Corales.
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Latin America proved a particularly fertile ground for psychedelic rock. The Brazilian psychedelic rock group
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Victoria Langland (2006), "Il est Interdit d’Interdire: The Transnational Experience of 1968 in Brazil",
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formed in 1966, although little known outside Brazil at the time (due to the fact that they recorded in
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892:("Tropicalia: or Bread and Circuses") which brought together the talents of Os Mutantes, Gilberto Gil,
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The musical manifesto of the Tropicalist movement was the landmark 1968 collaborative LP
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In the late 1960s, a wave of Mexican rock, heavily influenced by psychedelia and
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festival held on September 11–12, 1971, on the shores of Lake Avándaro near the
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The Republic of Rock: Music and Citizenship in the Sixties Counterculture
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1070:. I was held between 10 and 12 October 1970 in the eastern area of
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Estudios Interdisciplinarios de América Latina y el Caribe
978:" (Onda Chicana in Spanish) were Three Souls in my Mind,
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and celebrated life, youth, ecology, music, peace and
1327:(Footscray, Victoria: Lonely Planet, 5th ed., 2008),
904:, with arrangements by avant-garde composer-arranger
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46:. Unsourced material may be challenged and removed.
684:Psilocybin decriminalization in the United States
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1746:Psychedelic rock in Australia and New Zealand
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1178:The Mexico Reader: History, Culture, Politics
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8:
2171:South Georgia and the South Sandwich Islands
1295:(Andover: Cengage Learning, 8th ed., 2008),
1215:Jimenez Izquierdo, Juan (12 December 2011).
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1002:. The festival, took place at the height of
1180:(Durham, NC: Duke University Press, 2002),
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1176:G. M. Joseph and T. J. Henderson, ed.,
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883:, whom they backed on Gil's second LP.
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912:) and lyrical contributions from poet
1217:"Avandaro, mas que drogas y desnudos"
1154:, BBC World Service, 15 February 2015
919:Sgt. Pepper's Lonely Hearts Club Band
7:
1010:, has been compared to the American
669:Legal status of psilocybin mushrooms
44:adding citations to reliable sources
1811:Category:Psychedelic musical groups
55:"Psychedelic rock in Latin America"
988:Festival Rock y Ruedas de Avándaro
842:Brazil and the Tropicalia movement
14:
1751:Psychedelic rock in Latin America
889:Tropicália: ou Panis et Circencis
823:Psychedelic rock in Latin America
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2014:Saint Vincent and the Grenadines
1852:Psychedelic rock in the Americas
1152:Tropicalia - Revolution in Sound
1026:and the government of President
674:Legal status of Salvia divinorum
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772:Regulation of therapeutic goods
31:needs additional citations for
1137:Brazil, Tropicalist Revolution
1062:noted as an expression of the
1034:(1967) inspired bands such as
644:Drug policy of the Netherlands
1:
1271:. Oxford UP. pp. 220–.
1244:. Duke UP. pp. 203–32.
1205:, retrieved 6 December 2013.
1126:. Retrieved 2 February 2010.
513:List of psilocybin mushrooms
1639:Counterculture of the 1960s
1313:2011 website on Piedra Roja
1265:Kramer, Michael J. (2013).
962:performing in a TV show in
951:Mexico, Chile and Argentina
591:Counterculture of the 1960s
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1552:Italian occult psychedelia
1293:A History of Latin America
1048:El derecho de vivir en paz
939:later released as single.
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747:Philosophy of psychedelics
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507:List of psychedelic drugs
2176:Turks and Caicos Islands
1806:Category:Hippie movement
1730:Psychedelic rock artists
1720:Psychedelic folk artists
1135:Gilberto Gil, quoted in
1058:was a music festival in
1725:Psychedelic pop artists
1715:Neo-psychedelia artists
1291:B. Keen and K. Haynes,
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654:Drug policy of Portugal
621:William Leonard Pickard
408:Psychedelic microdosing
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1788:Psychedelic literature
1783:Psychedelic experience
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367:Psychedelic literature
2004:Saint Kitts and Nevis
1801:Category:Drug culture
1684:Second Summer of Love
1064:hippie counterculture
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649:Drug policy of Oregon
1199:"Dug Dug: Biography"
777:Self-experimentation
757:Prohibition of drugs
664:Legality of cannabis
40:improve this article
2181:U.S. Virgin Islands
2024:Trinidad and Tobago
1869:Antigua and Barbuda
1679:San Francisco sound
1584:Paisley Underground
859:performing in 1969.
639:Drug liberalization
518:Psychoactive cactus
1934:Dominican Republic
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1046:on his 1971 album
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998:, in the central
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553:Psychedelic Press
273:Palm Desert Scene
216:Psychedelic music
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1333:1-74104-699-8
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1301:0-618-78318-0
1298:
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1278:9780195384864
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1120:"Os Mutantes"
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1068:South America
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1024:Frei Montalva
1021:
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984:Los Dug Dug's
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928:Tropicalistas
925:
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914:Torquato Neto
911:
910:Pierre Boulez
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717:Drug checking
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57: –
56:
52:
51:Find sources:
45:
41:
35:
34:
29:This article
27:
23:
18:
17:
2217:
2210:
2166:Sint Maarten
2151:Saint Martin
2058:Dependencies
1750:
1674:Rave culture
1325:Buenos Aires
1324:
1319:
1308:
1292:
1287:
1267:
1260:
1240:
1233:
1221:. Retrieved
1210:
1202:
1193:
1177:
1172:
1164:
1159:
1151:
1136:
1131:
1123:
1114:
1084:Lágrima Seca
1047:
1031:
992:Mexican rock
976:Chicano Wave
969:
964:Buenos Aires
945:
941:
932:
927:
917:
887:
885:
881:Gilberto Gil
862:
822:
821:
505:
486:Salvinorin A
365:
350:Acid Western
337:
336:
214:
155:
102:
93:
83:
76:
69:
62:
50:
38:Please help
33:verification
30:
2136:Puerto Rico
2063:territories
2009:Saint Lucia
1944:El Salvador
1756:Psychedelia
1649:Freak scene
1622:Subcultures
1599:Stoner rock
1589:Sampledelia
1469:Suomisaundi
1396:Psychedelic
1197:J. Ankeny,
1118:John Bush,
1056:Piedra Roja
1044:Victor Jara
877:The Beatles
865:Os Mutantes
857:Os Mutantes
742:Neuroethics
403:Trip sitter
355:Stoner film
323:Stoner rock
278:Peyote song
248:Acid trance
243:Acid techno
184:Fractal art
179:Diffraction
131:Psychedelia
2235:Categories
2131:Montserrat
2126:Martinique
2121:Guadeloupe
1919:Costa Rica
1604:Tropicália
1594:Space rock
1562:Madchester
1537:Dream-beat
1452:Goa trance
1387:By prefix
1106:References
1088:Los Jaivas
1076:Aguaturbia
1052:Aguaturbia
1036:Los Jaivas
873:Tropicália
869:Portuguese
848:Tropicalia
846:See also:
782:Surrealism
576:Acid Tests
531:Experience
478:Psilocybin
398:Smart shop
318:Space rock
263:Madchester
228:Acid house
174:Cyberdelic
66:newspapers
2204:Caribbean
2116:Greenland
2039:Venezuela
1984:Nicaragua
1954:Guatemala
1874:Argentina
1859:Sovereign
1572:Dream pop
1557:Krautrock
1542:Freakbeat
1532:Chillwave
1457:Nitzhonot
1389:and style
1335:, p. 248.
1303:, p. 592.
1188:, p. 605.
1092:Los Gatos
1080:Los Blops
1040:Los Blops
1012:Woodstock
1008:free love
980:Love Army
924:Bob Dylan
902:Gal Costa
702:Addiction
548:Ego death
481:mushrooms
468:Mescaline
438:Ayahuasca
428:25I-NBOMe
393:Entheogen
253:Chillwave
238:Acid rock
233:Acid jazz
204:Phosphene
2071:Anguilla
2019:Suriname
1994:Paraguay
1969:Honduras
1929:Dominica
1914:Colombia
1884:Barbados
1739:See also
1664:Jam band
1644:Deadhead
1577:Shoegaze
1323:S. Bao,
1203:Allmusic
1124:Allmusic
1100:Almendra
1072:Santiago
837:Overview
707:Cannabis
679:Neurolaw
538:Bad trip
458:Ketamine
453:Ibogaine
443:Cannabis
328:Trip hop
123:a series
121:Part of
96:May 2016
2101:Curaçao
2086:Bonaire
2081:Bermuda
2034:Uruguay
1974:Jamaica
1949:Grenada
1939:Ecuador
1894:Bolivia
1879:Bahamas
1766:LSD art
1659:Hippies
1609:Zamrock
1425:Hip hop
1223:24 June
1050:. Also
1028:Allende
1004:La Onda
966:, 1972.
825:is the
570:History
558:Therapy
543:Ecology
381:Culture
199:Paisley
194:LSD art
80:scholar
1989:Panama
1979:Mexico
1959:Guyana
1904:Canada
1899:Brazil
1889:Belize
1861:states
1512:Trance
1507:Techno
1464:Psydub
1447:Trance
1380:Genres
1331:
1299:
1275:
1248:
1184:
986:. The
898:Tom ZĂ©
727:Hippie
490:Salvia
473:Peyote
283:P-Funk
82:
75:
68:
61:
53:
2076:Aruba
1964:Haiti
1909:Chile
1703:Lists
1654:Grebo
1525:Other
1487:House
1096:Manal
1060:Chile
421:Drugs
87:JSTOR
73:books
2141:Saba
2061:and
1999:Peru
1924:Cuba
1502:Rock
1497:Punk
1492:Jazz
1480:Acid
1435:Soul
1430:Rock
1415:Funk
1403:Folk
1329:ISBN
1297:ISBN
1273:ISBN
1246:ISBN
1225:2014
1182:ISBN
1098:and
1086:and
1038:and
972:funk
900:and
762:Rave
732:MDMA
433:2C-B
149:Arts
59:news
1420:Pop
1066:in
633:Law
463:LSD
448:DMT
42:by
2237::
1201:,
1144:^
1122:,
1102:.
1094:,
1082:,
1078:,
1018:,
896:,
833:.
125:on
1845:e
1838:t
1831:v
1365:e
1358:t
1351:v
1281:.
1254:.
1227:.
811:e
804:t
797:v
488:/
109:)
103:(
98:)
94:(
84:·
77:·
70:·
63:·
36:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.