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Psychedelic rock in Latin America

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a large number then stood and turned their backs on the performers, prompting Os Mutantes to turn their backs on the audience. As the song continued, the students pelted the stage with fruit, vegetables, eggs, paper balls and anything else that came hand. Veloso stopped playing and launched into a furious monologue, in which he excoriated the students for their conservatism. After being joined by Gilberto Gil, who came on stage to show his support, Veloso finished his diatribe by telling the students "... if you are the same in politics as you are in aesthetics, we’re done for!" and declaring he was withdrawing from the competition. He then deliberately finished the song out of tune, angrily shouted "Enough!" and walked off arm-in-arm with Gil and Os Mutantes.
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parodied the Brazilian national anthem. Gil and Veloso were both arrested in February 1969 on the orders of the military junta - they were held in prison for three months without charge or trial, and after a further four months under house arrest, they were released on condition that they leave the country, and they spent the next few years in exile in the UK. Others in the Tropicalist movement were treated even more harshly - several were arrested and tortured, or forced to undergo psychiatric 'treatment'.
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first round of the Festival's song competition on 12 September, he was initially greeted with enthusiastic applause, but the situation soon turned ugly. Dressed in a shiny green plastic suit, festooned with wires and necklaces strung with teeth, Veloso provoked the students with his sensual movements and startling new psychedelic music. He was bombarded by insults, jeers and boos from the students, who became even more incensed when American pop singer
956: 875:, also known as 'Tropicalismo' (Tropicalism), an anti-authoritarian artistic reaction to the repressive military junta that seized power in Brazil in 1964. Encompassing visual art, theatre, poetry and music, Tropicália combined the popular and the avant-garde, and fused traditional Brazilian culture with foreign influences, including contemporary developments in British and American psychedelic music, and above all the music of 139: 853: 22: 933:
In September 1968 Caetano Veloso gave two tumultuous performances at the third annual International Popular Song Festival in Rio, where the audience included a large contingent of left-wing students who were vehemently opposed to the Tropicalistas. When Veloso (backed by Os Mutantes) performed in the
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The students began hissing and booing as soon as Veloso's name was announced, and when he began his performance, his overtly sexual stage moves and the experimental music of Os Mutantes provoked an outpouring of anger - the audience began booing so loudly stood that Veloso could barely be heard, and
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Tropicália had a major effect on the Brazilian music scene during its brief heyday (1967–68), and the main performers made regular appearances on Brazilian stage, television and radio, but the movement was abruptly shut down in early 1969, following a provocative December 1968 TV performance which
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made a surprise appearance during the song. The ideological conflict climaxed three days later when Veloso returned for the second round of the competition on 15 September, at which he performed a new song entitled "Prohibido a Prohibir" ("It is Forbidden to Forbid"), which was recorded live and
926:'s early "electric" concerts - the performers sported long hair, wore outlandish psychedelic costumes, used electric guitars and amplification, and played at full volume. Brazil's military junta was becoming increasingly suspicious of the anarchic anti-establishment attitudes of the 922:. The collective also performed a number of concert "happenings" which were intended to both involve and provoke audiences, and these reportedly had a similar effect on Brazilian audiences to that experienced by folk purists who witnessed 930:, who also found themselves at odds with the nationalistic student left-wing, who favoured traditional Brazilian musical forms, and rejected what they saw as the corrupting influence of Western pop music. 1238:
Monsivais, Carlos (2004). "Would So Many Millions of People Not End Up Speaking English?: The North American Culture and Mexico". In Sarto, Ana del; RĂ­os, Alicia; Trigo, Abril (eds.).
1030:, a cultural movement was born from a few Chilean bands that emerged playing a unique fusion of folkloric music with heavy psychedelic influences. The 1967 release of Los Mac's album 871:), they have since accrued a substantial international cult following. Os Mutantes also played a central role in the short-lived but revolutionary Brazilian aesthetic movement 1090:
played in the festival. Meanwhile, in the Argentinian capital Buenos Aires, a burgeoning psychedelic scene gave birth to three of the most important bands in Argentine rock:
39: 683: 1745: 809: 879:. As well as recording their own material, Os Mutantes collaborated with other key figures in the burgeoning Tropicalist movement, including singer-songwriter 916:. The album's group cover photograph depicted the collective holding a variety of objects and images, in a deliberate reference to the cover of The Beatles' 1363: 2170: 1858: 1843: 918: 86: 58: 1023: 987: 974:
emerged, especially in northern border Mexican states, in particular, Tijuana, Baja California. Among the most recognized bands from this "
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imagery and artwork, and open drug use. In Chile from 1967 to 1973, between the ending of the government of President
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produced psychedelic rock within the Chilean late 60s early 70s context with a female vocalist Denise Corales.
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Latin America proved a particularly fertile ground for psychedelic rock. The Brazilian psychedelic rock group
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Victoria Langland (2006), "Il est Interdit d’Interdire: The Transnational Experience of 1968 in Brazil",
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formed in 1966, although little known outside Brazil at the time (due to the fact that they recorded in
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The musical manifesto of the Tropicalist movement was the landmark 1968 collaborative LP
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In the late 1960s, a wave of Mexican rock, heavily influenced by psychedelia and
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festival held on September 11–12, 1971, on the shores of Lake Avándaro near the
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The Republic of Rock: Music and Citizenship in the Sixties Counterculture
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Estudios Interdisciplinarios de América Latina y el Caribe
978:" (Onda Chicana in Spanish) were Three Souls in my Mind, 1006:
and celebrated life, youth, ecology, music, peace and
1327:(Footscray, Victoria: Lonely Planet, 5th ed., 2008), 904:, with arrangements by avant-garde composer-arranger 2056: 1857: 1738: 1702: 1621: 1524: 1479: 1395: 1386: 1379: 46:. Unsourced material may be challenged and removed. 684:Psilocybin decriminalization in the United States 1837: 1746:Psychedelic rock in Australia and New Zealand 1357: 1178:The Mexico Reader: History, Culture, Politics 803: 8: 2171:South Georgia and the South Sandwich Islands 1295:(Andover: Cengage Learning, 8th ed., 2008), 1215:Jimenez Izquierdo, Juan (12 December 2011). 1147: 1145: 1002:. The festival, took place at the height of 1180:(Durham, NC: Duke University Press, 2002), 1844: 1830: 1822: 1392: 1383: 1364: 1350: 1342: 1241:The Latin American Cultural Studies Reader 810: 796: 117: 106:Learn how and when to remove this message 1176:G. M. Joseph and T. J. Henderson, ed., 1111: 883:, whom they backed on Gil's second LP. 129: 912:) and lyrical contributions from poet 1217:"Avandaro, mas que drogas y desnudos" 1154:, BBC World Service, 15 February 2015 919:Sgt. Pepper's Lonely Hearts Club Band 7: 1010:, has been compared to the American 669:Legal status of psilocybin mushrooms 44:adding citations to reliable sources 1811:Category:Psychedelic musical groups 55:"Psychedelic rock in Latin America" 988:Festival Rock y Ruedas de Avándaro 842:Brazil and the Tropicalia movement 14: 1751:Psychedelic rock in Latin America 889:Tropicália: ou Panis et Circencis 823:Psychedelic rock in Latin America 2047: 2014:Saint Vincent and the Grenadines 1852:Psychedelic rock in the Americas 1152:Tropicalia - Revolution in Sound 1026:and the government of President 674:Legal status of Salvia divinorum 137: 20: 772:Regulation of therapeutic goods 31:needs additional citations for 1137:Brazil, Tropicalist Revolution 1062:noted as an expression of the 1034:(1967) inspired bands such as 644:Drug policy of the Netherlands 1: 1271:. Oxford UP. pp. 220–. 1244:. Duke UP. pp. 203–32. 1205:, retrieved 6 December 2013. 1126:. Retrieved 2 February 2010. 513:List of psilocybin mushrooms 1639:Counterculture of the 1960s 1313:2011 website on Piedra Roja 1265:Kramer, Michael J. (2013). 962:performing in a TV show in 951:Mexico, Chile and Argentina 591:Counterculture of the 1960s 2262: 1552:Italian occult psychedelia 1293:A History of Latin America 1048:El derecho de vivir en paz 939:later released as single. 845: 747:Philosophy of psychedelics 2189: 2156:Saint Pierre and Miquelon 2045: 1796: 507:List of psychedelic drugs 2176:Turks and Caicos Islands 1806:Category:Hippie movement 1730:Psychedelic rock artists 1720:Psychedelic folk artists 1135:Gilberto Gil, quoted in 1058:was a music festival in 1725:Psychedelic pop artists 1715:Neo-psychedelia artists 1291:B. Keen and K. Haynes, 1167:, Vol. 17, No. 1 (2006) 654:Drug policy of Portugal 621:William Leonard Pickard 408:Psychedelic microdosing 2246:Music of Latin America 2091:British Virgin Islands 1788:Psychedelic literature 1783:Psychedelic experience 967: 908:(who had studied with 860: 367:Psychedelic literature 2004:Saint Kitts and Nevis 1801:Category:Drug culture 1684:Second Summer of Love 1064:hippie counterculture 958: 855: 767:Recreational drug use 649:Drug policy of Oregon 1199:"Dug Dug: Biography" 777:Self-experimentation 757:Prohibition of drugs 664:Legality of cannabis 40:improve this article 2181:U.S. Virgin Islands 2024:Trinidad and Tobago 1869:Antigua and Barbuda 1679:San Francisco sound 1584:Paisley Underground 859:performing in 1969. 639:Drug liberalization 518:Psychoactive cactus 1934:Dominican Republic 1669:New Age travellers 1046:on his 1971 album 996:Avándaro Golf Club 968: 861: 659:Drug policy reform 313:Psychedelic trance 2228: 2227: 1819: 1818: 1710:Acid rock artists 1617: 1616: 1520: 1519: 1408:New Weird America 1373:Psychedelic music 1016:psychedelic music 1014:festival for its 998:, in the central 820: 819: 712:Cognitive liberty 586:Alexander Shulgin 553:Psychedelic Press 273:Palm Desert Scene 216:Psychedelic music 189:Liquid light show 116: 115: 108: 90: 2253: 2241:Psychedelic rock 2146:Saint BarthĂ©lemy 2106:Falkland Islands 2051: 1846: 1839: 1832: 1823: 1773:Psychedelic drug 1634:Cannabis culture 1393: 1384: 1366: 1359: 1352: 1343: 1336: 1321: 1315: 1310: 1304: 1289: 1283: 1282: 1262: 1256: 1255: 1235: 1229: 1228: 1226: 1224: 1212: 1206: 1195: 1189: 1174: 1168: 1161: 1155: 1149: 1140: 1133: 1127: 1116: 1032:Kaleidoscope Men 982:, El Ritual and 827:psychedelic rock 812: 805: 798: 737:Neuroenhancement 495:San Pedro cactus 339:Psychedelic film 308:Psychedelic soul 303:Psychedelic rock 293:Psychedelic funk 288:Psychedelic folk 141: 118: 111: 104: 100: 97: 91: 89: 48: 24: 16: 2261: 2260: 2256: 2255: 2254: 2252: 2251: 2250: 2231: 2230: 2229: 2224: 2199:Central America 2185: 2060: 2052: 2043: 1860: 1853: 1850: 1820: 1815: 1792: 1778:Psychedelic era 1761:Psychedelic art 1734: 1698: 1629:Beat Generation 1613: 1567:Neo-psychedelia 1516: 1475: 1388: 1375: 1370: 1340: 1339: 1322: 1318: 1311: 1307: 1290: 1286: 1279: 1264: 1263: 1259: 1252: 1237: 1236: 1232: 1222: 1220: 1214: 1213: 1209: 1196: 1192: 1175: 1171: 1162: 1158: 1150: 1143: 1134: 1130: 1117: 1113: 1108: 1074:. 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a series
Psychedelia

Arts
Psychedelic art
Algorithmic art
Cyberdelic
Diffraction
Fractal art
Liquid light show
LSD art
Paisley
Phosphene
Psychedelic music
Acid house
Acid jazz
Acid rock
Acid techno
Acid trance

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