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Yang
Wenying, a famous artist after the founding of the People's Republic of China, and his achievements in the study of Qinqiang Opera art. Yang Wenying is a famous director and actor. He adapted many music works of Qinqiang art to promote the development of modern Qinqiang art in China, such as the
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In 1958, Zhao, Zhenxiao and Lu Rilong, professors of Xi'an
Conservatory of Music, created the “Capriccio on a Qinqiang Theme”, which is inspired by Shaanxi Opera, in order to promote the development of national music. The “Capriccio on Qinqiang Theme” is a representative work of the Qingqiang style.
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Qinqiang has four forms of performance: singing, narration, dance, and martial arts. During performances the combination of singing and narrative is used to express other scenes and characters, such as general combat or soldiers attacking enemies on the stage. Supporters of
Qiniang state that this
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Scholars state that
Qinqiang reflects on the personalities and experiences of the working people, as it was impacted by the war and the influence of Western culture and art. It has been researched by people looking to study the historical and cultural connotations of the Qin dynasty and
88:. Qinqiang is the representative of the Bangzi opera and the most important origin of other Bangzi operas. It plays a key role in Chinese traditional culture as its birth and development process is the result of the development of Chinese local opera since ancient times.
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in 1807 and soon took over other genres to be the representative genre of the province. Historically, there were two separate genres both referring themselves as
Qinqiang, the one with a longer history was later renamed as
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116:(汉调二簧). Earlier scholars lumped various genres in Shaanxi Province ("Qin"), including but not restricted to Handiao Erhuang, as Qinqiang; hence, mistakenly they traced such Qinqiang to
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creates a unique charm and atmosphere. Actors require a foundation of vocal music, as this is how the character of different humanities is expressed.
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144:". Wang's theory was soon debunked in the academia by 程砚秋 and 枣文寿, but the local government and newspaper continued to push the outdated theory.
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Historically, there were two separate genres both referring themselves as
Qinqiang, the one with a longer history was later renamed as
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120:(221BC - 206 BC). The epitome of this misconception was Wang Shaoyou (王绍猷)'s infamous claim in 1949 that Qinqiang "formed in
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Zhu, Qiao (2017). "An
Analysis of the Artistic Characteristics of Capriccio on Qinqiang Theme".
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in 1807 and soon took over other genres to be the representative genre of the province.
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Fu, Zengzhi (1 April 2013). "A Study of
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There are 13 kinds of characters in
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modern
Qinqiang opera “Red coral”, “Red Lantern”, “Ports” and so on.
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Miraculous response: doing popular religion in contemporary China
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288:[A review of the research on the origins of Qinqiang]
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19:"Qin Qiang" redirects here. For the javelin thrower, see
48:: Qín qiāng, literally "Qin's tune") is a genre of folk
194:" (丑, Clown), also knowns as " 13 Tou Wangzi" (十三頭網子).
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37:Map showing location of Shaanxi province in China
186:" (旦, female)(老旦、正旦、小旦、花旦、武旦、媒旦), two kinds of "
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403:"Tan Dun's Operatic Odyssey"
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300:: 33–35. Archived from
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16:Type of Chinese opera
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68:The genre features
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378:"国家哲学社会科学文献中心"
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286:"建国以来秦腔源流研究述评"
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353:. Retrieved
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325:. Retrieved
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296:(1). Xi'an:
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262:November 17,
260:. Retrieved
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134:Yuan dynasty
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1121:Flower Drum
1100:(narrative)
926:Hakka opera
844:Jilin opera
834:Henan opera
217:Musial work
165:Music style
160:Development
142:Qin dynasty
126:Han dynasty
122:Qin dynasty
118:Qin dynasty
97:Terminology
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1115:Errenzhuan
1018:Wuxi opera
983:Shao opera
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878:Ping opera
714:Bell Tower
668:Xintianyou
663:Three Qins
387:2019-07-16
230:References
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58:Qing China
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323:. 2001
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198:Actors
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46:pinyin
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1208:Nanxi
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1108:Baiju
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653:Music
510:Xi'an
305:(PDF)
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180:Sheng
44:(秦腔,
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294:当代戏剧
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251:ISBN
224:Erhu
192:Chou
188:Jing
76:and
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