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of his playing. During his earlier years, Wiedoeft's use of vibrato was quite spare. Wiedoeft employed several other 'sound effects,' such as slap tonguing and "laughing" (altering/bending the pitch of the note) through his horn, and alongside his very distinguishable vibrato, became a part of his musical repertoire. While he incorporated some elements of early
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influenced style. The rapidly articulated notes were made possible by the advanced techniques of double-tonguing and triple-tonguing, similar to those used by brass (trumpet, trombone, etc.) players and flutists. He was also known for his style of vibrato, which was very wide during the later years
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Rudy and his wife Mary
Wiedoeft had a difficult relationship partially due to difficulties of maintaining their rather flamboyant lifestyle and alcohol abuse. During 1937, he was nearly killed when he was stabbed by his wife. The couple reconciled, however, and during the same year, Rudy made his
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adapted features from existing production model saxophones and marketed them as the "Rudy
Wiedoeft Model". However, it is doubtful Wiedoeft actually performed with such instruments.
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into his playing, he remained stylistically a pre-jazz artist. Some of his original compositions were successes, notably
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Wiedoeft's siblings also became professional musicians, the most famous being West coast bandleader
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and, after a series of successful clarinet recordings with his Frisco Jass Band, switched to
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immigrants, at a young age
Wiedoeft started playing with his family orchestra, first using a
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357:"Bandmaster, Volume 2, Issue 4, Rudy Wiedoeft"
391:Discography of American Historical Recordings
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465:20th-century American male musicians
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359:. Bandmaster. June 1928. p. 9
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314:Flushing, New York
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212:saxophonist
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