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practice today. The system they used for animation, on the other hand, was a dead end precisely because it produced registration problems the peg system couldn't always fix. The basis of this "slash system" was to tear away the paper being drawn on to show the change underneath. For example, if a character was to move his arm, the first drawing would consist of character and background, then the arm would be carefully torn out to reveal the next sheet down and a new arm was drawn on the new paper revealed. The slash system lasted through the 1920s at various studios before being replaced by
294:. The cartoons Barré created for Sullivan are considered the best he ever did, as well as the best Felix cartoons ever made (the chicken antagonist in such cartoons as "Felix Dines and Pines" and "The Oily Bird" was drawn entirely by Barré). Raoul Barré retired from animation the second time in 1927, this time on a high note. Barré spent the last few years of his life drawing oil paintings and political cartoons, while starting his own art school.
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Various animators had come up with different methods to keep their drawings lined up, but none of them worked very well. Barré and Nolan's solution was to punch two holes at the bottom of all of their sheets and pass them through two pegs glued to the animation table. This peg system is still in
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was a strong money-maker for Barré, Bowers, and Fisher, but Barré began to get tired of it all as the years passed, due to personality conflicts with both partners. Barré retired from animation in 1919, amid rumors of a nervous breakdown. He settled into his home in
188:, a live-action shorts producer who became his business and artistic partner. The two worked together for a year putting out animated and live-action commercials for various companies (quite possibly the first ever use of animation for
110:. Initially known as a political cartoonist, he originated the French Canadian comic strip, then crossed over into animated film and started his own studio, a pioneering effort. As a painter, he is considered an
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situated in the
Fordham section of The Bronx. Barré did what he could to improve the quality of the animation in his films, investing some of the profits into art classes for the animators (in anticipation of
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and hired most of Barré's animators, including Bill Nolan, by paying them more money than Barré could provide. Barré was reduced to being a contractor for IFS, animating the series
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to turn his strip into a cartoon, but Bowers did not have the facilities to pull this off. Barré had the facilities, but not the men. A partnership was born in the form of
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192:). It was during this period that the two worked out a system for animating which was radically different from that practiced by anyone else at the time.
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par Samuel Montiège, Thèse de doctorat, Département d’histoire de l’art et d’études cinématographiques, Faculté des arts et sciences, Montréal, mai 2011.
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By 1914, Barré and Nolan felt confident enough to start their own studio, totally independent of Edison and dedicated 100% to animation. This
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for 11 months. Barré elected not to take credit on the strip, but rather signed it VARB, his initials (Vitale
Achille Raoul Barré).
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also had a good claim to the title). The main title produced by the new studio was a series of inserts for the mostly live-action
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in the United States in 1903. In 1912, Barré saw an animated film that inspired him to go into the industry (perhaps
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In 1925, Barré came to long for the world of animation again, as a replacement for Bill Nolan since he left for the
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comic strip, which had been printed by Hearst newspapers for nine years. Fisher had turned to independent animator
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https://web.archive.org/web/20110515211358/http://www.bdquebec.qc.ca/auteurs/barre/rbarre.htm
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Répertoire des personnages inhumés au cimetière ayant marqué l'histoire de notre société
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cartoons. He got what he wanted with the position of "guest animator" for
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Giannalberto
Bendazzi (Anna Taraboletti-Segre, English translator);
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Of mice and magic : a history of
American animated cartoons
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providing such training to his own employees during the 1930s).
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to produce his cartoons and while visiting the studio, met
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Of Mice and Magic: A History of
American Animated Cartoons
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L’Académie Julian et ses élèves canadiens Paris, 1880-1900
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Biography of Raoul Barré (in French), by Michel Viau:
360:"Stripper's Guide Obscurity of the Day: Noahzark Hotel"
414:(in French). Montreal: Notre Dame des Neiges Cemetery.
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94:(January 29, 1874 – May 21, 1932) was a Canadian
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328:. Toronto: Art Gallery of Ontario. p. 106
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211:was probably the first of its kind (although
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477:Published by Harry N. Abrams; 1973:
432:; The University of Chicago Press;
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1579:Film directors from New York City
236:. After seven cartoons, he quit.
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221:series, distributed by Edison.
27:Canadian cartoonist (1874-1932)
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303:Notre Dame des Neiges Cemetery
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301:and was buried in the city's
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462:; Indiana University Press;
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122:Personal history and career
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230:International Film Service
92:Vital Achille Raoul Barré
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496:In Search of Raoul Barré
380:Maltin, Leonard (1987).
286:Pat Sullivan Productions
84:Montreal, Quebec, Canada
1549:Canadian comics artists
226:William Randolph Hearst
178:How a Mosquito Operates
1614:Académie Julian alumni
475:The Art of Walt Disney
271:Glen Cove, Long Island
218:Animated Grouch Chaser
1554:Artists from Montreal
498:(Barré l'introuvable)
322:Murray, Joan (1973).
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557:Canadian cartoonists
512:Lambiek Comiclopedia
255:Barré-Bowers Studios
140:political cartoonist
602:Sheree Bradford-Lea
473:Christopher Finch,
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209:Barré-Nolan Studio
126:Barré was born in
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180:"). He picked
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291:Felix the Cat
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275:Mutt and Jeff
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266:Mutt and Jeff
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112:Impressionist
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52:
48:
41:
36:
31:
19:
1484:Steve Requin
1474:Julie Doucet
1424:
1377:Henri Julien
1329:spot and gag
1293:Win Mortimer
1278:Bruce McCall
1263:Darwyn Cooke
1254:(Les Barker)
1231:Chip Zdarsky
1216:Ty Templeton
1206:Jay Stephens
1086:Michel Gagné
1056:Alex Fellows
1041:Julie Doucet
856:Wally Fawkes
851:John Collins
820:Rina Piccolo
810:Terry Mosher
790:J. D. Frazer
733:Roy Peterson
713:George Feyer
703:Bob Chambers
607:Gary Clement
572:spot and gag
511:
495:
474:
459:
455:(1980, 1987)
444:
440:(1982, 1993)
429:
423:Bibliography
411:
406:
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375:
363:. Retrieved
354:
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330:. Retrieved
324:
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174:Winsor McCay
167:
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125:
91:
90:
79:(1932-05-21)
77:May 21, 1932
1539:1932 deaths
1534:1874 births
1489:Yves Rodier
1469:Guy Delisle
1425:Raoul Barré
1352: [
1298:Joe Shuster
1258:Harry Brunt
1221:Colin Upton
1156:Grant Miehm
1141:Jason Marcy
1131:Troy Little
1126:Jeff Lemire
1066:David Finch
1046:Max Douglas
1021:Dave Cooper
1006:Michael Cho
966:Ian Boothby
951:Kate Beaton
946:Samm Barnes
892:Doug Wright
877:Sean Martin
872:Rand Holmes
867:Jimmy Frise
846:Walter Ball
815:Steve Nease
800:Glen Hanson
698:Roy Carless
647:Steve Nease
622:Brian Gable
617:Andy Donato
597:Barry Blitt
518:Raoul Barré
388:McGraw-Hill
365:December 9,
288:working on
260:Walt Disney
190:advertising
155:comic strip
104:silent film
44:Raoul Barré
33:Raoul Barré
18:Raoul Barre
1528:Categories
1327:Editorial,
1252:Leo Bachle
1201:Ken Steacy
1166:Ryan North
1136:Jay Malone
1111:Russ Jones
1081:Ed Furness
1071:Tom Fowler
986:John Byrne
862:Hal Foster
728:Len Norris
718:Sam Hunter
683:Sid Barron
570:Editorial,
332:30 January
309:References
241:Bud Fisher
186:Bill Nolan
148:Émile Cohl
96:cartoonist
56:1874-01-29
1116:Dave Lapp
956:Marc Bell
887:Jim Unger
753:Ben Wicks
738:Lou Skuce
662:Paul Szep
282:Krazy Kat
224:In 1916,
198:Earl Hurd
106:era, and
1498:Deceased
1418:Deceased
1370:Deceased
1349:Garnotte
1268:Gene Day
1240:Deceased
1191:Dave Sim
1176:Arn Saba
839:Deceased
676:Deceased
204:system.
128:Montreal
100:animator
69:, Canada
63:Montreal
1091:Gerhard
563:English
234:Phables
108:painter
102:of the
1457:Living
1449:Comics
1397:Living
1336:Living
1320:French
914:Living
906:Comics
858:(Trog)
778:Living
693:Blaine
586:Aislin
579:Living
481:
466:
451:
436:
394:
299:cancer
132:Quebec
67:Quebec
1404:Delaf
1390:Strip
1356:]
771:Strip
1343:Bado
1186:Seth
748:Ting
522:IMDb
479:ISBN
464:ISBN
449:ISBN
434:ISBN
392:ISBN
367:2011
334:2022
176:'s "
74:Died
50:Born
520:at
200:'s
1530::
1354:fr
386:.
305:.
130:,
118:.
98:,
65:,
550:e
543:t
536:v
400:.
369:.
336:.
58:)
54:(
20:)
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