246:, and exposes and challenges Best Made, and the media that publicize this brand, as still promoting a version of masculinity embedded in the pioneer myth and symbolic violence. According to Professor Laurie Meamber, "The Best Made Co. brand myth is tied to the idea of the male pioneer that explores and conquers nature. As noted previously, the list of cultural referents utilized by the brand is diverse, and the Best Made Co. brand unabashedly associates well-known men with posed photos of archetypal outdoorsmen, such as fishermen and farmers, with a range of symbols such as the American flag and whiskey bottles. Examined individually, once again, the images are ripe for questioning. For example, many of the masculine, pioneering figures referenced in the brand myth may have a tenuous relationship to the outdoors (e.g. musicians, a civil rights leader). Yet, taken together, these references are viewed as a coherent brand identity that speaks to urban hipsters."
165:
structure it was applied to creates complex portraits of individuals, revealing empathetic character traits through sculptural position, while employing photography's descriptive potential through compound images that document the minutiae of a given sitter with the hyper detail seen through the lens as it captures not only facial expression, but visceral specifics of hair texture and skin quality. As Modrak manipulated photographs to the will of the three-dimensional creatures, she recognized a lapse between this approach to media and the available texts about photography studio practice. In 2011, Modrak published,
298:, written by Rebekah Modrak with Bill Anthes, looks at the history of photography through the approach of bridging technical and theoretical concerns in a broad, all encompassing way. The book "doesn’t abstract photography from its social context, discussing issues such as censorship in military operation, the place of photography in social networks like facebook, or comparing notions of originality and reproduction in photography to the same notions in genetics, etc."
204:, Modrak along with Zack Denfeld, and Aaron Ahuvia (Professor, University of Michigan-Dearborn, School of Business) curated a month-long art exhibition featuring site-specific work by twenty-five artists, the first curated exhibition of artwork imbedded within eBay.com that uses eBay as a gallery with which to present an exhibition of artwork, instead of simply displaying and selling them.
33:
159:
Rebekah Modrak's work as a visual artist involves a struggle between the expected uses of a particular technology or history and her desire to employ that knowledge or system in unintended ways that support the messier dynamics of life. Modrak's original experiments in photography led her to question
164:
of "reality through a viewfinder" presumes to represent our experience of sight. This work, incorporating photographic images applied to three-dimensional forms, ranges from a series of over life-sized figures to portrait busts. The photographic "skin" in combination with the soft three-dimensional
222:
The artwork intentionally treats browsers as potential consumers by presenting them with a fully functioning company website that mirrors Best Made's content from 2013 through 2017, complete with a collection of $ 350 plungers in "The
Plunger Shop" (in lieu of "The Axe Shop"), brand narration of
265:
in particular, as, "An overtly ridiculous product pitch for an artisanal plunger (fictional, of course), the clip effectively satirizes the products of a much-lauded brand called Best Made, whose flagship offering is a (nonfictional) line of really fancy and expensive axes. a very pointed, and
279:
campfire, Veblen chronicles the activities of the gentleman of leisure who cultivates a lifestyle full of 'manly beverages and trinkets,' apparel, weapons and other goods that establish his notable taste and draw attention to his capacity (in time and money) for cultivating leisure."
231:
as "a dynamic, malleable , changing in real-time within the online environment. Browser posts and emails, and Best Made’s redesigns, legal actions, and product messaging compel new creative and ethical decisions: how to respond to a tobacco company’s request to feature
672:
Rebekah Modrak. “Best Made Re Made: Critical
Interventions in the Online Marketplace.” The Routledge Companion to Criticality in Art, Architecture, and Design, edited by Chris Brisbin and Myra Thiessen. Routledge/Taylor & Francis,
266:
useful, example of object-as-critique, setting off a very serious line of questioning about the ideologies and biases embedded in designed things." In "Learning to Talk Like an Urban
Woodsman," Modrak reveals the only part of the
270:
website that deviates from Best Made's is the "Add to Cart" button. She writes that "any browser showing their readiness to spend money on a stylized plunger by clicking on 'Add To Cart' is dropped into the chamber of
236:
in their digital showcase; how to correspond in a ‘manly’ way when posing as avatar Peter Smith-Buchanan; what voice to use to reply to an order for thirty
Captain Perley Frazer Hudson Bay Plungers."
169:, a book that redefines photography (theory, history, and technique) as a more expansive practice utilized by various types of artists, some who do not necessarily define themselves as photographers.
450:
217:
223:"adventures" in manual labor at a Nebraskan farm or at the campground in Plumbland (in lieu of Best Made's (Lumberland"), and enticing events for building community. In the book
778:
671:
136:
788:
177:
Modrak's work explores interests in shared concerns between art and commerce – each involving questions of labor, production and distribution. Her artworks on
773:
768:
743:
793:
763:
758:
379:
783:
104:
798:
738:
709:
494:
477:
753:
748:
185:
stretchy pants mentioned in the post Stolen
Ebayaday presented a pair of stretchy pants that (Modrak proposed) had been worn by
710:
Maclaran, Pauline, Cele C. Otnes and Linda Tuncay Zayer. “Gender, Sexuality and
Consumption.” Routledge Handbook on Consumption
197:
04:30, December 21, 2011 (UTC) parasol with photographs adds an ornamental parasol to five seminal Vito
Acconci performances.
120:
451:"Food, Sex and Trauma: Mark Maynard Shoots the Shit with the Most Important Artists of Our Day … Episode 2: Rebekah Modrak"
433:
688:
Mark A. Rademacher and Casey R. Kelly, “Constructing
Lumbersexuality: Marketing an Emergent Masculine Taste Regime,”
140:
112:
181:
offer recreations of historic photographs, each incorporating an implausible garment as the main event. Original
97:
254:
733:
678:
Daniela K. Rosner, Critical
Fabulations: Reworking the Methods and Margins of Design, MIT Press, May 2018
193:
in her street gestures, and by the members of Hi Red Center during their street cleaning event. Original
128:
135:, where she taught as Associate Professor of Photography until 2003 when she joined the faculty at the
218:
a brilliant piece of satire directed at the company Best Made and its line of high-end, artisanal axes
728:
696:
614:
161:
637:
552:
316:
124:
116:
687:
572:
514:
215:) that appears to be an artisanal toilet plunger company, and what blogger Mark Maynard calls "
473:
108:
426:
Provenzano, Frank "eBayaday: Curators transform Web auction site into art gallery" (article)
151:. She is a professor at the University of Michigan Penny W. Stamps School of Art and Design.
564:
506:
328:
272:
701:, edited by x burrough, O. Gallagher, and E. Navas. Peer reviewed special themed issue for
405:
437:
591:
665:
132:
677:
722:
576:
518:
495:"Commentary on Learning to Talk Like an (Urban) Woodsman: An Artistic Intervention"
317:"Commentary on learning to talk like an (urban) woodsman: an artistic intervention"
243:
194:
190:
682:
568:
533:
510:
332:
353:
242:
critiques the appropriation of manual labor by affluent urban hipsters and the
144:
431:
291:
148:
32:
186:
470:
The
Routledge Companion to Criticality in Art, Architecture, and Design
225:
The Routledge Companion to Criticality in Art, Architecture, and Design
182:
553:"Learning to Talk Like An Urban Woodsman: An Artistic Intervention"
178:
714:
edited by Margit Keller, et al., Routledge, 2017, pp. 292-302.
96:
is an American artist, author, and educator, born in 1971, in
699:
Forking Paths in New Media Art Practices: Investigating Remix
262:
119:
in Photography. She was a visiting artist on the faculty at
592:"Reframing Photography: Theory and Practice (Paperback)"
212:
697:
Rebekah Modrak, “My Work is Yours to Do What I Want.“
668:, Rebekah Modrak and Jamie Vanderbroek, editors, 2021
115:
and subsequently received an Masters of Fine Arts at
78:
70:
62:
54:
42:
23:
683:Rob Walker, Object vs. Object, in Design Observer
137:University of Michigan School of Art & Design
16:American artist, author, and educator (born 1971)
139:. Rebekah Modrak's work has been exhibited at
8:
147:Incident Report and the Sculpture Center in
103:She studied painting and photography at the
472:. London: Routledge. pp. part IV, 21.
127:, before joining the full-time faculty at
31:
20:
779:New York State College of Ceramics alumni
666:Radical Humility: Essays on Ordinary Acts
354:"Professor Rebekah Modrak, Stamps School"
207:Modrak is the artist behind the artwork
307:
275:. In this 'chamber,' staged to evoke a
789:Bowling Green State University faculty
408:. Art-design.umich.edu. March 13, 2011
590:Modrak, Rebekah (November 23, 2010).
7:
774:21st-century American women artists
769:21st-century American women writers
579:– via Taylor Francis Online.
105:New York State College of Ceramics
14:
636:Debatty, Regine (July 23, 2012).
557:Consumption Markets & Culture
499:Consumption Markets & Culture
406:"A&D Profile: Rebekah Modrak"
384:Reframing Photography / Routledge
358:Stamps School of Art & Design
321:Consumption Markets & Culture
315:Meamber, Laurie (June 29, 2015).
690:Journal of Communication Inquiry
638:"Review: Reframing Photography"
744:University of Michigan faculty
121:Bowling Green State University
1:
794:Ohio State University faculty
764:21st-century American artists
759:21st-century American writers
569:10.1080/10253866.2015.1052968
511:10.1080/10253866.2015.1053661
493:Meamber, Laurie (June 2015).
449:Maynard, Mark (May 4, 2014).
333:10.1080/10253866.2015.1053661
532:Walker, Rob (May 12, 2014).
46:1971 (age 52–53)
815:
784:Syracuse University alumni
141:The Carnegie Museum of Art
189:during her Cut Piece, by
30:
799:American women academics
739:American women ceramists
613:Jan (December 1, 2010).
551:Modrak, Rebekah (2015).
521:– via TandFonline.
98:Pittsburgh, Pennsylvania
49:Pittsburgh, Pennsylvania
754:Writers from Pittsburgh
749:Artists from Pittsburgh
615:"Leonardo Reviews Home"
468:Thiessen, Myra (2018).
436:March 10, 2012, at the
380:"Reframing Photography"
37:Image of Rebekah Modrak
642:We Make Money Not Art
428:The University Record
296:Reframing Photography
290:Published in 2010 by
285:Reframing Photography
167:Reframing Photography
129:Ohio State University
85:Reframing Photography
213:http://remadeco.org/
211:, a web-based work (
66:Masters of Fine Arts
534:"Object Vs. Object"
263:Re Made brand video
227:, Modrak describes
125:Bowling Green, Ohio
117:Syracuse University
74:Syracuse University
160:how the one-point
705:. August 2, 2021.
692:, September 2018.
173:Critical Commerce
109:Alfred University
91:
90:
806:
653:
652:
650:
648:
633:
627:
626:
624:
622:
610:
604:
603:
601:
599:
587:
581:
580:
548:
542:
541:
529:
523:
522:
490:
484:
483:
465:
459:
458:
446:
440:
430:January 4, 2007
424:
418:
417:
415:
413:
402:
396:
395:
393:
391:
376:
370:
369:
367:
365:
350:
344:
343:
341:
339:
312:
273:Thorstein Veblen
113:Alfred, New York
81:
35:
21:
814:
813:
809:
808:
807:
805:
804:
803:
719:
718:
703:Media-N Journal
662:
657:
656:
646:
644:
635:
634:
630:
620:
618:
617:. Leonardo.info
612:
611:
607:
597:
595:
589:
588:
584:
550:
549:
545:
538:Design Observer
531:
530:
526:
492:
491:
487:
480:
467:
466:
462:
448:
447:
443:
438:Wayback Machine
425:
421:
411:
409:
404:
403:
399:
389:
387:
386:. March 2, 2022
378:
377:
373:
363:
361:
360:. March 2, 2022
352:
351:
347:
337:
335:
314:
313:
309:
304:
288:
251:Design Observer
175:
157:
79:
71:Alma mater
50:
47:
38:
26:
17:
12:
11:
5:
812:
810:
802:
801:
796:
791:
786:
781:
776:
771:
766:
761:
756:
751:
746:
741:
736:
731:
721:
720:
717:
716:
707:
694:
685:
680:
675:
669:
661:
660:External links
658:
655:
654:
628:
605:
582:
563:(6): 539–558.
543:
524:
505:(6): 559–568.
485:
478:
460:
441:
419:
397:
371:
345:
327:(6): 559–568.
306:
305:
303:
300:
287:
282:
174:
171:
156:
153:
133:Columbus, Ohio
94:Rebekah Modrak
89:
88:
82:
76:
75:
72:
68:
67:
64:
60:
59:
56:
52:
51:
48:
44:
40:
39:
36:
28:
27:
25:Rebekah Modrak
24:
15:
13:
10:
9:
6:
4:
3:
2:
811:
800:
797:
795:
792:
790:
787:
785:
782:
780:
777:
775:
772:
770:
767:
765:
762:
760:
757:
755:
752:
750:
747:
745:
742:
740:
737:
735:
734:Living people
732:
730:
727:
726:
724:
715:
713:
708:
706:
704:
700:
695:
693:
691:
686:
684:
681:
679:
676:
674:
670:
667:
664:
663:
659:
643:
639:
632:
629:
616:
609:
606:
593:
586:
583:
578:
574:
570:
566:
562:
558:
554:
547:
544:
539:
535:
528:
525:
520:
516:
512:
508:
504:
500:
496:
489:
486:
481:
479:9781138189232
475:
471:
464:
461:
456:
452:
445:
442:
439:
435:
432:
429:
423:
420:
407:
401:
398:
385:
381:
375:
372:
359:
355:
349:
346:
338:September 29,
334:
330:
326:
322:
318:
311:
308:
301:
299:
297:
293:
286:
283:
281:
278:
274:
269:
264:
260:
256:
253:, journalist
252:
247:
245:
241:
237:
235:
230:
226:
221:
219:
214:
210:
205:
203:
198:
196:
192:
188:
184:
180:
172:
170:
168:
163:
154:
152:
150:
146:
142:
138:
134:
130:
126:
122:
118:
114:
110:
106:
101:
99:
95:
86:
83:
77:
73:
69:
65:
61:
57:
53:
45:
41:
34:
29:
22:
19:
711:
702:
698:
689:
645:. Retrieved
641:
631:
621:December 21,
619:. Retrieved
608:
598:December 21,
596:. Retrieved
585:
560:
556:
546:
537:
527:
502:
498:
488:
469:
463:
455:Mark Maynard
454:
444:
427:
422:
412:December 21,
410:. Retrieved
400:
388:. Retrieved
383:
374:
362:. Retrieved
357:
348:
336:. Retrieved
324:
320:
310:
295:
289:
284:
276:
267:
258:
250:
248:
244:lumbersexual
239:
238:
233:
228:
224:
216:
208:
206:
201:
199:
195:Vito Acconci
191:VALIE EXPORT
176:
166:
158:
102:
93:
92:
84:
80:Notable work
18:
729:1971 births
594:. Routledge
259:Re Made Co.
240:Re Made Co.
209:Re Made Co.
162:perspective
55:Nationality
723:Categories
302:References
257:described
255:Rob Walker
155:Early work
145:Pittsburgh
577:143127936
519:145170003
292:Routledge
149:Cleveland
63:Education
647:March 2,
434:Archived
390:March 2,
364:March 2,
261:and the
202:ebayaday
187:Yoko Ono
58:American
277:Re Made
268:Re Made
234:Re Made
229:Re Made
575:
517:
476:
183:Fluxus
87:, 2011
573:S2CID
515:S2CID
111:, in
673:2018
649:2022
623:2011
600:2011
474:ISBN
414:2011
392:2022
366:2022
340:2023
179:eBay
43:Born
565:doi
507:doi
329:doi
249:In
200:In
143:in
131:in
123:in
107:at
725::
640:.
571:.
561:18
559:.
555:.
536:.
513:.
503:18
501:.
497:.
453:.
382:.
356:.
325:18
323:.
319:.
294:,
220:."
100:.
712:,
651:.
625:.
602:.
567::
540:.
509::
482:.
457:.
416:.
394:.
368:.
342:.
331::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.