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solemn expressions on their faces. Scientists often posed with instruments and objects of their study around them. Groups were often seated around a table, each person looking at the viewer. Much attention was paid to fine details in clothing, and where applicable, to furniture and other signs of a person's position in society. Later in the century groups became livelier and colours brighter.
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Especially in the first half of the 17th century, portraits were very formal and stiff in composition. Boards of trustees preferred an image of austerity and humility, posing in dark clothing (which by its refinement testified to their prominent standing in society), often seated around a table, with
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The cost of group portraits was usually shared by the subjects, often not equally. The amount paid might determine each person's place in the picture, either head to toe in full regalia in the foreground or face only in the back of the group. Sometimes all group members paid an equal sum, which was
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In some institutions the regentesses were all female, and so the portraits were of all-female groups, or there were mixed-gender regents who were painted separately, as in Hals' two portraits of the
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Group portraits, largely a Dutch invention, were popular among the large numbers of civic associations that were a notable part of Dutch life, such as the
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In
Amsterdam most of these paintings ultimately ended up in possession of the city council, and many are now on display in the
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Joris Odden, 'You can leave your hat on: Men’s portraits, power, and identity in the seventeenth-century Dutch
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likely to lead to quarrels when some members gained a more prominent place in the picture than others.
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or militia guards, boards of trustees and regents of guilds and charitable foundations and the like.
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during the 17th century, and in the 18th century. They were intended to be hung in the
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The six regents and the beadle of the
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of the board of trustees, called regents or regentesses, of a
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The
Regentesses of the St. Elisabeth's Hospital in Haarlem
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The regents of a charitable organization (such as an
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473:, October 2020 The Seventeenth Century 36(1):1-57
393:Female regents of the Burgerweeshuis in Amsterdam
134:is a subtle treatment of a group round a table),
459:"Informatiepakket Frans Hals", Frans Hals Museum
80:. This type of group portrait was popular in
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27:Group portrait of regents of an organisation
288:Regents of the Burgerweeshuis orphanage in
200:showing not only the regents but also the
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131:Syndics of the Drapers' Guild
524:Art of the Dutch Golden Age
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509:Dutch Golden Age paintings
438:retirement home in Haarlem
306:Bartholomeus van der Helst
144:Bartholomeus van der Helst
41:Leproos-, Pest- en Dolhuis
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228:Cornelis van der Voort
214:militia group portrait
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154:Cornelis van der Voort
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408:Jan Maurits Quinkhard
331:St. Elisabethgasthuis
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495:at Wikimedia Commons
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503:Categories
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325:Frans Hals
238:Frans Hals
223:schutterij
136:Frans Hals
290:Amsterdam
198:Amsterdam
126:Rembrandt
102:poorhouse
98:orphanage
192:for the
117:regenten
106:hospital
461:(Dutch)
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335:Haarlem
270:Gallery
247:Haarlem
167:Regents
128:(whose
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45:Haarlem
440:, 1736
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111:hofje
78:guild
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170:and
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