Knowledge (XXG)

Reliquary Shrine (de Touyl)

Source đź“ť

213: 225: 189: 201: 32: 17: 91: 103:
and suckles the child Jesus at her breast. It is made from gilt-silver, translucent enamel, with painted surfaces. The work seems to imitate the space of a church. The arches and vaults are described in gilded silver, the wing panels are in enamel and in their colourisation, figuration and
115:
The Virgin and Christ child are situated in an arched canopy, flanked by two angels. The complex and minutely described architectural space seems to emulate an early 14th-century church. The edges of the central panel are lined with a series of statuesque saints in
212: 152:
Its elaborate structure and supreme craftsmanship indicates that it was commissioned by members of the upper echelon of contemporary society. The shrine is first recorded in 17th- and 18th-century inventories of the convent of the
98:
The shrine is one of four extant silver-gilt and enamel examples from the early 14th century. The central panel shows the Virgin and Child surrounded by angels, placed in an elaborate Gothic architectural shrine. The Virgin is
59:-silver and paint, and dated to c 1325–50. Although first mentioned in a convent in Budapest, its style and influences indicates French craftsmanship. It has been tentatively attributed by the Met to 447: 257:
Her elevated position is indicated by her being seated in what seems to be a church, and that she is surrounded by attendant angels and saints. See Husband, 116
128:. Each of the six wing panels is crowned by a triangular panel containing a musical angel. The setting contains a number of elements reflective of contemporary 409: 395: 382: 170: 63:, a French goldsmith about whom little is known, but who is associated with a small number of works with similar stylistic characteristics. 224: 188: 421:
Wixom, William. "Medieval Sculpture at The Cloisters". The Metropolitan Museum of Art Bulletin, Volume 46, no. 3, Winter, 1988–1989
200: 462: 390:
Shepard, Mary in Charles Little and Timothy Husband. "Europe in the Middle Ages". New York: Metropolitan Museum of Art, 1989.
457: 346: 82:
to the childhood of Jesus. In medieval Christianity, the holiest of relics were those associated with the Virgin and Child.
173:, who founded the convent. It was in the collection of the baroness Clarice de Rothschild, before it was acquired by the 218:
Detail of the right-hand angel in the central panel, with biblical figures in niches horizontally along the right border
467: 322: 174: 387:
Freeman, Margaret Beam. "A Shrine for a Queen." The Metropolitan Museum of Art Bulletin, Volume 21, no. 10, 1963
105: 452: 71: 166: 117: 109: 90: 31: 129: 60: 16: 121: 405: 391: 378: 342: 144:. Given its small scale, it was probably intended as a household object, for private prayer. 100: 67: 52: 432: 318: 120:. Each of the two outer wings contains three foldable panels, showing scenes from the 441: 48: 24: 336: 286: 141: 125: 79: 338:
Medieval Art in Motion: The Inventory and Gift Giving of Queen Clémence de Hongrie
154: 133: 44: 162: 137: 56: 89: 78:, the hinged wings are painted on both sides with scenes from the 75: 30: 15: 94:
Detail of the Virgin and Child. Note her unnaturally large hands.
158: 416:
Der silberne Hausaltar der ungarischen Königstochter Margarethe
108:, seem intended to evoke stained-glass windows. Created in the 402:
The Cloisters: Studies in Honor of the Fiftieth Anniversary
169:
gifted the reliquary in the 14th century to her sister,
418:. Taschenbuch fĂĽr die Vaterländische Geschichte 5, 1824 289:". Metropolitan Museum of Art. Retrieved 8 April, 2017 287:Relics and Reliquaries in Medieval Christianity 404:. New York: Metropolitan Museum of Art, 1992. 377:. New Haven, CT: Yale University Press, 2005. 8: 448:Sculptures in the Metropolitan Museum of Art 375:The Cloisters: Medieval Art and Architecture 51:, New York. It is made from translucent 281: 279: 277: 241: 184: 267: 265: 263: 43:is an especially complex 14th century 313: 311: 301: 299: 297: 295: 171:Elizabeth of Poland, Queen of Hungary 7: 14: 335:Proctor-Tiffany, Mariah (2019). 223: 211: 199: 187: 341:. Penn State University Press. 1: 140:with figures of saints, and 206:Verso, with enfolded wings 484: 323:Metropolitan Museum of Art 175:Metropolitan Museum of Art 167:Queen Clementia of Hungary 66:The centrepiece shows the 325:. Retrieved 11 March 2017 23:, Open: 25.4 Ă— 40.6 cm. 463:14th-century sculptures 285:Drake Boehm, Barbara. " 95: 36: 28: 458:Christian reliquaries 93: 34: 19: 130:Gothic architectural 110:International Gothic 45:container for relics 400:Parker, Elizabeth. 414:Primisser, Alois. 230:Detail, right wing 132:design, including 122:Life of the Virgin 96: 37: 29: 468:Gothic sculptures 410:978-0-8709-9635-1 396:978-0-8709-9447-0 383:978-1-5883-9176-6 194:Detail, left wing 475: 433:At the Cloisters 360: 359: 357: 355: 332: 326: 319:Reliquary Shrine 315: 306: 303: 290: 283: 272: 269: 258: 255: 249: 246: 227: 215: 203: 191: 41:Reliquary Shrine 21:Reliquary Shrine 483: 482: 478: 477: 476: 474: 473: 472: 438: 437: 429: 424: 373:Barnet, Peter. 369: 364: 363: 353: 351: 349: 334: 333: 329: 316: 309: 304: 293: 284: 275: 270: 261: 256: 252: 247: 243: 238: 231: 228: 219: 216: 207: 204: 195: 192: 183: 150: 88: 74:and the infant 12: 11: 5: 481: 479: 471: 470: 465: 460: 455: 450: 440: 439: 436: 435: 428: 427:External links 425: 423: 422: 419: 412: 398: 388: 385: 370: 368: 365: 362: 361: 347: 327: 307: 291: 273: 259: 250: 240: 239: 237: 234: 233: 232: 229: 222: 220: 217: 210: 208: 205: 198: 196: 193: 186: 182: 179: 149: 146: 142:trefoil arches 87: 84: 13: 10: 9: 6: 4: 3: 2: 480: 469: 466: 464: 461: 459: 456: 454: 453:The Cloisters 451: 449: 446: 445: 443: 434: 431: 430: 426: 420: 417: 413: 411: 407: 403: 399: 397: 393: 389: 386: 384: 380: 376: 372: 371: 366: 350: 344: 340: 339: 331: 328: 324: 320: 314: 312: 308: 302: 300: 298: 296: 292: 288: 282: 280: 278: 274: 268: 266: 264: 260: 254: 251: 245: 242: 235: 226: 221: 214: 209: 202: 197: 190: 185: 180: 178: 176: 172: 168: 164: 161:, in today's 160: 156: 147: 145: 143: 139: 135: 134:ribbed vaults 131: 127: 123: 119: 113: 111: 107: 102: 92: 85: 83: 81: 77: 73: 69: 64: 62: 58: 54: 50: 49:The Cloisters 46: 42: 33: 26: 25:The Cloisters 22: 18: 415: 401: 374: 352:. Retrieved 337: 330: 271:Husband, 116 253: 244: 151: 126:Christ Child 114: 97: 80:Annunciation 65: 61:Jean de Toul 40: 38: 20: 248:Parker, 350 157:nunnery at 155:Poor Clares 106:perspective 86:Description 35:Closed view 442:Categories 348:0271081120 148:Provenance 27:, New York 305:Wixom, 62 177:in 1962. 101:enthroned 68:enthroned 47:, now in 163:Budapest 138:buttress 112:style. 367:Sources 354:6 April 181:Gallery 408:  394:  381:  345:  118:niches 72:Virgin 53:enamel 236:Notes 76:Jesus 406:ISBN 392:ISBN 379:ISBN 356:2024 343:ISBN 159:Buda 124:and 57:gilt 39:The 321:". 444:: 310:^ 294:^ 276:^ 262:^ 165:. 136:, 70:. 55:, 358:. 317:"

Index


The Cloisters

container for relics
The Cloisters
enamel
gilt
Jean de Toul
enthroned
Virgin
Jesus
Annunciation

enthroned
perspective
International Gothic
niches
Life of the Virgin
Christ Child
Gothic architectural
ribbed vaults
buttress
trefoil arches
Poor Clares
Buda
Budapest
Queen Clementia of Hungary
Elizabeth of Poland, Queen of Hungary
Metropolitan Museum of Art
Detail, left wing

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑