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Responsory

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68:, or other sacred musical work sung responsorially, that is, with a cantor or small group singing verses while the whole choir or congregation respond with a refrain. However, this article focuses on those chants of the western Christian tradition that have traditionally been designated by the term responsory. In the 367:
as stated by the editors. The structure of the Willcocks/Rutter arrangement, however, differs somewhat from what is shown above since it does not repeat the refrain after each verse in the traditional English way. For example, in the traditional English form (shown above) after the first verse, the
116:
A responsory has two parts: a respond (or refrain), and a verse. Methods of performance vary, but typically the respond will be begun by the cantor then taken up by the entire choir. The verse is then sung by a cantor or a small group; or the verse can be begun by the cantor and continued by the
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sung on the first Sunday of Advent after the first reading in the night office of the Latin secular (non-monastic) rite. The version that was sung in the medieval rite of Salisbury cathedral was worded as follows:
387:. The refrains are free compositions. The verses are ordinarily sung to standard tones, though there are exceptions to this. Polyphonic settings of parts of responsories survive from the Middle Ages. 322:(I look from afar, and behold I see the power of God coming, and a cloud covering the whole earth. Go out to meet him and say, tell us if you are the one who is to reign over the people of Israel.) 211:(I look from afar, and behold I see the power of God coming, and a cloud covering the whole earth. Go out to meet him and say, tell us if you are the one who is to reign over the people of Israel.) 372:
to the end. In the Willcocks/Rutter arrangement, on the other hand, after the first verse the choir sings (in English translation) only the portion of the refrain corresponding to the Latin words
168:(I saw in a night-vision, and behold, the Son of Man was coming on the clouds of heaven: and sovereignty and honor were given him: and every people and tribe, and all languages shall serve him.) 208:
Aspiciens a longe et ecce video Dei potentiam venientem et nebulam totam terram tegentem. Ite obviam ei et dicite, Nuntia nobis si tu es ipse qui regnaturus es in populo Israel.
165:
Aspiciebam in visu noctis, et ecce in nubibus caeli Filius hominis veniebat: et datum est ei regnum, et honor: * Et omnis populus, tribus, et linguae servient ei.
319:
et ecce video Dei potentian venientem et nebulam totam terram tegentem. Ite obviam ei et dicite, Nuntia nobis si tu es ipse qui regnaturus es in populo Israel.
117:
entire choir. The chant concludes with a repetition of all or part of the respond. Sometimes the second repetition of the respond is followed by a half-
858: 430: 112:, will be repeated after the singing of the verse. This responsory includes a half-doxology and a final repetition of the partial respond after it. 757:
An example of a responsory with a non-standard verse tone is the first responsory for the feast of Corpus Christi in the monastic rite,
888: 456: 93: 878: 180:(His might is an everlasting might which will not be taken away; and his reign is an everlasting reign, which shall not be broken.) 344: 195:
Most responsories have a single verse, but a few have multiple verses. One of the most famous of the latter is the responsory
893: 582: 358: 354: 519: 416: 883: 873: 609: 481: 509: 388: 587: 476: 471: 714:
in which the foliation starts over. The foliation starts over again for the common, and yet again for the
72:
and rites strongly influenced by it, such as the pre-reformation English rite and the monastic rite of the
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has become familiar in the English-speaking world in an arrangement published in the second volume of
529: 524: 400: 81: 77: 73: 31: 235:(Go out to meet him and say, tell us if you are the one who is to reign over the people of Israel.) 137: 567: 434: 854: 407:
shows that multi-voice settings of responsories have continued to be made in modern times also.
343:, where it is given the title "Matin Responsory", and is set to music adapted from a setting by 461: 331: 825: 514: 451: 125:, sung by the cantor, followed in turn by a third repetition of all or part of the respond. 821: 562: 504: 491: 444: 384: 336: 177:
Potestas eius, potestas aeterna, quae non auferetur: et regnum eius, quod non corrumpetur.
101: 597: 592: 534: 426: 232:
Ite obviam ei et dicite, Nuntia nobis si tu es ipse qui regnaturus es in populo Israel.
145: 816:
Liber Responsorialis pro Festis I Classis et Communi Sanctorum juxta Ritum Monasticum,
767:
Liber Responsorialis pro Festis I Classis et Communi Sanctorum juxta Ritum Monasticum,
108:, Solesmes, 1895, page 398. The third double bar indicates where the partial respond, 867: 679: 550: 349: 50: 92: 577: 497: 466: 340: 716: 674: 557: 363: 133: 69: 403:
for choir a cappella in 1911. The example of the Willcocks/Rutter setting of
422: 396: 53: 17: 486: 223:(Whoever are earth-born, the sons of men, together in one rich and poor) 118: 65: 259:(Tell us if you are the one who is to reign over the people of Israel.) 796:
Antiphonale ad usum ecclesiae Sarum, politissimis imaginibus decoratum,
696:
Antiphonale ad usum ecclesiae Sarum, politissimis imaginibus decoratum,
144:) followed the second reading, which was from the first chapter of the 141: 153: 149: 30:"Responsories" redirects here. For the composition by Max Reger, see 91: 46: 192:(And every people and tribe, and all languages shall serve him.) 824:, web site at McMaster University, Hamilton, Ontario, Canada. * 220:
Quique terrigenae et filii hominum simul in unum dives et pauper
438: 295:(Glory be to the Father and to the Son and to the Holy Ghost) 256:
Nuntia nobis si tu es ipse qui regnaturus es in populo Israel.
247:(Hear, O shepherd of Israel, who leadest Joseph like a sheep) 84:); however, they have also been used as processional chants. 76:, these chants ordinarily follow readings at services of the 653:
Liturgical Press, Collegeville, Minnesota, 1982, pp. 39-45
271:(Stir up your power O Lord and come that you may save us) 162:(started by the cantor and continued by the whole choir) 64:
The most general definition of a responsory is any psalm,
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Excita Domine potentiam tuam et veni ut salvos facias nos
833:"Responsorial Psalmody", in J. A. Fuller-Maitland, ed., 244:
Qui regis Israel intende, qui deducis velut ovem Joseph
283:(O you who are to reign over the people of Israel.) 678: 649:chapters 9, 11, 12, 13, 17, in Fry, Timothy, ed., 189:Et omnis populus, tribus, et linguae servient ei. 368:choir sings all the words of the refrain from 316:whereupon the choir took up the full respond: 104:for the first Sunday after Epiphany, from the 8: 805:Indiana University Press, Bloomington, 1958. 106:Liber Responsorialis juxta Ritum Monasticum 840:Rutter, John, and Willcocks, David, eds., 835:Grove's Dictionary of Music and Musicians, 744:Rutter, John, and Willcocks, David, eds., 710:. It is followed by the kalendar and the 627: 625: 859:International Music Score Library Project 110:Miserere mei Domine, quoniam infirmus sum 685:. Bloomington: Indiana University Press. 292:Gloria Patri et Filio et Spiritui Sancto 123:Gloria Patri et Filio et Spiritui Sancto 812:Routledge and Kegan Paul, London, 1958. 621: 383:Traditionally responsories are sung in 669: 667: 665: 663: 661: 659: 395:(H 111 - 119, H 126 - 134 and H 144). 128:As an example, here is the responsory 7: 730:Antiphonale ad usum ecclesiae Sarum, 651:The Rule of St. Benedict in English, 827:Temporale: Dominica Prima Adventus 706:is the first component of the 1519 636:. London: Routledge and Kegan Paul. 280:Qui regnaturus es in populo Israel. 25: 353:(free score of the Nunc dimittis 345:Giovanni Pierluigi da Palestrina 632:Harrison, Frank Lloyd (1958). 425:set to music, for instance by 1: 769:Solesmes, 1895, pp. 122-123. 583:Ecce quo modo moritur justus 520:Tamquam ad latronem existis 307:(In the people of Israel.) 910: 889:Christian liturgical music 837:Macmillan, New York, 1908. 810:Music in Medieval Britain, 417:Responsories for Holy Week 414: 411:Responsories for Holy Week 29: 822:Music of the Sarum Office 780:Music in Medieval Britain 634:Music in Medieval Britain 610:Call and response (music) 482:Eram quasi agnus innocens 310:The three boys then sang 289:(sung by all three boys) 152:) on the first Sunday of 88:Structure and performance 879:Christian hymns in Latin 748:Oxford, 1970, carol #15. 510:Velum templi scissum est 389:Marc-Antoine Charpentier 374:ite obviam ei et dicite. 808:Harrison, Frank Lloyd, 588:Astiterunt reges terras 477:Unus ex discipulis meis 472:Judas mercator pessimus 148:, at the night office ( 573:Recessit pastor noster 545:Caligaverunt oculi mei 136:(the medieval rite of 113: 702:folios 10v-11r. The 540:Jesus tradidit impius 457:Tristis est anima mea 174:(sung by the cantor) 95: 894:Liturgy of the Hours 842:Carols for Choirs 2, 746:Carols for Choirs 2, 530:Animam meam dilectam 525:Tenebrae factae sunt 301:(sung by the choir) 277:(sung by the choir) 253:(sung by the choir) 229:(sung by the choir) 186:(sung by the choir) 82:Liturgy of the Hours 74:Rule of St. Benedict 32:Responsories (Reger) 361:) - and not of the 138:Salisbury Cathedral 568:Plange quasi virgo 435:Jan Dismas Zelenka 327:Aspiciens a longe, 197:Aspiciens a longe, 114: 759:Immolabit haedum. 647:Rule of Benedict, 462:Ecce, vidimus eum 421:Responsories for 405:Aspiciens a longe 332:Carols for Choirs 325:This responsory, 313:Aspiciens a longe 304:In populo Israel. 80:(also called the 16:(Redirected from 901: 884:Christian chants 874:Catholic liturgy 857:: Scores at the 803:Gregorian Chant, 783: 776: 770: 763:Gregorian Chant, 755: 749: 742: 736: 727: 721: 693: 687: 686: 684: 671: 654: 644: 638: 637: 629: 515:Vinea mea electa 452:In monte Oliveti 399:composed twenty 265:(sung by a boy) 241:(sung by a boy) 217:(sung by a boy) 184:Partial respond: 98:Domine ne in ira 21: 909: 908: 904: 903: 902: 900: 899: 898: 864: 863: 851: 818:Solesmes, 1895. 792: 787: 786: 777: 773: 756: 752: 743: 739: 728: 724: 694: 690: 681:Gregorian Chant 673: 672: 657: 645: 641: 631: 630: 623: 618: 606: 563:Jerusalem surge 505:Omnes amici mei 492:Seniores populi 445:Maundy Thursday 419: 413: 385:Gregorian chant 381: 337:David Willcocks 299:Partial respond 275:Partial respond 251:Partial respond 227:Partial respond 102:square notation 96:The responsory 90: 62: 35: 28: 23: 22: 15: 12: 11: 5: 907: 905: 897: 896: 891: 886: 881: 876: 866: 865: 862: 861: 850: 849:External links 847: 846: 845: 838: 831: 819: 813: 806: 799: 791: 788: 785: 784: 771: 750: 737: 735:folios 9v-10v. 722: 698:London, 1519, 688: 655: 639: 620: 619: 617: 614: 613: 612: 605: 602: 601: 600: 598:Sepulto Domino 595: 593:Aestimatus sum 590: 585: 580: 575: 570: 565: 560: 548: 547: 542: 537: 535:Tradiderunt me 532: 527: 522: 517: 512: 507: 495: 494: 489: 484: 479: 474: 469: 464: 459: 454: 427:Carlo Gesualdo 415:Main article: 412: 409: 380: 377: 146:Book of Isaiah 89: 86: 61: 58: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 906: 895: 892: 890: 887: 885: 882: 880: 877: 875: 872: 871: 869: 860: 856: 853: 852: 848: 844:Oxford, 1970. 843: 839: 836: 832: 829: 828: 823: 820: 817: 814: 811: 807: 804: 801:Apel, Willi, 800: 798:London, 1519. 797: 794: 793: 789: 781: 775: 772: 768: 764: 760: 754: 751: 747: 741: 738: 734: 731: 726: 723: 719: 718: 713: 709: 705: 701: 697: 692: 689: 683: 682: 676: 670: 668: 666: 664: 662: 660: 656: 652: 648: 643: 640: 635: 628: 626: 622: 615: 611: 608: 607: 603: 599: 596: 594: 591: 589: 586: 584: 581: 579: 576: 574: 571: 569: 566: 564: 561: 559: 556: 555: 554: 552: 551:Holy Saturday 546: 543: 541: 538: 536: 533: 531: 528: 526: 523: 521: 518: 516: 513: 511: 508: 506: 503: 502: 501: 499: 493: 490: 488: 485: 483: 480: 478: 475: 473: 470: 468: 465: 463: 460: 458: 455: 453: 450: 449: 448: 446: 442: 440: 436: 432: 428: 424: 418: 410: 408: 406: 402: 398: 394: 390: 386: 378: 376: 375: 371: 370:ite obviam ei 366: 365: 360: 356: 352: 351: 350:Nunc dimittis 346: 342: 338: 334: 333: 328: 323: 321: 320: 315: 314: 308: 306: 305: 300: 296: 294: 293: 288: 287:Half-doxology 284: 282: 281: 276: 272: 270: 269: 264: 260: 258: 257: 252: 248: 246: 245: 240: 236: 234: 233: 228: 224: 222: 221: 216: 212: 210: 209: 205: 201: 198: 193: 191: 190: 185: 181: 179: 178: 173: 169: 167: 166: 161: 157: 155: 151: 147: 143: 139: 135: 132:which in the 131: 126: 124: 120: 111: 107: 103: 99: 94: 87: 85: 83: 79: 78:Divine Office 75: 71: 67: 59: 57: 55: 52: 48: 45:is a type of 44: 40: 33: 27:Type of chant 19: 855:Responsories 841: 834: 826: 815: 809: 802: 795: 782:pp. 366-371. 779: 774: 766: 762: 758: 753: 745: 740: 732: 729: 725: 715: 711: 707: 703: 699: 695: 691: 680: 650: 646: 642: 633: 549: 496: 443: 420: 404: 401:Responsories 392: 382: 373: 369: 362: 348: 330: 326: 324: 318: 317: 312: 311: 309: 303: 302: 298: 297: 291: 290: 286: 285: 279: 278: 274: 273: 267: 266: 262: 261: 255: 254: 250: 249: 243: 242: 238: 237: 231: 230: 226: 225: 219: 218: 214: 213: 207: 206: 203: 202: 196: 194: 188: 187: 183: 182: 176: 175: 171: 170: 164: 163: 159: 158: 129: 127: 122: 115: 109: 105: 97: 63: 42: 38: 36: 18:Responsories 830:(PDF file). 712:psalterium, 708:Antiphonale 675:Apel, Willi 578:O vos omnes 498:Good Friday 467:Amicus meus 341:John Rutter 130:Aspiciebam, 49:in western 868:Categories 790:References 778:Harrison, 717:sanctorale 558:Sicut ovis 364:Magnificat 335:edited by 134:Sarum Rite 70:Roman Rite 60:Definition 39:responsory 733:temporale 704:temporale 700:temporale 433:) and by 423:Holy Week 397:Max Reger 393:19 Repons 391:composed 263:3rd verse 239:2nd verse 215:1st verse 54:liturgies 51:Christian 765:p. 240; 677:(1958). 604:See also 487:Una hora 347:of the 204:Respond: 160:Respond: 119:doxology 66:canticle 142:England 43:respond 761:Apel, 431:Op. 15 172:Verse: 154:Advent 150:Matins 616:Notes 441:55): 379:Music 47:chant 359:CPDL 355:here 339:and 439:ZWV 357:on 140:in 100:in 41:or 870:: 658:^ 624:^ 553:: 500:: 447:: 156:: 121:, 56:. 37:A 720:. 437:( 429:( 34:. 20:)

Index

Responsories
Responsories (Reger)
chant
Christian
liturgies
canticle
Roman Rite
Rule of St. Benedict
Divine Office
Liturgy of the Hours

square notation
doxology
Sarum Rite
Salisbury Cathedral
England
Book of Isaiah
Matins
Advent
Carols for Choirs
David Willcocks
John Rutter
Giovanni Pierluigi da Palestrina
Nunc dimittis
here
CPDL
Magnificat
Gregorian chant
Marc-Antoine Charpentier
Max Reger

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