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which would inform the structure of French painting through the 19th century. She writes "It is less the values inherent in the style of Rubens and that of
Poussin, and less the changing taste for each considered independently, but rather the differences perceived at any one time between the two that
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To each painter in the list he gave marks from 0 to 18 for composition, drawing, color and expression. This gave an overview of aesthetic appreciation hinging on the balance between color and design. The highest marks went to
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frames the importance of de Piles in a dozen plus pages on de Piles in her book on Rubens and persuasively details de Piles’s ideas and sensibility in particular his proposing of the alternating painterly modes of
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determined the dialectical structure of the history of art in France well into the nineteenth century. Art out of art, perhaps, but surely not art out of touch with the world."
26:
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with 16 on color and 0 (zero) on expression. Painters who fell far behind Rubens and Raphaël but whose balance between color and design was perfect were
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Giovanna Perini, 'Central issues and peripheral debates in seventeenth-century art literature: Carlo Cesare
Malvasia's Felsina Pittrice'. In
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286:(1708) de Piles appended a list of fifty-six major painters with whose work he had acquainted himself as a connoisseur during his travels.
64:, whom he was to follow throughout his life, acting as secretary to his various missions as French ambassador to Venice, Portugal, Spain.
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He also acquired a taste for political intrigue using his travels ostensibly undertaken to study the
European collections, as a buyer for
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Weissert, Caecilie (2020), "Roger de Piles and the Secret of Grace." In Ralph
Dekoninck, Agnès Guiderdoni and Walter S. Melion (eds.),
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The argument is most fascinating as an early debate on classic vs modern in painting; in essence on the mathematics of
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In 1705 he followed Amelot de
Gournay to Spain but illness forced him to return to Paris, where he died in 1709.
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The way Roger de Piles documented his argument with
Venetian and northern European examples was of influence to
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carrying a false passport and imprisoned for the next five years. He spent his time writing
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45:(7 October 1635 – 5 April 1709) was a French painter, engraver, art critic and diplomat.
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75:. On the latter occasion, De Piles was made a member of the Bolognese literary Academy
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Quid est secretum? Visual
Representation of Secrets in Early Modern Europe, 1500–1700
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De Piles went to Italy twice, first in 1673–1674 as tutor of Amelot on the latter's
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stroke—the approach of the moderns. In his detailed study of the argument,
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was much discussed among art critics in the eighteenth century and ridiculed by
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94:(1682–1685) he started a famous collection of prints, drawings and paintings of
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349:(Paris: Flammarion, 1986, pp. 103–104), reproduced in Elisabeth G. Holt
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in seventeenth century Paris, a history that was to repeat itself with the
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Skliar-Piguet, Alexandra (1996). "Roger de Piles". In Jane Turner (ed.).
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1487:"We see a ghost : Hogarth's satire on Methodists and connoisseurs"
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L'Abrégé de la vie des peintres ...avec un traité du peintre parfait
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In the course of the argument Roger de Piles introduced the term "
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Roger de Piles et les débats sur le coloris au siècle de Louis XIV
353:, (Princeton: Princeton University Press, 1947), pp. 415–416
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Roger de Piles et les débats sur le coloris au siècle de Louis XIV
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214:—the classic approach— as opposed to the colored
1452:. New Haven and London: Yale University Press. p. 68.
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Cours de peinture par principes avec un balance de peintres
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The complete list is transcribed here from Manlio
Brusatin:
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Cours de peinture par principes avec un balance de peintres
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Roger de Piles' artists from
Germany and the Low Countries
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He was not always fortunate as a spy. In 1692, during the
79:, most probably thanks to a motion promoted by his friend
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Upsetting the
Balance: William Hogarth and Roger de Piles
1320:'s work - with supplementary comments by Roger de Piles).
222:(1965), B. Teyssèdre gives a touching account of the
1357:(1699), a seven-volume book of painter biographies:
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de Piles on drawing technique (English translation)
1519:The Art of Painting and the Lives of the Painters
1411:, Irving Lavin (ed.), University Park, 1989, 139.
36:History and life of the famous European Painters
1549:. London, New York: Grove-Macmillan Publishers.
1541:. New Haven and London: Yale University Press.
1434:. New Haven and London: Yale University Press.
1343:Lettre d'un français à un gentilhomme flamand
8:
1316:(1668) (Translation from Latin to French of
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1566:. Leiden and Boston: Brill, pp. 397–426.
1409:World art: themes of unity in diversity
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1362:Roger de Piles' artists from Lombardy
7:
1334:Le Cabinet de Monseigneur le Duc de
193:Académie de peinture et de sculpture
150:Académie de peinture et de sculpture
1599:Roger de Piles at arthistoricum.net
1374:Roger de Piles' artists from France
175:in the argument started in 1671 by
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1650:18th-century French male artists
1582:Roger de Piles:Portrait (French)
1372:The list of painters in Part 7:
1366:The list of painters in Part 6:
1360:The list of painters in Part 5:
1558:. Paris: Bibliothèque des Arts.
1355:L'Abrégé de la vie des peintres
351:Literary Sources of Art History
38:, Hamburg, Benj. Schiller, 1710
1587:Rubens contre Poussin (French)
163:His important contribution to
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1539:Roger de Piles' Theory of Art
1432:Roger de Piles' Theory of Art
197:Virgin and Child with St John
138:War of the League of Augsburg
1635:18th-century French painters
1630:17th-century French painters
282:To his last published work:
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1554:Teyssèdre, Bernard (1957).
1537:Puttfarken, Thomas (1985),
1516:English translation in 1707
1430:Puttfarken, Thomas (1985).
1318:Charles Alphonse Du Fresnoy
60:In 1662 he became tutor to
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1660:French philosophers of art
1485:Krysmanski, Bernd (2022).
1385:The Principles of Painting
179:on the relative merits of
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1448:Alpers, Svetlana (1995).
241:Poussinists and Rubenists
16:French artist (1635–1709)
1503:10.11588/artdok.00008018
62:Michel Amelot de Gournay
1324:Dialogue sur le coloris
568:Abraham van Diepenbeeck
308:Michelangelo Caravaggio
169:Dialogue sur le coloris
268:Nicolas de Largillière
177:Philippe de Champaigne
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1547:The Dictionary of Art
1005:Sebastiano del Piombo
347:Histoire des couleurs
335:Enthusiasm Delineated
191:(in a lecture to the
140:, he was arrested in
81:Carlo Cesare Malvasia
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1655:French male painters
1450:The Making of Rubens
1328:Dialogue upon Colour
234:. The art historian
120:Jean-Baptiste Forest
1665:Painters from Paris
967:Gianfrancesco Penni
549:Daniele da Volterra
327:Balance de peintres
278:Balance of painters
1625:People from Nièvre
1592:2009-11-21 at the
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776:Giovanni Lanfranco
131:marquis de Louvois
73:Republic of Venice
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19:For homonymy, see
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909:Palma il Vecchio
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434:Giovanni Bellini
396:Federico Barocci
377:Andrea del Sarto
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312:Lucas van Leyden
300:Giovanni Bellini
292:Raffaello Sanzio
272:François de Troy
264:Hyacinthe Rigaud
226:of the "modern"
165:aesthetic theory
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249:clair-obscur
248:
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201:
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195:on Titian's
168:
162:
154:
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124:
89:
84:
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52:
42:
41:
35:
32:Frontispiece
1620:1709 deaths
1615:1635 births
1024:Primaticcio
890:Otho Venius
588:Domenichino
371:Expression
362:Composition
325:De Piles's
253:Chiaroscuro
208:perspective
1609:Categories
1532:References
1176:Tintoretto
852:Caravaggio
702:Guido Reni
204:proportion
159:Art critic
77:dei Gelati
69:Grand Tour
1336:Richelieu
1062:Rembrandt
626:Giorgione
530:Correggio
304:Giorgione
142:the Hague
127:Louis XIV
104:Rembrandt
100:Correggio
96:Giorgione
1601:(German)
1590:Archived
1308:Writings
1250:Veronese
1214:Van Dyck
683:Guercino
492:Carracci
53:Born in
1330:, 1673)
1138:Teniers
1043:Raphael
871:Murillo
721:Holbein
365:Drawing
359:Painter
228:réfusés
212:drawing
181:drawing
55:Clamecy
1456:
1351:(1681)
1345:(1676)
1339:(1676)
1232:Vanius
1195:Titian
1081:Rubens
296:Rubens
224:bohème
189:Titian
173:Rubens
112:Rubens
92:Venice
1395:Notes
368:Color
216:brush
185:color
1454:ISBN
341:List
294:and
270:and
206:and
183:and
49:Life
21:Pile
1521:on
1499:doi
1244:13
1227:13
1132:15
1094:17
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1037:10
946:Il
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586:Il
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505:13
485:16
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251:" (
210:in
199:.)
90:In
34:to
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1493:.
1489:.
1440:^
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337:.
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23:.
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